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Lot 625
Rosenthal Porcelain Set comprising 6 x 9" bowls, 6 x 10" plates, and 3 x 7" side plates in white ground with a bronze rose centre, together with a Thomas porcelain part coffee set, made in Germany, comprising three coffee cans, four saucers, three side plates, four bowls a milk jug and lidded sugar bowl. Also, four associated plates and Limited Edition Chokin Art plate with bird decoration.
Lot 633
Noritake Tea Service, comprising Milk Jug, Sugar Bowl, Creamer and Sugar Bowl, Six Tea Cups, Saucers and Sandwich/Cake plates, and a large sandwich/cake plate. All in white ground with pale yellow and gilt decoration, and in good condition. Together with a Noritake Dressing Table Set, comprising a tray, two bowls, a ring holder, a lidded powder pot and two candlesticks, as seen.
Lot 639
Quantity of Royal Doulton Brambly Hedge Porcelain, comprising Tea Pot, Milk Jug, Sugar Bowl, miniature jug, and Sandwich Plate; 'Spring' Cup, Saucer, side plate, lidded sugar bowl and large lidded trinket box, 'Autumn' cup, saucer, bowl, trinket pot and lidded sugar pot; 'Wedding' cup, saucer, side plate and oval sandwich/cake plate; 'Winter' side plate, bowl, trinket box, thimble and lidded sugar pot; 'Summer' cup, saucer, bowl, lidded trinket box, egg cup and lidded sugar pot; 'The Birthday' cup, saucer, side plate and trinket box; and cups and saucers 'The Rescue', 'Poohsticks' and 'Merry Christmas'. and a Trinket Box 'Poppy's Babies'. More than 40 items in total, in excellent condition.
Lot 648
Royal Standard 'Mandarin' Tea Service, in white with pink decoration, comprising tea pot, sugar bowl, milk jug, six tea cups, saucers and side plates, and a large cake/sandwich plate, together with a Staffordshire Crown Pottery set of six cups, saucers and sides, a large cake/sandwich plate, a milk jug, lidded sugar bowl, lidded condiment pot, small bowl and egg cup. Also, a Paragon cup and saucer to commemorate the May 1960 wedding of Princess Margaret.
Lot 649
Colclough Pink Tea Service, in pink ground with floral decoration, comprising six tea cups, saucers and side plates, a large cake/sandwich plate, a sugar bowl and milk jug. Together with an associated pink Colclough tea set with gilt trim comprising six cups, saucers and side plates, three large cake/sandwich plates, milk jug and sugar bowl. Also, a Paragon sugar bowl and milk jug in pink floral design. All in good condition, a large collection.
Lot 650
Court China Tea Service, comprising 9 cups, saucers and side plates, a large cake/sandwich plate, a sugar bowl and three spare saucers and side plates. Together with a bone china set in white ground with gilt pattern comprising six sides, saucers and cups. Also, a Coronation mug of Queen Elizabeth II dated 1953, and a Denby Dale Pie Dish dated September 5th 1964.
Lot 661
Quantity of Mixed Pottery comprising Denby Stoneware Green Coffee Pot, Two cups and saucers, a cream jug, a butter dish, and a 13/4 pint casserole dish. Together with a Crown Staffordshire 'Bluebell' tea set comprising six cups, four saucers, six side plates, and a sugar bowl. Also, a Minton Haddon Hall oval tray, a Carleton Ware 'Rouge Royale' lidded trinket box, etc.
Lot 667
Old Country Roses Tea Service with extras, comprising a Tea Pot, Milk Jug, Sugar Bowl, four cups, saucers and side plates, a single cake plate, two tiered cake plates, an oval sandwich plate, a large round cake/sandwich plate, four coasters, five pin dishes, two cruet sets, a bud vase, two small vases, three decorative miniature shoes, and a miniature wheelbarrow and lidded pot. Together with an Old Country Roses recipe book.
Lot 669
Old Country Roses Tea Service with many extras, comprising Tea Pot, Milk Jug, Lidded Sugar Bowl, four cups, saucers and side plates, five dinner plates, cake plate, two tier cake plate, three bowls, five side plates, four coasters, a mug and sandwich plate, anniversary plate, 6" vase, three small pots, two cruet sets, a small lidded sugar bowl, and a heart shaped anniversary plate.
Lot 694
Royal Doulton Romance 'Juliet' Dinner Service No. H5077, comprising of 48 pieces: 6 dinner plates, 6 x 8" side plates, 12 x 6.5" plates, large oval meat platter, bread serving platter, gravy boat and saucer, two lidded tureens, 6 teacups and 6 saucers, a tea pot, milk jug and lidded sugar bowl. In good condition, lovely set.
Lot 620
˜A GEORGE IV SILVER TEA AND COFFEE SET, JOSEPH ANGELL, LONDON, 1823 / 1826 fluted compressed circular, each on four cast shell and acanthus panel feet and with an applied everted rim of cast foliate rocaille, the teapot and coffee pot with leaf-capped spouts and handles, the milk jug and sugar bowl with gilt interiors coffee pot 22cm high; 2367gr (76oz) including ivory insulators to pots
Lot 552
˜AN AMERICAN FOUR-PIECE COFFEE SET, HOWARD F. CRISP, BLOOMFIELD HILLS MI, CIRCA 1970 of simple tapered planished forms, the coffee pot with wood handle, the double-lipped milk jug and sugar bowl with gilt interiors and marine ivory handles, the secondary bowl plain, all stamped "STERLING", the coffee initialled to underside "HFC" coffee pot 19.5cm high; 1500gr all in Provenance: Private European Collector, "The Seawolf Collection", Object No.179 op. cit. (see lot 532 for further details.) Made by Howard Francis Crisp at the Cranbrook Academy of Art for the Thesis Exhibition.
Lot 573
A SET OF SIX GEORGE V SILVER TEASPOONS AND THEIR SUGAR TONGS, SIBYL DUNLOP, LONDON, 1923 hammer finished, with shaped terminals pierced probably by W. Nathanson with foliate motifs, in an associated fitted case Provenance: Private European Collector, "The Seawolf Collection", Object No.93 op. cit. (see lot 532 for further details.) |The designer, Sibyl Dunlop, presided in caftan and Russian boots over a workshop in Kensington Church Street, London, in the 1920s and 1930s. Her principal craftsman, W. Nathanson ... was a master of the piercing saw and firmly believed that some Arts and Crafts metalworkers rejected the saw because they lacked the skill to use it.| (http://collections.vam.ac.uk/item/O25384/bowl-dunlop-sibyl/, accessed 12.08.2021)
Lot 514
A PARIS PORCELAIN "NATURALISTIC" PART TEA SET, FLAMEN-FLEURY, SECOND QUARTER 19TH CENTURY shell moulded and with red coral handles, realistically painted, with gilt rims, comprising a teapot and cover, a milk jug with pink and gilt bubbled interior, a sugar bowl and three cups all with gilt interiors, and three saucers and a pair of dishes of scallop form, red stencil marks "Flamen / Fleury / à Paris" teapot 22cm long (12) Flamen-Fleury of 169 Rue du Faubourg-Saint-Denis, were well-known for their novel and naturalistic wares. At the 1827 "Exposition des produits de l"industrie française" the firm were praised for displaying a dessert service where the "plates, coupes, bowls imitate shells with a perfect illusion" (Adolphe Blanqui, "Historie de l"Exposition des produits de l"industrie française en 1827", Paris, p.166).
Lot 25
L Bailey for Aynsley, a coffee set comprising six cups and saucers, coffee pot, sugar bowl and milk jug, all with floral designs of cabbage rose and other flowers, each piece signed Bailey, Pattern No C804 and factory mark to base (9), the coffee pot 17cm highCondition report: All pieces in good original condition - no damage/repairs
Lot 373
Ceramics - a Paragon Victoria Rose tea service for six comprising cake plate, side plates, sugar bowl, cream jug, cups and saucers; other part sets, Royal Crown Derby Posies, Royal Albert Moss Rose and Paragon Bridesmaid; a Royal Crown Derby Posies cake stand; another, Royal Worcester Evesham
Lot 268
Art Deco design four piece geometric tea service, the teapot with pineapple finial comprising; teapot, water jug, cream jug and two handled sucrier by Fenton, Russel and Co Ltd, Sheffield 1928, 47 troy ozs approx. Together with a silver two handled sugar bowl, Scottish thistle hallmark to underside, 5 troy ozs approx. (5)(B.P. 21% + VAT)
Lot 1165
Collection of glassware including a large pressed glass bowl crystal vase, cream/sugar bowl and six vintage coupes. Condition report: One little nip/mark to one of the bases, but not visible apart from this good condition. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133
Lot 848
A Spode part tea service, comprising: seventeen spur handled teacups, fourteen saucers, a milk jug, a sugar bowl, twelve side plates, three circular sandwich plates and two square sandwich plates, each piece decorated with a central floral spray within a green border with relief moulded floral details (Qty)
Lot 12
GIORGIO MORANDI (1890-1964)Natura morta signed 'Morandi' (lower left); signed indistinctly 'Morandi' (on the reverse)oil on canvas43.8 x 50.4cm (17 1/4 x 19 13/16in).Painted in 1954Footnotes:ProvenanceDanilo Lebrecht (Lorenzo Montano) Collection, Verona (acquired directly from the artist circa 1954-1958).Thence by descent; their sale, Christie's, London, 30 November 1976, lot 67.Private collection, South Africa (acquired at the above sale).Thence by descent to the present owner.LiteratureL. Vitali, Morandi Catalogo generale, Vol. II, 1948-1964, Milan, 1977, no. 921 (illustrated).Giorgio Morandi occupies something of a unique position in the canon of Italian twentieth century art. His images of stillness act as a bridge between Metaphysical art's quest to capture the unsettling and enigmatic, and the elevation of the everyday found in Arte Povera. Despite living an extremely simple, inward-looking existence for the most part of his life, Morandi's renown extended far and wide in the Post-War period. Natura morta, painted in 1954, is a sublime example of the Bolognese painter's finest work from this crowning decade. When Alfred H. Barr Jr. (the pioneering American curator) travelled to Italy in 1948 sourcing works for his 1949 exhibition of Twentieth Century Italian Art at the Museum of Modern Art, New York, he was told by all that the greatest living painter in Italy was Morandi. His deceptively simple arrangements of bottles, dried flowers, cans and tins – the markings removed so as to further evoke a sense of timelessness – are synonymous with a contemplative minimalism that belies the agonising preparation that Morandi would undertake before completing each composition. Born in Bologna in 1890, Giorgio Morandi lost his father in 1909 and assumed the position as head of the family, living the rest of his life in their house in via Terrazza with his two sisters Dina and Maria Teresa. After attending the Belle Arti in Bologna, Morandi explored briefly the stylistic breakthroughs of Futurism, but the influence of Paul Cézanne and Jean-Baptiste-Siméon Chardin that he had explored at school continued to impact his work more keenly. Indeed, one cannot ignore the resonance of Cézanne's words when looking at Morandi's deliberately structured canvases: 'Treat nature by means of the cylinder, the cone, and the sphere... Lines parallel to the horizon give breadth... Lines perpendicular to the horizon give depth' (Paul Cézanne writing to Émile Bernard in 1904, in J. Rewald, (ed.), Paul Cézanne Letters, New York, 1976, p. 301). Morandi found in the still life genre the possibility to explore almost all that he wished to express about the human condition, collating over the years a cast of inanimate characters that would appear again and again in his canvases. The silk flowers, cigar tin and sugar bowl that gathered dust on the shelves of his studio on via Terrazza represented not liveliness but something more lasting: 'There is something in these still lifes that goes beyond, I will not say the subject, but the very fact of their being paintings, and quietly sings of humanity' (Cesare Brandi quoted in Exh. cat., Giorgio Morandi, London, 2009, p. 12). Morandi's stylistic development outwith the Academy in Bologna began with his discovery of his contemporaries in the Italian avant-garde. Having left Bologna briefly to serve in active duty in the First World War, Morandi suffered a breakdown in 1915 and was summarily discharged. This period of personal hardship and physical retreat saw the beginning of an interest in the developments made by Giorgio de Chirico and Carlo Carrà in Metaphysical painting, which Morandi explored through a series of still life paintings that display the same intense shadows and sense of disquiet that the one finds in de Chirico's piazze or Carrà's mannequins. Works from this period (1918-1922) very much sowed the seeds of what would come later, and represent Morandi's last great shift in style. From the mid-1920s onwards he retained this interest in the emotive and anthropomorphic power of the still life but began to develop an almost minimalist style and his famed approach to process. Initially displaying slivers of light and shade between the dust-covered objects, Morandi's compositions became more and more dense towards the beginning of the 1950s, with the familiar characters huddling ever-tighter together in a poetic defence. This is typified by the present work, Natura morta, where Morandi groups his bottles, tins and vessels in a close formation where almost no shadows fall between them, and the horizon line sits unbroken behind them. No clutter or hint of life beyond the studio exists in the scene: the composition is unabashedly a construct. The restrained palette of greens, greys and putties amplifies this sense of contemplative simplicity. Morandi placed the greatest importance in the process of selecting and assembling these groups of seemingly mundane objects to populate his still lifes. While the painting of the canvases themselves took comparatively little time, what occupied his mind was the process itself. He described his process to the painter Josef Herman in 1953, just a year before painting the present work: 'In a low voice, as though to no one in particular, he mused: 'What do people look for in my bottles?' I looked at him and he now looked at me. 'It is already forty years since I looked for some element of classical quiet and classical purity, a moral guidance perhaps more than an aesthetic one.' Then he changed the direction of his meditation. 'It takes me weeks to make up my mind which group of bottles will go well with a particular tablecloth. Then it takes me weeks of thinking about the bottles themselves, and yet often I still go wrong with the spaces. Perhaps I work too fast? Perhaps we all work too fast these days?'' (J. Herman, 'A Visit to Morandi', in L. Klepac, Giorgio Morandi, The dimension of inner space, exh. cat., Sydney, 1997, pp. 26-27). The present work not only exemplifies Morandi's Post-War refinement of the principles that he developed in the 1920s and '30s, but comes from a distinguished line of provenance. Natura morta was acquired from Morandi by the Italian writer and poet Danilo Lebrecht (better known as Lorenzo Montano, the pseudonym Lebrecht assumed in 1918) sometime in the late 1950s. Lebrecht had himself taken a role in the development of the Italian avant-garde, writing for the influential magazine Lacerba and founding publications such as Il Mese. Just as Morandi did, Lebrecht enjoyed his greatest acclaim during the late 1940s and 1950s. In 1958, around the time that he acquired this work, he was awarded the Premio Bagutta, one of Italy's highest literary accolades.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 145
A ‘XI SHANG MEI SHAO’ CHINESE EXPORT SILVER THREE-PIECE TEA SET BY RUI HUA JIN DIAN 瑞華金店 OF TIANJINChina, Tianjin, Circa 1900Comprised of one lidded teapot, one cream pot and one lidded sugar bowl. Each resting on a short foot, each of globular compressed belly, each with bamboo shaped handles, the teapot also with a bamboo shaped spout and a bamboo-shaped finial topping its lid. All adorned with magpies and prunus. All inscribed to the below with the city, i.e. Tianjin, the retailer's mark, Rui Hua Jin Dian (lit. Rui Hua Silver Store) and the artisan workshop mark Zeng 增.H (the biggest, the teapot): 15 cmTotal weight: 976 gramsNote: One can say “There is a happy magpie on the tip of the plum branch”, lit. “Xi Shang Mei Shao” (喜上梅稍) which sound exactly like “Xi Shang Mei Shao” (喜上眉稍), lit. happiness up to one's eyebrows". 中国出口“喜上眉梢”银器三件套，瑞華金店，天津中国，北京或天津，约1900年[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- the lid of the teapot detached;- a few minor scratches;- a few minor shocks.
Lot 127
ROYAL ALBERT OLD COUNTRY ROSES TESET AND TRINKET, comprising cake/sandwich plate, milk jug, sugar bowl, pin dish, six tea cups, six saucers and six side plates, together with a Royal Albert Lady Carlyle oval dish and American Beauty oval dish (both seconds) and an unmarked tureen (Condition report: Royal Albert pieces 'ping' nicely, no apparent chips, cracks, or signs of restoration, the gilt is slightly rubbed, the unmarked tureen has extensive crazing to the glaze)
Lot 131
PARAGON CHINA BELINDA PATTERN DINNER AND TEA WARES, comprising: oval meat platter, covered tureen (chip to pontil on lid), gravy boat, cake/sandwich plate, milk jug, sugar bowl, six 27cm plates, six 20cm plates, 12 side plates (one hairline to base), six saucers, six tea cups, and a Hammersley Victorian Violets pin dish (one box) (Condition report: as described)
Lot 109
A WEDGWOOD WILD STRAWBERRY PATTERN TEA SET AND GIFT WARE, comprising eight cups, eight saucers, eight tea plates, bread and butter plate, milk jug and twin handled covered sugar bowl, a shaped square pin tray, a bud vase, a shell shaped dish and an urn shaped vase (31) (Condition Report:- one saucer is cracked and stained, two tea plates sound slightly dull when tapped, rest ok)
Lot 138
THREE BOXES AND LOOSE CERAMICS, GLASS, COLLECTORS DOLLS, COATS ETC, including Royal Winton Hazel pattern breakfast set comprising toast rack, two egg cups a pepper and tray (missing salt), a Royal Albert Masquerade sugar bowl, Capodimonte plaque of a rose, E.P.N.S tea spoons, two white metal rings, stamped 925, one with a clear stone & marked CZ, a Murano fish pin dish, Knightsbridge Collection doll on stand with a similar doll seated having a child on her knee, faux fur coat etc
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79591 item(s)/page