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Click here to subscribeA George III-V tea service, of compressed circular design, with prow lip and partly reeded beneath a gadrooned rim, teapot 13cm h, by Rebecca Emes & Edward Barnard, London 1817 & 21, the sugar bowl Sheffield 1913, 38ozs 10dwts gross (3) ++The lot in fine condition, the marks practically as struck
A George III bright cut teapot and coffee pot and a matching Scottish George III bright cut cream jug and sugar bowl, of oblong form, the pots with domed lid and integral hinge, on ball feet, coffee pot 25cm h, tea and coffee pots both Newcastle, by Dorothy Langlands or Ann Robertson, 1807 & 1810, the cream jug and sugar bowl maker J Mc (probably John McKay; see note in Jackson Revised Edition, p551) Edinburgh 1794, 66ozs ++Teapot - with solder repair on the shoulder to the left of the handle. The engraving fresh
A Victorian reeded sugar bowl, 9cm diam, by S Clifford & Co, London 1882; two George III spirit labels - MADEIRA and PORT, gadrooned and kidney shaped or cut cornered and reeded, maker's mark only, M B and by Susannah Barker, London 1792; a cigar case for two cigars, by J C Vickery, Birmingham 1924; a pair of Indian Colonial oviform repoussé pepper casters, c1900, 11ozs (6) ++The lot in good condition
Late Victorian silver Cream Jug, with fluted decoration, (a.f.) and a matching Sugar Bowl, maker's mark J.W., Birmingham 1897, a pair of George VI octagonal Mustards, with hinged rising lids and scrolled handles, Adie Bros., Birmingham 1937 and a modern silver Egg Cup and matching Spoon, maker's mark T. & S., Birmingham 1959, 325grms.
Late Victorian Bachelor's Tea Set, comprising urn-shaped teapot, the hinged lid with pineapple finial, cast serpent handle and shaped spout, embossed and engraved with flowers, birds and scrolls, the matching MilkJug, two-handled Sugar Bowl and a pair of silver Sugar Tongs, James Aldwinckle and James Slater, London 1881, 700 grms gross.
A late Victorian silver round sugar bowl, London 1898, part spiral fluted and embossed with floral scrolls and with two foliate scroll and caryatid handles, 176g (6oz); together with a sauceboat by Wilson & Gill, London 1903, with a shaped rim, a leaf capped flying scroll handle and three paw feet, 95g (3oz); and a pair of George III silver sugar nips, circa 1790
A late Victorian silver two handled pedestal sugar bowl by Wakeley & Wheeler, London 1897, part fluted on a round base with an egg and dart foot-rim, 268g, and a George III oval mustard pot by James Mince, London 1803, the cover with a domed centre and a shell thumb piece, a moulded harp handle and engraved with a crest, 11.5cm (4.5in) long, 135g (4.25 oz)
A late Victorian silver melon fluted oblong sugar bowl by Nathan & Hayes, Chester 1901, with two scroll handles, a gadrooned rim and four ball feet, 163g; a late Victorian oval milk jug with an angular handle, Chester 1898; and a late Victorian round sugar bowl, Sheffield 1885, with two angular handles, a reeded rim, a spiral embossed band and four ball feet, 178g
A collection of silver and plated items, including: a set of six late Victorian silver engraved Old English pattern teaspoons by John Round, Sheffield 1897; a set of six silver Albany pattern coffee spoons, Birmingham 1898, both in cases; and plated items comprising: a Victorian concave oval spirit flask by Walker and Hall, engraved with flowers and leaves and with a removable cup and screw cover; a plated and beaded oval boat shaped pedestal sugar bowl with a scroll handle; a beaded vase shaped milk jug on a square foot; a meat skewer with a Prince of Wales feathers terminal, another with a shell and cow terminal, and two plated fiddle pattern salt spoons
A Kayserzinn flowerhead shaped pewter dish, no.199, 6" diameter, a Kayserzinn pewter cream jug, no.488, 3 1/4" high, a small Just Andersen hammered pewter bowl, 4" diameter, a hammered English pewter water jug, milk jug and two handled sugar bowl, an Art Nouveau brass two handled vase embossed with stylized flowers, 8 1/2" and a circular Art Nouveau pottery teapot stand, decorated with stylized pink flowerheads in white metal mount, raised on three ball feet, 7 1/2" diameter (8)
A SILVER TEASET with reeded design, on ball feet to include a teapot, with ebonised wooden handle, London 1901, (makers mark worn), a milk jug and sugar bowl, Thos. Bradbury & Sons, Sheffield 1901, a pair of susgar nips, Martin Hall & Co. Sheffield 1878, a Continental Silver snuff box and a silver plated candlestick holder (6)
Clarice Cliff dinner service, decorated with pink and green flowers on a cream and green ground, comprising two tureens with covers, eight dinner plates, eight breakfast plates, eight side plates, seven soup bowls, two serving plates, sugar bowl; and a Clarice Cliff two handled jar and cover modelled as a tomato (37)
Fochabers - a rare Scottish provincial sugar shovel by John McIver of Fochabers circa 1835, marked JMcI, FOCHRS, with short fiddle section and long stem to rounded square bowl 15.3cm 13g Notes: This rare spoon has what must be considered one of the rarest town marks in Scottish provincial silver (probably with only exception to Ellon and Stonehaven) This mark is rarely encountered on any item of silver and so far has only been noted on a small handful of Fiddle pattern flatware. Another sugar shovel of the same pattern is noted within a private North East museum collection. Clear examples of this punch are very rare. The most commonly found examples attributed to Fochabers probably originate from Aberdeen, these marks being from McIver's time working there. These are easily identifiable with the makers punch having stops between each letter and usually seen with either thistle or gothic A punches. Only items with the crude FOCHRS hand punch should be considered to originate from his time in Fochabers. Reference: For full details on this maker see 'Provincial Silversmiths of Moray and Their Marks' GP Moss
Glasgow - a scarce George III sugar bowl and cover by Milne & Campbell of Glasgow circa 1765, marked M&C (struck twice), Glasgow town mark, O, of inverted pear shaped bowl chased with shell, scroll and flower head designs, the domed pull off cover with acanthus and flower border and spiraled leaf panel, with bud finial 15.5cm high, total weight 16oz Provenance: ' The Phoenix Collection'. Notes: Early covered sugar bowls are relatively scare in Scottish silver, it appears to have been the fashion to have open examples, it however must be assumed that some of the surviving examples are now lacking their original covers, making this a much rarer survival. The majority of covered sugar bowls of the fifteen recorded are of Edinburgh manufacture with only a small handful known by Glasgow makers. A Sugar bowl by this maker is represented in the National Museum of Scotland Collection Reference: This example illustrated in 'The Compendium of Scottish Silver Vol. II' by R & J Dietert 2007, plate 3 page 35
A matched Victorian three piece tea set by William Marshall, Edinburgh 1843-1844 and 1849-1850, comprising teapot, milk jug and twin handled sugar bowl, all of baluster inverted pear shaped design with panelled body, the bodies embossed with acanthus leaf and flower head designs, the shaped circular foot similarly decorated, the teapot with fluted curved spout and hinged lid with bud finial (3) teapot 20cm high, milk jug 18cm high, sugar bowl 15cm high, combined weight 49oz Notes: William Marshall was the appointed silver and goldsmith to the Queen in Scotland and had addition of a crown above his initials added within his makers mark. He is the only recorded maker to have taken these steps to show his Royal patronage
A George II sugar bowl by James Mitchelson, Edinburgh 1735-1736, Assay Master Archibald Ure, the circular bellied body with everted scalloped rim with moulded stepped border 13.5cm diameter 7oz Note: For a long time there has been confusion and debate regarding the maker of items with this IM in a shaped shield punch. Originally being attributed to John Main. For many reasons, including overlapping careers and lack of concrete documentary evidence to tie makers to extant items it has now correctly been ascribed to Mitchelson. Reference: For full details on these makers and the conclusion surrounding their marks see 'James Mitchelson - his legacy restored by Rodney R Dietert & Janice M Dietert published in Silver Studies 2006 page 53-58
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