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Lot 45
Good Group of Ceramics and Glass including Red Glass Bubble Ashtray (possibly Whitefriars), Red Glass Bowl, Two Wedgwood Vases and a Pot & Lid, Aynsley Vase plus Box & Lid, Royal Doulton Dish, Limoges Dish, Minton Preserve Jar & Lid, Small Blue & White Vase, Chinese Under Glazed Blue Bowl and Cup plus Two Other Dishes
Lot 396
A lot to include cased silver letter opener with cast stag horn design handle, hallmarked Birmingham 1978 by JB Chatterley & Sons Ltd, lidded mustard pot with gadrooned rims and blue glass liner, hallmarked Chester 1904 with white metal spoon, pair of silver pepperettes with beaded decoration both hallmarked London 1977 with makers initials JJ, pair of salts with beaded rims and blue glass liners hallmarked London 1977 with makers initials JJ, silver spoon with golf ball design handle terminal and engraved bowl, hallmarked Birmingham 1994 by Barker Ellis and another spoon with crown design handle hallmarked Birmingham 1978 by S & Co, total silver weight approx. 655g.
Lot 453
Chatin Sarachi (Albanian, 1899-1974) Still life of a bowl of fruit signed and inscribed lower left "To Walter and Diana from Chatin" and signed "Sarachi" and with "CS" stamp watercolour, in a blue painted frame 27 x 37cm (11 x 14in) A little discolouration and crinkling of paper under the glass.
Lot 454
Chatin Sarachi (Albanian, 1899-1974) Still life of lemons and apples in a terracotta bowl signed lower right and inscribed "To John from Chatin" watercolour 25 x 40cm (10 x 16in) Chatin Sarachi (in Albanian Paskal "Çatin" Saraçi) was an Albanian painter and politician In 1939 Sarachi met the great expressionist artist Oskar Kokoschka. Kokoschka became a close friend and admirer of Sarachi as well as a constant influence on his work. They shared a Kensington studio in Stratford Road, not far from the Pride Gallery, and worked together, creating many drawings and paintings of each other. The last exhibition of his work was held at the Pride Gallery in London in 1988. Today, the work of Chatin is considered to be closely connected to Expressionism although his knowledge and appreciation included influences of Japanese and Chinese painters. Under glass and paper is quite crinkled.
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