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Three 18th century wine glasses comprising a plain stemmed glass with bell shaped bowl and conical folded foot H16cm, another plain stemmed glass with ogee bowl and folded foot and a Continental glass with gilt faceted bowl, decorated with male figure within a landscape, on a clear Silesian seven sided cut stem (3)
A Russian Silver-Mounted Cut-Glass Sugar-Bowl, by Khlebnikov, Moscow, Circa 1910, With Imperial Warrant tapering oblong, the glass cut with stars and ray motifs, the silver-mounted border with cast ribbon-tied husks, with swan-cast scroll handles20.5cm wide over handlesMarked inside rim with Cyrillic maker's mark below Imperial warrant. Further marked with oval kokoshnik mark and '84'. There are some minor chips and scratches to the glass and the silver mounts. The silver mounts tarnished.
A Russian Silver Dessert-Stand, by Isaac Minikes, St Petersburg, circa 1890, on openwork cast and chased foliage scroll and rocaille base, the corners with alternating cast dolphins or rocaille, the stem modelled as a putto who holds aloft a scroll support for the glass bowl, the bowl now lacking32cm high, 43oz 14dwt, 1,359grMarked on foot and base. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points. The base rocks slightly when placed on a flat surface. The fixing bolt for the glass bowl is present but the glass bowl is lacking.
A Victorian Brass-Bound Coromandal Dressing Case, of rectangular form with vacant cartouche, containing various silver-plate-mounted glass bottles and jars over a sprung frieze drawer26.5cm wideOuter case in overall good condition. Some minor veneer cracks, slight scuffs and scratches. Hinges good free from repairs on the timber, opening and closing freely. Secret drawer functioning. Bramah lock but no key.Accoutrements lids all with wear to the plating, some small splits. Circular bowl, the glass heavily chipped at the rim. widest rectangular box with a large rim chip to the glass. One bottle with a replacement stopper. Cut throat razor and shaving brush are replacements. Bottom right one object missing and replaced with a velvet covered place holder.
A Baluster Wine Glass, circa 1710, the bell-shaped bowl with basal air tear on an everted baluster stem with further air tear, basal knop and folded foot 13.5cm highSee Bickerton (LM) Eighteenth Century English Drinking Glasses, An Illustrated Guide, pg.66, pl.59 Free from chips and cracks. Expected surface wear and scratches only.
The Beatles, a collection of five framed LPs, to include Yellow Submarine, Sgt Pepper's Lonely Hearts Club Band, Let it Be, The Beatles First, and The Beatles at the Hollywood Bowl; together with one other being Madness - One Step Beyond, each 32.5 x 32.5cm (6)Beatles at the Hollywood Bowl with crack to glass.
Steven Newell (b.1948) - an amber studio glass bowl, contemporary, of assymetrical form, signed to the rim, h.14cm, together with a Steven Newell amber studio glass dish, also signed to the rim, dia.28.5cm, and a Martin Andrews amber sudio glass bowl, contemporary, having spiral line decoration, signed to the foot, dia.23cm (3)
A collection of studio glassware, to include; a Glasshouse studio coloured glass pedestal vase, of waisted form, marked to the foot, h.29cm, a pair of Julia Linstead studio glass bottles, signed to the underside, h.22.5cm, a Charles MacPherson studio glass 'Sweetie' dish, dia.11cm, a Daniel Aston studio glass 'Frog' dish, w.11.5cm, a frosted and yellow studio glass bowl, signed indistinctly to the underside, dia.12cm, and a Luisa Mayor caned studio glass bowl, signed to the base, w.18cm (7)
A Tenmoku monochrome glazed studio pottery shallow dish, with makers monogram to underside, dia.21.7cm; together with a Carter Stabler Adams Ltd for Poole Pottery blue painted ribbed vase, of slightly lower bulbous form, with impressed mark to underside and numbered 266, h.14.7cm; and a studio pottery cylindrical squat bowl, with blue crackle glass inset interior, stamped monogram to underside, dia.14.7cm (3)Tenmoku bowl – several ‘fleabites’ to upper edge of top rim, otherwise good.Poole vase – one glaze ‘fleabite’ to outer upper edge of top rim.Squat bowl – wear to painted decoration at inner and upper inner edges of top, otherwise good.
A Melting Pot studio blue glass bowl, contemporary, having coloured splash, dia.17.5cm, together with a Melting Pot studio green and red glass vase, h.23cm, and a Mai yellow studio glass vase, 20th century, of ovoid form, having red line decoration, h.24cm (3) All stand well.Mai yellow vase – small number of short surface scuffs/scratches.Otherwise in very good and original condition.
Kosta Boda - an October series art glass iridescent bowl, decorated with trees and birds within a grassy landscape, original paper label to upper part of body, incised marks and indistinctly artist signed verso, h.9.5cm, w.13.3cm; together with a Bertil Vallien for Kosta Boda miniature footed iridescent bowl, etched marks to underside, h.5cm (2) Both stand well.Each in very good and original condition with no apparent faults.
A Deborah Timperley purple studio glass dish, contemporary, heightened in gilt, dia.18.5cm, together with a Jodi Wright coloured studio glass bowl, contemporary, signed to the rim, w.32cm, a Richard coloured studio glass bowl, contemporary, signed to the foot, 32cm and a blue studio glass bowl, in the form of shells, signed indistinctly and dated '81, w.31cm (4)
René Lalique (1860-1945) - a circular opalescent glass bowl in the Ondines pattern, the exterior relief moulded with raised mermaid, circa 1921, numbered 381, etched 'R. Lalique France' to underside edge, dia.20.8cm Very light surface scratches to inner and outer central areas (only visible on close inspection).Otherwise excellent.
A Nikki Williams studio glass 'Ghost' vase, contemporary, relief decorated with a figure, signed to the base, h.27cm, together with another Nikki Williams amber studio glass bowl, contemporary, relief decorated with a similar figure, dia.19cm and a Nikki Williams 'Kinki' blue studio glass bowl, w.36cm (3)
René Lalique (1860-1945) - an opalescent glass shallow table bowl in the Actinia pattern, with moulded raised stylised wavy outer decoration to underside, numbered 10-392, acid etched mark 'R.Lalique France' to centre of underside, dia.26cmThree very small surface abrasions to underside edge of top rim.Otherwise in excellent condition.
JOHN DITCHFIELD FOR GLASFORM An amber coloured glass vase with blue teardrop decoration and pink iridescence, signed and numbered 5789 to base, 21.5cm high, together with an amber glass bowl with iridescent blue splashes, signed to base and with number 5707, 17cm diameter (2) Condition Report:chips on pontil from manufactureno chips or cracks
A XIX Century Papier Maché Teapoy, with hinged lid, decorated with mother of pearl, the interior with caddies and two glass mixing bowls, raised on a turned pedestal on cabriole legs, with all-over gilt decoration, 78cm high, 49cm wide.Lot 1649 - Top - part 2cm x 1cm loss to large mother of pearl piece on top, 4cm crack at back, (3) pointer scuffs 1.5 x 0.5cm, 1.5 x 0.5cm and 1.5 x 0.5cm, hinge loose, minor loss around key hole. Interior - one hinged bowl cover loose, 0.5 x 1.0cm strip absent by lock bar. Base - scuffs, dints, some paint loss, general wear.
A Mid XIX Century Rosewood Tea Caddy, of sarcophagus shape with brass inlay, the interior with two lidded compartments and later glass mixing bowl, 20 x 34 x 19cm.Lot 1444 - missing part of design to top rim, two pars of brass inlay poking out to front, two parts of brass inlay missing, slight split to one wooden inside compartment, glass good condition, hinges good condition and lid fits flush. No pack and post in-house on this lot.
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87309 item(s)/page