A late 19th Century glass cup and cover, in the manner of Dr Christopher Dresser, the cup with bucket form bowl, thick stem with internal spiral and domed foot, engraved with alternating stylised leaves and geometric patterns, the conical cover with conforming decoration, unmarked, height 19cm.
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An early 19th Century Sunderland glass rummer, circa 1800, the barrel bowl engraved with a view of a masted sailing ship beneath the Sunderland Bridge, with a blank oval cartouche panel opposing between a border of hops and barley above slice cut base, raised to a ball knop stem and circular spread foot, height 16.5cm.
A late 19th Century commemorative clear crystal glass goblet, the large round funnel bowl engraved with an oval cartouche depicting a formal building with panel verso reading 'New Town Hall - Bank Park - Warrington - Opened June 20th 1873' within foliate scroll borders, above a baluster form stem and shallow conical foot, height 16.5cm.
A large 19th Century Richardson ruby crystal glass bowl, the wide domed foot below a circular bowl with scalloped rim, heavily decorated with gilded scroll panels to the interior and matched design to the domed foot, width 30cm, height 18cm. Provenance - Richardson family and thence by descent.
A large glass bowl in double Graal technique glass vase from the Metamorphosis series by Peter Bremers, the footed ovoid body rising to a narrow neck, with hot worked knocked sides, cased in clear crystal over white spotted pattern with green line border, blown by Neil Wilkin, 2004, signed to the base Peter Bremers 04 NW Graal 412, height 31cm.
A small collection of three Stuart and Sons glass vases, designed by John Luxton comprising a vase of conical form in the Edge pattern, cut with vertical panels, retains label, height 17cm, and two in the Prism pattern cut with vertical lines and stylised leaves, the first of swollen form, the other with slender foot rising to a flared bowl, all acid marked. (3)
A large contemporary centrifugal cast glass bowl from the Poseidons Paradise collection by Stuart Garfoot, of ovoid form, the exterior relief moulded with crossing beaded lines over a textured exterior with high gloss interior finish, unsigned, complete with exhibition post card, width 38cm.
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