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An early to mid 18th century wine glass with pale green tint, the trumpet shaped bowl above knopped stem and folded foot, English c.1730, height 15cm and a further very pale green tinted glass with trumpet bowl, slightly tapering stem with teardrop and plain foot, height 15.25cm (2). CONDITION REPORT: A few natural flaws to the glass but overall in good condition.
An early to mid 18th century Dutch light baluster with part moulded conical bowl engraved with a band of stylised decoration beneath the rim above a four sided column centred with a teardrop on folded foot, Dutch c.1730, height 16.5cm. CONDITION REPORT: A few natural flaws to the glass but overall in good condition.
A mid 18th century wine glass with round funnel bowl above double spiral opaque airtwist stem and plain foot, English c.1760, height 15.5cm and a similar smaller example, height 15cm. CONDITION REPORT: The first glass has two chips to the foot rim, the second glass has a slightly leaning stem. A few natural flaws to the glass but overall in good condition.
An early to mid 18th century Dutch light baluster, the conical bowl finely engraved with a medallion centred with William of Orange within a floral scrolling border and to the reverse with trophies of war upon a ring turned and heptagonal stem and plain foot, Dutch c.1720, height 17.8cm. CONDITION REPORT: A few natural flaws to the glass, foot rim is slightly misshapen indicating it either in manufacture or may have had two tiny chips ground down at some stage, but overall in good condition.
An early to mid 18th century Dutch light baluster with conical bowl engraved with baroque style foliate scrolls and roundels above an octagonal wrythen moulded stem and folding foot, Dutch c.1730, height 17.5cm. CONDITION REPORT: A few natural flaws to the glass but overall in good condition.
A late 19th century glass in the 18th century manner with engraved band of grapes and vines above double opaque airtwist stem and plain foot, English c.1890, height 16.4cm, and a late 19th/early 20th century Continental glass with very pale blue/green tint, thistle bowl, airtwist stem and plain foot, height 17.5cm (2). CONDITION REPORT: A few natural flaws to the glass but overall in good condition.
A quantity of mixed ceramics including a Mason's Mandalay bowl and a pair of matching jugs, a large Carlton Ware leaf serving bowl, a set of six Denby cups and saucers, a Doulton Burslem Royal Iris jug decorated with peonies, Aynsley vases, a tube lined decanter vase, and three pieces of glass ware, etc.
An 18th century wine glass with wrythen moulded conical bowl above knopped stem and folded foot, German c.1760, height 15.25cm, and a further 18th century Continental glass with slight very pale green tint, trumpet bowl, teardrop to the stem and plain foot, height 17.5cm (2). CONDITION REPORT: A few natural flaws to the glass but overall in good condition.
An 18th century wine glass, the thistle shaped bowl engraved with grapes and vines above double opaque airtwist stem and plain foot, English c.1770, height 15.5cm. CONDITION REPORT: A few natural flaws to the glass and there is discolouration to the pontil mark to the base of the glass, but overall in good condition.
A large mid 18th century goblet with very pale blue tint throughout, trumpet shaped bowl above tapering stem set with two teardrops above broad folded foot, English c.1745, height 22.5cm. CONDITION REPORT: A 1mm x 1mm minute chip to the rim, natural inclusions to the glass throughout but overall in good condition.
A mid 18th century glass with trumpet shaped bowl above a ring turned collar, short double knopped stem and folded foot, bearing paper label "Prof and Mrs. P.H. Plesch Collections Gg14G", English c.1750, height 14.25cm. CONDITION REPORT: A few natural flaws to the glass but overall in good condition.
A small quantity of various ceramics including a Vienna urn shaped footed vase and cover on square stand (af), a German Plaue porcelain shaped rectangular dish with pierced and gilt decoration, hand painted with floral sprays, 29 x 22cm, a German miniature teapot with encrusted floral decoration, with matching sugar bowl and similar cup and saucer, marked, four cabinet plates, a pair of glass tulip shaped vases etc. CONDITION REPORT: Vienna vase: finial chipped but present, with traces of old glue, rubbing to gilt mainly on edges and corners. Encrusted three piece set: generally in good condition but has numerous areas of losses to the encrusted motifs mainly to the teapot. Minton cup and saucer: "May 21st 1861" - chip and two spreading hairlines to the saucer rim. German basket/dish: rubbing to gilt, hairline crack, otherwise appears good with no further obvious signs of faults, damage or restoration. Italian cup and saucer: saucer is OK but cup has a small chip to the rim (re-gilded). Wedgwood cup: Appears good with no obvious signs of faults, damage or restoration.
A mid 18th century ale glass with conical bowl and cut and engraved band of swags beneath the rim, facet cut tapering stem and plain foot, English c.1760, height 16.5cm and a further glass with trumpet bowl, facet cut stem and plain foot, English c.1765, height 15.2cm (2). CONDITION REPORT: A few natural flaws to the glass but overall in good condition.
A mid 18th century wine glass, the lipped ogee bowl with fine period chinoiserie engraving of two figures in a continuous landscape above double spiral opaque airtwist stem and folded foot, English c.1760, height 14.5cm. CONDITION REPORT: A few natural flaws to the glass but overall in good condition.
A Victorian cranberry and clear glass epergne the fluted bowl supporting a large central tulip shaped centre with three barleytwist supports and hanging baskets to each, and three tulip shaped bowls (af). CONDITION REPORT Slight damage in two or three places where the epergne is rough to the touch but nothing too noticeable and no signs of major structural damage.
A George Elliott studio glass bowl (1933-1998), pink ground with chocolate brown swirls, signed, 24.5cm diameter George Elliot was a student at Stourbridge in the 1950s. After his National Service in the Navy he won a scholarship to the Royal College of Art and travelled on a bursary to Scandinavia. On graduation he joined Stevens and Williams as a designer, moving to Stourbridge College as a tutor in the early 1960s. There was still a strict demarcation between design and glassmaking, and George did not start to make his own glass until the small furnaces, developed by Harvey Littleton and Dominic Labino in Wisconsin were brought to Britain by San Herman. George soon transferred his energies to mastering the craft of freeblown glass, working on his own without the benefit of the traditional team. He also worked as a designer for Holmegaards Glassveark in Denmark and for Hadelands Glassveark in Norway. This meant that he had to develop unique ways of carrying out procedures, like casting on a foot to a wine glass. George's forms were, like him, honest, unpretentious, and quintessentially English. He, unlike many others, chose to devote his creative energies on the production of decorative domestic items, working at his studio in Bewdley, and after leaving teaching in the mid eighties, at his 15th century timber frame cottage in Herefordshire. Although his formal repertoire was, on the face of it, traditional, he imbued his forms, whether vases, goblets or bottles with distinctive character, both in shape and decoration. He specialised in applied, linear decoration which was hooked into festoons round the forms, and added 'splashed' applications of coloured shards onto clear and coloured backgrounds. His choice of the traditional was expressive of George as a person; he was, for example an expert with the English Long Bow, which he would make from scratch. His exact copies of Medieval glasses were much in demand from collectors and Museums.
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87294 item(s)/page