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Lot 1160
A collection of glass bottles from various makers to include, Rimmington & Sons Bradford, Sheard & Co Huddersfield cod bottle with glass marble, Samuel Smith LTD brown bottle 26cm h, Gartons HP sauce, Ward & Puckrin Whitby, The Cambridge Lemonade and Boots cash chemists, along with a collection of ceramic and stonewear to include, the quick cooker bowl, a large John J Hunt York flagon 28cm h, Allan & Lloyd aldershot & branches, Colman's The Mustard Shop ceramic bottle with cork etc.
Lot 902
A silver Art Nouveau twin handle bowl with green glass liner raised on feet, hallmarked London 1900 Goldsmiths & Silversmiths Co Ltd. Also marked to base Tiffany Ltd and Rossi, Norwich. with Rd. number 352424 (last 2 digits rubbed). Diameter 15cm excluding the handles, total silver weight 311 gm.
Lot 87
A late Victorian silver heart shaped Box, by Henry Matthews, hallmarked Birmingham 1896, with hinged cover, 6cm wide, together with a small silver mounted easel frame, Birmingham, 1991, a Russian silver and niello souvenir spoon, a Russian silver mounted cut glass bowl, a silver mounted brush and dressing table jar, white metal beaker etc., (a lot)
Lot 168
Treen to include: a George III period (circa 1800) two-division rosewood tea caddy (minus central glass mixing bowl); a heavy African style fruit bowl carved in relief with animals to include elephants, rhinoceros and others; a modern specimen wood dish (Imbuya); a North African style oval serving tray and a jewellery box with parquetry geometric patterns and mother of pearl.
Lot 37
Assorted ceramics and glassware to include: a retro-style Carlton ware hors d'oeuvres dish; a 20th century Doulton Burslem biscuit barrel and cover; a Portuguese gilded fruit bowl; various platters; a cut-glass atomiser; a mid-20th century powder pot engraved with a hare, pelican, running stag etc.
Lot 50
Six early 20th century silver-mounted cut glass dressing-table accessories and four other pieces: a powder bowl, William Greenwood & Sons, Birm. 1948, with floral silkwork panel to the cover; a large wrythen scent bottle, William Comyns & Sons, London 1910; a pair of scent bottles, Birmingham 1938 (lack stoppers) and two other smaller scent bottles; a George III silver-mounted oval cut-glass pedestal mustard pot and cover, William Frisbee, London 1802; a Victorian silver-mounted circular salt; two small white-metal models of a horse and a camel. (10 pieces, most with faults.) - Powder bowl: Good condition overall - some toning to ground of silkwork.- Wrythen scent: Lacks stopper, cover lacks button to pop-open. several worn holes to raised detail on silver.- Pair scents: Both lack stopper. Otherwise good.- Small scents: The larger with loose (and creased) silver mount. Marks rubbed. The smaller with small crack at top of glass inside neck.- Salt: Small frits to glass throughout.- GIII mustard: Several large chips to edges of cover. Chip to underside of foot. A couple of small frits to diamond cutting.- Horse: Lacks tail.- Camel: Good condition.
Lot 59
An assortment of late 19th century copper and brassware to include: various measuring jugs; a two-handled copper samovar; a brass range kettle; an Art Nouveau style vase (no base); a large hand-planished brass bowl; a copper jelly mould; a cast-iron oil lamp with an amethyst-coloured glass reservoir.
Lot 267
Fußschale Dickwandiges, himbeerrotes bzw. rosafarbenes "Goldrosé"-Glas, mit farblosem Kristallglas überfangen, geschliffen. Glockenfuß, s-förmig geschweifte Schale in korrespondierender Glockenform. Fußrand vielpassig geschliffen, der Schalenrand mit reichem Palmettenschliffdekor. H. 15,2 cm; D. 17 cm.Vgl. Kat. "Das Böhmische Glas", Nr. II.101-04.Provenienz: Lt. Information des Vorbesitzers aus der Slg. Uwe Friedleben, Hannover; Slg. Inge Brück.A Bohemian glass bowl with cut decor.Böhmen. Neuwelt. Gräflich Harrach'sche Glasfabrik. Um 1835-1845.
Lot 303
Zwei Jugendstil-Glasobjekte Sich verjüngende Pfeilervase mit rautenförmigem Querschnitt und würfelförmige Schale. Grünes, geschliffenes Glas mit Ilex- und Lorbeerzweigdekor in Email- und Goldmalerei. H. 7,8 cm-23,2 cm.A Bohemian green glass vase and a bowl with enamel and gold decor by Josef Riedel in Polaun (Polubný).Böhmen. Polaun (Polubný/Korenov). Josef Riedel. Um 1900-1910.
Lot 346
Moser-Zierschale Tief gemuldete Form mit zwölfeckigem Facetten-Schälschiff. Farbloses Kristallglas, vergoldeter, geätzter, sog. oroplastischer "Fipop"-Dekor mit Amazonenfries. Firmenmarke und -etikett mit Bez. "CZECH REPUBLIC". H. 12,5 cm; D. 13,8 cm.Provenienz: Aus der Auflösung der Privatsammlung Horst Abke, Springe.A Moser cut crystal glass bowl with acid etched and gilt decor. Factory mark and label.Tschechische Republik. Karlsbad/Karlovy Vary. Moser. Um 2000.
Lot 446
Lalique-Schale mit Muscheldekor Gemuldete Form, der Rand mit umlaufendem, stilisiertem, reliefiertem Muschelfries. Farbloses Glas, in die Form geblasen, teilw. satiniert, geschliffen und poliert. Reliefdekor. Firmenmarke und -etikett. D. 20 cm.A French Lalique frosted crystal glass bowl with decor of shells. Factory mark and label.Frankreich. Wingen-sur-Moder. Lalique. Ende 20. Jh.
Lot 447
Lalique-Schale mit Spatzendekor Tief gemuldete Form, die Außenwandung polygonal facettiert, Rand mit umlaufendem, stilisiertem, reliefiertem Spatzenfries. Farbloses Glas, in die Form geblasen, teilw. satiniert, geschliffen und poliert. Reliefdekor. Firmenmarke. D. 25 cm.A French Lalique frosted crystal glass bowl with sparrows. Factory mark.Frankreich. Wingen-sur-Moder. Lalique. Ende 20. Jh.
Lot 463
Fußschale im Renaissance-Stil von Gino Cenedese Grünes Glas. Tellerfuß mit umgeschlagenem Rand, gerippter Balusterschaft mit Goldfolienaufschmelzungen, abgesetzte Kuppa. Radierter Golddekor mit einem Fries aus Neptun, Nixen, Delfin und Meerwesen, am Lippenrand und auf dem Fuß eine Rankenbordüre. Sign. "Gino Cenedese". H. 14,8 cm; D. 18 cm.A Murano footed green glass bowl with gold decor and gold foil by Gino Cenedese. Signed. Italien. Murano. Gino Cenedese. 20. Jh.
Lot 479
Modernes Moser-Glasobjekt von Vladimír Jelínek und eine SchaleSkulpturales Objekt aus dickem, grünem Glas, blau marmorierte Einschmelzungen und unterschiedlich große Luftblasen, die Seiten mit feinem Gitter-Reiskornmuster, auf den breiten Seiten Schliffkugeln. Entw. Vladimír Jelínek für Moser, Karlsbad, um 1969/70, sign. "V. Jelinek"; die halbmondförmige Schale aus bläulich-violettem Glas mit gerader hochgezogener Wandung, undeutl. sign. u. dat. (19)94. H. 6,7 cm-18 cm.Vgl. Kat. Moser, Glasmuseum Passau, Nr. 268.A Czech glass sculpture designed by Vladimír Jelínek for Moser and a glass bowl. Signed. The bowl indistinctly signed and dated (19)94.Tschechische Republik. Böhmen. Karlsbad (Karlovy Vary). Moser. Um 1969/70.
Lot 891
Postmoderne Murano-Fußschale Glockenfuß aus hellgrünem, satiniertem Glas, schräg gerippter, großer Kugelnodus mit Goldfolienaufschmelzung, der kugelig gemuldete Schalenkorpus aus dunkelblauem, satiniertem Glas. H. 24,5 cm; D. 29,5 cm.An Italian footed postmodern Murano glass bowl.Italien. Murano. Ende 20. Jh.
Lot 142
A PAIR OF POTTERY KASHIKI (SWEETS DISHES), ISSO SEALPottery seal Isso 一宗Japan, Kyoto, 19th century, late Meiji period (1868-1912) toTaisho period (1912-1926)Each deep bowl molded from white stoneware with irregular sides rising from a ring foot, the exteriors and interiors decorated in underglaze black and blue with a branch, a bird, and a poem, one being by Matsuo Bashō. Both covered in a transparent glaze stopping above the foot, where we also find the pottery seal ISSO.In a modern wood frame, behind glass. Condition: Very good condition with few underglaze hairlines. Provenance: Austrian private collection. Weight: 365 g (total) Dimensions: Diameter c. 9 cm each
Lot 530
A FINE GROUP OF FIVE SAGEMONO SETS, EDO - MEIJIJapan, Edo period (1615-1868) - Meiji period (1868-1912)Comprising five kiseruzutsu carved from stag antler and four tobacco pouches (tabako-ire). The first of muso-zutsu type, the stag antler superbly polished and showing a fine patina, the cord attachment in the form of an eyelet near the rim, together with a glass ojime and a tobacco pouch crafted from leather and with a figurative mixed metal kanamono (pouch fitting). The second of otoshi-zutsu type, the cord attachment in the form of an eyelet near the rim, with an amber ojime, a stag antler obi-hasami, and a woven bamboo pouch. The third of otoshi-zutsu type, finely carved in relief, depicting Handaka Sonja underneath a pine tree branch, holding his alms bowl aloft, the upper tree branch forming the cord attachment, together with a glass ojime, and a leather pouch with a figural mixed metal kanamono (pouch fitting), to the inside of the pouch the fitting is further engraved and signed. The fourth of otoshi-zutsu type, carved with a vase filled with flowers below a pair of birds, the cord attachment through the sides. The fifth of otoshi-zutsu type, finely carved in relief with a figure standing below a tree branch that serves as the cord attachment, together with a glass ojime, and a woven bamboo pouch in the form of a picknick box with metal fittings. Condition: Very good condition with traces of wear and use as well as natural imperfections and tiny losses. The second with a chip to the kiseruzutsu´s upper rim. Provenance: Family collection of either Felix Tikotin (1893-1986) or his son-in-law Louis (Loek) Borensztajn (1935-2021), Netherlands. Felix Tikotin (1893-1986) was an architect, art collector, dealer, and founder of the first Museum of Japanese Art in the Middle East. He became one of the world's leading collectors of Japanese art, starting at the age of 18, and continued to collect and work as an art dealer in Berlin in the 1920s. In the 1930s Felix Tikotin fled from the Nazis and hid his collection in the Netherlands. After the war, he decided that his collection should be taken to Israel, where in 1959 and with the help of Abba Hushi, who was the mayor of Haifa, The Tikotin Museum of Japanese Art was established. The Museum's collection comprises more than 8,000 items of art and crafts. Dimensions: Length c. 20 cm each
Lot 166
A rare 18th century engraved commemorative airtwist wine glass, circa 1750, the bowl etched with a hanging scene on the gallows, reading 'THE COWARD REWARDED', the hanging figure with letters A and B either side for Admiral Byng, on a multi-spiral stem and conical foot, 15.5 cm highLiterature: A very similar glass from the A C Hubbard Jr Collection was sold by Bonhams on 30 November 2011, lot 87 and is illustrated by Ward Lloyd, A Wine Lover's Glasses (2000), p.125, pl.199.Admiral John Byng was a Royal Naval officer until his death in 1757. During the Seven Years War, Byng was sent to relieve a besieged garrison at Minorca. With his ships in a poor state of repair, Byng opted to return to Gibraltar to see to his ships and await further promised resources. On his return to Britain he was court-martialled for failing to "do his utmost" to prevent the loss of Minorca. He was executed by firing squad on 14th March 1757 - the engraving on the glass being symbolic rather than accurate - despite appeals to King George II for clemency.
Lot 462
Various items of coloured glassware to include a pair of green globe and shaft style decanters and stoppers with frilled central border, a blue and gilt decorated lidded powder pot, amber vase, Whitefriars-style decanter stopper, two shot glasses with prunts to the bowl and stem, on a similar glass circular tray (12).Condition Report: Pair of green decanters- one with chip to frill around the middle, both stoppers with chips to the top and both with scratches to decanters. Smaller green decanter has chips to stopper base and scratches to decanter
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87309 item(s)/page