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Cut glass and silver mounted Spirit Hip Flask with detachable silver cup and screw off cover, London 1893, 13cms high, maker Wolfsky & Co. a silver circular sweetmeat bowl 12cms diameter and a silver shell shaped butter dish and knife Condition Report & Further Details One or two very tiny chips to glass on hip flask, cover dented, bowl has a number or dents Click here for further images, condition, auction times & delivery costs
Gabriel Argy-Rousseau, (French, 1885-1963), a pâte-de-verre glass twin-handled footed bowl, signed 'G. ARGY-ROUSSEAU' in the mould with original paper trade label to underside 10 x 21cm (4 x 8in) Literature: Bloch-Dermant 27.19, model introduced 1927 Other Notes: Joseph-Gabriel Rousseau studied at the Ecole Nationale de Céramique at Sèvres. Following his marriage to Marianne Argyriades, in 1913, Rousseau adopted the first four letters of his wife’s name. He first exhibited works in pâte-de-verre at the Salon des Artistes Français of 1914, and in 1921 founded his own company, the ‘Société des Pâtes de Verre’. Pâte de verre, literally translated, means glass paste. The process involves mixing finely crushed glass with a binding agent and adding colours or enamels. The paste is coated to the inner surface of a mould. Argy-Rousseau made his own wax models which were then handed over for serial production to his assistants. Argy-Rousseau’s company was unable to survive the economic crisis of 1929; it was dissolved on 31 December 1931, and the series production of pâte-de-verre came to an end. Argy-Rousseau, however, continued to work in his own small studio.
Gabriel Argy-Rousseau, (French, 1885-1963), a pâte-de-verre glass bowl, the tapering cylindrical body moulded with stylised leaves and foliage or arrowheads, signed 'G. ARGY-ROUSSEAU' in the mould 7.50 x 10cm (3 x 4in) Literature: Bloch-Dermant 25.09, model introduced 1925 Other Notes: Joseph-Gabriel Rousseau studied at the Ecole Nationale de Céramique at Sèvres. Following his marriage to Marianne Argyriades, in 1913, Rousseau adopted the first four letters of his wife’s name. He first exhibited works in pâte-de-verre at the Salon des Artistes Français of 1914, and in 1921 founded his own company, the ‘Société des Pâtes de Verre’. Pâte de verre, literally translated, means glass paste. The process involves mixing finely crushed glass with a binding agent and adding colours or enamels. The paste is coated to the inner surface of a mould. Argy-Rousseau made his own wax models which were then handed over for serial production to his assistants. Argy-Rousseau’s company was unable to survive the economic crisis of 1929; it was dissolved on 31 December 1931, and the series production of pâte-de-verre came to an end. Argy-Rousseau, however, continued to work in his own small studio.
GALLE CAMEO GLASS BOWL - CRISTALLERIE DE GALLE a cameo glass bowl in green and pink, the central band designed with foliage. Various etched marks to the base, Cristallerie de Galle, Nancy, Modele et decor deposes. 6 1/2ins (16.5cms) diameter overall, 4ins (10cms) high, Rim to Rim 4 1/2ins (12cms) diameter
CONTINENTAL WINE GLASS, late 18th century, the trumpet bowl on a stem with a central gauze inside a red and white double helix, on a spreading foot, height 16cm; together with pair of wine glasses, the drawn trumpet bowls with harebell swag engraving on a stem with a central gauze inside a six strand double helix and domed foot, height 18.5cm (3)
GEORGIAN WINE GLASS, circa 1750, the ogee bowl engraved with fruiting vines on a stem with a central cable inside four spirals, height 15cm; together with another with an ogee bowl with moulded fluting on a stem with a central cable inside four spirals on a spreading foot, height 14.5cm (2)
GEORGIAN WINE GLASS, mid/late 18th century, the ogee bowl with moulded wrythen fluting on a stem with a double helix inside a white enamel fourteen strand single helix and spreading foot, height 14.5cm; together with another, similar, the bowl with moulded fluting, the stem with a white enamel four strand helix inside a four strand double helix, height 13.5cm (2)
GEORGIAN CORDIAL GLASS, circa 1750, the ogee bowl on a stem with a white enamel central gauze inside a double helix, on a spreading foot, height 15cm; together with a wine glass, the ogee bowl engraved with fruiting vines on a stem with a white enamel central helix inside a double helix on a spreading foot, height 15cm (2)
GRAHAM SUTHERLAND for Stuart; a large clear glass bowl decorated with textured cut swirls, stencil etched to base, diameter 36cm. CONDITION REPORT: Generally good, but with numerous very tiny nibbles along the edges of etching lines to underneath, areas of scratching and general minor surface wear. 'Designed by Graham Sutherland' to underside.
HOLMEGAARD; a large green tinted ovoid vase, signed to base, height 24.5cm and a Holmegaard blue and clear glass shallow bowl, length 32.5cm (2). CONDITION REPORT: Green piece with scratches and tiny abrasions to base rim and small surface wear. Blue with very small surface abrasions. Both with general surface dirt.
KOSTA BODA; a clear glass bowl with blue tinted rim and abstract design to the base, signed, numbered 59284, diameter 22cm, a Lindstrand for Kosta green and clear glass vase, height 19cm, and a further Lindstrand for Kosta blue and clear glass cylindrical vase, numbered 46084, height 12.5cm (3).
NUUTAJÄRVI NOTSJO; a group of wares including a set of 6 glasses by Kaj Franck, glass beakers, cups, small dishes, etc. CONDITION REPORT: All beakers in good condition, some with minor wear, one (black) with major vertical scratch, two small dishes with some areas of nibbles, yellow bowl with few nibbles to rim, clear bowl with tiny bruise to side.
TAPIO WIRKKALA; a textured clear glass vase of compressed form, height 22.75cm, an aubergine and clear tinted glass vase, height 29.25cm, and Pertti Santalahti for Humppila; a clear and orange glass shaped bowl, signed, width approx 15.5cm (3). CONDITION REPORT: Tall piece with abrasion to base commensurate with use and age, minor manufacturing bubble flaws, tiny nibbles to top, other two pieces in good condition, all with some surface dirt.
LALIQUE: a circular glass powder bowl and cover with Art Nouveau stylised decoration and traces of original paint, moulded mark to base 'Lalique Depose' also moulded to base 'Trademark Coty France', diameter 8.5cm. CONDITION REPORT: Wear and use has worn away much of the pink highlighting which may have been added later, surface dirt.
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87294 item(s)/page