We found 87294 price guide item(s) matching your search
There are 87294 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
87294 item(s)/page
{ Option of lots: 459, 460 } Vaughan CL0041.NI Radnor Flush Ceiling Light Based On A Simple And Distinctive Line, This Light Is Replete With Details, From The Nickel Plated Finials That Hold The Glass In Place To The Delicate Spear-Cut Pattern On The Bowl. When Illuminated, It Diffuses Light Around The Room Height 4.25 Inches Width
{ Option of lots: 459, 460 } Vaughan CL0041.NI Radnor Flush Ceiling Light Based On A Simple And Distinctive Line, This Light Is Replete With Details, From The Nickel Plated Finials That Hold The Glass In Place To The Delicate Spear-Cut Pattern On The Bowl. When Illuminated, It Diffuses Light Around The Room Height 4.25 Inches Width
A miscellaneous group of items to include a set of six Waterford crystal dessert coupes, a large cut glass dish, a cased set of silver plated fish eaters, a cased part set of plated teaspoons and two 19th century framed fashion printsLocation: RIMCR: large bowl has minor nicks, no breaks, wear to underside.Waterford coupes: one with chip to base, overall good
A collection of crystal to include a decanter with silver port label, a set of six hock glasses, two bowls etc, together with a cranberry glass decanter and other glass, a collection of ceramics to include a Booths jug More Maple & Co, a Belleek jug and sugar bowl, Carlton Ware, mixed pictures and other items Location: 10:5/10:1
A collection of items mainly relating to Tiffany & Co., comprising a Tiffany & Co. navy leather photograph frame, 28.5 cm high x 22.5 cm wide, a Tiffany & Co. silver plated tray, 18 cm long, a pair of Tiffany & Co. oval pebble type clip on earrings, stamped "Tiffany & Co. 925 Mexico" to back, a Tiffany & Co. watch strap, the buckle stamped "Tiffany & Co.", a pewter lidded trinket bowl initialled "DH" to top and dated "15th July 1995" to back, a plated card case inscribed "Dove Mid Europe 1994 Tiffany & Co. Silver Plate", together with a Victorian mother of pearl inlaid lidded box and a silver mounted cut glass swan bonbon dish, bearing "925" import marks for London
A collection of assorted glassware to include various decanters, drinking glasses, an illusion glass, etc., together with a pedestal fruit bowl CONDITION REPORTS Stuart decanter with pineapple cut decoration and handle - handle cracked at top, matching but not original stopperOther decanter with handle - with nibbles to rim, handle again cracked at topMatching plain decanter with chip to rim, date early to mid 20th CenturyRing-necked decanter - 19th Century, basically good condition though wrong stopperMallet-shaped cut glass decanter with large chip to rim and wrong stopper
A set of six Edinburgh Crystal cut glass wines (boxed), a set of six Edinburgh Crystal tumblers (boxed), a pair of Edinburgh Crystal brandy balloons (boxed) and a Royal Albert "Braemar" tea set including fourteen teacups, thirteen saucers, twelve plates, two cream jugs, two sandwich plates and one sugar bowl CONDITION REPORTS Basically sound though with some minor wear to the gilding at the extremities. One cup with fingernail size chip to the base - overpainted in gold. One other cup with hairline crack. Otherwise appears in overall good condition.
Four drinking glasses with air twist stems, on an 18th Century example with bell shaped bowl, 15cm high, two later 19th Century examples, each 14cm high and 14.4cm high and a modern Cowdy green air twist studio glass example, signed to the base, 15cm high (4) Condition: the three older glasses all have chips and damages to the base. All have scratches and signs of wear to the base.
Two boxes of blue and gilt dinnerware items to include; Powder Blue Woodsware Woods & Sons English porcelain items to include; plates, lidded tureens, ladle, gravy boats etc, together with a box including; jugs, black and gilt teaware items, Ridgeways gilt edged cereal bowls, small porcelain cruet set, pink glass handkerchief style bowl with stand and metal spoon, Crown Devon Fieldings jam pot with plated stand, lid and spoon, Gladstone china milk jug and bowl etc. (3)(B.P. 21% + VAT)
Two boxes, one of assorted china to include: Portmeirion 'Botanic gardens' vase, some display plates (hangers still attached), a large blue and white George Jones & Sons Abbey bowl, some handmade Danish porcelain display plates marked 'Grande Kobenhavn' etc., together with a box containing largely metalware, including: an EPNS tea and coffee set, three miniature pewter tankards, assorted cutlery, a companion set and a piece of handmade lace and embroidery with some age, displayed in a brass framed, glass display case. (2)(B.P. 21% + VAT)
Vasart (British), a cased glass vase 20th Century, signed Vasart Pink and pale green glass decorated with swirls, 20 cm high; together with six variously shaped and sized bowls, all signed Vasart largest 29 cm wide, smallest 11.2 cm diameter (7)Some light natural wear to surfaces and heavier wear to the underside bases in all cases.Plus - texturing to the rim of the largest bowl, possibly a few minute nicks to the glass, but seems to be the folds in the glass at the rim.Small chip to the rim of the yellow/blue bowl.Small chip to the rim of smallest bowl.
Barnaby Powell (British 1891-1939), a James Powell and Sons 'Ruby' glass ribbon trailed glass vase Pattern number 9296, Shape 1930s, Ruby colour produced 1940-1960Flared form on a circular spreading foot, 14 cm high; together with another similar shaped vase in gold amber, 14 cm high; and two ribbon trailed vase, without feet, one in sea green and one in gold amber, 13.5 cm high; and an amethyst ribbon trailed bowl, on foot, 19.3 cm diameter (5)Literature: Edited by Lesley Jackson, ‘Whitefriars Glass – the Art of James Powell & Sons’, Richard Dennis, Somerset, 1996, (similar shapes and colours illustrated p. 121, Pl. 104; p.122 Pl 105; p.123, Pl 110) Small chips to edge of pontil on pale amber vase with foot. Otherwise, light general wear to interiors and to feet, a few abrasions, heavier general wear to base of the sea green vase and to interior and base of the bowl.
Barnaby Powell (British 1891-1939), a James Powell and Sons gold amber glass 'tumbler' vase c.1939, pattern number 9030 With self colour ribbon trailing, 22 cm high; together with a flared glass vase, pattern no. 8886, 21 cm high; together with a high side bowl and broad dish, both in pale green with blue ribbon trailing, the dish is engraved with a camel in the middle, 25 cm and 30 cm diameter respectively (4)Edited by Lesley Jackson, ‘Whitefriars Glass – the Art of James Powell & Sons’, Richard Dennis, Somerset, 1996, p. 121, Pl 104; and p.122, Pl 105 & 106 (similar shapes illustrated)Vases: some small nicks around the pontils, a few scratches, light natural wear with heavier wear to underside of the feet in keeping with age and use. Bowls: both with some wear to interiors and and to the bases. The dish is engraved with a camel which would have happened after it left the factory and there is a bruise on the interior.
Geoffrey Baxter (British 1922-1995), a Whitefriars 'Glacier' decanter and stopperc.1969Of shouldered square section and with stopper, 27 cm high; together with William Wilson designed bowl in gold-amber with lobed base, c.1954, 22 cm diameter; and a 'diamond mould' bowl, 21.5 cm diameter, and a small footed bowl, 14.6 cm diameter, both attributed to Powells; together with a set of 5 smoky glass tumblers, one with Whitefriars and Design Centre label, 12.5 cm high (9)Edited by Lesley Jackson, ‘Whitefriars Glass – the Art of James Powell & Sons’, Richard Dennis, Somerset, 1996, p. 91, fig 235 similar decanter illustrated; p.131, Pl 134, similar Wilson bowl illustrated)Decanter: engraved 5 on neck and stopper; some tiny nicks to shoulder of stopper. A couple of open bubbles on the rim of the decanter but not damage as this is how it was made. Light natural wear. Wilson bowl: small chip and a bruise to two of the lobed feet; quite heavy wear and scratches to interior and base and on rim.Diamond bowl: a couple of inclusions evident on the inside. Wear and scratches to interior and base.Small bowl with foot: light natural wear.Glasses: light natural wear.
A Webbs faceted glass bowl'Webbs Made in England' acid mark used c.1935-1949The sides frosted, textured and with amber flashed facets, 20 cm diameter; together with two Webbs amber glass bowls with inherent-prunt like decoration, one having a spreading circular foot, both with 'Webbs England' acid mark used c.1950-1966; together with a Stuart green glass flared bowl with foot, 'Stuart' acid mark to base used c.1950, 18 cm diameter, and a similar vase, unmarked, 16 cm high (5)Webbs faceted bowl: some tiny chips to neck rim, scratches and wear to interior and light wear to base.Webbs amber bowls: scratches and wear to interior and light wear to base.Green bowl & vase: scratches and wear to interior and light wear to base.
Vicke Lindstrand (Swedish 1904-1983), a Kosta hand-formed cased glass vase1955-1956, engraved Kosta LH/1116The red centre streaked in white and cased, 13 cm high; together with a Vicke Lindstrand Kosta internally streaked vase, signed Kosta LH/1403, for 1958-1959; and an oval bowl, bears signature, 18.5 cm wide; together with a Kosta solifleur clear glass vase by Goran Warff, signed Kosta Y7800 Warff, 21.5 cm high; and an anonymous cased glass vase, 17.5 cm high (5)Red streaked vase: there are small nicks and nibbles around the edge of the foot. A few scratches and abrasions and natural wear to base.2nd LH vase: and few tiny abrasions and light natural wear to base.Oval bowl: bears an engraved signature on the foot, but not on the polished pontil where you'd expect. No factory mark with, just says "LH 1401". A few scratches and abrasions to the inside and natural wear to base.Warff: deposits and cloudy film on the inside. Some tiny abrasions. Wear to base.Anon: A few scratches and abrasions and natural wear to base.
Attributed to Dino Martens, a trefoil glass bowl with internal stripes in white, pink and pale green, 16 cm wide; together with a Seguso Vetri D’Arte bird and a pair of salts each with gilt leaf inclusions, and a cased scent bottle and stopper, rubbed label, 11.5 cm high; and a small green glass vase internally decorated, 6.5 cm high (6)Martens bowl: light natural wear.Bird: large chip and smaller chips to feet of bird, and light natural wear.Pair salts: light natural wear.Scent bottle: stopper wobbles in the neck. Light natural wear. Some chips to end of stopper shank.Sm Green vase: the base is frosted – un polished, Light natural wear.
A pair of modern iron and glass uplighter floor lamps in the style of Louis Majorelle Late 20th Century The frosted glass shades of bowl form, the interiors with streaked blue and green enamel and having a separate border of leaded blue/green glass segments, supported within an openwork frame and three arms extending down to form the stems and tripod base, applied with berry and leaf decoration, with light fitments 178.5 cm high, the top approximately 46 cm wide (2)Condition Report:Visible glass appears to be in good order, although there is some natural wear and dirt and one shade has dropped slightly from the mount as there is a screw missing (attaches through the berries on the outside) and as such you can see that the top edge of the glass 'bowl' is a little uneven, but when the shade is properly fixed in place this would not be seen.The metal structure is sound and sturdy and there are some old marks and general wear in keeping with use and there is some oxidisation in places. Heavier wear to feet. The wiring and bulbs to the metal structure are quite obvious. Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed.
Anna Dickinson (British 1961-), a frosted glass bowl c.1980, unsigned A rounded glass bowl of quatrefoil form with the four sections being separated with curved vertical wire lines 10.5cm high (ARR) Provenance: Gifted to the vendor by Anna Dickinson whilst they were studying 3D Design at Middlesex University together in the 1980'sThere are some marks and scuffs to the body which are visible on the matt frosted surface but otherwise good condition with no chips or cracks.
Anna Dickinson (British 1961-), a clear glass bowl c.1980, unsigned A small and heavy clear glass bowl with diamond shaped mixed metal inclusions around the body 8cm high (ARR) Provenance: Gifted to the vendor by Anna Dickinson whilst they were studying 3D Design at Middlesex University together in the 1980'sTiny chip to inner rim and a 5mm scratch to the side of the body
Daum (French), a large opalescent glass bowl c.1895, signed in gilt ‘Daum’ with Cross of Lorraine and ‘Nancy’ The bowl have a shaped and in-curved rim, the sides acid-etched in high relief with leafy branches of horse chestnut, and ribbon motifs on the rim, heightened in enamel and gilt 28 cm wideThere is a slither/oyster chip on the decoration and some small chips to the raised decoration and a couple on the neck - not obvious because of the nature of the decoration. There are some scratches to the interior and some worn patches and quite heavy wear to the base. Rubbing to the gilding with losses to the rim.
Stuart & Sons, a set of clear glass and enamelled cocktail glassesIntroduced 1935, etched 'Stuart England'Each ovoid bowl engraved with a spiders' web and transfer printed with spiders (2 blue, 2 red, 1 yellow and 1 black) and various insects, pedestal foot8.5 cm high (6)Literature: Edited by Roger Dodsworth, Exhibition Broadfield House Glass Museum, 'British Glass between the Wars', 1987, title page and p.58, cat.61 (similar glasses illustrated)Small nick to rim of glass with yellow spider. Enamel overall in good condition. Light natural wear, some dirt and deposits.
Mixed Lot: cut glass powder bowl with hallmarked silver and tortoiseshell inset push-on lid, 10cm diam max x 8cm tall, Birmingham 1923 by Cornelius B Saunders & James F Hollings, together with two probably North African white metal powder holders of compressed circular form, engraved with scrolls etc, stamped "silver" "975", 7cm diam and 5cm diam (3)
Three Studio Glass vessels, late 20th century, including a Neil Wilkins footed dish, green opaque body with red rim, dated 1987, 13.8cm diam; a footed bowl by P Kemp, amber flared body with opalescent swirl, with opaque glass foot, signed, 18.5cm diam; and a Sandra Rich vase, Roman-style glass flared form, applied label, 11cm (cracked).
A Regency cut glass sugar box, with a domed lid, the bowl with trellis cut band, stepped circular foot, 14cm; a baluster-shape jar, with a wrythen moulded domed lid, the bowl with wheel engraved decoration, square lemon squeezer base; and a pair of cut glass mug-shape creamers, with S scroll handles, 10cm.
An Art Deco style bowl, opalescent blue glass with zigzag design, 27cm diameter and a pair of ceramic bottle vases of square form in mottled blue tones, 20cm high (3) CONDITION REPORT: The bowl in good condition. One of the vases has an underglaze chip to the edge of one side. The other vase is perhaps later copy (different construction and weight), has a couple of footrim chips from manufacture and two patches of stained crazing to the neck
A 1930s cut glass crystal three-branch, four-light table light, with three hexagonal scroll branches and cupped lights on a cut baluster column and circular base, 45cm high CONDITION REPORT: Missing one domed cover. Two of the existing ones have had chips polished from the widest rim.The central bowl sitting above the three arms is married and cut with strawberry diamonds rather than stars. There are a few small chips around the footrim as may be expected but nothing significant or immediately noticeable.
-
87294 item(s)/page