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Lot 1019
A gilt flecked Murano glass bowl of shallow form with folded and shaped rim, raised upon three gilded pink fish supports, diameter 31cm, together with a Murano glass epergne centrepiece modelled as three upright fish (2).Condition report: A/F : The bowl - two fish supports with chipped fins. The epergne - one fish broken.
Lot 928
An 18th century opaque white airtwist wine glass, with semi-wrythen ogee bowl, height 13cm, together with eight other glasses, mainly 19th century and a blue eye glass (10).Condition report: Chips to foot of airtwist glass, various chips to rims and feet of four other glasses. Extra images on David Lay website.
Lot 990
A 19th century glass rummer with half fluted bowl on a baluster stem, height 14cm, together with four other Victorian glasses and a celery vase (6).Condition report: There is a small chip on the 19th century rummer with a couple of fine scratches. On the celery vase there is an imperfection that has occurred during blowing along with a crack that seems to of occurred by stress.
Lot 5
Sir Gerald Festus Kelly RA, KCVO, PRA (British, 1879-1972)A Glass of Sherry in the Studio, Portrait of W. Somerset Maugham oil on canvas laid on board72 x 81.4 cm. (28 3/8 x 32 in.)Painted 1932-7Footnotes:ProvenanceThe Artist (until 1952), from whom acquired byBertram E. Alanson (1877-1958), San FranciscoPrivate Collection, U.S.A. ExhibitedLondon, Royal Academy, Summer Exhibition, 1 May-7 August 1933, cat.no.209 (as A Glass of Sherry in the Studio (W.S.M.))London, Royal Academy, Summer Exhibition, 1 May-7 August 1943, cat.no.39 (as W.S.M.: A Glass of Sherry in the Studio. (2nd. Version))Stanford, Albert M. Bender Room, Stanford University Library, A Comprehensive Exhibition of the Writings of W. Somerset Maugham Drawn from Various Collections and Private Collections, 25 May-1 August 1958, section III, item AFollowing graduation from Eton College and Trinity Hall, Cambridge, Gerald Festus Kelly embarked on an artistic career without any formal training. In 1901 he moved to Paris to broaden his education. There he made the acquaintance of Degas, Sickert and Sargent. However, it was another Irishman who he met in the city, the brash young novelist-playwright William Somerset Maugham, who would become Kelly's most enduring friend until the writer's death in 1965.Over the years the two men supported each other in various ways. In 1908 Maugham helped to fund Kelly's career-changing first trip to Mandalay, as a cure to get over an unhappy love affair. Thereafter Maugham used the artist as the basis for characters in several novels, such as Frederick Lewson in Of Human Bondage (1915) and Lionel Hillier in Cakes and Ale (1929-30), and finally he dedicated Ashenden (1927) to the artist. Kelly returned the favour, painting Maugham on roughly eighteen occasions including in A Jester (1911, Tate Gallery, London) considered one of the Artist's finest portraits.A Glass of Sherry was likely intended by Kelly to be both sequel and companion to The Jester. Indeed, the artist elected to show both portraits at the Royal Academy's 1933 summer exhibition, leading the critic Frank Rutter to declare that 'Mr. Kelly has definitely established himself as the premier portrait-painter of the year' (Sunday Times, 30 April 1933, p.12).Following this outing the picture remained in the Artist's possession. In 1937 Kelly reworked the canvas, replacing a decanter positioned on the table to the left with two books and moving the grey bowl a touch to the right. He added a second canvas facing the wall behind the portrait of Princess Saw Ohn Yung and introduced a tube of paint on the easel. Kelly later subtly adjusted the sitter's expression, turning the corners of the mouth upward into a self-confident half smile and shifting his gaze so that he addressed the viewer directly. Pleased with the results, and perhaps capitalising on his position as President to circumvent the Academy's rule that no work should be exhibited twice, the picture was included in the Summer Exhibition for a second time in 1943.It is following this outing that the work was sold by Kelly to Maugham's closest American friend, Bertram E. Alanson. Alanson was a stockbroker who later became head of the San Francisco Stock Exchange. As well as being entrusted by Maugham with his finances, Alanson amassed one of the most important collections of the author's writings ever assembled, most of which he later bequeathed to Stanford University. Following Alanson's death in 1958, the work's whereabouts were untraced until its recent rediscovery. A welcome re-addition to the canon of 20th Century portraiture, A Glass of Sherry stands as a testament to the dear friendship between these two highly celebrated men.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 278
SCOTTISH REGENCY MAHOGANY TEA POY, IN THE MANNER OF JAMES MEIN OF KELSO EARLY 19TH CENTURY the hinged oval top with gadrooned edge opening to reveal twin tea caddies and a cut glass mixing bowl, on a tapering oval column on a conforming base with further gadroon and bead moulding(53cm wide, 77cm high, 37cm deep)
Lot 103
RUNDE SCHALE MIT SITTICHEN "PERRUCHES". RUNDE SCHALE MIT SITTICHEN "PERRUCHES". Lalique, René. Wingen-sur-Moder. Datierung: Entwurf 1931. Material: Leicht opaleszierendes Glas, partiell mattgeätzt und blau patiniert. Maße: Höhe 11cm, ø 24cm. Marke: Auf dem Boden bez. "R.Lalique France", sandgestrahlt. Provenienz: Sammlung Prof. Thomas Olbricht. Erläuterungen zum Katalog René Lalique Frankreich Jugendstil / Art Déco 20. Jahrhundert Schale Glas RUNDE SCHALE MIT SITTICHEN "PERRUCHES". ROUND GLASS BOWL WITH PARAKEETS "PERRUCHES". Lalique, René. Wingen-sur-Moder. Date: Model designed in 1931. Technique: Lightly opalescent glass, partially etched matt and patinated blue. Measurement: Height 11cm, ø 24cm. Mark: On the bottom inscribed "R.Lalique France", sandblasted. Provenance: Collection Prof. Thomas Olbricht. Explanations to the Catalogue René Lalique Art Nouveau 20th century Bowl Glass
Lot 105
VIDE POCHE IN BLATTFORM MIT MAIKÄFER. VIDE POCHE IN BLATTFORM MIT MAIKÄFER. Daum Frères. Nancy. Datierung: Um 1910. Material: Pâte de verre, transluzide Glasmasse mit verschieden grünen, braunen und schwarzen Ein- bzw. Aufschmelzungen. Maße: Höhe 7,5cm, Länge 20cm. Marke: Auf Unterseite bez. "Daum Nancy" mit Lothringer Kreuz, geschnitten. Provenienz: Sammlung Prof. Thomas Olbricht. Erläuterungen zum Katalog Daum Frères Frankreich Jugendstil / Art Déco 20. Jahrhundert Schale Glas VIDE POCHE IN BLATTFORM MIT MAIKÄFER. PÂTE DE VERRE GLASS VIDE POCHE IN THE SHAPE OF A LEAF WITH MAYBUG. Daum Frères. Nancy. Date: Around 1910. Technique: Pâte de verre, translucent glass with different green, brown and black fusings inside and on the glass. Measurement: Height 7,5cm, length 20cm. Mark: On the bottom inscribed "Daum Nancy" with cross of Lorraine, cut. Provenance: Collection Prof. Thomas Olbricht. Explanations to the Catalogue Daum Frères Art Nouveau 20th century Bowl Glass
Lot 81
VIDE POCHE MIT EIDECHSE AUF BLÜTENZWEIGEN. VIDE POCHE MIT EIDECHSE AUF BLÜTENZWEIGEN. Walter, Amalric. Nancy. Datierung: Um 1920er Jahre. Meister/Entwerfer: Entwurf Henri Bergé. Material: Pâte de verre, transluzide Glasmasse mit rosafarbenen, grünen und gelben, die Eidechse mit hell- und dunkelgrünen Ein- bzw. Aufschmelzungen. Maße: Höhe 7cm, Breite ca. 17cm. Marke: Innen am Rand bez. "AWalter Nancy", "Bergé SC" geprägt. Provenienz: Sammlung Prof. Thomas Olbricht. Erläuterungen zum Katalog Amalric Walter Frankreich Jugendstil / Art Déco 20. Jahrhundert Schale Glas Bergé, Henri VIDE POCHE MIT EIDECHSE AUF BLÜTENZWEIGEN. PÂTE DE VERRE GLASS VIDE POCHE WITH LIZARD ON FLOWERING TWIGS. Walter, Amalric. Nancy. Date: Around 1920's. Maker/Designer: Design by Henri Bergé. Technique: Pâte de verre, translucent glass with fuses in pink, green and yellow, the lizard with light- and dark green fuses inside and on the glass. Measurement: Height 7cm, width ca. 17cm. Mark: Inside the rim inscribed "AWalter Nancy", "Bergé SC" minted. Provenance: Collection Prof. Thomas Olbricht. Explanations to the Catalogue Amalric Walter Art Nouveau 20th century Bowl Glass Bergé, Henri
Lot 82
SCHALE MIT EINSIEDLERKREBS. SCHALE MIT EINSIEDLERKREBS. Walter, Amalric. Nancy. Datierung: 1920er Jahre. Meister/Entwerfer: Entwurf Henri Bergé. Material: Pâte de verre, transluzide Glasmasse mit hellgrünen und türkisblauen, das Schneckenhaus mit gelben Ein- bzw. Aufschmelzungen. Maße: Höhe 9,5cm, Breite 25cm. Marke: Innen bez. "AWalter Nancy" "Bergé SC" geprägt. Provenienz: Sammlung Prof. Thomas Olbricht. Erläuterungen zum Katalog Amalric Walter Frankreich Jugendstil / Art Déco 20. Jahrhundert Schale Glas Bergé, Henri SCHALE MIT EINSIEDLERKREBS. PÂTE DE VERRE GLASS BOWL WITH HERMIT CRAB. Walter, Amalric. Nancy. Date: 1920's. Maker/Designer: Model by Henri Bergé. Technique: Pâte de verre, translucent glass with fuses in light green and turquoise blue, the snail shell with yellow fuses on and inside the glass. Measurement: Height 9,5cm, width 25cm. Mark: Inside inscribed "AWalter Nancy" "Bergé SC" minted. Provenance: Colection Prof. Thomas Olbricht. Explanations to the Catalogue Amalric Walter Art Nouveau 20th century Bowl Glass Bergé, Henri
Lot 84
VIDE POCHE MIT SCHNECKENHAUS. VIDE POCHE MIT SCHNECKENHAUS. Walter, Amalric. Nancy. Datierung: 1920er Jahre. Meister/Entwerfer: Entwurf Henri Bergé. Material: Pâte de verre, transluzide Glasmasse mit vorwiegend blaugrauen und grünbraunen, das Schneckenhaus mit gelben und grünen Ein- bzw. Aufschmelzungen. Maße: Höhe 6,5cm, Länge ca. 18cm. Marke: Auf Innenseite bez. "AWalter Nancy", "Bergé SC" geprägt. Provenienz: - Christie's, London, Sale 6034, Lot 283. - Sammlung Prof. Thomas Olbricht. Erläuterungen zum Katalog Amalric Walter Frankreich Jugendstil / Art Déco 20. Jahrhundert Schale Glas Bergé, Henri VIDE POCHE MIT SCHNECKENHAUS. PÂTE DE VERRE GLASS VIDE POCHE WITH SNAIL SHELL. Walter, Amalric. Nancy. Date: 1920's. Maker/Designer: Model by Henri Bergé. Technique: Pâte de verre, translucent glass predominantly with fuses in slate-blue and green-brown, the snail shell with green and yellow fuses on and inside the glass. Measurement: Height 6,5cm, length approx. 18cm. Mark: On inside inscribed "AWalter Nancy", "Bergé SC" minted. Provenance: - Christies, London, Sale 6034, Lot 283. - Collection Prof. Thomas Olbricht. Explanations to the Catalogue Amalric Walter Art Nouveau 20th century Bowl Glass Bergé, Henri
Lot 85
VIDE POCHE MIT ENTE. VIDE POCHE MIT ENTE. Walter, Amalric. Nancy. Datierung: Um 1920er Jahre. Material: Pâte de verre, transluzide Glasmasse mit türkisblauen, gelben und dunkelblauen sowie wenigen grünen und gelben Ein- bzw. Aufschmelzungen. Maße: Höhe 4cm, Länge 19cm. Marke: Am Innenrand bez. "AWalter Nancy" geprägt. Provenienz: Sammlung Prof. Thomas Olbricht. Erläuterungen zum Katalog Amalric Walter Frankreich Jugendstil / Art Déco 20. Jahrhundert Schale Glas VIDE POCHE MIT ENTE. PÂTE DE VERRE GLASS VIDE POCHE WITH DUCKS. Walter, Amalric. Nancy. Date: Around 1920's. Technique: Pâte de verre, translucent glass with turquoise blue, yellow and darkblue as well as few green and yellow fusions inside and on the glass. Measurement: Height 4cm, length 19cm. Mark: Inside the rim inscribed "AWalter Nancy", minted. Provenance: Collection Prof. Thomas Olbricht. Explanations to the Catalogue Amalric Walter Art Nouveau 20th century Bowl Glass
Lot 99
VIDE POCHE MIT GOLDFISCHPÄRCHEN. VIDE POCHE MIT GOLDFISCHPÄRCHEN. Walter, Amalric. Nancy. Datierung: Um 1920er Jahre. Material: Pâte de verre, transluzide Glasmasse mit vorwiegend hellgrünen und hellgelben, die beiden Fische mit gelben, blaugrauen und braunen Ein- bzw. Aufschmelzungen. Maße: Höhe 7cm, Länge ca. 14,5cm. Marke: Auf Innenseite bez. "AWalter Nancy" geprägt. Auf dem rechten Rand Inv.-Nr. in Schwarz. Provenienz: - Minna Rosenblatt Ltd. N.Y. - Sammlung Prof. Thomas Olbricht. Ausstellungen: Gediegenes und Kurioses aus der Sammlung Olbricht, Museum Folkwang, Essen, 2016. Erläuterungen zum Katalog Amalric Walter Frankreich Jugendstil / Art Déco 20. Jahrhundert Schale Glas VIDE POCHE MIT GOLDFISCHPÄRCHEN. PÂTE DE VERRE GLASS VIDE POCHE WITH TWO GOLD FISH. Walter, Amalric. Nancy. Date: Around 1920's. Technique: Pâte de verre, translucent glass predominantly with fuses in light green and light yellow, the two fish with yellow, slate-blue and brown fuses on and inside the glass. Measurement: Height 7cm, length approx. 14,5cm. Mark: On inside inscribed. "AWalter Nancy" minted. On the right rim inv.-no. in black. Provenance: - Minna Rosenblatt Ltd. N.Y. - Collection Prof. Thomas Olbricht. Exhibitions: Gediegenes und Kurioses aus der Sammlung Olbricht, Museum Folkwang, Essen, 2016 . Explanations to the Catalogue Amalric Walter Art Nouveau 20th century Bowl Glass
Lot 71
Großer Standspiegel Carlo Bugattigroßer bedeutender Standspiegel mit Pflanzgefäß, um 1900, gefertigt aus massivem, ebonisiertem Walnussholz, Einlagen aus Zinn, Knochen und Perlmutt, aufgebrachte Dekorationen aus geprägtem Kupfer, Knochen, bemaltem Pergament, facettgeschliffenes Spiegelglas, im Sockel Pflanzschale aus Zink, unrestaurierter Originalzustand mit normalen Alters- und Gebrauchsspuren, Maße 210 x 91 x 17,5 cm.Lit. vgl.: E. Barbolini Ferrari, A. Bulgarelli, Tra Antiquariato Passato Prossimo e Modernariato, Artioli Editori, 2000, p. 135, ähnliche Einrichtung. Large Standing Mirror Carlo Bugattilarge, important standing mirror with planter, around 1900, made of solid, ebonized walnut wood, inlays made of pewter, bone and mother-of-pearl, applied decorations made of embossed copper, bones, painted parchment, facet-cut mirror glass, plant bowl made of zinc in the base, unrestored original condition with normal signs of age and wear, dimensions 210 x 91 x 17.5 cm. Lit. see: E. Barbolini Ferrari, A. Bulgarelli, Tra Antiquariato Passato Prossimo e Modernariato, Artioli Editori, 2000, p. 135, similar interior.
Lot 397
Seven Victorian green glass beakers, eight various cut glass champagne saucers, six brandy balloons, various antique decanter stoppers, two glass funnels, finger bowls, blending bowl, Nailsea blue glass liners, pair of Regency navette open salts (2 boxes)Please note that all lots are second hand and may include faults, damage, chips etc. Due to the nature of this auction it is impossible to record individual condition reports and buyers must remember this when bidding.
Lot 107
A collection of silver to include: Georgian style mustard pot and cover, anthemion thumbpiece, with blue glass liner, by James Dixon & Sons, Sheffield, 1919 (CR: marks good, overall condition good); George V plain circular bowl, ribbon tied reeded border, by Sibray, Hall & Co Ltd, Sheffield, 1925 (CR: overall condition good) and a George V silver plain circular inkwell, by Charles Boyton & Son Ltd (CR: marks good, body wiht fitting and scratches, filled) - weighable silver 8 ozt 248.9 grams (3)
Lot 273
A collection of modern glassware, including a Boda ice bucket with chrome swing handle, two Dartington jugs, two Dartington commemorative 'Charles and Diana' goblets (boxed), a pair of candlesticks, a footed bowl, an engraved and panel-cut decanter and stopper with star-cut base, a plain ship's style decanter and stopper, a water carafe and a glass stirrer (12)CONDITION: Good condition.
Lot 99
A BOX OF METALWARE, to include a silver lined comb of engine turn design, hallmarked Birmingham 1927, a white metal single handled cup, signed 'Arthur Price', an EPNS teapot, a silver plated, floral engraved oval tray raised on four claw feet, a Sheffield plate floral engraved teapot, a double handled EPNS sugar bowl and milk jug, an EPGS circular dish, a white metal entree dish, a cut glass set of salt, pepper, mustard pot and vinegar jug on a white metal EP tray, also included a small quantity of white metal cutlery, a large quantity of two shillings, one penny, three pence coins and three one pound notes, etc
Lot 375
A GROUP OF WATERFORD CRYSTAL AND OTHER CUT GLASS, to include boxed 'Mourne bowl' diameter 13.5cm, boxed footed pot pourri bowl, height 9cm, boxed vase, height 16cm, boxed tapering bowl, diameter 13.5cm (top), Edinburgh crystal bud vase, height 13cm and small footed dish, height 7cm, Royal Doulton small vasesd, etc
Lot 103
A SELECTION OF METALWARE, to include a silver trinket box on four raised fleur de le feet, with a tortoiseshell lid, hallmarked, Birmingham, a George III caddy spoon with a shell designed bowl and vacant cartouche to the handle, approximate gross weight 3.0ozt, 96.1 grams, a four piece silver plated tea service set to include a teapot, coffee pot, milk jug and sugar pot, a cased set EPNS plastic handled fish forks and knives, a cased set of six EPNS teaspoons, a white metal 'Corona plate' floral designed caster, a white metal and cut glass ashtray, a white metal and glass cup, candlestick, tea strainers, cutlery etc
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