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An American Dugan carnival glass fluted bowl, Butterfly and Tulip pattern, inverted feather and fan back pattern, resting on four spherical feet, approximately 32.5cm diameter, c.1910; others, a Millersburg Blackberry Wreath pattern shaped circular bowl, 21cm diameter, c.1910; a Fenton Stag and Holly pattern shaped circular tripod dish, 19cm diameter, c1912; a Dugan Double Stemmed Rose pattern shaped conical bowl, 21cm diameter, c.1911 (4)
A glass and silver sculpture by Laura diaz de Santillana, dated 1998 conceived in an edition of five, cylindrical drum form internally decorated with frosted waved vertical planes, the exterior frosted, the central aperture with silver bowl, etched signature, date and number 2/5, silver stamped 925, 12cm. high, (2) Catalogue notes Born in Italy in 1955 she is the granddaughter of Paolo Venini.
A Moncrieff's Monart Ware glass bowl, clear glass with blue graduating to purple stripes, with controlled air bubble columns and band to the top, cased in clear unsigned, 11cm. diam. Provenance The Morgan collection of Monart glass. Literature Ian Turner Ysart Glass, Volo Editions, page 74 plate 61 for a footed vase decorated with similar colours and air bubble design.
†OWEN BOWEN, ROI (1873-1967) A VASE OF ANEMONES; FLOWERS IN A WHITE BOWL a pair, both signed with initials, oil on board, 12 x 14.5cm (2)++Both in good original condition beneath glass, undisturbed in the early 20th century gilt frames with on the reverse the printed label of The Horner Galleries, Sheffield
RUSSIAN. A GILT AND PATINATED BRASS HALL LANTERN, EARLY 19TH C with three fanciful birds with triple peacock eyed tail feathers suspended on chains from the leafy corona, kingfisher blue glass lamp bowl, 60cm h++Complete and in essentially good condition, the patina and gilding probably original, glass bowl cracked
A small collection of cranberry glassware, 19th century and later to include a jug and bowl, both with trailed white opaque glass decoration and crimped band, wine glasses, jugs etc, tallest 20.5 cm. CONDITION REPORT: The tall vase has some calcium residue in the bottom. The silver plating on the metal cover of the sugar caster has rubbed off. All glassware appears to be in good order with no obvious chips, cracks or faults.
A George III glass vase, circa 1780, of tumbler form with wheel cut edge decorations, a bird upon a pedestal within a star shaped border, floral sprig verso, and a pair of Georgian wine glasses, each with wheel cut undulating pendant decoration upon a square foot, 14 cm and 13 cm respectively. CONDITION REPORT: The vase appears to be in good condition throughout with no chips, cracks, losses or restorations. The glassware is all clear and there are no signs of clouding. The first glass underside shows a small chip to one corner and two small nibbles on opposing corners. One wine glass has minute nibbling to one corner of the foot rim but the bowl appears to be free from any issues. Its partner glass again has small tiny nibbles on three sides of the foot rim. On the underside three corners have very tiny nibbles. The bowl is in good order throughout with no obvious faults.
A 19th century mahogany teapoy, the top hinging to four lidded compartments, two glass bowls and raised on a turned stem with quatreform base and bun feet. Width 43 cm. CONDITION REPORT: The glass bowls are both in very good order with no issues. They are not original. Diameter 11.8 cm, height approximately 5.8 cm. The teapoy is in generally good original unrestored condition. The top is flat with no cracks. The lower step to the top has a small stress fracture to the veneers on the front edge. The front right-hand corner of the cornice moulding has a loss. The left-hand return has a small repair. The hinges are original and sound. The underside edge of the lid has a full width stress fracture to the veneers. All interior boxes are in basically good order as are the hinges. The lead linings are all perished. The lock is present. We have the key but it does not seem to operate. The frieze beneath the top and the moulding also are in good order all round. The centre column is in good order. The ring turned moulding at the bottom of the column has a crack and it is slightly loose. The quatreform base has some stress fractures to the veneers and dents to the corners with small veneer losses. The bun feet are original as are the castors which are present. We can see no evidence of any woodworm. The bowls do not fit particularly well. The aperture beneath is larger than the base of the bowl. Both bowls have ground pontil marks and are cut glass. We are not sure what they will have originally been for. They do not look like dessert dishes and in our opinion the internal aperture is a little small for mixing. Judging by the ground pontil mark they are probably late Victorian but it is very difficult to tell.
Ceramics and Glass - a late Victorian part tea set, for ten, comprising cups, saucers, side plates, bread and butter plates, milk jug and sugar bowl; an early 20th century cut glass decanter; a 19th century Chinese cylindrical vase (faults); a ruby flashed glass decanter, c.1950; others, paperweights, biscuit barrel, etc
A SMALL GROUP OF SILVER AND WHITE METAL, to include a white metal Neo-Classical style covered bowl, on three splayed legs with female masks and hoof feet, linked by an undertier, bears impressed marks to cover and base, height approximately 14.5cm, approximate weight 252 grams, together with a George V pierced silver bottle stand, loaded base, makers S. Blanckensee & Son Ltd, Birmingham 1916, height approximately 11cm, a pair of George V silver candlesticks of circular form, loaded bases, Birmingham 1916, height approximately 16cm, a George V cut glass and silver mounted rectangular toilet jar and an Edwardian oval silver salt with white metal condiment spoon (7) (condition: finial loose on cover, candlesticks are dented, blue glass liner is badly chipped in salt, toilet jar has dented cover, some marks rubbed)
A SMALL COLLECTION OF STUDIO ART GLASS, to include an Orrefors 'Pomona' glass bowl by Lars Hellsten, inscribed to the base, approximate diameter 19cm, a Kosta Boda 'Atoll' bowl by Anna Ehrner, height approximately 6cm, three Riihimaki vases, tallest approximately 25cm, a Sommerso Quad cased bell shape vase, unsigned, height approximately 14cm, Lyngby glass Bon Bonniere with lid and box, height approximately 13cm, a Whitefriars Control bubble bowl, ruby colourway, diameter approximately 10cm and two Murano hot worked bowls
AN EARLY 19TH CENTURY ROSEWOOD TEA CADDY, of sarcophagus form, brass shield escutcheon, the interior fitted with two covered caddies and a central mixing bowl well containing a later pressed glass dish, on four brass ball feet, width 28cm x depth 15cm x height 16cm, together with a Victorian burr walnut and inlaid work box, mother of pearl lozenge to top of box and escutcheon, re-lined interior, comes with a small quantity of needlework accessories, etc, with key, width 30cm x depth 22.5cm x height 12.5cm (2) (condition: caddy has horizontal split through the underside, work box has some fading, a circular patch filled on either side, interior relined)
A GEORGE IV SILVER SUGAR BASKET, maker possibly Charles Chesterman II, London 1781, the rounded conical bowl with cast and applied beaded rim, pierced and engraved with oval husk panels enclosing rosettes on a waisted socle and square foot, spectacle cast and pierced overhead swing handle, 7 1/2" high over handle, 5ozs 16dwts, with blue glass liner (Est. plus 21% premium inc. VAT) (Illustrated)
A PEARLWARE LOVING CUP, early 19th century, the plain "U" shaped bowl internally modelled and painted in cream and green enamels with two frogs and a salamander, on a stepped cylindrical pedestal and swept foot, printed in underglaze black with initials J & A/RF, a verse "A friend that is social goodnatured and free ... alehouse, & pay for his glass," with orientalist foliage and birds, unmarked, 5 1/2" high (Est. plus 21% premium inc. VAT) (Illustrated)
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87309 item(s)/page