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An opaque double spiral twist cordial glass. With funnel bowl, circa 1760, height 14cm (foot chipped), together with an engraved cut glass rummer and other 19th century glass (10)The opaque twist glass has several chips on the foot.The foot of the rummer has been ground and still has a few chips, the gilt on the small tot glasses is slightly rubbed.
A Stuart glass bowl, early 20th century, of waisted shape with everted crimped rim, the clear body with green trailed decoration, height 11cm, together with two similar clear and green trailed vases, heights 19cm and 16cm, a pale green wave moulded vase, an olive green glass example and a group of Arts and Crafts flint glass with moulded or trailed decoration. Provenance: from the collection of John and Poppy Stallebrass.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A small group of opalescent and iridized glass, some by John Walsh Walsh, early 20th century, comprising a pair of plates with spiral moulding, diameter 16.8cm, a bulbous vase with everted wavy rim, moulded with flowers, a golden colour footed bowl, diameter 18.5cm, a wave ribbed vase and a flared bowl with radiating decoration, diameter 23cm. Provenance: from the collection of John and Poppy Stallebrass.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A small 18th Century drinking glass circa 1765, the ogee form bowl above a double series opaque twist stem with four ply spiral above a central gauze, raised to a shallow conical foot, together with a similar example with four ply spiral outside two spiral tapes to the stem, tallest 13cm. (2)
A contemporary Allister Malcolm studio glass bowl of footed ovoid form, decorated with a fissured spiral line with gold over a mottled blue ground, impressed logo to the base, height 12.5cm, together with a Gold Trailing vase decorated with random trails over a graduated amethyst to clear ground, height 22.5cm, some damage to the vase. (2)
A mid 20th Century Orrefors Intermezzo clear crystal wine glass, the ovoid bowl before a plain tapered stem with internal blue tear, retains original label, acid mark, boxed, height 20cm, together with an Iittala Harald drinking horn and three pairs of boxed Iittala Gaissa small tumblers. (5)
Coupe de mariage par Christoff Ritter II, en argent et vermeil, Allemagne, vers 1600A German silver and silver-gilt figural (Jungferfn) wager cup, Christoff Ritter II, Nuremberg, circa 1600Modelled as a female figure, wearing a bonnet, arms aloft, the swivel bowl and flared skirt with armorial style engraved cartouches, embellished with leafy scrolls, flowers, songbirds and each surmounted with a coronet, the lacy bodice and the panelled borders with prick-dot scrolls are gilded, interior of cups gilded, height 18cm, weight 199gms.Footnotes:Provenance:Private German CollectionThis type of marriage or wager cup originated in Nuremberg around 1565. It is a double drinking vessel, or Scherzgefäss, used in a wedding banquet, a skirt-shaped large cup is for the groom and the smaller swivel cup is for the bride. The contents were to be consumed at the same time, making sure not to spill a drop, to bring prosperity and a happy marriage. Silver wager cups are related to glass and silver mounted Stürzbecher or 'somersault cups' a German term for a vessel with a stem but no foot; when emptied it stands inverted. Often made up of a glass cup and silver foot, Stürzbecher were popular in Germany and Holland during the sixteenth and seventeenth centuries, which required the drink to be consumed entirely before the cup could be put down.For further information on this lot please visit Bonhams.com
Archibald Knox (1864-1933) for Liberty & Co, a Tudric pewter bowl, c.1905, lacking glass liner, model no.0326, underside stamped 'TUDRIC / 0320', 10cm high, 24.5cm diameterCondition Report: Bent out of shape, knocks to the rim, surface wear, marks and scratches, heavily worn and large dent to the underside - please see additional images.
A collection of studio and factory produced ceramics, 20th century, to include: Carter Stabler and Adams for Poole Pottery, a blue glazed earthenware vase, c.1930s, stamped to underside, 15cm high; Zsolnay Pecs, an iridescent green glazed earthenware figurine modelled as a resting faun, stamped to underside, 8.8cm long; a black slip stoneware squat bowl with everted rim and blue crazed glass interior, 15cm diameter, a tenmoku stoneware glazed plate, and a polychrome glazed earthenware latticework oval bowl, 36 x 31cm (5)
Tapio Wirkkala, Finnish, 1915-85, Avena glass vase for Iittala, c.1960, 28cm high, together with: Iestyn Davies, a rectangular frosted glass vase with two red spots and black trailed decoration to waist, signed and dated '89, 14cm high; Bertil Vallien for Kosta Boda, a miniature amber and clear glass footed bowl, signed, 6cm diameter; Kosta Boda, a small green and blue glass high sided oval bowl decorated with a silhouette of a tree, 9.5cm high; a vide poche in the manner of Erik Hoglund, Swedish, 1932-98, and a contemporary oval glass sculpture of naturalistic form, indistinctly signed and dated 97 (6)
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