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A collection of Waterford glass Including the Millennium collection, including a vase with a petal shape facet cut border, leaf cut frieze above a band of lozenges etched Waterford 23cms, a small trumpet shape vase with circular bands, leaves and lozenges 17cms, a small bowl on foot 9cms, a small vase on clear glass foot 8.5cms, a large bell shape vase with a fluted rim above elongated leaves, star cut base 25cms, a circular bowl 13cms, a pair of quatrefoil dishes 8cms, a 14cm ash tray, a circular bowl raised on a knopped stem, circular star cut base 10cms, all with etched signature the heavy cut glass bowl on foot with a band of lozenges, unmarked 13cms, an oval bowl 13cms and a substantial vase on a square base, damaged 26cms, and a Wedgwood paperweight. (14) CONDITION REPORT: Rubbing/scratches to centre of ashtray, larger vase - large chip to corner of square plinth base, oval shaped chip approx 2"x1". All other vases/dishes good condition.
An Egyptian Revival silver dessert stand on tricorn base with tongue and dart border, to the centre a plinth supported on four lion's paw feet with palmette and scroll apron, the stem cast as a Greek vase guarded by three winged sphinxes, the beaded border hung with chains, the base stamped 'ELKINGTON & CO.', 40ozs., height 24cm, together with a cut glass bowl.
19th century Bohemian glass vase with pale pink bowl etched with stags and deer in forest setting on a clear cut glass base. 27cm high and a smaller similar vase with etched panels of dogs and flower and leaf sprays 14cm high both should have lids Condition : the largest piece has large chip to the rim
An Art Nouveau iridescent green trailed shallow bowl with waved rim, 5 1/2" dia, an Art Nouveau iridescent green glass vase, 7 1/2" high, an Art Nouveau trefoil vase with applied green decoration, 6" dia, a pair of Art Nouveau enamelled vases, 10" high, a lamp work vase, 6" dia, a Mdina glass vase, 9 1/2" high, two green glass vases and other coloured glass, various
A RARE ‘KEEN’S PATENT’ MARINE COMPASS BY JOSEPH HUGHES, LONDON, CIRCA 1860, the 8in. diameter painted mica card signed J. HUGHES / QUEEN St. RATCLIFF, LONDO[N], supported on sprung inverted cap with miniature counter-weighted gimballed pivot and hinged double-bar dip-needles set within card, the lacquered-brass assembly secured to glazed base within decorative blued and gilt porcelain compass bowl with internal transfer print Royal Arms at ‘south’ inscribed over KEEN’S PATENT. vertices at ‘north’, lacquered-brass gimbal arms and removable domed glass top -- 6¾ x 10¼in. (17 x 26cm.) John Robert Keen (w.1834-1857) registered patent 1670 on July 29th 1854 stating My invention is intended to counteract the effect of the pitching and rolling of vessels, and the vibratory action in steam vessels.. By using a combination of metal and rubber springs, and having twin stabilising dip needles to show north, and containing the whole in a thick porcelain bowl, it was hoped the card could be protected from the worst excesses of steam propulsion in ships now increasingly made of metal. The glazed base and use of painted mica for the card allows this example to be back lit. It seems to have been a modest success, but was soon superseded and made obsolete. This rare survivor is the only one found in the patent specified “non metallic” bowl, a similar example in the Greenwich collection (ACO 0026) is in a traditional brass bowl. Keen went on to form an important partnership with Charles Frodsham. Joseph Hughes worked from Ratcliff Cross between 1843 and 1875.
A POCKET COMPASS SUNDIAL, ENGLISH, CIRCA 1740, unsigned, 3in. paper-covered mica card with sealing wax balancing, suspended in brass bowl with removable pierced dial and folding gnomon and threaded brass lid with compass rose glued within -- 3½in. (9cm.) diameter; together with a Continental printed paper and fruitwood type with domed glass cover; and an early 19th Century prismatic sighting compass, the arsenic card signed Gilbert Patent London, with two shades and derelict leather case, (3)
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87309 item(s)/page