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Lot 803
A COLLECTION OF ANTIQUE DRINKING GLASSES, mainly green examples, to include a single apple green wine glass with hollow stem and cut pontil, H 14 cm, a amber wine glass with flared cut bowl and double knop stem, polished pontil, together with a similar green example and a Rhenish green hollow stem wine glass having chip to base etc. (7)
Lot 357
A collection of thirteen 18th and 19th-century drinking glasses, to include examples with opaque twist stems and others with engraved decoration, the tallest 17.5 cm.The tall air twist glass stands crooked on its base and the bowl is slightly misshapen.The deceptive glass has a chip on the foot rimThe gauze and cotton twist dwarf ale has a mineral inclusion in the foot rim.
Lot 410
Selection of ceramics and glassware including: a Minton cabinet plate, marked to the reverse, glass rummer, Caverswall bowl decorated with flowers, Royal Copenhagen blue and white china, pastille burners, etcAt present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report.
Lot 299
Collection of ceramics and miscellaneous items consisting of: Green hardstone dog of fo, 10cm high, Chinese blue and white charger, blue and white ginger jar and cover, Caughley blue and white tea bowl and saucer with crescent moon marks, jug, brass dish, 24.5cm across, Nailsea glass, etc (13)At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report.
Lot 615
λ A GEORGE III BURR YEW TEA CADDY C.1800 of rectangular form, with a boxwood line inlay, the twin canister interior with a central glass sugar bowl, together with a rosewood caddy with a twin canister interior, on ivory ball feet (2) 15cm high, 30.5cm wide, 15.3cm deep (max) * This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No.7JXK7RBE
Lot 305
+ LÊ PHỔ (VIETNAM & FRANCE, 1907-2001) ECOLE DES BEAUX-ARTS DE L’INDOCHINE (INDOCHINA FINE ARTS COLLEGE), 1ST CLASS (1925-1930) Bouquet de lys ou Nature morte au vase meiping fleuri d’hibiscus et au bol bleu blanc (Bouquet of Lily of Still life with a meiping vase with lily flowers and a bleu and white bowl) Gouache on paper Signed to the lower right Framed with a glass 44,3 x 36,3 cm (the full leaf out of the frame) Provenance: René et Raymonde Altobianchi, antique dealers active in the 1960s-1980s in l’Escarène, near Nice, French Riviera, where Lê Phổ settled after the French army, in which he enrolled in Carcassonne, was defeated by German. Their shop was named ‘César de Peluet’ after the first name of the father of Raymonde. Probably acquired in the 1970s from a local Estate. René Altobianchi was also an ornamental sculptor and was awarded the Medal of the French National Order of Merit for his volunteer role as a technical director of judo, which he practiced along with Yves Klein, a world-renowned artist of the School of Nice prized, notably, for his famous ‘Leap into the void’ and his ‘IKB blue’. + NOTICE TO BIDDERS: This lot has been authenticated by the Wally Findlay Institute, USA. According to them, it will be included in the forthcoming catalogue raisonne of the artist. The buyer will bear the cost of this certificate. Please e-mail the department for further details: yuchen@adams.ie. This lot is stored at CADOGAN TATE PARIS. Please contact CADOGAN TATE at Parc des Docks, Batiment 553B, 50 rue Ardouin, St Ouen, 93400 Paris, France, +33 1 48 20 85 60. Notes: 1. One of the leading figures of modern Vietnamese art, Lê Phổ was born in 1907 in Hà Tây province into a respected Mandarin family, his father being the last viceroy of Tonkin. Showing a predisposition for painting and drawing, he entered the first class of the Indochina School of Fine Arts in 1925. He was soon noticed by the director and founder of the school, Victor Tardieu, for whom he retained a strong attachment throughout his life. In 1931, he came to France to present his works on the occasion of the International Colonial Exhibition. He chose to stay in Paris for a year to attend classes at the École des Beaux-Arts, then undertook several trips to Europe. He returned to Vietnam in 1933 and taught at the Indochina School of Fine Arts in Hanoi. He decided to settle permanently in France in 1937 and quickly became very well known. 2. Lily symbolizes purity and fertility. The sweet and innocent beauty of the lily flower has given it the association of fresh life and rebirth. In this painting, Lê Phổ pays tribute to the classic genre of still life, whilst bringing his fresh vision on it, thereby creating an image at the confluence of the Western and the East Asian pictorial traditions. The discreet and quickly painted low-tone grey background, possibly a reference to the Spanish Bodegones, contrasts with the vivid red of the round table. On the latter are depicted two antique Chinese porcelains: a Ming style blue and white bowl resting on a wooden legged-stand and a Yuan stype Meiping vase flowered with white lillies. 3. Bouquet of flowers was one of the main subjects depicted by Lê Phổ along with young women. In some paintings, he even combined both subjects, as one can see in a work entitled ‘Nostalgie’ sold at CHRISTIE’S Hong Kong, China, 2018-11-24, under lot number 44. The artist mastered at painting all varieties of flowers with bright colors and a rare freshness. The record price at auction for a bouquet of flowers was achieved at SOTHEBY’S Hong Kong, China, 2020-07-09, lot 268 at €273,153.
Lot 417
A set of six American champagne coupes by Libbey, early 20th century, each flared pressed glass bowl relief moulded with continuous stylised floral and foliate sprays, on faceted inverted baluster stems with relief moulded foot, etched maker's mark to bowls, each 12.2cm high (6) CONDITION REPORT:All glasses are intact showing no obvious chips or cracks, and all bowls ring clear when pinged.
Lot 421
A pressed and frosted rose glass bowl in the manner of Lalique, the body relief moulded with an all-over design of garden birds among stylised serrated foliage, 23.5cm diameter CONDITION REPORT:The piece shows fine surface wear, minor surface scratching and minor nibbles to high points, but no obvious chips, cracks or restoration. There is some dirt build up in the relief moulding, and the piece would benefit from cleaning.
Lot 313
A COLLECTION OF SILVER TABLE ARTICLESVarious makers, 18th-20th century Comprising:A pair of silver three-light candelabra, mark of C. J. Vander Ltd., Sheffield, 1996, marked throughout, filled;A silver wine funnel, mark of John Cormac, London, 1780;A set of four silver shell-shape salts and three spoons, Birmingham, 1878;A silver cigarette table box with wood liner, mark of Asprey & Co., Ltd., London, 1963;A silver castle-design decanter label 'Latour', mark of Wyard Druitt & Co. Ltd., London, 1973;A silver-mounted etched glass claret jug by Garrard, London;A silver-mounted glass Pimms jug with swizzle stick by by J. A. Campbell;A pierced circular dish, mark of James Dixon & Sons, Sheffield, 1905;A silver wick trimmer stand, mark of Henry Hallsworth, London, 1774, engraved with crest, Earl's coronet and motto 'Faire sans Dire' for the Earl of Ilchester;A Scottish silver twin-handled bowl with gilt interior, mark of Alexander Edmonstoun III Edinburgh, 1825;Together with a silver-plate mounted cut glass claret jug and a pair of silver-plated wine coasters by Garrard & Co.The candelabra: 37 cm high, 37 cm wide (14.5in high, 14.5in wide), 17 oz. weighable silver. (21)For further information on this lot please visit Bonhams.com
Lot 8
A COLLECTION OF METALWARE INCULDING A FLEMISH BRONZE JUGPossibly 16th century Together with a 19th century goffering iron with original heater; a 19th century gilt decorated glass tumbler; two measures; a jug; and a footed bowl with turned handles, all 18th and 19th century, 14cm wide, 12cm deep, 14cm high (5 1/2in wide, 4 1/2in deep, 5 1/2in high) (7)Footnotes:Provenance: The bronze jug was purchased from A&E Foster Antique Treen and Works of Art.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 35
PHILIP SPEAKMAN WEBB (1831-1915) FOR JAMES POWELL & SONS GROUP OF DRINKING GLASSES, CIRCA 1870 pale green glass, comprising FIVE TUMBLERS, 9cm high; a FINGER BOWL, 10cm diameter; a DRINKING GLASS, with trailed decoration, cm high; and a WINE GLASS, dark green glass, 14.2cm high(50.5cm wide, 110.5cm high, 44cm deep)Literature: Jackson, L. (ed.), Whitefriars Glass: The Art of James Powell & Sons, Ilminster, 1996, p. 97, pls. 1 (ii) and 4 (iii).
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87309 item(s)/page