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Lot 82
A John Round & Son Ltd Hallmarked Silver Bowl, of circular form, with fluted rim, embossed with scroll flowers between oval medallions, above swag border, Sheffield 1892(?), (75 grams), (9½cm diameter), a H, Matthews hallmarked Silver goblet, of plain globular form, raised on stepped circular foot, Birmingham, 1926, (68 grams) (10cm high), a hallmarked Silver mustard pot, with hinged cover, of gradoon oval form, with blue glass liner, Birmingham, 1897, (30 grams) without liner.
Lot 8
A collection of silver plate, EPNS, EP to include: French Empire style ovoid bowl on tripod stand, the cover with squirrel finial, stamped together with a Victorian cut glass butter dish on Electro plated stand and cover, stamped and numbered 2044F; Modernist Camelot silverware plated rose bowl; butter dish with revolving top; various bon bon dishes - one wiht blue glass liner; large ornate sugar caster, three oval entree dishes and cover; V
Lot 103
A Victorian style shape oval ring / bon bon dish, the sides profusely chased with scrolling decoration, hallmarked by A Marston & Co., Birmingham, 1955, 2.91 ozt (90.3 grams) together with a George V silver mounted glass dressing table small bowl, the mount hallmarked Chester, 1911 and an Art Nouveau style white metal mounted blue glass scent bottle (3)
Lot 427
Vicke Lindstrand - Orrefors - A Pearl Diver glass vase circa 1931, of footed form with tapering optic moulded bowl, engraved by Emil Goldmann with the original design of three stylised nude figures swimming, one with a knife at the ready, with polished printie, engraved signature and pattern number 1115, height 34cm.
Lot 122
Tiffany & Co., New York, New York. Sterling silver caviar serving dish, with a glass bowl along the interior. Circa 1905. The round dish stands on three cabriole legs, accented with scrolling decoration. Marked along the underside.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.Height: 5 1/2 in x diameter: 7 in. Gross weight of sterling (without glass dish): 16.24 Troy oz.
Lot 35
RENÉ LALIQUE (Ay, France, 1860 - Paris, 1945).Centrepiece "Volubilis". France, ca. 1930.Translucent and opalescent amber glass.Signed on the reverse "R. Lalique" on the reverse.Work reproduced in "Le Catalogue Raisonné del L'Ouvre en Verre de R. Lalique", by Felix Marcilhac, Les Editions de l'Amateur, p. 293, nº 383.Measurements: 21.5 cm (diameter); 5 cm (height).Centrepiece made entirely of opalescent, transparent and frosted glass, decorated with three Volubilis (Morning Glory) flowers on the front. It rests on three stems that act as feet. The mouth of the bowl is outlined in a yellowish hue.The Lalique firm was founded by René Jules Lalique (1860-1945), one of the most prominent glassmakers of the time, and one of the first to sculpt glass for large monumental works, such as the fountains on the Champs Elysées. Pieces by Lalique are preserved in leading museums such as the Corning Museum of Glass and the Metropolitan Museum of Glass in New York, the Louvre and the Musée d'Orsay in Paris, among many others.
Lot 75
WMF. Germany, ca.1900.Jugendstil cup.Blown and enamelled glass. Tin-plated metal foot.Signed "WMF B I/O AS".Measurements: 18 cm (height) x 8 cm (diameter).In this glass we see the main characteristics of Art Nouveau glass (Jugendstil in Central Europe): the organic and fluid shapes and the use of bronzes and metallic materials (in this case tinned metal) which are not simple ornaments but essential parts of the structure. Thus, we see a translucent enamelled bowl with floral decorations, raised on a foot with a synthesised plant design, typical of Central European modernism.WMF stands for Württembergische Metallwarenfabrik, which means Württemberg Metal Factory. The factory was established in 1880 in the small town of Geislingen on the river Steige, and was of great renown on the German scene in the late 19th and early 20th centuries.
Lot 80
LOETZ biscuit tin. Austria, ca. 1920.Czech Bohemian crystal and silvered metal.Signed.Size: 24 x 14 x 14 cm.Biscuit tin with green glass bowl decorated with an organic design of iridescent veins. It has the mouth, handles and lid in silver-plated metal.The type of glass used in this centre can be related to the Austrian manufacturer Loetz, founded in 1840 and a pioneer in the use of new techniques and materials, following the experimental approach of the glass artists of the second half of the 19th century. The firm took part in the Paris International Exhibition of 1889, where its pieces were unanimously acclaimed by the critics.
Lot 347
An Edwardian silver circular bowl with cast gadrooned rim, raised on a circular stepped foot, London 1902 by Charles Stuart Harris, height 5cm, a silver circular ashtray, Birmingham 1927, and a silver matchbox sleeve, the front later applied with an oval photograph aperture, Chester 1913, length 7.3cm, total weight 211g, together with a silver mounted globular cut glass scent bottle and stopper, Birmingham 1897, height 12cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 409
Harry Powell (1853-1922) for James Powell & Sons'Roman' amber coloured decanter with stylised handle, circa 1908, pattern number 2091, unsigned, 20.5cm high, James Hogan (1883-1948) for Whitefriars amber glass bowl, unsigned, 27cm x 23cm x 7cm high and one other attributed to James Powell & Sons vaseline glass vase with flared rim, unsigned, 15.5cm high (3) Condition report: All with overall wear and scratches, particularly to the bases as expected. The decanter has a tiny crack where the strap handle was applied, this was done when made rather than since. Overall manufacturing faults, otherwise ok.
Lot 421
Pavel Hlava (1924-2003)'Cage' pink glass vase, circa 1968, unsigned, 20cm high, a green and plum coloured vase in the style of Jan Beránek (Czechoslovakian) for Skrdlovice 'Andromeda' glass vase, studio glass blue and clear trailed charger or bowl and two other pieces of Danish glass (5)Condition report: All with signs of scratches and display wear to the base as expected. The pink cage vase with a small bruise on one side, very small, not much bigger than a pen nib size. No other damages.
Lot 446
Collection of glass consisting of: a Salviati, Murano glass dish with white Zanfirico lattice filigree and blue ribbons, unsigned, 17cm across, glass paperweight decorated with flowers, unsigned, 8cm across, a 20th Century Bohemian enamelled drinking glass, with gilt decoration, unsigned, 20cm high, a possibly Lindean mill glass bowl with blue rim, unsigned, 13cm across, a blue glass bowl, unsigned, 12cm across and a Phyllis Dupuy studio pottery bowl, signed to the base, 14cm across (6)Condition report: All with overall wear and marks, particularly with scratches to the bases. Some old adhesive label residue to most of the pieces. Some with faults when blown. Otherwise overall ok.
Lot 451
Attributed to Christopher Dresser (1834-1904)a silver-plated and glass condiment set with 'T handle, marked for Hukin and Heath to the base, 12cm high, another Hukin and Heath condiment set with 'O' handle, 14cm high, with a collection of silver-plated and pewter ware consisting of one other condiment set, a pair of silver-plated tapering beakers with flared rims, 8.5cm high, Tudric pewter bowl, 25cm across, a Tudric pewter jug, 13.5cm across and a silver-plated lidded jug, 18.5cm highCondition report: At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report.
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