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Lot 750
Sevres Porcelain Teapot and Cover painted with a Classical Scene (a/f) together with Early 19th century Rockingham Moulded Bowl, 18th / 19th century French Faience Pottery Oil Bottle Stand with Two Glass Decanters, Framed 19th century Circular Jasperware Plaque and a Gilt Floral Handpainted Stand
Lot 214
A group of miscellaneous items including hard-stone elephant carving; blue glass rinsers and ashtrays; African carved wood bowl stand; three jewellery boxes containing a quantity of costume jewellery; a very small group of low-denomination GB coins; cut glass inkwell; a Heredities resin figure of a boy and dog; a carved wooden elephant model; a brass 7lb weight; a brass and turned wood hand-bell; three Chinese hardwood stands of varying size; a reproduction painted wall bracket; a modernist sculpture of a duck; cased silver handed Christening knife and fork; dominoes; two salmon fly rods; wicker basket; and a small group of other items (in three boxes)
Lot 98
A. V. Overbeck (19th/20th Century) Still life - a glass vase of poppies, earthenware bowl and further items upon a wooden crate, 1922 signed and dated oil on board.Lot 98 – There are a number of oil losses/paint chips, mostly to lower right side, in modern frame, measurements including the frame 40.5 x 50.5cm
Lot 424
by George Richards Elkington, London 1862, the cast column of intertwining vines with hanging leaves, tendrils and bunches of grapes supporting three branches similarly designed each terminating in a ribbed sconce and removable nozzle supporting a cut glass bowl, but which could also be used as a candle holder, the centre of the column continues above the three branches in the same style, and flares open to support a larger circular cut glass bowl, the whole structure rising from a raised, somewhat bulbous and lobed base decorated with shell and scroll edges, and with two panels of presentation engraving, the underside with a removable counterweight for stability, overall height 60cm 88.7ozt weighable silver
Lot 433
the mustard, by Joseph Hayes Taylor, London 1930, of circular form, lavishly decorated with repoussé decorated foliage and scroll panels between the three mask and shell feet, one panel with an oval and vacant cartouche, shell and scroll rim, the part marked, hinged and slightly domed cover with central rosette, bright cut engraved border and shell thumbpiece, interior with blue glass liner, the cast spoon by Francis Stebbings, London 1919, similarly decorated with shell bowl, 10.6ozt gross weighable silver (2)
Lot 146
Art Deco Period Mappin & Webb Superb Quality Sterling Silver Fruits Footed Bowl with open worked panels to body and Art Deco lines to rim. Complete with original green opaline glass liner, all in wonderful condition and design. Hallmark Sheffield 1931. Makers mark for Mappin & Webb. 633 grams silver weight. Height 4.5" - 11.25 cm. Diameter 8.25" - 21 cm. All aspects of condition including opaline glass liner mint.
Lot 86
Y A Regency eight-day marine chronometerBarraud, London, circa 1815The four pillar single chain reverse fusee movement with stepped bridge for the mainspring barrel incorporating blued steel set-up ratchet, Harrison's maintaining power, Earnshaw type spring detent escapement regulated by Pennington 'double-L' type split bimetallic balance with helical balance spring and faceted diamond endstone set within separate sub-plate assembly, the backplate signed Barrauds Cornhill, LONDON 750, the 3.5 inch circular silvered Roman numeral dial with subsidiary seconds dial over signature Barrauds, LONDON, sector aperture for state of wind and repeat serial number 750 to centre and blued steel spade hands, set behind a screw-down bezel into a brass bowl with shuttered winding hole to underside and mounted via gimbals into a mahogany three tier box centred with a shaped brass name plaque to the top, with brass capped corners over strap-bound edges, the sides with brass carrying handles and the front with vacant ivory panel over shaped brass key escutcheon, (bowl, gimbals and box probably mid 19th century replacements) 15cm (6ins) wide; with a copy of Jagger, Cedric PAUL PHILIP BARRAUD, The Antiquarian Horological Society, London 1968, dj; complete with supplement, (2). Provenance: According to Jagger Barraud No. 750 was aboard H.M. Ship Ariadne under the command of Lieut. Gordon. Whilst at Port Louis a Mr. Newman aboard the vessel comments "I esteem Barrauds Chronometer 750 so much that I use it as a regulator to five others on board by comparing them every day". The Marquis of Huntly also commented very favourably on the chronometer's performance during a voyage which commenced on the 10th May, 1822. Jagger's supplement also notes Barraud 750 as 'said to have been used by the U.S. Navy in W.W.1 and then laid up at Naval Observatory until W.W.2, then disposed of. Also listed in C.L.R.B. under dates Sept., 1850 - January, 1851.' Paul Phillip Barraud (born 1752) worked with his father at first until his death in 1795 after which Barraud turned his attention more towards chronometers. Using the valuable experience gained whilst working on Mudge's timekeepers with W. Howells and G. Jamieson to good effect, he became very successful. After his death in 1820 the business was continued by his sons taking John Richard Lund, a former apprentice of John Pennington (who developed the auxiliary compensation balance weight to correct for middle temperature changes), into partnership in 1838. Two comparable eight-day movements by Barraud (numbers 986 and 2/570) are illustrated in Bertele, Hans von MARINE & POCKET CHRONOMETERS, History and Development pages 162-63 (Figures 159a and 161a). The brass bowl and case of the present timepiece are probably mid 19th century purpose-made replacements as it would appear that Barraud's chronometers made during the Regency period tended to be housed in a different design of bowl with convex glass to the screw-down bezel.
Lot 13
SECTION 13. A collection of assorted mixed ceramics and glass comprising a Whitefriars style water jug in Golden Amber, an ornately decorated Rowntree & Co. tin, a Sylvac bowl, a Denby bowl, a small pair of silver-plated boots and various hand-painted pottery items including a pair of comports etc.
Lot 415
A pair of Art Nouveau champagne flutes with facetted hollow stems, 14.5 cm high, another of quatrofoil shape with a hollow stem and one with a double ogee bowl and plain stem, all enamelled with pink flowers and stylised leaves to/w a green flash glass wine glass and a set of six liquour glasses with triple blown stemsAll without damage, good condition
Lot 293
A pair of George V silver pierced sweetmeat dishes, both with twin handles (Birmingham 1915), together with a pierced silver sugar bowl with swing handle and blue glass liner, engraved with Greyhound armorial to base, together with a silver teaspoon and a 20th Century silver dressing table box of circular form, weighable silver 9 oz
Lot 229
A post war Stuart and Sons crystal glass jug in the Ellesmere pattern designed by John Luxton, of footed ovoid form, decorated with a band of mitre cuts above cut leaves, acid marked, height 22.5cm, with five matching glasses each with funnel bowl with cut leaf decoration, wrythen stem and circular spread foot. (6)
Lot 252
An early 20th Century clear glass decanter of footed ovoid form, with cut decoration including diamonds and fans, with conforming stopper, height 32cm, a claret jug of spherical footed form with collar neck, similarly decorated, and a mid 19th Century Richardsons Vermicelli wine glass with cup bowl with an acid etched pattern, above a faceted baluster stem and circular spread foot. (3)
Lot 263
A collection of assorted ruby glass, to include Victorian and later examples, comprising a Dartington vase of ovoid form with wrythen moulding and wave rim, height 16cm, a bowl with an optic moulded spot pattern and frill rim and similar jug, a claret jug of compressed form with applied clear crimped handle and enamelled floral decoration and a vase of tapering form with applied clear crystal decoration, S/D. (5)
Lot 266
A late 19th Century Bohemian spa glass, the petal edged faceted foot rising to a faceted knopped stem and faceted bowl with basal petal decoration, flashed in amber over the clear crystal ground with cut printie panels each engraved with a titled spa, height 16cm, S/D, together with two other drinking glasses with knopped stems and ovoid bowls, each flashed in amber over clear and decorated with leaves and berries. (3)
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