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Lot 165
A post war Thomas Webb & Sons clear crystal glass vase for the coronation of Queen Elizabeth, of footed sleeve form with a central crown and date surrounded by cut and engraved flowers and foliage, acid marked, height 25cm, together with a similar roll rim bowl engraved with monogram and date with coat of arms opposing, diameter 27cm. (2)
Lot 190
An early 20th Century Stourbridge glass liqueur set comprising a a footed jug of shouldered form with waisted neck and applied handle engraved with scrolling floral motifs, height 20cm, together with six matched liqueur glasses with plain stem and funnel bowl decorated in the conforming pattern, height 11.5cm. (7)
Lot 45
Dale Chihuly (b. 1941). Deep red glass bowl with a tan interior and radiating designs along exterior ridges. Signed and dated 1981 along the bottom, and inscribed "Haystack."Provenance: Directly from artist Collection of Edward Claycomb.Biography: Dale Chihuly first encountered glass art as an interior design student at the University of Washington. Immediately fascinated, he went on to study glass at the University of Wisconsin, which was the first university in the United States to teach glassblowing. From there, he went on to the Rhode Island School of Design, where he continued to learn about glass and eventually ended up teaching. His education continued with a Fulbright Fellowship to go to the famous glassblowing studios of Venice. After his time in Italy, he returned to his home state of Washington to found his own glass school, the Pilchuck Glass School, with Ann and John Hauberg, influential supporters of the arts in Seattle. At this school, his art style and process truly flourished. In particular, Chihuly first fostered the collaborative method of glassblowing he had witnessed in Italy at Pilchuck, something that would become a hallmark of his artistic process.Dimensions: Height: 5 1/2 in x width: 16 in x depth: 13 1/2 in.Condition: Good condition; for a detailed condition report, please contact us.
Lot 46
Dale Chihuly (b. 1941). Blue and orange glass bowl with wavy form and greenish interior. Signed and dated 1981 under the base.Provenance: Directly from artist Collection of Edward Claycomb.Biography: Dale Chihuly first encountered glass art as an interior design student at the University of Washington. Immediately fascinated, he went on to study glass at the University of Wisconsin, which was the first university in the United States to teach glassblowing. From there, he went on to the Rhode Island School of Design, where he continued to learn about glass and eventually ended up teaching. His education continued with a Fulbright Fellowship to go to the famous glassblowing studios of Venice. After his time in Italy, he returned to his home state of Washington to found his own glass school, the Pilchuck Glass School, with Ann and John Hauberg, influential supporters of the arts in Seattle. At this school, his art style and process truly flourished. In particular, Chihuly first fostered the collaborative method of glassblowing he had witnessed in Italy at Pilchuck, something that would become a hallmark of his artistic process.Dimensions: Height: 5 1/2 in x width: 10 1/2 in x depth: 8 1/2 in.Condition: Good condition; for a detailed condition report, please contact us.
Lot 47
Dale Chihuly (b. 1941). Red glass bowl with iridescent stripes from Chihuly's Macchia series. Signed and dated 1982 under the base.Provenance: Directly from artist Collection of Edward Claycomb.Biography: Dale Chihuly first encountered glass art as an interior design student at the University of Washington. Immediately fascinated, he went on to study glass at the University of Wisconsin, which was the first university in the United States to teach glassblowing. From there, he went on to the Rhode Island School of Design, where he continued to learn about glass and eventually ended up teaching. His education continued with a Fulbright Fellowship to go to the famous glassblowing studios of Venice. After his time in Italy, he returned to his home state of Washington to found his own glass school, the Pilchuck Glass School, with Ann and John Hauberg, influential supporters of the arts in Seattle. At this school, his art style and process truly flourished. In particular, Chihuly first fostered the collaborative method of glassblowing he had witnessed in Italy at Pilchuck, something that would become a hallmark of his artistic process.Dimensions: Height: 6 in x width: 10 in x depth: 6 1/2 in.Condition: Good condition; for a detailed condition report, please contact us.
Lot 52
Mary Ann Toots Zynsky (b. 1951) Teal glass bowl with round bottom and raised orange stringy band around the center. Orange interior. Signed and dated '82 under the base. Provenance: Directly from artist Collection of Edward ClaycombDimensions: Height: 5 1/4 in x diameter: 5 1/2 in.Condition: Good condition; for a detailed condition report, please contact us.
Lot 342
Pev Lutkin - Holmegaard - A retro studio art glass beaked torpedo vase. Signed and dated to base Geoffrey Baxter - Whitefriars - P9572 model - A retro 1960's studio art glass hambone vase in the willow colourway. Emanuel Berenak - Skrdlovice - 5993 model -A Czech retro 1959 studio art glass jardinaire / trinket dish / bowl in blue and green.
Lot 8
A George III style glass goblet, engraved with Masonic devices, on a knop stem and spreading circular foot, 16cm high, another Lodge no. 555, a Dartington bowl, engraved Joint Services Medical Rehabilitation Unit Royal Air Force 1985, a rummer, etched with fruiting vines, a reproduction 18th century drinking glass and three pieces of glassware commemorating Royal events (8).
Lot 725
A Collection Of Scandinavian Art Glass Five Items In Total, To Include Vintage Swedish Reijmyre Opaque Crystal Bird Figure, Pakeberg Ice Glass Bud Vase. Also, Riihinaki Finland Textured Glass Bowl. Along With Two Scandinavian Pressed Glass Vases. All In Good Condition Please See Accompanying Image.
Lot 337
A Worcester Warmestry fluted shape tea bowl and saucer, painted in Dry Blue, attributed to James Giles atelier, delicately painted with tulips, pansies, auricular on sprigs and in bunches, gilt dentil rim, seal mark, c.1768Vendor's Note: For information on Giles work see In Search of James Giles by Gerald Coke and James Giles China and Glass Painter by Hanscombe. Condition Report: Hairline to tea bowl. Minor surface wear to each.
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87294 item(s)/page