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designed 1913clear, frosted and grey stained glass, with an associated metal ceiling-rosestencilled R. LALIQUE150cm (59in) high; 113.5cm (44 5/8in) diameterFootnote: Literature for similar examples:L'Exposition des Arts Decoratifs. La Section Français, Art et Decoration, July 1925, p. 219;M.-C. Lalique, Lalique, Geneva, 1988, p.82;F. Marchilac, René Lalique: Mâitre-Verrier, Paris, 2011, p. 641, no. 2258. Until the beginning of the 20th Century largely depended on candles, gas, oil or fire. Only then did the use of electricity become more common-place. It is not surprising that hanging lights appealed to a progressive designer like René Lalique and so by 1902 he had begun designing them. He produced 20 versions to be executed in cire perdue, with a production range including a staggering 135 designs. Lights mattered to Lalique and his creations are still much appreciated around the world today. He was a genius in his utilising varied techniques; so in this chandelier we see him combining intaglio, moulded, clear and frosted glass - all adding interest as light plays over the surfaces and penetrates them. He also used staining to provide greater definition of details. The subject of La Chasse is a long-established subject in both fine and applied works of art and one that Lalique returned to on a number of occasions. Lalique used it on a plate, bowl and vase but this chandelier is the largest and most impressive example of them all. It provided an opportunity for Lalique to display his passion for nature – both flora and fauna - the inspiration behind so many of his designs. In the chandelier, he positioned the trees in the plates while the animals are focussed around the central dish form which spatially creates a sense of the stags running through the forest pursued by dogs. IMPORTANT INFO FOR ‡ LOTSLots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2. Collections of Purchased ‡ Lots:For items marked with the ‡ (denoting additional VAT payable at a reduced rate of 5% on the hammer price) additional time should be allowed for Customs clearance by HMRC if the item is to remain in the UK. For items being exported out of the UK these items can be shipped via Crown Fine Art or via another approved shipper with a temporary admissions account.
unsigned, 8.5cm and 6cm high; together with an iridescent glass bowl attributed to WMF, 28.5cm diameter, a Loetz style twin-handled iridescent glass vase, 18.5cm high and another bowl with applied tear drops, 11cm high (5)Condition report: The smaller of the two miniature vases has a small nick to the rim, probably a manufacturing fault, the twin-handled vase has some small cracks to the handles at the top. The remaining pieces are in good condition.
the exterior moulded in relief with leaves and having tripod feet moulded as budding tulips, moulded marks and numbered 151 to base, 20cm diameter; together with an Ezan, France, opalescent glass bowl, circa 1930, moulded in relief with three pairs of finches arranged around a central nest, marks to underside, 25cm diameter (2)Condition report: Both are in very good condition.
Impressive Victorian hand painted cranberry glass and silver plated punchbowl, circa 1870. The lidded bowl with hand painted crystalised enamel scene depicting a bird amongst branch, berry and flower design, the bowl raised on twin handled footed base, complete with stirrer, height approximately 40cm
Villeroy & Boch 1748 French Garden Design Dinner/Tea Service, comprising 11 x 10.5" square dinner plates, 13 x 8" square plates, 6 x bowls, 7 x mugs, large jug, two platters and a biscuit barrel. Some fading to dinner plates. Together with a glass salad bowl and servers, and a small glass ice bucket.
Quantity of Porcelain & Glass Items, comprising a Maling Bowl No.6524 in lustre green with a floral design, a Paragon Teapot, four cups, saucers and a milk jug in a floral design on white ground, a Royal Stafford set of six cups, saucers and sides, a sugar bowl and milk jug, a Paragon 'World Famous Roses' milk jug, sugar bowl, cup saucer and side plate, and four coloured glass ornaments.
Commemorative Glass Rummer, etched to the bowl with a sailing ship named WARREN HASTINGS 1805, a ship of the East India Company, captured by the French in 1805, recaptured by the British in 1808 and returned to the EIC; the rummer with an air twist stem, 7 inches (17.5cms) high, together with a trumpet shaped wine glass with an air twist stem, 6.5 inches (16.25cms) high (2)
Collection of Quality Boxed Glass Items, including Royal Albert vase, Royal Doulton Vase, Glass basket, glass floral tray, Rayware vase, Elizabeth lead crystal fruit bowl, 2 x Royal Doulton Amber vases, Bohemia Glass Anniversary champagne glasses, H Samuel posy bowl, Dartington Glass dip dishes, two boxes of 2 x crystal candlesticks, crystal bowl, etc. All in original boxes and as new condition.
Galle style cameo glass lamp base with dragonfly shade holders, 15cm, an iridescent blue glass bowl, 24cm dia. and a tall slice cut ruby overlay goblet, h22cmCondition Report: Lamp - wear to metal to include minor rusting and Verdigris below dragonflies. Minor chip to base of flower on body of glass. Surface scratches to body and scratches to base. Scratches below top rim. No shade. Goblet in good condition.Bowl in good condition with minor surface wear and scratches consistent with age and use.
An engraved glass portrait goblet, mid-19th centuryThe generous round funnel bowl finely decorated with a full-length portrait of Napoleon Bonaparte in full uniform on horseback, holding a saddlebag bearing the monogram 'N' beneath a crown with his left hand, the reverse with a blank circular cartouche within a wreath of roses, set on a faceted hollow stem, the circular foot star-cut, 18.8cm highFootnotes:Provenance:Paul Kettle CollectionThe source of the present portrait would appear to be a steel engraving by John Henry Robinson after an original by Jacques-Louis David.For further information on this lot please visit Bonhams.com
Pressed Glass, 19th century and later - assorted clear press moulded glass, including a Gladstone for the Million plate, mug and cream jug, Peace and Plenty plate with overflowing corn-u-copia, coronation Edward VII 1902 plate, Festival of Britain dish, sugar bowl with fruiting vine; an early Queen Victoria coaster, In Memory of Albert The Good 1819 - 1861, quaiche with Victorian and Albert portraits; a pair of plates with transfer prints of George V and Queen Mary; an early Queen Victoria coaster, others, In Memory of Albert The Good 1819 - 1861, quaiche with Victorian and Albert portraits; a pair of plates with transfer prints of George V and Queen Mary; etc
A Tutbury Crystal cut glass vase, 25cm, boxed; a Royal Doulton Evesham pattern cut glass vase, boxed; a cut glass bowl and vase; a German Schatz anniversary clock, 15cm; a lazy Susan with ceramic covers; a pair of novelty glass animals; a collection of Royal Albert collector's plates, A Celebration of Old Country Roses, boxed; others similar, Aynsley, Caverswall, Coalport, mostly boxed, qty
Box of assorted items to include: ornate gilt framed, standing picture frame, a metal spherical vase, a moulded glass, lidded, ginger jar, mother-of-pearl and brass opera glasses, oak bottle stopper inscribed HMS Victory, brass ashtray engraved with HMS Dreadnought and bulldog and crown, hipflask, glass Elizabeth R 1953 teapot trivet, broken green glass vase, and a metal flower arranging bowl.(B.P. 21% + VAT)
Three items of Monart glass, second quarter 20th century, comprising a large blue through green vase with aventurine inclusions, 22cm high; another smaller, amethyst through green with aventurine inclusions, 20cm high; and a small bowl, 10cm diameter; together with a book, YSART GLASS, Blench, Turner, et al. (1990)Condition Report: The large vase cracked through base.Condition Report Disclaimer
A Dutch stipple engraved opaque-twist wine glass decorated with a portrait of Johann Wolfgang von Goethe (1749-1832) after Johann Heinrich Lips (1758-1817), the engraving circa 1790, the glass perhaps earlier and an English import, the funnel bowl engraved in the manner of the Dutch glass engraver David Wolff or one of his contemporaries such as 'Alius' and inscribed GOETHE, supported on a double-series stem and a conical foot, 17cm highNote: Johann Wolfgang von Goethe, German writer, politician, humanist, scientist, and philosopher 28 August 1749 - 22 March 1832. The portrait source taken from the engraving by Johann Heinrich Lips, 1791.Of the four major Dutch stipple engravers working in the last quarter of the 18th century, the identity of only two are known, namely David Wolff (1732-98) and Jacobus van den Blijk (1736-1814) because they signed a sufficient amount of their work. A third has been termed 'Alius' (the other) because there are a quantity of unsigned pieces by the same unidentified hand.Condition Report: Foot rim chip.Condition Report Disclaimer
An Edwardian silver butter dish, by W B & Co, Birmingham 1903, of shallow circular form, raised on three ball feet, the sides embossed with fluted columns linked by floral garlands beneath ribbon-tied swags complete with blue glass liner, an Edwardian silver sugar bowl, by E H H, Birmingham 1907, of circular form and having a pierced band of floral swags, raised on a square base, a silver bon bon dish, by E S Barnsley, Birmingham 1914, of circular form with a pierced border, together with an electroplated ketchup bottle holder, 13.4ozt (4)Condition report: a) No obvious major faults.b) No obvious major faults.c) No obvious major faults.d) Has a little wear to the plating.
A silver and enamel dressing set, by Barker Brothers Silver Ltd, Birmingham, 1934, with blue enamel comprising of a hand mirror, three brushes, cut glass bowl, and perfume bottle with another silver dressing set by S M Levi Ltd, Birmingham, 1936, comprising of a hand mirror and two brushes, 35cm. high (the larger hand mirror)Condition report: The enamel in generally good condition, the SM Levi set with wear and tarnishing
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87309 item(s)/page