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Lot 1520
A silver overlaid glass jar and cover and six matching small bowls, early 20th Century, the blue tinted glass decorated with branches of fruiting cherry, the cover with ring handle nestled in leaves and cherries, applied paper label to base of one bowl `Argento 800% Garantito` (minor faults).
Lot 1552
A black glass vase, probably Continental, circa 1900, the pear shaped body gilt and silvered with chinoiserie figures on foliate branches and bridges, together with a green tinted footed glass bowl with internal haphazard bubbles on a circular foot with trailed band to the waist (chips to foot).
Lot 1569
A set of twelve cut glass champagne flutes, probably Edinburgh crystal, together with a small group of other glassware, including three decanters and stoppers, a Stuart storm lantern and base, six cut champagne saucers, a Caithness glass paperweight, two other glass paperweights, probably Caithness, and a small footed bowl with pink swirled decoration.
Lot 159
A GEORGE III WINE GLASS the rounded funnel bowl on solid stem and conical foot, 15.5cm h, two pairs of 19th c English ale glasses engraved with hops and barley, a pair of similar glasses, the trumpet bowl engraved with the initials HH, a beaker and various rummers, some in part sets, all 19th c (22) ++The foot of one of the largest goblets chipped
Lot 928
Victorian double-ended Bristol green cut glass scent bottle, three nineteenth century papier mâché snuff boxes, bone and ivory stanhope in the form of a parasol and a white stone trinket bowl with an ormolu boy mount (6) Further images and condition reports are available at www.reemandansie.com
Lot 105
Flegel, Georg1563 Olmütz - 1638 Frankfurt/Main Breakfast of Grapes, Nuts, Chestnuts and Bread. Oil on oak. 38,7 x 48,6cm. Framed. Verso: panel maker`s stamp. Provenance: Private estate, Stuttgart. Assessment from Dr. Hana Seifertová on November 12th, 2004. Assessment from Dr. Anne-Dore Ketelsen-Volkhardt on January 24th, 2011. "This image of a laid table of snacks belongs to the much admired themes of Georg Flegel, who belongs to the first specialists in still lifes of the 17th Century. He varied the so-called breakfasts or snacks (Dutch Ontbijtje) throughout his oeuvre in different ways and often in many of his editions. It is in this realm that our image of Breakfast with Grapes, Nuts, Chestnuts and Bread belongs to. It represents a small snack, one which only the well-to-do society could enjoy: beside bread and butter on a white and blue decorated plate are the secretly depicted grapes in a silver bowl; white wine in a pitcher, a glass cup produced in Germany, and finally the hazelnuts displayed in an expensive Chinese bowl. Chestnuts and medlars, as well as half of a lemon (an expensive fruit at the time) are displayed in two simple tin cans. Beside the lemon is a knife with an ornamental handle. This entire image can be seen as a representation of the dining at the time." (Dr. Seifertová)."After first glance regarding the painting, the motifs and the composition, as well as the format, the image has large similarities with two other Breakfast still lifes from Georg Flegel 1566 - 1638: Breakfast with Grapes, Crayfish and Bread, oil on wood, 39 x 47cm, Monogrammed on the blade of the knife, Brotmuseum, Ulm; Large Breakfast with Fruit, oil on canvas, 40 x 48cm, private collection. Due to these similarities, it is in my opinion that "Breakfast with Grapes, Nutes and Bread" can be attributed to Georg Flegel." (Dr. Ketelsen-Volkhardt).
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