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Lot 1148

A mid-18th century opaque twist Ratafia wine glass c.1765, the slender, tapering ogee bowl on a double series opaque twist stem, with a pair of spiral threads enclosed by a 16-ply spiral band, on a conical foot with pontil, 18.1cm. high, chip to rim. * Provenance: Bohams, New Bond Street, London, 'The Contents of Harvey's Wine Museum, Fine Glass and Delft', 1st Oct. 2003, Lot 209 *Chip to inside of the rim and a few scratches to the base of the bowl to the exterior. No other faults.

Lot 1118

An early 18th century 'kit kat' balustroid wine glass c.1730, the drawn trumpet bowl on a plain stem with basal inverted baluster, on a domed foot, 19.3cm. high. * Provenance: Gorringes, Fine Art, Antiques & Collectables, Dec. 2013, Lot 304 *The foot is a little narrower than the rim, and the foot edge has a slightly bevelled appearance, so the foot may have been re-ground and trimmed. There are no other faults.

Lot 1161

An early 19th century firing or dram glass c.1800, the round funnel bowl on a capstan stem and broad, heavy firing foot with pontil, 8.25cm. high; together with four 19th century deceptive glasses, including a George III toastmaster's glass, with a highly deceptive panel cut conical bowl, the stem with an angular shoulder knop above a cushioned, flattened ball knop and plain foot with ground pontil, 11cm. high; two toastmaster's dram glasses, 8.7cm. and 9.1cm. high; and a moulded deceptive glass, 10.4cm. high. (5) *The moulded glass and the smaller of the two deceptive dram glasses both have a single minuscule frit to the rim. There are no other faults.

Lot 1163

An early 19th century cut and later engraved Williamite rummer the glass c.1820, the bucket bowl later engraved with an equestrian portrait of William of Orange and inscribed 'The Glorious & Immortal Memory of William Third Prince of Orange', the reverse 'Boyne 1 July 1609' in a laurel wreath, below a fine diamond cut band and above a panel cut base, on a panel cut stem with central diamond cut knop, on a starburst cut base, 12.25cm. high. *In good condition, with just a few minuscule flea bite nibbles to the cut stem.

Lot 1139

A mid-18th century opaque twist firing glass c.1760, the drawn trumpet bowl on a double-series opaque twist stem with an 8-ply spiral band outside a pair of spiral tapes, on a solid firing foot with pontil, 12.8cm. high. *In good condition, with expected band of scratching around the outside edge of the base from use.

Lot 1137

A mid-18th century dram glass with oversewn foot c.1765, the ovoid bowl with moulded half-fluted decoration, on a plain, tapering stem and oversewn foot with pontil, 10.3cm. high. *In good condition, with no faults.

Lot 1159

A late 18th century engraved wine glass c.1775, the short, ovoid bowl engraved with a spray of carnations and a bird in flight, the diamond facet cut stem extending into the base of the bowl, on a conical foot with pontil, 12.8cm. high. *Two small frits and two tiny flea bite nibbles to edge of foot. A couple of tiny flea bit nibbles to facet edges on stem. No other faults.

Lot 1132

A mid-18th century mercurial airtwist tall wine glass c.1750, the drawn trumpet bowl on a mercurial airtwist stem on a conical foot with pontil, 18.1cm. high. *Two tiny fleabite nibbles to the edge of the foot, and a number of tiny cracks to the one side of the edge of the foot, from manufacture. No other faults.

Lot 1117

An early 18th century baluster wine glass c.1730, the slightly flared, bell bowl with basal tear on an inverted baluster stem with two tears, on a conical foot with pontil, 14.7cm. high. *In good condition. A few minuscule scratches and tiny nicks which can only be detected with a fingernail to the edge of the foot. No other faults.

Lot 85

A De Lamerie of London presentation oval glass lidded bowl, acid etched and gilt enameled, inscribed "With the Best Wishes of Ahmed Zaki Yamani" in custom deep purple velvet box, 7in diameter 3 1/4in. high. Provenance: From a collection of gifts to a friend of Sheikh Ahmed Zaki Yamani (1930-2021). * For over two decades as petroleum minister for Saudi Arabia (1962-1986), Sheikh Ahmed Zaki Yamani was arguably one of the most famous and powerful men on earth. He was a minister in OPEC (Organisation of the Petroleum Exporting Countries) and is remembered for his role during the 1973 oil crisis when he encouraged OPEC to quadruple the price of crude oil. In December 1975 Yamani was taken hostage in Vienna with the other OPEC ministers by the infamous terrorist Carlos the Jackal. The hostages were flown across North Africa before being released two days later. Carlos spared the life of Yamani and his Iranian counterpart despite having been ordered to execute them. Yamani's negotiation style, according to Henry Kissinger, was to wine and dine other dignitaries until the point of fullness and lethargy, before beginning protracted negotiations.

Lot 1154

A late 18th century engraved wine glass c.1780, the round funnel bowl engraved with a band of flowers and fruiting vines below the rim, the base with fleur-de-lys decoration, on a diamond facet cut stem and plain foot (trimmed), 16.1cm. high. *The foot has been trimmed. Wear and tiny nibbles to the cut edges on the stem. No other faults.

Lot 1119

An early 18th century engraved light baluster wine glass c.1730, the bell shaped bowl engraved with a band of fruiting vines below the rim, on an angular knop and inverted baluster stem with basal knop, on a conical foot with pontil, 16.2cm. high. *In good condition, with no faults.

Lot 1143

A mid-18th century engraved opaque twist ale glass c.1765, the long, rounded funnel bowl engraved with hops and barley, on a double-series opaque twist stem with a pair of spiral threads outside a central vertical gauze, on a plain foot with pontil, 19cm. high. *Scratching to one side of the underside of the foot. Otherwise good with no other faults.

Lot 1127

A mid-18th century engraved wine glass c.1745, the ogee bowl engraved with a fruiting vine and a bird, on a plain stem and broad, conical folded foot with pontil, 14.6cm. high. *In good condition, with no faults.

Lot 1124

A rare mid-18th century Jacobite firing glass c.1750, the rounded funnel bowl engraved with a rose, two buds and an oak leaf, on a heavy, plain cylindrical stem and firing foot with pontil, 11.5cm. high. * Provenance: Toovey's, Washington, West Sussex, 13th July 2016. Lot. 1513 *Expected abrasions around the circumference of the underside of the foot. In good condition, with no faults.

Lot 86

A De Lamerie of London presentation oval glass lidded bowl, purple, acid etched, inscribed "With the Best Wishes of Ahmed Zaki Yamani" in custom deep purple velvet box, 7in diameter 3 1/4in. high. Provenance: From a collection of gifts to a friend of Sheikh Ahmed Zaki Yamani (1930-2021). * For over two decades as petroleum minister for Saudi Arabia (1962-1986), Sheikh Ahmed Zaki Yamani was arguably one of the most famous and powerful men on earth. He was a minister in OPEC (Organisation of the Petroleum Exporting Countries) and is remembered for his role during the 1973 oil crisis when he encouraged OPEC to quadruple the price of crude oil. In December 1975 Yamani was taken hostage in Vienna with the other OPEC ministers by the infamous terrorist Carlos the Jackal. The hostages were flown across North Africa before being released two days later. Carlos spared the life of Yamani and his Iranian counterpart despite having been ordered to execute them. Yamani's negotiation style, according to Henry Kissinger, was to wine and dine other dignitaries until the point of fullness and lethargy, before beginning protracted negotiations.

Lot 1153

A Williamite wine glass, 19th century probably late 19th century, the conical bowl engraved with an equestrian portrait of William of Orange below a banner inscribed 'The Glorious Memory of King William III' and above the lettering 'No Surrender', the reverse inscribed 'Boyne 1st July 1690 T.C S.C' within foliate wings, on a swollen stem between shoulder and basal collars, on a folded foot, 15.6cm. high. * Provenance: Bonhams Knightsbridge, Fine Glass and British Ceramics, 20th Nov. 2019, Lot 385 *In good condition, with no faults.

Lot 1130

A mid-18th century engraved wine glass c.1745, the ogee bowl engraved with a rose and floral sprig, on a plain, slightly tapered stem and conical, folded foot with pontil, 14.4cm. high. *In good condition, with no faults.

Lot 1128

A mid-18th century plain stemmed wine glass c.1745, the heavy gauge, drawn trumpet bowl on a plain, tapering stem with single tear, on a slightly domed folded foot with pontil, 16.2cm. high. *In good condition, with no faults.

Lot 1151

A Williamite wine glass, 18th century and later the glass c.1750, the slightly flared, bucket bowl later engraved in the manner of Frank Tieze for the Pugh brothers' studios in Dublin, c.1900, depicting William of Orange on horseback, below the banner inscribed 'The Glorious Memory of King William III' and a toothed border to the rim, on a double knopped multi-spiral airtwist stem, on a plain foot, 16cm. high. * Provenance: Bonhams Knightsbridge, Fine Glass and British Ceramics, 20th Nov. 2019, Lot 385 *Two small chips to the foot, which are possibly manufacturing faults as there is some wear to the edges of these chips, as is seen around the remainder of the outside edge of the foot from use. There are two other very small frits to the edge of the foot.

Lot 323

A cased Victorian silver christening knife, fork and spoon set Aaron Hadfield, Sheffield 1843, Albert pattern, gross weight 1.74 tr.oz., the case 6¾in. (17.1cm.) long; together with a George V silver and enamel lidded cut glass powder bowl, London 1931, 4 1/8in. (10.5cm.) diameter; and a silver capstan inkwell, faults; and a commemorative silver Royal Wedding spoon. (4)

Lot 1165

Seven 19th century rummers including a small late-Georgian rummer with a pointed cup bowl on a capstan stem and moulded lemon squeezer base, 13.1cm. high; a mid-19th century rummer with a panel cut bowl and capstan stem to a heavy, square base with ground pontil, 13.5cm. high; and five other rummers; together with a 20th century rummer in the late-Georgian style. (8) *The two square based rummers with a few tiny flea bite nibbles to the corners of the bases. The heavy ogee-bowled rummer with surface scratching and wear to the glass to the rim and edge of the foot. No other faults.

Lot 1299

A cut glass and brass lamp comprising a central stem supporting eight lustres hanging from the edge of a cut glass bowl above a cut glass stem supported on an octagonal brass base, with a very fine octagonal cream silk tasseled shade 42in. (107cm.) high.

Lot 1145

A mid-18th century Beilby enamelled opaque twist wine glass c.1765, the ogee bowl enamelled in white with a band of fruiting vines, on a double-series opaque twist stem with two spiral threads outside a central multi-ply corkscrew, on a conical foot with pontil, 14.7cm. high. * Provenance: Bellmans Auctioneers, Wisborough Green, West Sussex, 18-23 June 2016, Lot 1111 *In good condition with no faults. No wear or losses to the enamel.

Lot 1140

A mid 18th century engraved opaque twist firing or dram glass c.1765, the ogee bowl with a band of engraved flowers below the rim, on a double-series opaque twist stem with a pair of spiral threads around a central corkscrew gauze, on a heavy conical foot with pontil, 11.2cm. high. * Provenance: Athelny Antiques, Halesworth, Suffolk, c.2015 *In good condition, with no faults.

Lot 1141

A mid-18th century engraved opaque twist wine glass, of possible Jacobite significance c.1765, the lipped, elongated ogee bowl engraved with honeysuckle and a moth, on a double-series opaque twist stem with a sixteen ply spiral band outside a pair of spiral threads, on a conical foot with pontil, 14.9cm. high. * Notes: A set of four near identical wine glasses, engraved with various flowers, moths and caterpillars, were sold at these rooms on 18th June 2015, lot 42. *In good condition, with no faults.

Lot 1134

A mid-18th century tall airtwist wine glass c.1750, the bell shaped bowl on a slightly tapered multi spiral airtwist stem (the airtwists extending into the solid base of the bowl), with central vermicular collar, on a conical foot with pontil, 18.6cm. high. * Provenance: Jane Burnham-Slipper, Botley, Hampshire, c.1990 *In good condition, with no faults.

Lot 1125

A scarce mid-18th century panel moulded airtwist wine glass c.1750, the slightly waisted, pointed round funnel bowl with slightly wrythen eight panel moulding, on a multi-spiral airtwist stem with shoulder and basal knops, on a slightly domed, folded foot with pontil, 15cm. high. *A few tiny abrasions to the rim and edge of the foot, but there are no chips, frits or cracks. In good condition overall.

Lot 1123

A mid-18th century engraved wine glass c.1750, of possible Jacobite significance, the drawn trumpet bowl engraved with a carnation and a bee, on a plain, tapering stem with high tear and a conical foot with pontil, 15.7cm. high. *In good condition, with no faults.

Lot 1162

An early 19th century rummer c.1820, the elongated ogee bowl with basal panel moulding, on a capstan stem and plain foot with pontil, 15.2cm. high; together with a mid-18th century ale glass, the funnel bowl with moulded basal fluting, on a plain tapering stem and folded, conical foot with pontil, 16.3cm. high. (2) *Both in good condition, with no faults.

Lot 96

A Georgian wheel engraved wine glass c.1750, the ogee bowl wheel engraved with a rose and floral sprig, on a drawn swollen knopped stem and folded foot, 14.5cm. high. *Good condition, with just tiny scratches to the underside of the foot.

Lot 1150

A fine mid-18th century colour twist wine glass c.1765, the bell shaped bowl on a multi-series colour twist stem, with white, red and green spiral threads outside a central multi-ply corkscrew band, on a conical foot with pontil, 15.8cm. high. * Provenance: Nona Shaw Antiques, Lewes, c.2015 *In good condition, with no faults.

Lot 1131

A mid-18th century composite stemmed airtwist wine glass c.1750, the drawn trumpet bowl over a multi-spiral airtwist stem over a teared, inverted baluster knop, on a (trimmed) conical foot with pontil, 15.7cm. high. *The foot has been trimmed. One tiny fleabite nibble to the rim, which is detectable with a fingernail. No other faults.

Lot 348

A collection of Venetian glassware, to include a Façon de Venise goblet 23cm high; a Murano glass shallow bowl 15cm diameter; and a candlestick with a broad flat drip pan 19cm high

Lot 488

A George III mahogany tea caddy, of sarcophagus form with ebony stringing and brass lion mask handles, the hinged cover opening to reveal a parquetry decorated interior with two lift-out caddies and an associated central cut-glass mixing bowl, raised on brass ball feet24 x 34 x 17cmLion handles have been re-attached with later screws. Dry cracking and splits to veneer throughout. Corners have been knocked and in some areas re-glued. The lining in both caddies has deteriorated and some joints are slightly loose. The later glass bowl has some firing faults i.e. bubble in the base, and the felt is slightly rough on the edges. Some markings and scratches to the exterior. There is no key provided.

Lot 1368

A Yoruba Oshe Shango StaffNigeriathe kneeling female figure holding a covered bowl, with facial scarifications and with a thunder axe to the high coiffure, wearing glass beads and with a ring banded reel type handle,45cm high.ProvenanceDr Laurence R. Goldman Collection.

Lot 1100

Five North American beadwork fragmentscoloured glass beads on buckskin and velvet,a horn scoop, three Sioux metal arrow heads, and a copper bowl with abstract relief designs to the interior, 11cm wide. (10)

Lot 135

Oriental bowl, Murano glass vase and pair of Russian pottery squat vases etc 

Lot 6

Beautiful iridescent blue glass scallop edged bowl with candle holders on each side. Dimensions: 13"L x 7"W x 3.5"HCountry of Origin: USACondition: Age related wear.

Lot 28

Carnival Glass in hues of orange with leaves motif on candy dish and kitten motif on the others. Demitasse cup and saucer. Curled edge small bowl 2.5"H x 3.5"dia and saucer 1.25"H x 4.5"dia. Candy dish 2.75"H x 6.75"dia. Manufacturer: FentonCountry of Origin: United StatesCondition: Age related wear. Small chip on edge of base of candy dish.

Lot 22

Heavy glass pieces include Anchor Hocking pitcher and bowl, butter dish, and measuring cup. Largest piece: 6"L x 4"W x 5"H. Condition: Age related wear.

Lot 48

Classic mid-century cherub tray surrounding a prismatic cut glass bowl designed as an ashtray. Between each of the three figures is a crimped filigree cigarette rest. Dimensions: 5.25"L x 4"W x 2.25"HCondition: Age related wear.

Lot 103

A Danish Mid Century Art Glass bowl. 1960’s. 23x20.5x7cm.

Lot 297

A 1950’s Swedish Mid Century Art Glass bowl by Flygsfors. 23x18x22cm

Lot 572

A Fenton blue Carnival Glass bowl. 23cm

Lot 307

A vintage Art Glass bowl. 24x23x7cm

Lot 7

A Deagostini glass and chrome bowl. Italy. 38x14cm.

Lot 102

A Franz Welz Splatter Glass bowl on 3 Amber Glass legs. Circa 1940. 12.5x10cm

Lot 771

A sundry lot. Including an Mdina Art Glss bowl 10cm. A Royal Albert ‘Gossamer’ cup and saucer. 2 Art Glass vases 21cm

Lot 381

A 1940’s Murano Bubble Glass bowl by Seguso. 16x15x7cm

Lot 296

A 1960’s Norwegian Mid Century Art Glass bowl. 28x27x7cm

Lot 562

An early 20th century Fenton Blue Carnival Glass bowl with a later Fenton Blue dish. Bowl measure 22cm

Lot 208

A large vintage 2 piece cut glass punch bowl and 17 matching cups. 35x33cm

Lot 105

A vintage Art Glass bowl. 1950’s-1960’s. 16x13x35cm

Lot 306

A vintage Amber Art Glass fruit bowl. 28x8cm.

Lot 886

A pair of Victorian vases and other decorative ceramics and glass ornaments including Swarovski animals, a boxed Mappin & Webb fruit bowl etc. Shipping category D.

Lot 161

Mixed Lot: A pair of silver dressing table candlesticks, loaded, hallmarked for 1923, makers mark Steinhart & Co, a cut glass and silver lidded powder bowl, a cut glass and silver lidded hair tidy, Birmingham 1923 and Chester 1924 (3)

Lot 92

AN OPAQUE TWIST WINE GLASS THIRD QUARTER 18TH CENTURY The bucket bowl with gently everted rim and fluted lower section supported on a double series stem and conical foot 15cm highProvenance: The Leonard Fuller Collection Condition Report: Bowl = 4.8cm diam.Foot = 6.4cm diam.Some minute nibbles to the leading edge of the foot visible with a loop but not especially the naked eye. Possible light polished areas.Condition Report Disclaimer

Lot 93

A LARGE ENGRAVED OPAQUE TWIST GOBLET OF JACOBITE SIGNIFICANCE THE GLASS THIRD QUARTER 18TH CENTURY The generous ogee bowl decorated with a bird, roseflower, and bud, supported on a corkscrew stem and conical foot 19cm high Condition Report: Foot rim chipsCondition Report Disclaimer

Lot 263

FULVIO BIANCONI (ITALIAN 1915-1996) FOR VENINI, MURANO, A 'PEZZATO' GLASS BOWL IN THE PARIGI COLOURWAY With tesserae in blue, red, green and amber With circular acid stamp 'Venini Murano Italia', and foil label to the underside 8cm high, 18.5cm long Note: One of the most famous post-war Italian graphic designers, Fulvio Bianconi began his career learning the art of decorating glass at the workshops of Murano under the directorship of Michael Pinto, where he returned later in life to begin his fruitful product design career and establish Murano as the place for production of artistic glass around the globe. Before his innovations, glass had been used for utilitarian purposes. Bianconi pushed the limits of glassmaking in the traditional sense and material of glass itself by transforming it in both theory and practice. His works encompassing lamps, vases, and sculptural objects were developed coming out of his illustrious graphic design positions at some of the most prestigious publishing houses in Italy, who allowed him to create work for the sake of exploration. The Pezzato range was one of the most successful designs that Fulvio Bianconi created for Venini. Bianconi used a glass mosaic in various ways producing brilliant chromatic effects. These vases were first exhibited at the 25th Venice Biennale in 1950. The glass tesserae are first made from coloured glass canes flattened and cut to various sizes before being arranged into a mosaic. The mosaic is then heated on a fire stone to weld the different colours together. They are then picked up on a blank to form the walls of the final piece. The glass is then blown and hot worked into the desired form. Most of the designs were in transparent glass but there are also some made from a combination of opaque pasta vitrea and transparent tesserae which became known as 'Arlecchino' designs and had the greatest chromatic brilliance. Condition Report: Some scratches to the foot and a little wear to the label.Condition Report Disclaimer

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