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Lot 963
Karel Zemek - Mstisov - A pair of mid 20th Century glass Niagara bowls, of tapered form with pulled handles, internally decorated with a graduated blue to peach ground and cased in clear, height 21cm, together with a Jan Beranek for Skrdlovice bowl with loop handle in green and blue, height 18.5cm. (3)
Lot 26
Three rummers and a wine glass: 1. a late-Georgian etched and cut glass oversized rummer, ovoid bowl with comb-cut and floral-etched band below the rim, the bowl wheel-engraved with an armorial, over basal petal cutting, panel-cut stem and solid foot with ground pontil (20.3 cm high). 2. a similar smaller oversized rummer, on a capstan stem and square solid foot (16.1 cm high). 3. a Victorian cut glass rummer, (14.8 cm high). 4. a 20th century copy of an 18th century wine glass, bell-shaped bowl, plain, slightly tapered stem and plain foot without pontil (20.4 cm high).
Lot 356
Noel Gibson (British, 1928-2005) Still life with pansies in a glazed bowl, Oriental figures, a wooden box and glass witches ball oil on canvas board, signed lower left, glazed in a gilt hollow frame with laurel leaf border 20¼ x 16 in (51.5 x 40.5 cm), frame size 26¼ x 22¼ in (66.7 x 56.5 cm)
Lot 309
ART DECO OPALESCENT GLASS BOWL, ALONG WITH THREE DECANTERS the bowl decorated to the underside with shells and corals the bowl 14.5cm diameter Qty: 4 Bubbles in the glass decanters, small chip to the side of the bowl, some small dents and scratches along the side of the bowl, general surfaceware to the decanters , small chip to the lid of one of the decanters, images of damage have been uploaded to the website.
Lot 71
An Orrefors smoked glass Sandvik Astrid Range vase designed by Simon Gate, designed 1923, footed form with knopped stem, flaring bowl, an Orrefors smoked glass Astrid Range decanter and stopper, seven beakers and four sherry glasses, unsigned, 29cm. high (14) ProvenanceSir Ambrose Heal, thence by descent. Ambrose Heal held an exhibition of Swedish glass at Heal's in 1923.
Lot 48
An enamelled glass jug attributed to the Wiener Werkstatte, tapering cylindrical form, enamelled in black and white with landscape vignette, a Tango orange glass bowl with applied black rim in the manner of Michael Powolny, a small Moser blue glass ashtray, a small Loetz cased glass vase and six other glass items, etched WW mark, 18.5cm. high (10) ProvenancePrivate collection
Lot 380
Φ A Memphis Milano Sol glass bowl designed by Ettore Sottsass, designed 1982, blue glass bowl on clear stem and red domed base, highlighted with white glass, applied red, green and white supports, the rim with blue glass triangles and red panel, etched E Sottsass Memphis to side, 26cm. high ProvenancePhillips, March 1998The Tom Watkins Collection. LiteratureMemphis Milano, manufacturer's catalogue, 1986, page 77 for this designBarbara Radice, Memphis, Thames & Hudson page 157 for a comparable illustrated.
Lot 399
A 19th century Old Sheffield plate centrepieceunmarkedFluted form with acanthus embellishments supporting a glass bowl, with four detachable scroll arms each supporting a glass dish, the acanthus spreading base on lion mask and paw feet, height 52.5cm.For further information on this lot please visit Bonhams.com
Lot 169
A Burmese silver bowl and mustard pot together with a Chinese export silver condiment setvarious makers and dates Comprising: a small Burmese silver bowl, Lower Burma (Myanmar) circa 1900, nine shaped vignettes around the whole, a repoussé mythological Burmese deity within each, embossed decoration to the whole; a spherical Burmese silver mustard pot, Lower Burma circa 1900, a hinged domed cover with spire finial, glass insert and spoon, the whole embossed with deities and repeating betel leaves, on three ball feet, together with a Chinese export silver condiment set, unknown maker's mark to base, possibly Hong Kong circa 1900, squat circular form, glass inserts, all with bamboo style spoons, the bodies embossed in high and low relief with mythical dragons, on three raised feet. (6)For further information on this lot please visit Bonhams.com
Lot 2
A large Victorian electroplated centrepieceunmarked, 19th centuryThe central raised column of broad baluster knop form, supporting a glass bowl, the column further adorned with scrolls with cherub and grotesque masks, flanked by two seated maidens, all on a trefoil base, further mask and cherub embellishments on bracket supports and paw and ball supports, height 64.5cm, length 56cm.For further information on this lot please visit Bonhams.com
Lot 313
A collection of twelve silver caddy spoonsvarious maker's and datesComprising, examples byJoseph Willmore, Birmingham 1805, with pierced and engraved oval bowlJoseph Taylor, Birmingham 1814, with pierced and engraved shovel shaped bowl, hollow handleprobably John Thropp, Birmingham 1810, the oval bowl with pierced star motifs and heightened with engraving, lattice engraved handleSamuel Pemberton, Birmingham 1802, the oval bowl with filigree insert, with lattice engraved handleSamuel Pemberton, Birmingham 1801, the oval bowl with filigree insertmaker's mark JL, probably John Lawrence, Birmingham 1831, fluted bowl, hollow handleJohn Bettridge, Birmingham 1825, ornate die stamped bowl, hour glass pattern handleJoseph Willmore, Birmingham 1804, heart shape bowl, with bifurcated handle junctionmaker's mark JS, Josiah Snatt, London 1805, in the form of a hand, with cuff shaped handlean unmarked Old Sheffield plate jockey cap caddy spoonmaker's mark IT probably Joseph Taylor, Birmingham 1823, with double duty mark, in the form of a jockey captogether with a filigree caddy spoon, unmarked, probably Birmingham, circa 1800, with filigree bowl and handle. (12)For further information on this lot please visit Bonhams.com
Lot 137
HISTORICAL IMPERIAL RUSSIAN: a pair of silver-mounted ruby glass dessert tazzas from the dowry of Grand Duchess Olga Nikolaevna Romanovaby Carl Johan Tegelsten, assay master Dmitry Ilyich Tverskoy, St Petersburg 1846, 84 standard, one incuse stamped N:6, scratched beneath N:6 and the other N:13 Shaped circular form, a removable ruby cut-glass bowl featuring diamond patterns and leaf motifs, resting on a plain polished circular silver plate, the ruby cut-glass baluster stem attached via a connecting silver disc to a ruby glass domed spreading foot, mounted within an intricately chased silver acanthus base, terminating in four scroll feet, height 21cm, diameter plate 25cm. (2)Footnotes:A similar pair of silver mounted ruby glass tazzas from the wedding dowry service of Grand Duchess Alexandra Nikolaevna (the sister of Grand Duchess Olga Nikolaevna) by Carl Tegelsten, St Peterburg 1844, were sold at Sotheby's London on 9th June 2010 in the 'Russian Works of Art, Fabergé and Icons' auction, Lot 574.ProvenanceFrom the wedding dowry service ordered by Tsar Nicholas I for his daughter, Grand Duchess Olga Nikolaevna of Russia, the future Queen Olga of Württemberg (1822-1892).HistoryGrand Duchess Olga Nikolaevna (1822-1892) was the second daughter of Tsar Nicholas I (1796-1855) and Tsarina Alexandra Feodorovna (1798-1860), born Charlotte of Prussia. Olga grew up as part of a close family of eight sisters and brothers. She had two elder siblings: Emperor Alexander II of Russia and Grand Duchess Maria of Russia, and five younger siblings: Grand Duchess Alexandra of Russia, Grand Duchess Elizabeth of Russia (died in infancy), Grand Duke Constantine of Russia, Grand Duke Nicholas of Russia and Grand Duke Michael of Russia. Attractive, cultured and intelligent, she was considered to be one of the most eligible princesses in Europe. She spoke several languages, and was fond of music and painting. Olga met Crown Prince Charles of Württemberg in early 1846 in Palermo, and their subsequent marriage was a political and dynastic decision rather than a love match. As an overt indicator of wealth and status, the sumptuous wedding dowry from Olga's father the Tsar included furs, furniture sets, carriages, porcelain, bed linen, glass, jewellery and an expansive silver service. These two dessert tazzas came from what was known as the 'Golden Ruby' dessert service, which included a large suite of Russian ruby glass from the Imperial Russian Glass Manufactory. This bespoke service included dessert plates and glasses, plus various silver mounted serving dishes. The Tsar was so impressed by this striking service that he ordered an almost identical set for his other daughter's wedding dowry, the Grand Duchess Alexandra Nikolaevna, which may be seen today in the Schloss Fasanerie Museum in Eichenzell near Fulda in Germany ('Die Mitgift einer Zarentochter' Exhibition Catalogue 1997/98).Tsar Nicholas I insisted that everything created for Olga's dowry (and also those of his other two daughters) was to be in the 'latest English fashion, particularly beautiful and fine' (M. N. Lopato, 'Iuveliery starogo Peterburga', St Petersburg, 2006, p. 128). The service commissioned by the Emperor for Olga included almost five hundred silver items, and the responsibility to fulfil this order fell to the main supplier of silver and bronzes in St Petersburg, the renowned English retailer 'Nicholls and Plincke'. Charles Nicholls and William Plincke (in Russian: Николс и Плинке) were two English men trading in St Petersburg who were granted Russian citizenship in 1804. They were elevated to Merchants of the 1st Guild in 1808 and began trading to capitalise on an increased interest in English products in the first half of the 19th Century, at first importing things from England, but also retailing items made in the workshops of Russian craftsmen. Around 1815 they took over a business founded by their fellow countryman John Pickersgill (1765-1841), which was renamed 'William Plincke's English Shop'. In 1829 they established 'Messrs. Nicholls and Plincke's Magasin Anglais' which supplied luxury goods to the Russian market. 'Magasin Anglais' subsequently became one of the most celebrated shops in Russia and was considered the leading retailer of luxury goods to the aristocracy, with a virtual monopoly in the supply of artistic silverware to the Imperial Court (before eventually being supplanted by Carl Fabergé).The silversmith Carl Johan Tegelsten, of Finnish descent, moved to St Petersburg in 1817. He built up a prosperous business during the next thirty-five years, supplying work to some of the city's best retail houses. Tegelsten's longtime connection with 'Nicholls and Plincke' is of particular interest as he produced for them a range of pieces in the then fashionable English taste, of which this pair of tazzas are a striking example, characterised by rococo motifs and naturalistic foliage.When Grand Duchess Olga Nikolaevna of Russia married Crown Prince Charles of Württemberg (1823-1891) on 13th July 1846 at the Peterhof Palace near St. Petersburg, a grand celebration was held at the Tsar's summer palace, and the extensive dowry was then taken by the newlyweds to Württemberg in Germany. They resided in both the Villa Berg in Stuttgart and the Kloster Hofen in Friedrichshafen, located on the shore of Lake Constance in southern Germany. In 1864, Karl acceded the throne and became the third King of Württemberg, making Olga its Queen. When her husband died on 6 October 1891, Olga became Queen Dowager of Württemberg. She died one year later, on 30 October 1892 in Friedrichshafen aged 70, and was buried in the crypt of the Old Castle in Stuttgart.At the beginning of the 20th century, with the turbulence in Russia, the Grand Duchess Olga's extravagant service was distributed amongst various museums and private collections. Today, nineteen pieces of the original silver service are kept in the storeroom of the Peterhof State Museum, and other pieces are exhibited in the Fabergé Museum in St Petersburg. Few silver items from the Grand Duchess's dowry are still in private hands, but some pieces have been sold at auction over the years, including an impressive tureen from the Van Cliburn Collection that was previously acquired in Vienna in the 1960s (Christie's New York, 17 May 2012, 'The Van Cliburn Collection', lot 21). As such, this pair of silver mounted ruby glass dessert tazzas, steeped in Imperial Russian history, are a rarity to appear on the open market.LiteratureJohn Culme, 'Marks, Fine Antique Silver', (London: A. M. Marks Limited, 2005), pp.82-85 with photographsM. N. Lopato, 'Iuveliery starogo Peterburga', (St Petersburg: 2006), p.128Schloss Fasanerie Museum in Eichenzell, 'Die Mitgift einer Zarentochter' Exhibition Catalogue 1997/98For further information on this lot please visit Bonhams.com
Lot 1
A silver centrepiece / épergneHawksworth, Eyre & Co Ltd, Sheffield 1910 Central leaf embellished fluted baluster form column with circular receiver above, fitted with a glass bowl, three further receivers with small glass bowls above three ornate scroll arms issuing from a lower foliate scroll knop, terminating on a shaped-dome base with foliate scroll rim, height with glass bowl 38cm.For further information on this lot please visit Bonhams.com
Lot 87
An early 20th Century blue opaline glass lidded sugar bowl / tobacco jar in the manner of Mary Gregory. With ovoid bowl to lipped rim, partially decorated with hand painted gilt male figures over the pale blue tinted blue vaseline ground and floral decoration to lid with finial. Measures 12cm (height) .
Lot 54
A SHORT BALUSTER WINE GLASS SECOND QUARTER 18TH CENTURY The round funnel bowl supported on an inverted baluster stem with tear-drop inclusion, on a folded conical foot, 13.5cm high Provenance: From a deceased private collection. Condition Report: Two half cm vertical scratches to the bowl.Condition Report Disclaimer
Lot 120
AN OPAQUE-TWIST 'LYNN' WINE GLASS THIRD QUARTER 18TH CENTURY The round funnel bowl supported on a double-series stem, 14.5cm highProvenance: Ex Maynard Collection.From a private Gloucestershire Collection. Condition Report: Some scratches to the foot.Foot = 7.6cmBowl = 5.2cm Minutest of foot rim nibbles. Not really visible to the naked eye.Potential purchasers should establish to their own satisfaction and view in person before bidding to establish whether or no the rims have been reduced/polished. Condition Report Disclaimer
Lot 117
A CENTRALLY-KNOPPED OPAQUE TWIST WINE GLASS CIRCA 1760 The ogee bowl supported on a gauze-filled stem with central knop and conical foot, 15.5cm high Provenance: From a deceased private collection. Condition Report: No damage or resinous chip repairs found.Bowl = 5.1cm diam.Foot = 7cm diam.Condition Report Disclaimer
Lot 53
A BALUSTER WINE GLASS OF SO-CALLED 'KIT KAT' TYPE SECOND QUARTER 18TH CENTURY The drawn trumpet bowl with solid lower section supported on an inverted baluster and conical foot, 17.5cm high Provenance: From a deceased private collection. Condition Report: Bowl = 7.5cm diamFoot = 7.5cm diam.Small foreign body in the bowl, some wear to the underside of the foot.Condition Report Disclaimer
Lot 121
AN OPAQUE-TWIST CORDIAL GLASS THIRD QUARTER 18TH CENTURY The round funnel bowl with hammed fluted lower section, supported on a double-series stem and conical foot, 17cm highProvenance: Somervale Antiques. Wing Comdr. Ron Thomas.From a private Gloucestershire Collection. Condition Report: No serious damage detected. Potential purchasers should establish to their own satisfaction and view in person before bidding to establish whether or no the rims have been reduced/polished. Condition Report Disclaimer
Lot 111
AN ENGRAVED MERCURY TWIST WINE GLASS MID 18TH CENTURY The round funnel bowl engraved with a meandering foliate band, the stem with a single multi-ply corkscrew cable, 17cm high Provenance: From a deceased private collection. Condition Report: Piece of foreign material in the metal of the bowl.Bowl 7.1cm diam.Foot 7.5cm diam. Condition Report Disclaimer
Lot 123
AN OPAQUE TWIST WINE GLASS OF MASONIC INTEREST THIRD QUARTER 18TH CENTURY The engraved ogee bowl decorated with a Masonic symbol and fruit vine, supported on a double series stem and conical foot 14.5cm high Provenance: The Leonard Fuller Collection Condition Report: A couple of minute nibbles to the underside of the foot rim. Visible with loop but not really the naked eye.Bowl = 5cm diam.Foot = 7cm diam.Condition Report Disclaimer
Lot 57
A BALUSTER WINE GLASS, BELL BOWL SECOND QUARTER 18TH CENTURY The bell bowl supported on a double baluster stem and a conical foot, 18.5cm high Provenance: From a deceased private collection. Condition Report: No obvious damage or resinous chip repairs noted. In our opinion the foot does not appear to obvious areas of polishing to the rim but this is just our opinion and potential purchasers are expected to satisfy themselves on this point before bidding.Condition Report Disclaimer
Lot 58
A BALUSTER WINE GLASS SECOND QUARTER 18TH CENTURY The round funnel bowl with a solid lower section above a large knop surmounted on an inverted baluster section with tear inclusion, 15.5cm high Provenance: From a deceased private collection. Condition Report: Bowl = 7.1cmFoot = 7cmPotential purchasers should establish to their own satisfaction whether or not the rims have been reduced/polished. Condition Report Disclaimer
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87294 item(s)/page