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A Georgian wine glass circa 1800, the conical bowl with basal petal moulding above a three ring upper knop and a central knop stem, raised to a conical foot all in an amethyst ground, height 13cm, together with another amethyst wine glass the ribbed ogee bowl above a knopped stem and conical foot, height 12cm. (2)
An Art Deco crystal glass bowl by Chris Lebeau of Meierhofen circa 1927, the footed shallow circular form with a mottled green and blue body with an applied blue rim, unsigned, width 29cm.N.B - From the collection of Gary D. Baldwin - Illustrated plate 164 - page 136 - Moser Artistic Glass - Edition Two - Gary D. Baldwin
An 18th Century drinking glass circa 1775, the trumpet bowl above a six sided hexagonal cut facet stem, raised to a toasting foot, height 14cm, together with another glass with an ovoid bowl with cut and polished decoration, above a six sided diamond cut stem with medial knop with diamond cut facets, raised to a petal cut foot. (2)
A very large 18th Century Jacobite drinking glass, the ogee bowl engraved with a six petal rose and bud on bough with open winged bird verso above a double series opaque twist stem with two spiral tapes outside a central gauze, raised to a wide shallow conical foot, height 19.5cm. N.B - Ref engraver I - Seddon plate 121
An 18th Century wine glass circa 1750, the ogee bowl decorated with a Jacobite style engraved flower with a bee verso, above a medial knopped multi spiral air twist stem, raised on a conical foot, height 15.5cm, together with a wine glass, the round funnel bowl above a multi spiral air twist stem, raised on a domed foot, height 17cm. (2)
A George V cut and engraved glass powder-bowl with silver lid: the bun-shaped bowl decorated with leafy scrolls and engraved flowers, printie-cut rim, the engine-turned silver cover with knop finial and gilt-washed underside. (12.5 cm high). Condition: Marks good, silver and glass in good condition. No faults.
An Indian silver footed bowl, decorated in relief with a lion and elephant beneath a wavy rim, on a foliate decorated circular domed foot, weight 213g, height 12.3cm, together with a Russian silver mounted hand mirror, 84 zolotnik, monogram engraved, a silver mounted hairbrush, a silver trinket box, Birmingham 1909, a silver lidded cut glass jar and an oval silver mounted box with pin cushion hinged lid, length 10cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A late Medieval sapphire set ring, 15th century, the rhomb-shaped table-cut sapphire within a six cusped setting between tapering shoulders with engraved detail of flowerheads, lilies and other foliate stems issuing from a crescent bowl or basket, ring size I. £4,000-£6,000 --- Provenance: This ring was discovered by a metal detectorist at Tarrant Crawford in Dorset in 2019. It has been recorded on the Portable Antiquities Scheme database Ref: DEV-0AC761 and disclaimed as Treasure, Ref: 2019-T1020. Sapphires have long been associated with the bishopric, due to their designation in Medieval Lapidaries as representative of heavenly virtue and fidelity. This ring also displays unusual floral decoration, including a lily. In Christian iconography the white lily symbolises chastity, and is therefore associated with the Virgin Mary; Medieval and later depictions of the Annunciation often show the Archangel Gabriel handing a white lily to the Virgin Mary. The ring was found in Tarrant Crawford in Dorset, less than 200m from the Church of St Mary the Virgin. The church is all that remains of Tarrant Abbey, an immensely important and powerful Cistercian nunnery, founded in the 13th century by Ralph de Kahaines (of nearby Tarrant Keyneston) and destroyed during the Reformation. The church comprises a flint chancel, dating from the 12th century, with the nave, tower and porch being built in the 14th century, and a 15th century bell tower. The church displays some 15th century stained glass as well as some important Medieval wall paintings, including a depiction of The Annunciation dating from the 14th century showing the winged figure of Gabriel and the Virgin. The interior also includes several coffin lids from the 13th century, which were moved from the Abbey; legend has it that these belong to Queen Joan, the wife of Alexander II of Scotland and daughter of King John of England (Richard I's brother and successor) allegedly buried in the graveyard in a golden coffin and to Bishop Richard Poore, builder of Salisbury Cathedral, who was baptised in the abbey church and later (in 1237) buried in the abbey, which he had founded. The actual internment of these bodies within the Church is disputed, but the association of these figures with the abbey give indication of its importance during the medieval period. Condition Report Surface reaching fractures evident to the sapphire. Otherwise the stone of darkish hue with green undertones. In closed setting so not possible to confirm true colour. Light surface wear only. The gold shank is of hollow construction not solid gold. Engraved detailing still good. Overall fine condition. Weight 2.8gm.
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87309 item(s)/page