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Click here to subscribeA George III silver mustard, of 'drum' form with S-scroll handle, the hinged cover having shell cast thumbpiece, maker Peter & Ann Bateman, London 1793, with removable blue glass liner, dia.6cm, h. 5.5cm (excluding thumbpiece), sold with an associated silver spoon with shell shaped bowl and initialed to terminal, maker Stephen Adams, London 1789, gross silver weight 4oztAn excellent example with minor age wear only.
A Cased Victorian Silver Condiment-Set, The Salt-Cellars and Salt-Spoons by William Edwards, London, 1872, The Mustard-Pot by James Charles Edington, London, 1867, The Mustard-Spoon by George Adams, London, 1876 each piece decorated in the Renaissance-style, with foliage on a matted ground, comprising six salt-cellars, each on three winged putto-cast feet; six salt-spoons; a mustard-pot with frosted glass liner and a mustard-spoon, in fitted domed gilt-tooled leather case with two hinged covers and brass clasp the case 25cm wide, weight of silver 19oz 13dwt, 611gr (qty)Provenance: Dutton Manor, Lancashire The salt-cellars each marked underneath. The spoons each marked on back of bowl and the mustard-pot fully marked underneath and further part marked inside cover. There is some wear to the marks especially those on some spoons but in general each is legible. There is some overall surface scratching and wear, consistent with age and use. The frosted glass liner in the mustard-pot is somewhat ill-fitting. There is some pitting inside the salts and some scuffs and marks to the case.
A Victorian Silver Mustard-Pot and Mustard-Spoon, by Edward Charles Brown, London, 1881 humouristically modelled as an owl and chased with feathers, the hinged head set with two glass eyes, with associated blue glass liner, the mustard-spoon with twisted handle and terminal cast as a mouse95mm high, gross weight excluding liner 3oz 18dwt, 121grFully marked on back and on bowl of spoon. The hinged cover apparently unmarked. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points. The blue glass liner with some damage and loss around the rim.
A Victorian Silver Bowl and Ladle, The Bowl by George John Richards and Edward Charles Brown, London, 1861, the Ladle by George Adams, London, 1859 tapering cylindrical and on spreading openwork base with fruiting grapevine feet, overall pieced and engraved with foliage and latticework, each side with a vacant cartouche, with overhead flower and branch-cast swing handle and conforming cranberry glass liner, the ladle with pierced shell-shaped bowl, the handle stamped with foliage and flowers 19.5cm high, 15.5cm diameter, weight of silver 15oz 10dwt, 482gr (2)Provenance: Dutton Manor, Lancashire Fully marked near rim and on bowl of ladle. Further part marked on handle. The marks are generally clear. There is some overall surface scratching and wear, consistent with and use. The wear is noticeable as a minor softening to the high points. The cartouches on the bowl show no sign of being thin but may have been erased.
~ An Early Victorian Cut-Glass Twelve-Light Chandelier, attributed to Perry & Co, mid 19th century, the moulded baluster stem with cut canopy hung with graduated tiers of prismatic cut beads and drops, the cut-glass bowl issuing short and long S-shape ropetwist moulded arms joined by hanging chains, the cut-glass beads with large drops and faceted pendant drops below 80cm diameter, 120cm highFor a similar example see Mortimer (Martin) The English Glass Chandelier, pg.154, pl.92 and Christie's, 16 November 2021, lot 584
B. Henneberg of Warszawa - an Art Nouveau pewter and moulded green glass mounted centrepiece, the glass of wavy handkerchief form heightened with floral detail, the column in the form of a stylised standing lady to robed spreading foot, marks to underside and numbered 3200, h.32cmGlass bowl very good and complete.Stands well.Pewter with general age related surface and handling wear.Area of fatigue to metal at raised crinkled area of flowing dress towards bottom of right leg.
A collection of studio art glass including Kosta heart bowl initialled MB/LS, a Whitefriars kingfisher blue beak vase and a large green glass vase on blue pedestal feet, a Mdina glass bowl , a Swedish red glass bone vase and two small studio glass perfume bottles one signed EM to base. Tallest 23.5cm
Jane Gilchrist studio glass dish. Signed and dated 75 to base, diameter 23cm together with a studio glass by Jane Charles indistinctly signed to base and a glass scent bottle by Jane Charles. (3)The dish has a few glass imperfections, but no damage.Jane Charles bowl, no damage, height 11cm, diameter 16cm.The scent bottle has a broken stopper, and a noticeable scratch, height of bottle 15cm.
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