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Click here to subscribeA small collection of decorative glass - including an aquamarine painted shell-shaped glass bowl, 32.5 cm diameter; a large lettuce leaf style clear moulded glass salad bowl, 31 cm diameter; a similar smaller salad bowl moulded as a flower; a large conical, green-tinted clear glass salad bowl; a similar water or lemonade jug; and a pair of tall, clear and ruby glass trumpet-shaped candle holders, 40 cm high, rim chips. (7)
A small group of cut crystal bowls including Waterford, Stuart and Webb - the small Waterford bowl 8 cm diameter; the Stuart bowl with cut and engraved aquilegia flower decoration, 12.2 cm diameter; the Webb bowl with petal, notched and hobnail diamond cut decoration, 12.2 cm diameter, all with etched marks; together with two cut crystal trifle / fruit bowls; a vase; and two boxed commemorative 2011 Royal Wedding cut glass tot glasses; plus two other pieces of moulded glass. (12)
KAVIARSCHALE, versilbert, 20. Jh., runde Schale mit herausnehmbarer Halterung für das gläserne Kaviarbehältnis, versilberter Deckel mit gestuftem Knauf, Handhabe in Form von Fischen, D: ca. 16 cm, verschlagene Punzen. Alters- und Gebrauchsspuren. Tlw. Kratzspuren. | CAVIAR BOWL, silver-plated, 20th century, round bowl with removable holder for the glass caviar container, silver-plated lid with stepped knob, handle in the shape of fish, d: approx. 16 cm, hammered hallmarks. Signs of age and use. Scratch marks in places.
A COLLECTION OF WEMYSS WARE CHERRY PAINTED POTTERY including a two handled bowl, a chocolate cup and cover, a large pot lid, a small plate and jug and a double inkwell (6) Condition Report:two handled bowl - missing one handle, large chip to rim, rubbing to rimchocolate cup - lead repairs to handle, chip to base rim and cover - firing crack and some discolourationpot lid - discoloured, 12cm diametersmall plate - 13.5cm diameter, badly cracked and chip to basejug - very discoloureddouble inkwell - lids have ben restored, one glass lined with chip, stand okAs expected most pieces have overall crazing.
An Elizabeth II silver novelty condiment set, modelled in the form of a trio of standing owls, comprising mustard pot, and two pepperettes, the body of each cast and decorated to simulate feathers, the head inset with glass eyes, the mustard pot ensuite with mustard ladle with mouse finial and gilt bowl, William Comyns & Sons Ltd., London 1958, height (of mustard pot) 6.8cm, combined weight 261g/8.39ozt approx (4)
Sheffield Assay Office Interest.A pair of George III silver neoclassical salts, of oval form, each with pierced gallery border, surmounted by a gadroon edge rim, atop four ball and claw feet, ensuite with ruby glass liners, sponsor's mark 'T.L', possibly Thomas Lamborn, Sheffield 1773, length 7.7cm, ensuite with a pair of salt spoons, each with cast shell bowl and fluted tapering stem, hallmarks rubbed, combined weight (sans liners) 116g/3.72ozt approx (2) Note: These salts were hallmarked during the first year of the Sheffield Assay Office's operation. There has been an Assay Office in Sheffield since 1773...(after) an Act of Parliament was passed, granting Sheffield the right to assay silver. See: https://www.assayoffice.co.uk/about-us/history
Two Trays of Decorative Ceramics and Glass, including a Derby porcelain tea bowl and saucer, a.f., eight Royal Albert and Beswick Beatrix Potter figures, four boxed Royal Doulton Bunnykins figures, a boxed Lladro figure, a Border Fine Arts figure of a deer, cut glass perfume atomisers, a decanter and stopper, etc.
George III wine funnel by Charles Fox I , London 1810, sugar sifter London 1808, 14cm, three decanter labels Birmingham 1930, two other decanter labels, shell bowl caddy spoon by John Smyth , Dublin 1897, circular box with hinged cover, silver mounted amber glass perfume bottle, dragon pendant and a pair of shallow dishes set with South African 1896 two shillings and inscribed Krugers Last Coin, marks rubbed, 9cm dia. total gross weight 11.5oz 364gm
A collection of late 19th or 20th century cranberry or ruby glass to include; a tall etched ruby glass vase approx. 25cm high, an enamelled ruby glass handled jug with lady and foliage design, approx. 19cm high, three similar cranberry glass dishes of curved/scrolled effect rims with stylised bases, a small handled jug and similar globular dish/bowl. (7) Further details: chip to large ruby glass vase, other rim chips and nibbles, one foot on one dish broken off and missing, few feet on another dish have been broken and glued, some nibbles etc.
Mary Ann "Toots" Zynsky (American, b. 1951). Filet-de-verre fused and thermo-formed colored glass threads titled "Italian Chaos X" in the form of a colorful undulating bowl, 1995. Signed with a Z in one thread along the underside. With a lucite stand for display.Provenance: Elliott Brown Gallery, Seattle, 1995; Private Minnesota Collection.Lot Essay:Zynksy went by the name of "Toots" almost from birth. She was raised in Massachusetts and studied at the Rhode Island School of Design (RISD) where she received a Bachelor of Fine Arts degree in 1973. It was here she was one of a group of pioneering glass artists who studied with Dale Chihuly. In the summer of 1971, she accompanied Chihuly along with fellow RISD students and friends of Chihuly to Washington state where she would participate in the founding and early development of the Pilchuck Glass School.In 1980 she would become the assistant director and head of hte hot shop at the New York Experimental Glass Workshop in New York City, now known as UrbanGlass. While there she experimented with barbed wire and glass which eventually evolved into "spun glass" vessels. Her 1982 vessel titled "Clipped Grass" was her first foray into the use of the filet-de-verre technique she would pioneer and that would soon become her hallmark.Filet-de-verre involves pulling fine threads from a glass cane. She then layers thousands of these strands onto a round heat-resistant fiberboard plate. These threads are then fused inside a kiln. While still hot, the glass is allowed to slump over bowl-shaped forms. After the glass has achieved the desired shape, she then reaches into the kiln with heat-resistant gloves and squeezes the glass into unique undulating forms.(Not including stand) Height: 7 1/2 in x width: 15 3/4 in x depth: 8 1/2 in.
Dale Chihuly (American, b. 1941). Set of four "Persian Forms" handblown glass. With a spiderweb design in turquoise blue along one side and a variation from orange to black along the other. Rimmed in bright red. The forms range from large open bowls in resembling shells to curling floral vessels. They are able to be nested together in a variety of unique ways.Provenance: Savage Art Resources, Portland, OR; Distinguished Corporate Collection; Private Minnesota Collection.Lot Essay:Dale Chihuly first encountered glass art as an interior design student at the University of Washington. Immediately fascinated, he went on to study glass at the University of Wisconsin, which was the first university in the United States to teach glassblowing. From there, he went on to the Rhode Island School of Design, where he continued to learn about glass and eventually ended up teaching. His education continued with a Fulbright Fellowship to go to the famous glassblowing studios of Venice. After his time in Italy, he returned to his home state of Washington to found his own glass school, the Pilchuck Glass School, with Ann and John Hauberg, influential supporters of the arts in Seattle. At this school, his art style and process truly flourished. In particular, Chihuly first fostered the collaborative method of glassblowing he had witnessed in Italy at Pilchuck, something that would become a hallmark of his artistic process.(Cone) height: 7 1/2 in x diameter: 3 3/4 in. (Small bowl & sphere) height: 3 3/4 in x width: 8 1/2 in x depth: 6 in. (Curling form) height: 2 3/4 in x width: 9 in x depth: 3 in. (Large bowl) height: 14 1/4 in x width: 23 in x depth: 15 in.
Includes 1 Jeanette Lombardi pink milk glass footed bowl, 1 Imperial Glass Carmel Slag Bowl, 1 Westmoreland Milk Glass Compote, and 1 Westmorland milk glass bud vase. Largest bowl measures: 10.75"L x 7"W x 5"H. Compote measures: 5"W x 5.25"H. Bud vase measures: 2.5"L x 3"W x 10.25"H. Condition: Age related wear.
Glasschale bzw. -dose, Böhmen, wohl Lötz Wwe., Klostermühle, um 1900.Grünes Glas, mit Fäden silbergelb umsponnen, irisiert. Rand abgeschliffen (?), Spannungsriss. D. Rand 11,5 cm. Art nouveau glass box or bowl, tension crack, rim abraised. Probaby Lötz widow, Klostermühle/ Bohemia. Ca. 1900.
Pierre Signoretto et anonyme Ensemble de pièces en verre soufflé de MuranoIl se compose d'un grand vase H. 42 cm, deux mandarins, une paire de coupes fleurs et une coupe à bords ondulés.A set of Murano blown glass pieces by Pierre Signoretto and anonymousComprising a large vase H. 42 cm, two mandarins, a pair of flower bowls and a bowl with rippled edges.For further information on this lot please visit Bonhams.com
'Pissenlit' No.3240 a Rene Lalique sepia stained glass bowl, two Lalique year plates Owl (1971) and Eagle (1976), a Worth Je Reviens scent bottle, a Lalique Galleon ashtray, two Lalique clear and frosted glasses and a blue stained box and cover, modelled R Lalique to well interior, 13cm. diam. (8)
Hallmarked silver three piece mounted dressing table wares including hand mirror, hairbush and glass powder bowl and cover, having engine turned decoration part chased and engraved with flowers and scrolls etc, Birmingham 1965, makers mark for W I Broadway & Co together with a clothes brush stamped sterling
A group of six Georgian wine glasses, mid-18th century, five with plain teardrop stems, comprising: two large glasses with flaring trumpet bowls and folded feet, the largest 20cm high; a similar smaller glass, 17.2cm high; a glass with bell bowl, single-knopped stem and domed foot, 16.8cm high; and a glass with bell bowl and folded foot, 16.5cm high; together with a glass with bell bowl above triple knopped stem and folded foot, 18.2cm high (6)Provenance: Property from the estate of the late David Cornwell, best known as the author John le Carré.Condition Report: The two large trumpet bowl glasses in good condition with only tiny air bubbles to the stems and one bubble to each bowl. The smaller glass with trumpet bowl with multiple tiny air bubbles. The tear drop to the stem with a slight fault present since manufacture - there is a slight 'drag' to the mid-point.The bell bowl with single knop to the stem has a flat chip to the folded foot and a miniscule nick to the rim. Air bubbles also present.The bell bowl with straight stem - the tear drop continues down the stem in two sections.The glass with the triple knopped stem - impurities to the stem and the join of the bowl to the stem is quite rough, possibly indicating a repair.
A Dutch-engraved Silesian-stemmed shipping goblet, c.1740, the funnel bowl finely engraved with a three-masted sailing ship flying a flag inscribed VOC beneath the inscription DE OOSTINDISCHE COMPAGNIE for the Dutch East India Company, the bowl set on a flattened ball knop with tear inclusion and a Silesian hexagonal pedestal stem and folded foot, 16.8cm highFootnotes: Note: This goblet is a fine example of a type of English glassware decorated with wheel-engraving by Dutch artisans, dateable to the first half of the 18th century. The stem type known as 'Silesian' is not for any direct connection with Silesia but instead so-named to honour the arrival of the Hanoverian George I to the English throne in 1714. The ship depicted, while not named as a Privateer vessel, can be associated to the Dutch East India Company by the presence of the 'VOC' insignia to the ship's flag. The Dutch East India Company was constituted in 1602 as a means to amalgamate the various competing Dutch companies trading in the East Indies under one monopolistic corporation, united by national interest against foreign competitors. The presence of the 'VOC' insignia on material goods, both luxury and utility, served as a reminder of both the strength and the wealth of the company. Considering the well-established Dutch ritual of drinking and toasting at the conclusion of formal affairs and business transactions, it is not surprising that wine glasses would be an ideal object to bear the mark of the company, regardless of whether the goblet was intended for practical use or as a purely symbolic object. A similarly shaped goblet with related East India Company engraving to the bowl was sold at Bonhams as part of the A.C. Hubbard Collection of Important English and Dutch Glass, 30 November 2011, lot 261, for £5000 (including buyer's premium). Condition Report: This goblet is in overall good condition and presents well despite some minor flaws and light wear consistent with age, listed below: Some light scratches to the bowl. An area of very minute chipping to the rim just above the tallest mast of the engraved ship. An impurity mark to one panel of the Silesian stem, between two of the corners. An impurity to the folded foot with further tiny air bubbles and scratches to the underside of the foot. Additional images are available - click here.
A group of Georgian cordial glasses, 18th century, comprising: a glass with round funnel bowl and clear spiral and multi-series twist stem, 15.8cm high; a glass with ogee bowl and opaque double-series twist stem, 12.6cm high; a glass with cup bowl and opaque gauze with red and opaque double spiral stem, 13cm high; and a glass with trumpet bowl engraved with a laurel band, 11.2cm high; together with a wrythen moulded dram glass with drawn conical bowl, 10cm high (5)Condition Report: The glass with multi-air twist stem - minor scratches to the bowl and foot, a few minor air bubbles to the foot. The glass with opaque double series stem - minor scratches to the underside footrim and top of the foot. The glass with red and opaque spiral stem - a small chip to the rim, a couple of minor scratches to the exterior of the bowl, some minor air bubbles to the foot. The glass with trumpet bowl - a couple of minor scratches to the bowl and foot. The dram glass - minor scratches to the exterior of the bowl and to the underside footrim.
A large Bohemian amber-stained glass goblet and cover, second half 19th century, the flared bowl engraved with a stag and two does in a woodland, on an octagonal-knopped faceted stem and spreading petalled foot, the cover with spire finial and scalloped edge, 48cm high Condition Report: A flat chip to the edge of one petal of the foot, a couple of impurities to the knop, otherwise in good condition with light surface dirt and dust, the remains of felt lining to the underside of the foot.
A group of Georgian wine and ale glasses, 18th century, comprising: a glass with bell bowl on a collared and double knopped multi-series air twist stem,16.2cm high; a glass with rib moulded ogee bowl with flaring rim on an opaque gauze and spiral twist stem, 16.1cm high; an ale glass with drawn trumpet bowl engraved with hops and barley, 16.5cm high; a glass with round funnel bowl on a plain stem and folded foot, 15.2cm high; and a large glass with drawn funnel bowl and teardrop stem, 17.1cm high (5)Condition Report: The glass with collared and knopped stem - minor scratches to the bowl and to the foot, minor scratches to the collar and join at the stem.The glass with opaque gauze and spiral stem - a small air bubble to the base of the bowl, a small air bubble to the foot, minor scratches to the bowl and footrim. The ale glass - very minor impurities to the foot and one to the bowl, minor scratching to the bowl and foot. The glass with plain stem - minor scratching to the bowl and footrim. The large glass with teardrop stem - a small impurity to the underside of the foot, minor scratching to the bowl and foot.
AMENDMENT: Please note, there are six cordial glasses in the lot and not seven as previously catalogued, comprising two with ogee bowls, one with funnel bowl, two with ovoid bowls, and one with trumpet bowl. A group of seven Georgian cordial glasses with plain stems, mid-18th century,comprising: three glasses with ogee bowls, the tallest 15cm high; a glass with funnel bowl and folded foot, 14.7cm high; two glasses with ovoid bowls, one with etched trellis and swag decoration to the rim, the tallest 12.5cm high; and a glass with trumpet bowl, 12cm high (7)Provenance: Property from the estate of the late David Cornwell, best known as the author John le Carré.
A Continental silver trinket box. Import marks for Samuel Boyce Landeck, Sheffield, 1900. Of shaped form, repousse decorated with scrolling floral and foliate motifs, the hinged cover with shell thumbpiece and decorated with a scene depicting classical figures beside a temple, 9cm wide. The box together with a group of silver mounted glass vessels and oddments, comprising: an Edwardian pill box, Birmingham, 1900, Henry Matthews, of oval form, repousse decorated with scrolling floral and foliate motifs, 6.5cm wide; a rectangular pill box, with import mark for Next PLC, London, 1988, the hinged cover engraved with decorative banding to border, 4cm long; a small dish, Birmingham, 1909, maker M.BROS, of circular form, pierced along the rim, the base chased and repousse decorated with floral motifs, 8.8cm dia.; an octagonal powder compact case, London, 1934, Cohen & Charles, with engine turned design, 8cm wide; a set of six Edwardian teaspoons, Sheffield, 1904, John Round & Son, Old English pattern, 13cm long, in fitted case; a twin-handled bowl, Birmingham, 1957, Lanson, of circular form, 12cm dia.; a silver mounted glass scent bottle, maker ID.; three silver mounted glass vanity jars, various dates and makers, all of cylindrical form; and another mounted glass jar, the lid apparently unmarked, total weighable silver approx. 13.6ozt (a lot)Footnotes: Samuel Boyce (Boaz) Landeck was a silversmith from the Netherlands. He was active in London where he imported continental silverware, including Hanau silver. Condition Report: Continental trinket box possibly French or German (either French or pseudo Hanau marks to base). The compact case and the unmarked lid of one of the vanity jars are not included in the weighable silver.
Two Georgian-style silver salt cellars. Thomas Ducrow & Sons, London, 1967. The oval bodies with blue glass liners raised on four ball and claw feet, with beaded borders to pierced and engraved sides, 8.5cm wide. The salt cellars together with a group of silver cruets and spoons, comprising: two Victorian salt cellars, London, 1894, Horace Woodward & Co., of circular form, with scalloped, flared rims, liners deficient, 5cm dia.; a set of six coffee spoons, Birmingham, 1929, Adie Brothers, the handles and reverse of bowls engraved with undulating lines, gilding to interior of the bowls, 9.8cm long, in fitted case; a pepper mill, Birmingham, 1975, J. B. Chatterley & Sons, of tapering form, 10cm high; two condiment spoons, Chester, 1912, Haseler Brothers, 7.7cm long; a Victorian condiment spoon, London, 1894, Horace Woodward & Co., the bowl with scalloped rim; a condiment spoon, Birmingham, 1965, Bishton's; and another condiment spoon, Sheffield, 1977, Cooper Brothers & Sons, total weighable silver approx. 8.2ozt (a lot)Condition Report: The pepper mill is not included in the weighable silver.
A pair of three light candelabra. Stamped 'weighted sterling'. Designed with detachable wrythen branches to knopped stems and raised on stepped circular feet, filled, 30.5cm high. The candelabra together with a group of silver plated items, including: a Christofle dish, of circular form, with engine turned sections along the rim, 16.5cm dia.; a mounted glass ewer, of baluster form, with scrolling handle designed as a branch and acorn finial to the hinged cover, the spout designed as a male head, 33cm high; a pair of continental candlesticks, stamped HENNEBERG WARSAW to underside, on a stepped circular foot, 24cm high; two sauce boats, with scrolling handles and decorative banding to rims, on three paw feet, 24cm wide; a shaped, circular salver with presentation engraving to base, 35cm dia.; a posy vase, with shaped flaring rim and a knopped stem raised on a stepped circular foot, 21.5cm high; a circular bowl, pierced and decorated along the shaped rim, 18.5cm dia.; an oval hot plate with cover and liner, on a twin handled stand on four paw feet, 31cm wide (inc. handles); a white metal twin handled pedestal bowl, engraved with decorative motifs, with knopped stem raised on a stepped oval base, 33cm wide (inc. handles); and a quantity of flatware and other items (a lot)
A near pair of iridescent vases. Tallest 26.5 cm, together with a Carnival glass dish and a Bristol blue glass beaker and pair of lily vases. CONDITION REPORT: The pair of iridescent vases are in good order with no chips, no damage, no repairs, and no restoration. The tall clear pair of vases both have numerous nibbles around the top lip and chips to most of the feet. The carnival glass bowl is in good order with no issues. The blue glass beaker has a foot rim chip and other small nibbles around the same area.
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