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Ludwig Sutterlin for Frtiz Heckert, a set of three Secessionist enamelled hock glasses, circa 1903, the ogee bell form bowl painted with stylised fruiting tendrils, in green, gilt rim, on a slice knopped sweeping trumpet foot, 21.5cm high (3)See: Zelasko, S. 2012, Fritz Heckert; Kunstglas Industrie 1866-1923, Glasmuseum Passau, fig. 423 for an example of this glass design
Harry Powell for James Powell and Sons, an Arts and Crafts Water Lily or Lotus service etched glass finger bowl, circa 1899, flared form, engraved with sinuous flowering lotus tendrils in the Art Nouveau style, 11.5cm diameterNote: designed for the Prince of Siam who visited London in 1897 for Queen Victoria's Diamond Jubilee; see Evans, W. et al. 1995, Whitefriars Glass, p.81, fig.82, for an illustrated example of this bowl; an example from this service was sold in these rooms in October 2023
A Silesian Warmbrunn engraved wine glass, the 16 panel faceted fluted funnel shaped bowl finely engraved with a monogram below a crown and further scrollwork as the border, gilt band to the rim, above a faceted baluster stem and conical foot with shaped rim, the underside cut with a band of polished ovals, 15.4cm high
William Fritsche for Thomas Webb, a Rock Crystal cut sherry glass, circa 1903, the bell shaped bowl intaglio engraved with polished wrythen teardrops below Rococo wave scroll curtain band and floral and foliate fronds above, on a hexagonal cut baluster stem and radial frond cut foot, 10cm highNte: developed by Bohemian glass engraver William Fritsche in the late 19th century whilst working for the Stourbridge glass firm of Thomas Webb and Sons, the technique of polishing both deep cut and shallow intaglio engraving to create an effect reminiscent of natural flawless quartz, became the trademark of Webb's production, most of which was deigned and supervised by Fritsche.
Ludwig Kny for Stuart and Sons, a large Art Deco cut glass floating bowl centrepiece, circa 1936, flat dished circular tazza form, decorated with stylised palm frond panels, on a knopped stem and star cut foot, acid etched marks, 36cm diameter Note: see Benson, N and Hayhurst, J, 2003, Art Deco to Post Modernism, p.15, fig. 60 for an illustrated example of this comport
A collection hallmarked silver items with Edward VII and later items. The lot to include a sauce boat, marked Birmingham, 1930. A seal top tea spoon with Coronation mark to the bowl. Hallmarked for London 1953. A silver topped cut glass trinket dish. The silver top having a planished finish and central vacant cartouche. Hallmarked for Birmingham, 1906. Maker SB&SLd for S Blanckensee & Son Ltd. a reproduction of a Roman spoon, hallmarked for London 1977. A contemporary silver letter opener hallmarked for London 2001. Combined weight of silver approx 171g. Measures approx 8.5cm x 3.5cm (dish) / 14cm x 5cm (jug)
A collection of Victorian and later hallmarked silver items.The lot to include a George V Arts and Crafts silver bowl. The bowl sitting on a circular plinth and having a planished finish. Hallmarked for Chester, 1921. Makers mark partially rubbed. A Victorian silver topped scent bottle. The bottle having a glass oval form rising to a silver hinged lid. Hallmarked for Birmingham, 1892. Makers mark L.S attributed to L Spiers. A Edward VII cut glass perfume bottle with silver lid. Hallmarked for Chester, 1909. Makers mark BPDC for Boots Pure Drug Company. A salt spoon hallmarked for London 1890. Makers mark EFHT for Horace Woodward & Co (Edgar Finley & Hugh Taylor). Combined weight approx 522g. Measures approx 10cm x 4.5cm / 6.5cm x 1.8cm.
A Victorian hallmarked silver table centre piece, triform base with presentation engraving below three claw feet below central column, with three scroll bird head decoration terminating in shallow dish supporting later clear glass bowl, weight 79oz, height 45cm, London 1865, George Angell & Co.
Elizabeth II silver cream jug, A Chick & Sons Ltd, London, 1972, 15.5cm, an Elizabeth II silver urn form sugar bowl, London, 1972, same maker, blue glass lined, together with a George VI small silver salver, Sheffield, 1950, inscribed,15.5cm, together with a set of six silver handled butter knives, boxed, and a boxed set of a child's silver bladed knife and silver bowled spoon, (5) weighable silver 16.3oz, (462gr.)
Gerard van Berleborch, um 1610 – um 1660, zug.STILLLEBEN MIT KRAAKSCHALE, WEINGLAS UND FRÜCHTENÖl auf Holz.55 x 73 cm.Auf der Tischplatte links bezeichnet „G v Berleborch f“ und datiert „1655“.In gekehltem Holzrahmen.Das hier angebotene Gemälde ist beim RKD in Den Haag unter Nummer 7387 registriert.Komposition von rechts in das Bild hereinragender durch ein Textil gedeckter Tischplatte. Darauf eine ornamental verzierte Silberplatte, eine absteigende Diagonale beschreibende Kraakplatte sowie ein mit Zitrone dekoriertes gefülltes Weinglas, das zwar nicht an Maerten Boelema de Stomme heranreicht, jedoch in ähnlicher Weise das Bild dominiert. Des Weiteren zieren Pfirsiche, Weintrauben und Silbergerät das Werk.Provenienz:Curt Benedict, Paris, 1957. Brian Koetser, London, 1966.Galerie Fischer, Luzern, 12. November 1974, Lot 2181.Galerie Edel, Köln, 1985.Sammlung Dr. Heinrich Jellissen.Sotheby‘s, London, 6. Dezember 1995, Lot 183.Literatur:B. J. A. Renckens, Aanvulling, in: Oud Holland, Vol. 82, Nr. 4, Januar 1967, S. 236, Abb. 3.N. R. A. Vroom, A modest message as intimated by the painters of the „Monochrome banketje“, Bd. 3, Nr. 9, Schiedam 1980. (13813610) (13)Gerard van Berleborch, ca. 1610 – ca. 1660, attributedSTILL LIFE WITH KRAAK BOWL, WINE GLASS, AND FRUIT Oil on panel.55 x 73 cm.Inscribed on tabletop “G v Berleborch f” and dated “1655” on the left.Literature: B. J. A. Renckens, in: Oud Holland, 82, 1967, p. 236, ill. 3.
A Val St. Lambert cut glass bowl and cover, 12.3 cm diameter x 10 cm high, a Brierley pineapple cut glass rose bowl with chrome plated liner, 15 cm diameter x 11 cm high, a studio glass vase, two cut glass lidded jars and three pineapple cut glass fruit bowls 29.5 cm diameter x 14.5 cm high, 22.5 cm diameter x 21 cm high and 23.5 cm diameter x 19 cm high
A box containing a collection of various objets de vertus including an 18th Century pendant reliquary each side set with six roundels with indistinct handwritten script beneath facet cut glass edged panels 5.5 cm x 4.7 cm, a Georgian white metal mounted and carved tortoiseshell bound eye glass or magnifying glass (tortoiseshell very damaged) 7.4 cm diameter, a wooden cased wax portrait bust medallion inscribed verso "T Master Esq The Abbey Cirencester" 4.3 cm diameter (bust damaged), a 19th Century white metal acanthus decorated teether (whistle and bells extant but ivory or coral teether missing) 10 cm long, a carved betel nut pomander of egg form 5.5 cm high, a white metal and mother of pearl and paste mounted lidded miniature basket containing a miniature white metal knife, fork and spoon 4 cm x 2.7 cm x 2.6 cm high, a Persian lacquered rectangular lidded box depicting a bloody tiger hunt with various animals and hunters 23 cm x 17 cm x 7.5 cm high containing various mainly plastic counters, a Queen Victoria white metal Golden Jubilee medallion, silver teaspoon, three various beadwork and wirework purses, a beadwork covered bone egg containing bone dominoes 4.3 cm high, four paste decorated and one other buckle, paste decorated hair clip, Chinese polychrome decorated bowl of small proportions 16.5 cm diameter, a Luneville floral decorated pot and cover, and a Tiffany sterling silver keyring etc
Five boxes of assorted china and glass to include a Denby "Encore" part dinner service, an Olympus hostess table ware part tea service, a collection of glass fish plates, various drinking glasses, large glass footed bowl, three wall collectors / wall plates, three brass table lamps and a modern barometer etc (5)
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87309 item(s)/page