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A George III 18th century circa 1765-70 English lead glass double series opaque twist ale drinking glass gilded by the workshop of James Giles. The glass having a trumpet bowl with gilt banding to rim. Gilt decorations throughout the entire bowl depicting rose bouquet, mosquito and further foliate motifs. Double series opaque twist stem below, raised on a circular foot. Measures approx. 18cm tall x 7cm in diameter.
An early 19th century George III circa 1820 diamond cut wine glass. The glass with trumpet bowl featuring four cartouches with diamond cut patterns over double-knopped stem, the knops disc shaped. The whole thing over circular foot, no pontil, with cut square linear design to base. Measures approx. 12cm tall.
A collection of late George III & later hand blown crystal drinking glasses. The lot to include a set of four cordial glasses having a tapering bowl over double knop stem, raised on circular foot. A hand etched vine leaf wine glass with trumpet bowl; a wine etched glass with trumpet shaped bowl over single knop stem on circular foot. Together with more. Largest measures approx. 14cm tall x 6cm in diameter. Some chips and surface scratches present.
A collection of early 19th century circa 1830s coloured glass pieces in blue and green. The lot comprising a half sized Bristol blue decanter, worn gilt Brandy label to front & with gilded and cut teardrop stopper, a green finger bowl with smooth pontil base, and a small blue wine or port glass, goblet bowl over disc knopped stem on round foot, smooth pontil. Decanter measures approx. 23.5cm tall.
An 18th century Bohemian hand-blown engraved goblet drinking glass. The goblet having a tapering bowl hand engraved with foliate swags motifs and pair of crest shaped cartouche depicting putti / cherubs. Shaped faceted stem, raised on circular engraved foot. Measures approx. 19cm tall x 9cm in diameter.
John Leathwood, Hull - Two Art Nouveau style stained & clear leaded glass decorative items. The lot to include a green frosted glass vase with leaded detailing & coloured glass beads, together with a clear leaded glass globe lamp shade / bowl with coloured beads. Some general wear & damage due to age. Largest measures approx. 20cm tall x 13cm in diameter.
A German silver Jugendstil bowl, by Lazarus Posen Witwe Posen, 800 standard, the pierced border of art nouveau design, with original glass liner, 7.5 cm high x 18 cm diameter, impressed marks to base, 265g (excluding liner) Lazarus Posen Witwe was one of the most notable German silver manufacturers of the 19th and 20th centuries. Founded and owned by a Jewish woman in Frankfurt in 1869, the company found success as the most popular distributor of silver Judaica objects. By the early 20th century, the company was granted a royal warrant and opened a second store in Berlin. Some of the pieces by Posen belong to the permanent collection of the Frankfurt Historical Museum and the Frankfurt Jewish Museum. No damage or repair. The silver is heavily tarnished and in need of careful cleaning. Surface wear to the glass liner, commensurate with age and use.
A collection of silver items to include; a pair of small twin handled George V silver trophies, each engraved "The Rowntree Challenge Bowl, York Regatta 1928 or 29" hallmarked by Northern Goldsmiths Co, Birmingham, 1927/28, each approx. 7cm high, one on stand, a Birmingham silver and tortoiseshell circular trinket box with inlaid design to cover, by Boots Pure Drug Co, (hinge broken), a George V silver and tortoiseshell hinged topped cut glass globular scent bottle, approx. 11.4cm high, a small tortoiseshell and silver pill box, also by Boots Pure Drug Co, approx. 4.2cm wide, a pair of cut glass silver topped salt and pepper shakers, and a Birmingham engine turned silver napkin ring. (1 bag) Weight: approx. 206.9 grams (6.6ozt) Further details: all tarnished, dent to silver top on bottle, hinge broken on box, slight impact damage to tortoiseshell on larger trinket box, misshapen areas to some, tops of salt and pepper dented/misshapen.
A pair of George V silver salad servers, hallmarked by James & William Deakin, Sheffield, 1914, each approx. 27.5cm long, along with a silver (filled) topped glass powder bowl, hallmarked by Broadway & Co, Birmingham, 1978, with mirror inside cover, approx. 6.5cm high x 11.5cm wide, and a circular silver napkin ring, engraved initials, hallmarked by G. Loveridge, Birmingham, 1920. (3) Weight: approx. 220.9 grams (7.1ozt) Further details: tarnishing, general wear, surface scratches to all, more to napkin ring.
An Asian white metal (untested) altar bowl stand embossed with floral and motif decoration and another Asian white metal small altar bowl, embossed with roundels, flowers and key pattern, unmarked together with English silver cut glass caster with silver cover, a glass toilet bottle with silver cover both hallmarked various dates and makers and a leather bound and silver plated hip flask, the detachable cup with engraved decoration. Further details: all tarnished, some wear, slight misshapen areas etc.
A mixed collection of ceramics and glass to include; a Royal Brierley 'Studio' iridescent glass centre bowl on footed base, a crystal cut glass lamp base, a studio glass dish, a studio pottery green glazed bowl, Royal Doulton Players Hero figure, Royal Doulton Sir Kreemy Knut figure and a Sylvac squirrel figure.
A contemporary Jonathan Harris studio glass bowl, of high sided form, decorated with stylised millefiori flower heads canes over a graduated mottled opal and blue ground with gold leaf, engraved signed and dated 2003, original paper label, boxed, height 8cm, together with a Jonathan Harris studio glass scent bottle of squat ovoid form, decorated with stylised leaves and clusters of millefiori cane flower heads over a mottled ground in blue with gold leaf, complete with a spire stopper, signed, height 10cm. (2)
A large 1930s Stuart & Sons Art Deco cut crystal glass bowl of flared circular form, decorated with repeat printie panels within a mitre cut grid, raised to a shallow capstan stem and wide circular foot, acid marked, width 25cm, together with a similar period cut crystal glass bowl with Art Deco stylised flower and grid design, damaged.
A Michael, Elizabeth and Timothy Harris for Isle of Wight studio glass bowl, of high sided circular form, decorated in the New Bon Bon Allsorts pattern, with blue iridescent spots over an petrol iridescent black ground, retains original paper label, together with a similar cylinder vase with mottled spots of blue decoration, boxed, and a smaller cylinder vase with amethyst trailing over a mottled opal ground, both retain original paper labels, tallest 16.5cm. (3)
An 18th Century baluster Gin glass circa 1740, the tall drawn bell form bowl above a compressed upper knop and plain stem with small basal knop, raised to a folded conical foot, height 12cm, together with a similar smaller example with bello form bowl above a triple knopped stem and folded conical foot, height 10.5cm. (2)
A 20th Century Murano glass bowl, of shell form, decorated internally with alternating opal latticinio and opal and blue twisted ribbon canes over a gold leaf ground, all cased in clear crystal, together with two Murano Tutti Frutti dishes with mottled multicoloured spots over silver leaf ground all over a deep ruby ground, widest 21cm. (3)
A large late 19th Century Stourbridge glass bowl, the circular body with dimple knocked sides and quatrelobed rim, cased in clear crystal over a spiral citron, pink and white line design with citron interior, decorated with applied clear crystal frill rim and raised to four clear crystal rustic form feet, width 21cm.
A late 19th Century Stourbridge glass bowl, possibly Stevens & Williams, the bowl of circular flared from with a wave rim, externally decorated with a white a citron spiralled pulled thread over satin ground, unmarked, width 20cm, together with a similar period night late base with matched decoration. (2)
A collection of 18th Century and later glassware to include a small crystal glass spirit decanter of mallet form with basal cutting and star motif below a three ring neck and radial cut mushroom form stopper, together with a selection of drinking glasses to include green conical bowl wines with bladed knop stems, tavern glasses and slice cut bowl wines. (10)
A mid 20th Century Orrefors sommerso bowl by Sven Palmqvist, of tapered form internally decorated in ruby and cased in clear crystal, signed, height 8.5cm, together with a similar smaller example of triform shape also in ruby and clear by the same hand, also two Reducta Glass Hooped vases the first in ruby, the second cased in yellow, height 13cm. (4)
A mid 19th Century Baccarat pressed glass footed beaker, circa 1840, the cylinder bowl decorated with panels of fan cut arches, with a central sulphide portrait of St. Therese, all raised to a short stem and octagonal foot, height 11.5cm, also two Sulphide glass reference books including 'Sulphides: The Art of Cameo Incrustation' by Paul Jokelson, and 'The Jokelson Collection of Antique Cameo Incrustation' by Paul S. Dunlop. (3)
A 19th Century Davidsons pressed glass circular bowl with twin handles and shallow domed cover, relief moulded with flowers and foliage to the white ground, together with a pale blue twin handled vase with emblems for the British Isles and a pair of Davidsons Primrose Opal twin handled baskets, tallest 11.5cm. (4)
An 18th Century drinking glass circa 1740, the waisted bell bowl with solid basal section above a plain stem, raised to a wide folded shallow conical foot, height 17.5cm, together with a similar period Ale glass with tall drawn bowl engraved with hops and barley above a plain stem and folded conical foot, height 19.5cm, both as found.
A 1930s to 1940s Stevens & Williams (Royal Brierley) clear cut crystal glass bowl of conical form with a mitre and printie panel cut body with chevron rim, unmarked, width 22cm, together with a later Stourbridge clear cut crystal glass bowl with stylised falling leaf design, possibly David Hammond for Webbs. (2)
An 18th Century monteith or bonnet glass, circa 1760, the double ogee bowl with honeycomb moulding above a flattened knop and raised to a conical foot, together with a similar example with petal edged foot and a collection of 18th Century table salts with lemon squeezer and terraced foot with cut and engraved boat shaped bowls and a wrythen fluted candlestick, tallest 16.5cm. (7)
Three pieces of early 20th Century Carnival glass, a bowl with frill rim by Millersburg, relief moulded to the central well in the Whirling Leaves pattern over marigold ground with diamonds and arches to the exterior, width 25cm, a ruffled bowl by the Diamond Glass Company, in the Brooklyn Bridge pattern over a marigold ground with radium finish, and a toothpick holder by Dugan, in the Nautilus pattern over blue ground. (3)
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87309 item(s)/page