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Ⓜ A COMPOSITE GERMAN FULL ARMOUR, CIRCA 1500/10comprising close helmet formed of a rounded one-piece skull rising to a boldly cabled medial comb decorated with pairs of incised lines and cut away at the nape to receive a neck-guard of two lames (later), fitted with brow-reinforce en suite with the skull, visor of ~sparrow~s beak~ form, pierced with a single stepped vision-slit and a series of circular and slotted ventilation-apertures, fitted at the right with a later lifting-peg, later bevor shaped for the chin and secured to the skull at the right of the neck by a swivel-hook and pierced stud (the skull with an early patched repair), the reinforce, visor and bevor all attached by common pivots; collar of three lames front and rear (the lowest front lame trimmed, pitted, small cracks and chips) the top lames lightly roped, the remainder bordered by single incised lines; strongly formed globose breastplate with a bold inward turn at the neck, fitted with later lance-rest at the right of the chest, movable gussets at the arm-openings (the left restored) en suite with the neck (an early internal patch repair), associated waist-lame, and fauld of three lames with pendant tassets each of four lames (the upper three restored using old plates); backplate formed of a main plate drawn-in at the waist, fitted with waist-lame flanged outwards to receive a short culet of three lames each formed at its upper edge with three cusps, the lowest with a recessed border of low triangular section; a pair of spaudlers each of five lames (the top right restored, small repairs); articulated vambraces formed of tubular upper and lower cannons, the former fitted at its upper end with a turner, and a couter of three lames, the central lame projected inwards at the front as a wing decorated with recessed border; circular besagews (the left restored), each rising to a small central boss and decorated at its edge with roping and a recessed border, gauntlets each formed of a short straight-ended cuff with fixed inner plate, four metacarpal-plates, knuckle-plate (the left restored), shaped finger-plate, hinged thumb-defenses terminating in a pair of scales (the finger-defences restored), and later buff-leather lining gloves; cuisses each formed of a gutter-shaped main plate (the right with a riveted patch) decorated at its upper edge with a bold inward turn and incised lines, and fitted at its lower edge with a winged poleyn of five lames, the wing fluted, and a pair of tubular full-length greaves (both with trimmed edges, the front right plate patched) fitted at the front with a mail sabaton terminating with later steel caps (areas of pitting throughout): on a wooden stand with moulded basePart proceeds to benefit the Acquisition Fund of the Arms and Armor department, The Metropolitan Museum of Art, New York.

A COMPOSITE NORTH EUROPEAN CUIRASSIER'S ARMOUR, EARLY 17TH CENTURY, PREDOMINANTLY DUTCHcomprising heavy close helmet with rounded skull formed in two halves joined along the crest of a moderately high roped medial comb, fitted at its rear with a tapering tubular plume-holder and at its front with a peak and bevor attached by common pivots having slightly domed radially incised heads (replaced), the obtusely pointed peak fitted on its underside with a U-shaped face-defence cut with seven bars each formed with a medial ridge, the lower edge of the face-guard secured to the bevor at the right of the chin by a swivel-hook and transversely pierced stud, the skull secured at the right of the neck by a similar swivel-hook and stud, and the flanged lower edges of the skull and bevor in each case fitted with a one-piece gorget-plate; slightly later heavy one-piece breastplate of vestigial peascod fashion with an upstanding inward-turned neck-opening, fitted at each of its shoulders with a later hinged buckle replacing a lower fastening now represented only by a vacant hole, and formed at its lower edge with a flange fitted at either end with a large mushroom-shaped stud for the attachment of a tasset; the right of the breast struck with the helmeted |A| mark used by the Armourers~ Company of London between 1650 and 1660, and the left of the breast struck with a cross paté; one-piece backplate with upstanding neck-opening and outward flanged lower edge fitted at its right and left ends respectively with a mushroom-shaped stud and a transversely-pierced stud for the attachment of an associated, detachable deep culet of four upward-overlapping lames; large symmetrical pauldrons, not an exact pair but in each case each forming part of the same series, the left and right of nine and ten lames respectively, in each case overlapping outwards from the fifth (the first lame of the left and the first four of the right associated), both pauldrons connected by a turner to a fully articulated vambrace formed of a tubular upper and lower cannon with an intervening bracelet couter of three lames (the right couter and lower cannon of the left vambrace associated); long tassets not an exact pair but in each case forming part of the same series, the left and right respectively of twelve and thirteen lames, and terminating in a winged poleyns of five, the latter laterally hinged to the last metacarpal lame; the main edges of the armour formed with inward turns; fingered gauntlets each formed of a long flared and pointed cuff fitted with a short separate inner plate, a wrist-plate, six metacarpal-plates, a knuckle-plate, scaled finger and thumb-defences ard turns, in some cases roped, and accompanied by incised lines, and the subsidiary edges bordered by similar lines; the surfaces of the armour cleaned bright with a light partly mottled patina; and accompanied by a pair of modern leather boots formed of sewn panels white fabric lining bordered at its upper edge with lace; the whole mounted on a mannequin with a steel base

A COMPOSITE ENGLISH PIKEMAN~S ARMOUR, LONDON, MID-17TH CENTURYcomprising pot with rounded crown formed in two halves joined by a turn along the crest of its low medial comb, and extending at its base to an integral brim turned down slightly at each side and projecting to an obtuse point front and rear (its edge showing some small cracks, dents, perforations and patches); collar formed of a single deep plate front and rear, in the former case flanged upwards at the neck-opening; one-piece breastplate of vestigial peascod fashion fitted at each side of its upper end with a pierced stud and accompanying swivel-hook (the left hook restored) to secure the free ends of the shoulder-straps of a backplate, the neck-opening struck with the mark |IW| of its maker, probably identifiable as John Wright (made free 1626, presented mark 1637, and the crowned IR government ownership mark of the time of King James II (1685-8), and formed with a deep flange at its lower edge supporting on a pair of hinges (the outer right one restored and the inner left one fractured at one side) a deep one-piece tasset embossed to simulate six lames; the main edges of all elements formed with plain inward turns accompanied at various points by recessed borders and incised lines, and the whole cleaned to a lightly patinated finish, and mounted on a fabric-covered mannequin with a wooden stand;

A GERMAN BURGONET, MID-16TH CENTURY AND AN ELECTROTYPE COPY OF THE HERMITAGE MILANESE BURGONET EMBOSSED WITH SCENES OF JUDITH AND HOLOFERNES OF CIRCA 1560, 19TH CENTURY; the first with rounded one-piece skull rising to a high medial comb, fitted with later peak (now in two pieces), associated one-piece neck-guard (internally patched repair), and fitted at each side with a later hinged cheek-piece (extensive rust throughout); the second with low comb, each face with a differing scene surrounded by classical figures and trophies (a small portion detached); the first: 24.0 cm; 9 ½ in high; (2); ; The second is copied from that preserved in the State Hermitage, Saint Petersburg (inv. no. 3.0.6155)

A SET OF SIX MAHOGANY WINDSOR STYLE SIDE CHAIRS POSSIBLY AMERICAN, SECOND HALF 19TH CENTURY each with a comb top rail, above a stick back and a solid seat, on turned legs united by an 'H' stretcher (6)

AN IVORY NETSUKE OF AN ONI COMBING HIS HAIRJapan, Meiji period (1868-1912)The finely carved and stained ivory netsuke depicting a seated Oni with a satisfied facial expression, holding a water basin in his left hand, and a comb in his other hand, brushing through his hair and using the water to slick the hair back. Two symmetrical himotoshi at the backside.HEIGHT 3.9 cmCondition: Fine condition with usual traces of wear and age, with a crack to the right foot and to the water basin. Provenance: Tajan, Arts du Japon, 25 October 2012, Paris. A notable European collection, acquired from the above.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A PARCEL-GILT SILVER COMB, TANG DYNASTYChina, 618-907. The gilt upper section of the comb is decorated in repousse with stylized prunus blossoms issuing from scrolling vines and two leaves reminiscent of fishtails, all reserved on a ring-punched ground and enclosed by beaded, diapered, and floral borders.Provenance: J. J. Lally & Co., New York, USA, 1998. Collection of Julius Eberhardt, acquired from the above and thence by descent. Nagel, Stuttgart, 2 November 2013, lot 3074. A private collector, acquired from the above. Julius Eberhardt (1936-2012) was an Austrian architect and passionate collector of ancient Chinese art. He often bought from J. J. Lally in New York. In the 1990s, he built a private museum of Chinese works of art in central Vienna.Published: Regina Krahl, Collection Julius Eberhardt: Early Chinese Art, vol. 1, Hong Kong, 1999, p. 236, no. 136 (erroneously described as part of a pair, see Expert's note).Condition: Very good condition with old wear, expected signs of oxidization, minor corrosion, rubbing to gilt, few small dents. The reverse with malachite and cuprite encrustation. Weight: 41.2 gDimensions: Length 13.8 cmExpert's note: The present lot is published in Regina Krahl, Collection Julius Eberhardt: Early Chinese Art, together with a similar comb, with the lot being described as a pair. A pair of combs, however, appears to be rather unlikely, because there would be no purpose for such a pair, which is the likely reason why these two combs were separated at some point after Julius Eberhardt's passing.Literature comparison: Three related combs in the Idemitsu Museum of Arts, Tokyo, are illustrated in Ancient Chinese Arts in The Idemitsu Collection, Tokyo, 1989, pl. 337.Auction result comparison: Compare a closely related parcel-gilt silver comb, 9.3 cm wide, weight 20.4 g, also dated to the Tang dynasty, at Christie's New York in Masterpieces of Early Chinese Gold and Silver on 12 September 2019, lot 564, sold for USD 20,000.唐代鎏金銀梳中國，618-907年。梳子的鎏金上半部，以錘鍱與鏨刻的技術製作出豆粒紋地上纏枝桃花卷葉紋，兩片葉子讓人聯想起魚尾，四周圍繞著串珠和花卉紋邊框。來源：紐約J. J. Lally & Co., 1998年；Julius Eberhardt收藏，購於上述藝廊並保存至今；斯圖加特納高拍賣行，2013年11月 2日 lot 3074。私人藏家購於上述拍賣。Julius Eberhardt (1936-2012) 是一位奧地利建築師和中國古代藝術收藏家。 他經常從紐約的 J. J. Lally 藝廊購買藏品。1990年代，他在維也納市中心成立了中國藝術品私人美術館。出版：Regina Krahl, Julius Eberhardt: Early Chinese Art, vol. 1, Hong Kong, 1999, 頁236, 圖136。品相：狀態極好，舊磨損，預期的氧化跡象，輕微腐蝕，摩擦至鍍金，少量小凹痕，反面有綠色紅色結殼。重量：41.2 克尺寸：長 13.8 釐米拍賣結果比較：比較一件相近的唐代鎏金銀梳，寬 9.3 釐米，重 20.4 克，見紐約佳士得 Masterpieces of Early Chinese Gold and Silver 2019年9月12日 lot 564, 售價USD 20,000。

A PAIR OF CHINESE COCKERELS, LATE QING DYNASTYChina, 19th century. Each perched on rockwork bases, the head turned slightly to the side, the body covered in white, with a red comb and wattle, the face and legs painted in dark brown, and the base glazed in ochre.Provenance: French trade. Condition: Good condition with old wear to the glaze, mostly to the dark-brown glazed head and feet, nibbling to exposed areas, some manufacturing irregularities, such as spots, glazing recesses, pitting, and porcelain warts. One rooster with hairline cracks to the base of the comb.Weight: 3,433 g and 3,504 g Dimensions: Height 45.6 cm and 45.2 cmAuction result comparison: Compare a pair of roosters, dated to the 19th century, at Christie's London in Christie's Interiors on 29 February 2012, lot 613, sold for GBP 4,000. 清末一對白公鷄中國，十九世紀。各自站在石座上，頭微向一側偏，一身白羽，紅冠，面足成黑褐色，石座釉赭色。 來源：法國古玩市場。 品相：狀況良好，釉色有舊磨損，主要在黑褐色釉頭和足部，外露部位有輕微磨損，部分製造瑕疵，如斑點、釉面凹陷、麻點等。一隻公雞的底座在細長的裂縫。 重量：分別爲3,433 克與 3,504 克 尺寸：分別高45.6 厘米 與45.2 厘米 拍賣結果比較：比較一對十九世紀雄鷄，見倫敦佳士得Christie's Interiors 2012年2月29日 lot 613, 售價GBP 4,000。

A part silver and enamel dressing table set, Henry Clifford Davis, London 1951-52, comprising; a hand mirror, hairbrush and clothes brush, each decorated with pink and purple sweet peas against a white guilloche enamel background, mirror 28cm long, together with associated silver mounted comb, Henry Clifford Davis, Birmingham 1950, 18cm wide (at fault) (4)

A late Victorian diamond and enamel cockerel brooch,modelled in relief, with rows of graduated rose cut diamonds, grain set throughout. A faceted ruby eye and red guilloché enamel comb and wattle, all set in silver and backed in gold. Tested as approximately sterling silver and 9ct gold. A later box by Jones, 52 Beauchamp Place, SW3. 30mm, 9.69gTarnished.Later brooch fittings. Soft solder present.Light surface marks commensurate with its age.

A Continental Rosewood and Marquetry Inlaid Cylinder Musical Box Playing Six Airs as Detailed on Card to Inner of Hinged Lid, Inscribed Paillard & Co. Manufacturers, London, the Brass Cylinder Movement with Single Spring Motor and Single Section Comb (Complete), Working Order, 35cm wide

A group of Japanese damascened iron vanity items, by Fujii Yoshitoyo Damascene Co., Meiji period, decorated with various designs including dragons, birds, a temple scene, flowers and foliage, comprising a circular powder box and cover, 9.5 cm, an oval box and cover, two hexagonal boxes and covers, a rectangular box and cover and three mount backs for brushes or a hand mirror and another for the back of a comb.Brush handle detached from brush; mirror lacks glass; oval cover lacking box; comb handle lacking comb. Good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese enamelled porcelain model of a rooster, Jiaqing period, 29cm high, restorationThe comb of the rooster has been broken and restored and the red comb and wattle of the chicken have been repainted in red.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 29cm high, restoration

A 19th century Swiss ten air inlaid walnut musical box, in plain rectangular case, the movement with 27cm cylinder and chinoiserie figural strikers on six bells, width 60cm, depth 31cm, height 26cmCase is of good rich colour but suffers from rubbing and wear commensurate with age, some black infill to damages to the veneer of the lid, case has original English lever lock but no key and lacks the latch, play list with Royal Coat of Arms crest listing 10 airs in English, movement going although oxidised, teeth to the comb all good.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. width 60cm, depth 31cm, height 26cm

A 1960's Beatles vanity set; consisting of comb, clothes brush and mirror. In original box, mirror and brush still in plastic packaging.

A Windsor elm and beech comb back elbow chair, width 59cm, depth 39cm, height 102cm

GROßE WALZENSPIELDOSE MIT GLOCKENSPIEL, Bern / Schweiz, Ende 19. Jh., Kasten nussbaumfurniert mit Bandeinlagen, J.H. Heller (Johann Heinrich Heller), Walzenspiel über Tonkamm und Stiftwalze, dazu Glockenspiel, jeweils zwei Klöppel geführt von drei Figuren in asiatischer Tracht, dazu Schlag auf ein Messing-Tamburin und Holzkastagnette, im Deckel Bezeichnung des Herstellers und der acht gespielten Melodien. HxBxT: 25/66/30 cm. Alters- und Gebrauchsspuren, funktionstüchtig.| LARGE ROLLER MUSIC BOX WITH CHIMES, Bern / Switzerland, late 19th century, walnut veneered case with ribbon inlays, J.H. Heller (Johann Heinrich Heller), roller play via tone comb and pin roller, plus carillon, two clappers each led by three figures in Asian costume, plus a brass tambourine and wooden castanets, in the lid the name of the manufacturer and the eight melodies played. HxWxD: 25/66/30 cm. Signs of age and wear, functional.

Early 20th century polyphon in simulated rosewood case with side cranking handle, thirty-two tooth comb and pictorial card to lid L19cm; with eighteen 16.5cm discs in oak boxCondition Report:Does wind-up and run intermittently.Very grubby and dusty from storage.Securing arm needs realigning.Signs of wear consistent with age and use.

A cased silver mounted dressing table set with highland scene back panels signed Stinton for Royal Worcester. 1928 silver mount by Sanders and Mackenzie. Mackay & Chisholm Goldsmiths of Edinburgh comprising a hand mirror, four brushes and a comb.

An antique Welsh comb chair, painted red, with damage to the right side of the top rail and spindle.

Antique silver & tortoiseshell 6 piece dressing table set inc hand mirror (25cm), brushes & comb by Levi & Salaman ~ in unused condition - box is slightly a/f

A silver spoon with pusher, a silver backed hand mirror, 2 silver topped scent bottles, a Victorian silver coin brooch and an a/f silver comb.

[Small Press and Concrete Poetry] Ian Hamilton Finlay (1) Canal Game. London, Fulcrum Press, 1967. 23 x 10.5 cm. Pages cut into three separate sections and bound by red plastic spiral comb (intact). First edition of 1000 copies. Unsigned, unnumbered. Very good copy. (2) Ian Hamilton Finlay, Unnatural Pebbles with detached sentences on the pebble. Edinburgh, Graham Murray Gallery, 1981.16 x 16 cm, 58 pp. Edition of 100. Tan cover has some creasing, else good.(3) Lesley Foxcroft, untitled. Edinburgh, Graeme Murray Gallery, 1979. 48 pp. Artists' booklet, 24 drawings, edition of 500. Fine. (4) Tom Phillips, A Humument. London, Tetrad Press, 1971. Two copies of promotional prints in a printed yellow sleeve, 25.5 x 20.5 cm. Each holding a single print from Phillip's series of altered pages from a Victorian novel (p. 25 and 41). (total 5)

A Fern Leaf Brooch, with seed pearl highlights, decorative hair comb / ornaments, filigree style choker necklace, imitation pearls, 'Moda' and other earrings, etc :- One Tray

A hall marked silver mounted brush & comb with original case

A small parcel lot of assorted hallmarked silver and white metal items to include a silver cream and sugar, six decanter labels, a hair brush and comb, pocket watch etc, weight of weighable silver 6.5oz, various styles and dates, S/D. (14)

A Polyphon playing 20.5cm discs, single comb, lever wind operation, in walnut case, the underside of the lid labelled with a rustic cottage scene, width 26.5cm, with nine discs. (10)

A 19th Century Polyphon playing 9 1/2 inch discs, single comb, in later case with one original and three replica discs.

A silver dressing table set comprising hand mirror, hair brush and two clothes brushes, Birmingham 1901, Horton & Allday, decorated with poppies; together with associated silver comb

Samuel Troll Fils, A Swiss amboyna crank-wind cylinder music box, 19th century, with nine bells-in-sight playing ten airs on a 35.5cm cylinder29.5 x 66 x 36cm wideProvenance:Wood Hall, Hilgay, NorfolkSome losses to teeth of comb, crank wind in need of attention as twisted. Case badly wormed in places. Mechanism is not testable as ratchet winder not engaging.

A cased set of 2 silver items comprising of a brush with blue enamel top and a comb, hallmarked for 1927, Birmingham, Oldfield Ltd.

Hallmarked silver vesta case, comb cover and pickle fork. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Relic's - metal detector fines-associated collection includes, flint, pottery, Spear point, comb, buckles, brooches etc.

A BOX OF COLLECTABLES TO INCLUDE PHOTOGRAPH ALBUM, A BRUSH AND COMB SET, ETC

A Norman Makinson lidded pot with figural decoration of two chickens to the lid, height approx 18.5cm plus a stoneware model of a chicken, height approx 10.5cm. Makinson pot signed to the base. Condition: No signs of damage to the Makinson pot, minor chip to comb of other piece.

H CLIFFORD DAVIS LTD; an Elizabeth II silver backed four piece dressing table set, comprising mirror, hairbrush, comb, and clothes brush, Birmingham 1963. 

A GEORGE VI SILVER MOUNTED GLASS DRESSING SET IN A FITTED CROCODILE LEATHER SUITCASEBy Asprey & Co Ltd, Circa 1940sComprising; three bottles, four jars and four combs, the dyed green crocodile leather case with gilt retailers mark J.W. Robinson Co Los Angeles, (one bottle and comb lacking), the case 45cm x 32cm. Condition Report:Set is missing one scent bottle and a mirror that would be placed in the fitting to the inside cover. General marks and wear with minor dents in places. One clothes brush missing a pin. Gilding worn on all pieces. Minor chip to a scent bottle stopper. Case is in fairly good order to the interior but faded and marked to the exterior and requires some care to renew the crocodile skin. 

A SMALL GROUP OF SILVER AND SILVER MOUNTED WARES (8)Comprising; a rectangular cigarette case, Birmingham 1918, a two piece waist belt buckle, Chester 1897, a small rectangular photograph frame, London 1910, a pendant powder compact, a salt spoon, detailed 925, a Sterling silver thimble, a cigarette holder case and a comb, combined gross weight of weighable silver 159 gms

A SILVER SUGAR CASTER AND FOUR SILVER MOUNTED DRESSING TABLE ITEMS (5)Comprising; a sugar caster of faceted baluster form, Birmingham 1959, height 18.5cm, weight 176 gms, a hand mirror and a clothes brush, London 1954, a hairbrush, London 1952 and a silver and pink enamel mounted comb, London 1930

Four reproduction antique teddy bear chairs, a Windsor country style rocking chair --17¼in. (44cm.) high; a similar chair; a smaller scale comb back loving seat and chair

Six reproduction antique teddy bear chairs, two comb back chairs --15½in. (39.5cm.) height of largest; and four Windsor style country chairs

A rare German pâpier-maché shoulder-head doll with moulded elaborate hair 1830s, with blue painted eyes, black painted and moulded elaborate hair with curles pilled up either side of temple and knot of hair held in place with a comb, rigid kid body with carved and painted wooden limbs with pink painted shoes, pink and white printed dress with lower neck line and underclothes --25½in. (65cm.) high (flesh of head re-varnished, possibly due to restoration of shoulders which seem a bit uneven, hair, eyes and eyebrows seem to be original)

Silver-backed dressing table set, Birmingham, Walker & Hall, with engine-turned decoration to include brushes, mirror, comb, three silver-topped and glass bottles and one further brush

A late Victorian embossed silver trinket box with matching brush and comb in fitted case, Levi & Salaman, Birmingham 1899/1900/01, to/w a Victorian pair of bead-edge sugar tongs, London 1879 , a set of teaspoons and a small pair of tongs, 

A matched silver and piqué-work tortoiseshell four-piece brush/mirror set, Birmingham 1923/26 (little used), to/w two similar brushes a comb and two silver-topped toilet jars (9)

A collection of Treen, to include trays, bowls, comb, etc... No condition report on this lot, Please View.

A Victorian elm and beech Windsor comb back elbow chair, width 53cm, depth 42cm, height 93cm

A large 19th century Swiss rosewood and marquetry rounded rectangular bells in sight orchestral music box, 17.5cm cylinder playing eight airs on a one-piece comb, four bells and a snare drum, serial number 21961, corresponding tune sheet, inlaid with a musical trophy and outlined with boxwood stringing, bracket feet, 26cm high, 49.5cm wide, 31.5cm deep, c.1870

A Mappin and Webb blue leather fitted travel case with 8 silver top bottles, 4 silver back brushes and mirror, comb cover, manicure, button hook and shoe horn with silver handles, London 1919 /20 CD, general usage consistent with age, case has been protected by canvas cover, one bottle chipped, 2 stoppers missing

Nicole Freres - a Swiss rosewood and floral marquetry cased 'variation; music box, the 13" cylinder playing four variations of the tune Robin Adair, working from end crank handle, stamped to both the mainframe and the comb, paper label numbered 38412, circa 1861, case w.55cmRead more about Nicole Freres and Robin Adair here.Plays well.Comb good with no losses.Stamped to main frame and comb.With crack handle.Case good and strong, no woodworm.Some handling wear and build up of light varnish residue.With key and working lock to cover.Glass good.Paper sone label with single loss and some staining.

A small group of mixed collectables include an early to mid 20th century beaded purse, a miniature brush and comb set and three bird feather pictures.

A pair of 20th century double comb back armchairs with crinoline stretcher (recently stripped!)

A 19th century double comb back chair, with well figured elm seat

A CAPTAINS BEECH REVOLVING SHIPS ARMCHAIR CHAIR with brown vinyl upholstered comb back on stretchered cabriole supports, purportedly from H.M.Y. Britannia, 86cm high x 58cm wide x 62cm deep Condition Report:Available upon request

AN EDWARDIAN SILVER AND CUT GLASS LADIES DRESSING SET comprising vanity jars, clothes brushes, hair brushes, shoe horn, hand mirror, crochet hook, nail file, comb, and tortoiseshell accessories, all monogrammed with leaf decorated banding, by Finnigans Ltd, London 1913, in a monogrammed brown leather case, 46 x 29cm Condition Report:Available upon request

SILVER MOUNTED PEPPER MILL,along with other silver and white metal items including a comb, two vestas, a pair of napkin rings, a thimble and a pair of Chinese figures

A lady's six-piece hallmarked silver and pink guilloché enamel dressing-table set comprising hand-held mirror, a pair of clothes brushes, a pair of hair brushes, a comb. Together with an unassociated silver-mounted comb. (Some damage to enamel etc.)

A late 19th century musical box playing on eight airs and six bells: the rosewood banded lid with central marquetry decoration of a an urn, fruiting vine and a clarinet-style instrument, opening to reveal paper tune selection including 'The Last Rose of Summer', 'Nancy Lee', 'The Horse-Guards Waltz', 'The Pirates of Penzance No.5', 'Auld Lang Syne' etc.(although uncleaned for many years and exhibiting rust/oxidisation to the movement it appears to be in good working order with the one-piece comb having all original teeth) (21cm cylinder), with cranking handle and stop/start and change/repeat selectors, on short shaped feet, the right-hand side front of the box exhibiting historic woodworm damage and also some woodworm to other parts of the wooden case (50cm wide x 30cm deep x 22cm high)Condition Report: The musical appears in good working order including the bells although no guarantees can be given.

A matched pair of Modern silver mounted engine turned clothes brushes and comb, hallmarked by Barker & Co, Birmingham, 1970 & 1971 boxed 

Early to mid 20th Century costume jewellery to include painted glass bead necklaces, brooches and an early 20th Century hair comb A/F together with a shell covered jewellery box and vintage tins, a fruit knife and other items.