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A Victorian 15ct gold and silver mounted wallet and two further items (3)The leather wallet decorated with 15ct gold panels alternating with silver panels to the borders, London 1895, an imitation pearl and turquoise coloured paste mounted comb and a German small brush and comb, detailed 800, with a case
Small collection of continental porcelain, including three figures, a further group, two cockerels and a Capodimonte inkwell (7)Condition report: Female figure- head has been off and re-glued. Top of what she is holding has been broken off.Young boy figure- One side of his coat has been completely resorted. Tip of the end has been broken off. Man with hat- both hands have finger tips all chipped off. Gold ribbon on top of his hand is also chipped off. Flowers/leaves on base are all chipped as well. Small couple- her arms has been resorted and one of his wings. Bow in hair is chipped. Some of the leaves on the base are chipped, also chips around the base rim. Cockerel- flower on base is chipped. Small part of the red comb has been possibly chipped and repainted. Hen- very tiny chip to red tip on head. Inkwell- some of the gilded decoration is worn. Tiny hairline crack around rim.
A GEORGE VI SILVER CIGARETTE CASE, by W H Manton Ltd, Birmingham 1941, the large rectangular case with engine-turned engraving to front and back covers, gilded interior with presentation inscription inside cover; together with A GEORGE VI SILVER MOUNTED COMB AND COVER, by E J Trevitt & Sons, Birmingham 1938, the comb mount and associated cover with engine-turned engraving to front and back, rectangular cartouche engraved with initials; and A GEORGE VI SILVER PROPELLING PENCIL, by E Baker & Son, Birmingham 1949, the body with all-over engine-turned engraving, the rectangular cartouche with personalised engraving. (3) Cigarette case 14cm by 8.5cm, weighable silver 7.1 troy ouncesThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Marks clear and well struck to all three pieces - cigarette case with full marks to inside lid cover, further struck with lion passant and conforming date letter to inside back cover; comb cover with full set of marks, lion passant and conforming date letter to comb mount. Cigarette case spring hinge strong, in good order; bruising to front and back of case. Comb in excellent condition, no teeth missing. Pencil heavily tarnished, propelling mechanism not tested - spare leads in tube case included. All pieces with surface marks and scratches commensurate with age and use
A collection of Indian metalwork, mostly 19th century, comprising a silver comb, 9cm long; a steel betel nut cutter, 15.5cm wide; two iron flint strikers, 11.5cm and 14cm long; a bronze jeweller's forming block, 4cm square; a bronze lime box, 8cm wide an Indian steel lock in the form of a horse, c.18th/19th century, 10.3cm diameter (7) Provenance: From the private collection of a Gentleman, by descent from his fatherCondition Report: silver comb with teeth bentwear to beetle nut crusher wear and some surface corrosion to strikers wear to forming blockwear to lime box Condition Report Disclaimer
A fine Chinese Qingbai glazed bowl, Southern Song Dynasty, circa 1200, of conical form carved on the interior with twenty-two roundels with comb technique borders, covered overall in a rich and even pale blue glaze pooling on the underside towards the foot rim, the biscuit base revealing the high-fired ceramic body, 18.5 cm diameter. Provenance: Formerly in an old Hong Kong collection and purchased from Susan Chen & Co., 25th July 1985. Sold by Marchant, 19th June 1991. Formerly in the collection of a titled English gentleman. A similar bowl of this design and size is included by Junkichi Mayuyama in Mayuyama, Seventy Years, Volume One, no. 433, p. 148; another related bowl incised with boys, in the Baur Foundation, Geneva, was included by Monique Crick in the exhibition of Chinese Trade Ceramics for South-East Asia, Collection of Ambassador and Mrs. Charles Müller, 2010, no. 74, pp. 164/5, where the author notes, 'A bowl with identical decoration was brought to light from a tomb dated 1201, in the district of Yihuang in Jiangxi.' 南宋 青白釉刻花笠式碗拍品来源:英国私人绅士收藏,此前曾于1991年为英国著名古董商Marchant所售,其购自香港旧藏 Condition Report: in nice condition with only a very tiny rim nick which is hardly noticeable and some scratches to the interiorCondition Report Disclaimer
A small silver cased retractable comb with import marks for London 1926, with engine turned decoration, 7.7cm long, and an Edwardian silver vesta case, Birmingham 1904, by H Matthews, 3.5cm x 2.7cm CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
Mid-19th century musical box, the key wind movement inscribed twice 'BB' (Behrens Blumberg et Cie Sole Agents for LeCoultre) with elm veneered case, 30cm cylinder and steel comb with eighty-two teeth, probably playing six airs no.13640 L45cmClick here to view further images, condition reports, sale times & delivery costs for this lot.
An antique early 19th Century Georgian English Country Farmhouse Windsor armchair / elbow chair of yew, elm and beech wood construction. The chair having a shaped comb backrest with turned rails, shaped elbow rests and saddle seat rest. The arm chair being raised on turned legs united by a 'H' stretcher. Measures approx; 97cm x 55cm x 41cm.
An antique early 19th Century Georgian English Country Farmhouse Windsor armchair / elbow / fireside chair of yew and elm wood construction. The chair having a shaped comb backrest with central yew wood back splat, turned rails, shaped elbow rests and saddle seat. The arm chair being raised on turned legs united by a crinoline stretcher. Measures approx; 90cm x 55cm x 47cm.
A bronze figure of a dancerBy Atsuyoshi for the Maruki company, Meiji era (1868-1912), late 19th/early 20th centuryStanding with one tabi foot raised, clad in an elegant kimono, she holds a detachable parasol in one hand and probably a fan (missing) in the other, her head at a slight tilt, her coiffure elaborately styled and dressed with a kushi (comb); signed on the back of the sash Atsuyoshi saku within an oval reserve above the seal Maruki shachu sei (Manufactured at the Maruki Company); with a separate wood stand. The dancer: 46cm (16 1/16in) high; the wood stand: 2.5cm x 22.3cm (1in x 8¾in). (3).For further information on this lot please visit Bonhams.com
A Cloisonné-enamel rounded rectangular box with en-suite coverBy Namikawa Sosuke (1847-1910), Meiji era (1868-1912), late 19th/early 20th centuryDelicately worked in musen shippo (wireless enamel) and decorated with a white musen plumage cockerel on a slightly graduated taupe ground, its comb and wattles in red musen and its talons, beak and eye outlined in silver wire, the interior of plain aubergine enamel, applied with a shakudo rim, the base signed in thick silver wire with the Sakigake mark of Namikawa Sosuke; with a custom-made cloth-bound storage box. 4cm x 12.6cm x 10.5cm (1½in x 5in x 4 1/8in). (3).Footnotes:Compare the quality of this lot with another fine musen depiction of a cockerel rendered in exactly the same colour palette but facing the opposite direction on a rectangular tray in the Royal Collection, see Rachel Peat, ed., JAPAN: Courts and Culture, exh. cat., London, Royal Collection Trust, 2020, p.183, no.108.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
An ivory okimono of a bijin with a Chin dogBy Yukimasa, Meiji era (1868-1912), late 19th/early 20th centuryStanding and elegantly dressed in a formal kimono, the obi elaborately decorated with ho-o birds and clouds, her coiffure adorned with two floral kanzashi (hair pins), a kushi (comb), and a kanoko (dappled silk hair tie), playfully tugging a long scarf with a ball and fan tied to one end just out of the dog's reach; signed in a rectangular cartouche Yukimasa to (Carved by Yukimasa). 21cm (8¼in) high.Footnotes:Provenance:An English private collection acquired mainly during the 1960s and 1970s.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
Cased five piece Edward VII silver backed dressing table set of four brushes and one mirror, together with a silver cased trinket box and silver top comb Condition: All items show signs of wear, the case has the inserts falling out of it, please see images for examples - **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
An early-19th century sewing companion, ornately bound in contrasting gilt calf with yellow metal lock, silk-lined interior with needle flannel, mirror, comb and scissors, containing loosely-inserted note, ''Ladies Companion or Pocket Book Given to my great Grandmother by Sarah Clarke, sister of Capt. Clarke who went on voyages with Captn. Cook'. Together with Martin Cash, the Bushranger of Van Diemen's Land in 1843, fifteenth thousand printing, Tasmania: Hobart, Walch, no date, in publisher's worn paper covers, and Culpeper's Complete Herbal, London: Milner & Sowerby, 1867 (3)
A pair of turquoise glazed Chinese phoenixes, height 41cm, a similarly glazed pair of roosters, height 31cm and a small model of a brightly decorated bird, height 19cm (5).Additional InformationThe comb is damaged to one of the roosters, beak of the small bird damaged. Elsewhere, just general surface wear throughout.
A good late 19th century Raby/Palace 19 5/8" 'Penny in the Slot' Polyphon (Style 188) musical box in walnut and burr walnut case, manufactured in Leipzig, with plaque featuring classical boy and woman with laurel wreath and inscribed 'Marque de Fabrique Schutz Marke Trade Marke', with plaques to both sides, the panelled lower section with pull-out eight division disk bin, flanked by carved fret detail on stepped base to compressed bun feet, upper section with turned finials and further carved detail, inscribed in gilt 'Polyphon' to plaque, with pierced scroll work to front panel upper section, retailed by H. Peters & Co of London, height 210cm, width 73cm, depth 41cm, offered with five 19 5/8" discs comprising 'Coronation March' by Godfrey, 'Queen of the Earth' by Ciro Pinsuti, 'San Toy "The Butterfly"' by Sidney Jones, 'Theo-Gavot' by Paul Schmidt and 'The Geisha' by Sidney Jones.Provenance: The Norman Roland Collection of Mechanical Music.Additional InformationWhen manually wound does produce music; a gear has come loose from one of the shafts; please see attached video; comb and teeth in good condition. Part of the gilt lettering of the 'l' in polyphon to the upper section has been lost, split to lower section left side, further splits to other side, further chips to veneer, a repaired section to lower panel left side, some pronounced scuffing, scraping and veneer losses to base and lower section in general. Split to panel above disk bin running across the width of the panel, further splits and veneers losses throughout, refer to illustrations. Deterioration in colour to the 'drop a penny in the slot' plaque supplied to either side, a small flaw to the glass panel possibly present from manufacture 1.5cm in length.

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20273 item(s)/page