We found 20273 price guide item(s) matching your search

Jim Malone (born 1946) an Ainstable Pottery vase, fluted, bottle form, incised with simple comb decoration, covered in a running white ash glaze to the foot, impressed seal marks, 35cm. high

Danish white metal compact, comb holder, mirror and household matchbox holders with farm scenes

2 IVORY SPINNING TOPS AND A CARVED IVORY COMB

A George III ash and elm comb-back Windsor armchair , circa 1800 A George III ash and elm comb-back Windsor armchair , circa 1800, with bar back and spindles above the curved arm rail, the solid seat and four faceted outswept legs, 105cm high, 60cm wide, 40cm deep For related examples see Bernard D. Cotton, The English Regional Chair, Antique Collectors Club, 1990, Plates SW5/SW6, page 262

An early 20th century oak musical box, hinged cover inlaid with a shell patera, enclosing a lift out tray, the Swiss movement with brass cylinder playing on a steel comb, c.1910

A composite Civil War Period Pikeman’s Armour, comprising broad brimmed pot with two-piece skull and turned low comb, the turned brim with tram line and rivet decoration, struck with an armourer’s mark, the gorget with turned edges and secured with a keyhole and rivet device and with old white painted label to the inside Gorget 17th Cent in italics, the breast-plate with raised medial ridge, turned edges and maker’s mark for the London Armourer’s Company, the hinged tassets embossed with simulated lames and rivets, two pivoting hooks and posts securing the later leather backed armoured shoulder straps, the shaped back with turned edges. Mounted on a dressmaker’s dummy, not the stand illustrated.

A composite English Civil War period Pikeman’s Armour, two-piece down-turned broad-brimmed helmet with turned edges, raised comb, domed rivets, the ear-pieces with turned edges and domed rivets, plume holder to the rear, two-piece gorget stamped with an “XX” mark, the breastplate with turned edges, raised medial ridge and flared skirt, struck with a “C” mark at the collar, the formed back-plate with turned edges and flared skirt, the shoulder straps of buff leather and with rectangular protective steel plates secured with domed rivets, the straps retained with swinging hooks and posts, flared and shaped, hinged tassets composed of seven simulated lames with rivet decoration, bordered and turned edges, secured with swinging hooks and posts, mounted on a purpose built stand with a modern buff leather jerkin.

An Italian close-helmet of Savoyard form, the two-piece skull with short turned comb, visor pierced with small angular mouth, four “S” form breaths, narrow linear eye slits beneath the shallow rounded peak, lightly shaped bevor with one riveted repair to the chin area and a further to the right jaw area. Circa 1620-1640.

George III oval silver snuff box, by Joseph Taylor, Birmingham 1798, engraved decoration, 4cm, a Georgian circular silver patch box, probably Birmingham 1821, a miniature white metal basket and a Victorian silver comb case (4).

An Elizabeth II lady's silver backed four piece "Jubilee" dressing table set, comprising - cloth brush, hair brush, mirror and comb, by Lissco, London 1977, in fitted case

A GOTHIC STYLE CAST IRON GARDEN SEAT the tracery back above a honey comb seat with scroll arms with pierced frieze raised on square moulded legs 138cm wide

A cased Silver Hairbrush, Hand Mirror and Comb set

A Japanese comb, a Chinese face screen, an ivory inlaid games box, a pair of brass boxes decorated with ships and two other boxes

A PAIR OF SILVER DESK CANDLESTICKS by W.I. Broadway & Co, Birmingham 1979, the circular sunken base rising to a short knopped column with spool shaped sconces, loaded, 10.4cm tall; with a cased pair of silver brushes with a comb spine; and a silver swizzle stick

A George V silver dressing table set, engraved with vertical pinstripes, comprising of a hand mirror, hairbrush, comb, a pair of brushes, Birmingham 1912

An engine turned silver backed dressing table set engraved initials "LKL", comprising two hairbrushes, a mirror, a powder bowl, a pin tray, a comb and two manicure implements

A pair of silver backed hairbrushes with engine turned decoration inscribed "Lillian", a matching clothes brush, a comb and a mirror

An early 20th Century horn and paste stone hair piece (broken tooth to comb); together with a horn and paste stone butterfly (missing some stones).

A pre-1965 Carlisle Fire Brigade helmet, the black helmet with transfer shield of Carlisle to front with two white strips running around, high comb, brown leather liner and chin strap (1)

A selection of British and Australian police hats and caps, including Royal Military police, male and female traffic police, New South Wales Police Force, two Essex cox-comb helmets and more (parcel)

Early 20th century ivory hair comb with pierced foliate decoration

TWO MAUCHLINE BOXES, PLATED CIGARETTE CASE, MOTHER OF PEARL MOUNTED COMB, AND A SOLDER'S HANDBOOK

A 19th Century Swiss cylinder music box, marquetry top, comb damaged (a/f)

A German Art Deco lady's silver and pearl dress ring, the comb effect fan flanked by bands of faceted cut steel beads, size O, stamped 925

TWO SMALL SILVER SALT SPOONS AND MACHINE TURNED SILVER COMB HOLDER

A 20th century oak dining table with fluted legs, length fully extended 148cm and five priory comb back dining chairs with tapered legs.

TWO SILVER NAPKIN RINGS, various, 2oz, A CASED CHILD'S ELECTROPLATED HAIRBRUSH AND COMB SET, A CASED SET OF PRESERVES SPOONS AND KNIFE AND A PAIR OF SUGAR TONGS

Ercol drop leaf dining table, 134cm x 75cm, three comb back chairs and a stool frame (5).

Stained beechwood comb back rocking chair, wheel splat, upholstered seat, 58cm, a rush seat ladder back chair and an Ercol type chair (3).

Ercol stained beechwood comb back chair, width 72cm and a settee frame (2).

An Art Nouveau four-piece silver-mounted dressing set comprising a hand mirror, two brushes and a comb. All repoussé decorated

A pigskin rectangular travelling case with silver fittings by Asprey & Co A pigskin rectangular travelling case with silver fittings by Asprey & Co., London 1953 (coronation mark), one side with three silver topped glass bottles, two jars, two brushes and comb each engine turned and engraved with a crest, three leather boxes and easel mirror, a steel button, scissors and nail file, the other side with straps for clothing, the case stamped for Asprey, the case and protective outer case stamped R.S.G.C-S , 34.5cm (13 1/2in) wide This is the crest for SMITH in the arms of the Revd. Gilbert Smith-Rewse, sometime Rector of South Emham, Suffolk. Lt.-Col. Richard Sydney Grenville Close-Smith (1910-1973) was the son of Major Thomas Close Smith and the Hon. Caroline Mary Elizabeth Morgan-Grenville. In turn her mother was the daughter of Richard Plantagenet Campbell Temple-Nugent-Brydges-Chandos-Grenville, 3rd Duke of Buckingham and Chandos.

A late 19th Century Swiss simulated rosewood and marquetry inlaid 28cm cylinder music box playing eight airs on a seventy seven tooth steel comb, with printed music card. (Glass missing from hinged cover, minor scuffs to case). 52.5 x 23 x 15cm.

Silver back brush & comb set in presentation case by Broadway & Co. 1995, & childs comb & brush set with teddy bear decoration by Broadway & Co. Birm 2006 in presentation case(brushes unused)

A 19TH CENTURY FANTASY CAST COMB MORION HELMET decorated with a central classical scene of Neptune, within a border of arms etc., H 35 cm

A 19TH CENTURY FULL SUIT OF PARADE ARMOUR WITH EARLIER COMPOSITIONS IN AN OAK BESPOKE CASTELLATED DISPLAY STAND, the armour of bright steel with exceptions to an earlier close helmet made in iron, medial comb, single piece visor and a pair of vision slits, keyhole breathings, the hinged bevor above stepped neck plate, the breast plate heavily engraved featuring dragonesque birds within floral swags and central shield, fauld of two embellished lames riveted to the base of the breast plate, pauldrons each of six lames decorated with birds and floral swags, roped edged embellished couters, plain finger gauntlets with ridges, shield shaped tassets each of three lames with embellished bird decorations and mounting hook to pauldrons, embellishments to cuisse, rounded poleyns, greaves and sabbatons, mounted on a black wooden base, H 170 cm, overall height 184 cm held in a castellated illuminated display cabinet in burr oak with two sides exposed, raised platform and with blue velvet backing to rear, H 234 cm, W 90 cm, D 90 cm

A FULL SUIT OF COMPOSITE ARMOUR 16TH CENTURY AND LATER, in bright steel, comprising a close helmet, skull rising to a pronounced comb, single piece beaked visor, pair of vision slits, vertical slotted breathings, hinged bevor, neck plate stepped with rope edging, pauldrons each of five lames, couters with spade shaped side wing, finger gauntlets rope edged and ridged, single breast plate, pronounced central crease, fauld of one lame, tasset one lame, rope edging to cuisse, poleyns with spade shaped side wing, broad sabatons, brown velvet hose, gold cloth skirt with red floral embroidery mounted on black wooden base, H 167 cm, overall height 180 cm Note: Provenance Salisbury Hall

A FINE SUIT OF 16TH CENTURY ARMOUR WITH LATER ADDITIONS, comprising a close helmet, skull rising to a medial roped comb, pair of vision slits (central section now deteriorated) split visor with vertical slotted breathings and roped edge, hinged bevor rounded and shaped to the chin, laminated neckplate rope edged, stepped gorget with roped finish to neck, breast plate with pronounced central crease, heavily rolled rim having twin holes distributed evenly throughout and with helmet shaped armourer's mark, fauld of one lame riveted to breast plate, pauldrons each of five lames, couters with spade side wings, roped edge finger gauntlets, the laminated cuisse with central ogee shape and ringed decoration on first lame, poleyns with spade side wings, broad sabatons, wearing red velvet hose and mounted on black wooden base, H 170 cm, overall height 198 cm

An 18ct bracelet with honey comb shaped links, the chevron clasp is set with turquoise, ruby and sapphires, with a tassel terminal to the pointed end of the wide strap. weight approx 66gms, length of bracelet 18.3cm x 2.8cm.

A burgonet dating: late 16th Centuryprovenance: GermanySkull in one piece, with average tall comb, with twisted border; pointed brim, ribbed at the centre, with recessed margin and twisted border, featuring remains of stamps. Two restorations at the inside surface of the skull which is painted in black. At the base of the skull and at the edge of the rib is a row of rivets with brass head and rosette; nape-guard fixed with rivets, at the margin a row of brass-plated studs. Mobile cheek-pieces with air holes, margin with recessed band and brass rivets.dimensions: height 30 cm.

A black and white morion dating: circa 1600provenance: Southern GermanyIron skull, in two halves joined at the comb which is twisted at the border, boat-shaped brim with hemmed and notched border; along both sides is a relieved band. Featuring remains of black dying. Rivets with antique, brass rosettes (one missing).dimensions: height 24 cm.

A closed helmet dating: second quarter of the 17th Centuryprovenance: HollandSkull in two halves with average tall comb and twisted border; pointed visor with large eye slots, hemmed at the upper margin, pointed ventail ribbed at the centre, with rosettes and air holes depicting a "S", smooth beaver, plume-holder, wide nape (replaced) -and neck-guard riveted and recessed at the margin. A part from the nape -and neck-guard, all pieces feature triple outlines.dimensions: height 33 cm.

A rare and complete three-quarter horse armor dating: last quarter of the 16th Centuryprovenance: GermanySnap-fit helmet with skull in one piece and short, twisted comb, two holes at the top, tapering plume-holder with decorated border and a pair of holes; raisable brim, pointed and ribbed ventail provided with air holes depicting rosettes on the right side; still on the right is a lever which raises the ventail and a closing hook with pressure button; beaver with closing hook and border with hemmed, fit-in slot (a small, old reparation on the left). Three-plate gorget with roping for the helmet. Chest-plate ribbed at the centre with hemmed neckline and gussets, decorated with elegant grooves as the the knee-cops are. The back-plate en suite with recessed borders and hemmed margins, one-plate culet. Complete brassards with outlined plated and twisted borders. Gauntlets with long cuffs with four scaled fingers (one finger detached, but easy to repair). Wide and fine poleyns complete with knee-cops. Scarce, homogeneous and coeval armour in all its parts. On a iron pedestal with octagonal, wooden base.dimensions: height 135 cm.

A cavalry trooper's helmet dating: second quarter of the 20th Centuryprovenance: Kingdom of ItalyIron, nickelled skull with horsehair band (some parts missing) featuring emblem shaped as a Savoy cross; crest with brass comb featuring lion head and the crowned monogram "VE" at the base. Chin-straps with brass plaques. At the inside the black leather cap.dimensions: height 31 cm.

A firefighter's helmet dating: second quarter of the 19th Centuryprovenance: FranceBrass skull, at the front the firefighter's emblem, featuring rooster, inscriptions and various bas-relieved decorations; visor with trophy of axes, barrels on fire and other decorations. Leather chin-straps armoured with brass sheet. Comb with black horsehair. The plume-holder on the left. At the inside the leather sweatband and the fabric cap.dimensions: height 38 cm.

A comb dating: 800 - 400 B. C.provenance: Eastern EuropeFinely chiselled horn, with the bas-relieved effigy of a group of soldiers and a court man watching at a injured man on a table. Under the table a antique helmet and a shield. Complete with all teeth. A restored break.dimensions: dimensions 12 x 4.5 cm.

A comb dating: 800 - 400 B. C.provenance: Eastern EuropeMade of bone. Round grip chiselled with a grotesque mask and palmettes on the sides. Parts missing.dimensions: length 8.8 x 4.9 cm.

A comb dating: 800 - 400 B. C.provenance: Eastern EuropeMade of bone. Round upper part with the effigy of a couple (royal?) laying down, wearing a tunic and holding cups in their hands. On the sides two heads of ram. Parts missing.dimensions: dimensions 13.2 x 7.2 cm.

A GEORGIAN DESIGN LOW COMB BACK OPEN ARM PROVINCIAL CHAIR, having pierced yew splat, with shaped burr elm seat, the turned supports with crinoline stretcher

Early 20th century silver dressing table set of plain ridged rim form, comprising two rectangular hairbrushes, comb and hand mirror, various dates around Birmingham 1911, in fitted case

French jet and simulated tortoiseshell hair comb in the form of a flying insect and a French jet bangle (2)

A Chester Silver Six Piece Dressing Table Set, comprising four brushes, a hand mirror and a comb together with a silver plated chamber candlestick and brass shaving set

A Georgian tortoiseshell hair comb, set with a porcelain cameo depciting a classical portrait, seed pearl and wire work floral decoration, cabachon banded agate beaded edge, 11cm wide

Louis Vuitton, an early 20th century gentleman Louis Vuitton, an early 20th century gentleman's tan colour pigskin dressing case, or necessaire de voyages, the green Morocco leather and watered silk interior fitted with seven assorted glass and silver plated topped bottles with monogrammed banding, a leather cased shaving stick, ebony handled brushes and a shoe horn, fitted compartments for pull-out mirror, comb and an ivory and steel manicure set including: a button hook, scissors, nail clippers, needle case and a rosewood corkscrew, the brass case clasps stamped `L.V`, the lock stamped `LOUIS VUITTON, PARIS and LONDON', the interior also stamped `LOUIS VUITTON, no. 561833, 13in (33cm) high, 20in (51cm) wide, 6in (15cm) deep, within original storm cover and with old luggage label, with a modern Louis Vuitton bag, . By repute, sold in 1914 in Belgium to a member of the vendor's family.

A pair of silver napkin rings, two further napkin rings and a cased brush mirror and comb set. (parcel)

A Lady's Edwardian Silver and Tortoise Shell Dressing Table Set, comprising mirror, two hairbrushes, two clothes brushes and a comb. Birmingham hallmark, 1925/6/7

Kinkozan, a pot pourri vase and cover, the panels to the hexagonal sides alternatively honey comb pierced and painted with bridge, river and travel scenes, the cover with boating roundel, marks in gilt, 19.5cm (7.5 in) high (2) (D) The cover has been broken and glued back together again

A 19th century copper hand warmer, the lift off cover overswung by handles split to fall back onto the shoulders of the rectangular body, the honey comb piercing on the top interrupted by a branch of blossom, 20cm (8 in) wide (2) Two small dents to the body

A kingfisher feather headress and hair comb, the floral decoration of the first enhanced by seed pearls, agates and jadeite, 14cm (5.5 in) wide, the hair comb with four seed pearl petals arranged around an amethyst cabochon, 9cm (3.5 i n) wide in common mahogany frame, 31 x 26cm (12 x 10.25 in) The hair piece has one small loss of blue feather but the comb has four losses

An early 20th century crocodile skin suitcase with silver fittings by... An early 20th century crocodile skin suitcase with silver fittings by Finnigans Ltd, London 1929 and 1935, with linear decoration, comprising: four assorted jars and covers, a cigarette box with cedar lining, a dressing table mirror, a box containing a plated razor, an 8 day folding travelling clock, a scent bottle, a spirit flask and cup, three silver mounted brushes, a shoe horn, a comb, a button hook, a silver handled manicure set, together with two crocodile skin boxes and a writing pad, 1648g (53 oz) gross weighable, the case with brass fittings, 71.5cm long, 47cm deep (28in x 18in), with a canvas outer cover