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**A FINELY ETCHED NORTH ITALIAN CLOSE HELMET FOR THE FOOT TOURNEY, MILANESE, CIRCA 1590with rounded one-piece skull rising to a low medial comb, and visor, prow-shaped upper bevor and bevor (the first two restored) attached to it by dome-headed common pivots (replaced), the visor formed with a stepped and centrally-divided vision-slit and fitted at its right side with a projecting lifting-peg, the bevor pierced at the right of the chin with a large hole to receive a locking-screw that projected from the original upper bevor, the skull and bevor fastened to one another at the right of the neck by a pierced hasp and turning-pin, and formed at their lower edges with internally hollowed rims intended to lock over and rotate on the upper edge of a collar, the armour finely etched overall with alternating bands of strapwork and trophies in each case set on a stippled ground respectively gilt and blackened (the gilding only preserved as traces), and separated by plain narrow triple bands26.5 cm; 10¼ inProvenanceDr. Bashford Dean, Riverdale, New York, sold American Art Association, New York, 23rd November 1928JWHA Inv. No. 890Exhibited`Faerie Tale Festival of Trees`, Berkshire Museum, Pittsfield, Massachusetts, 19 November-31 December 2005The decoration of the helmet is of a style employed by the distinguished late 16th century armourer Pompeo della Chiesa (recorded 1571-93) who had his workshop in the Castello Sforzesco, Milan (Norman 1986, p. 31).His signature occurs on similarly decorated armours in the collections of the Earls of Pembroke at Wilton House, Wiltshire, the Museo Stibbert, Florence, the Philadelphia Museum of Art, and the Armoury of the Knights of St John at Malta, the helmet of which is in the Metropolitan Museum of Art, New York. The design was also employed by several of Pompeo`s Milanese contemporaries, including one who signed himself with the initials IFP on an armour in the Art Institute, Chicago, one who signed himself with a triple-towered castle on pieces in the same collection and an armour formerly in the collection of the Earl of Harrington, one who signed himself with a double-towered castle on an armour in the Museo Civico L. Marzoli, and several detached pieces in thee Wallace Collection, London. (For a fuller discussion of these armours, supported by published references, see Thomas Del Mar Ltd in association with Sotheby`s, Antique Arms, Armour & Militaria, London 26 June 2007, lot 263)

**A SOUTH GERMAN CLOSE HELMET, CIRCA 1530, WITH LATER GROTESQUE VISORwith rounded one-piece skull rising to a low, boldly roped comb, fitted at its rear with two broad neck-lames and at each side, by means of replaced common pivots, with a grotesque visor and bevor in each case secured at the right by a spring-catch, the visor embossed in high relief with eyes, a hooked nose, projecting moustache and mouth caricaturing a Turkish warrior, the moustache emphasised by engraved hairs and the eyes set beneath the stepped and roped vision-slits forming the warrior`s eyebrows, and the bevor flanged outwards at its lower edge to form a neck-guard30 cm; 10¾ inProvenanceGimbel Bothers, New York, 4th December 1942JWHA Inv. No. 2702.1ExhibitedSonya Hemlin, WGBH Television, Boston, 10-12 January 1968Lowe Museum, Miami, Florida, 1 December 1979-13 January 1980

**A SOUTH GERMAN COMB MORION, NUREMBERG, CIRCA 1580, WITH LATER ETCHED DECORATIONwith rounded one-piece crown rising to a high roped medial comb, and integral brim turned down at each side and rising to an obtuse point front and rear, the edge of the brim formed with a roped inward turn accompanied by a recessed border struck within its right rear end with the quality-control mark of the city of Nuremberg (the right of the brim cracked and each side of it pierced with a later wiring-hole), and the base of the crown encircled by fifteen (originally sixteen) round-headed lining-rivets with rosette washers of iron (one missing), etched to either side of the crown with a circular cartouche enclosing at the left and right respectively the Sacrifice of Isaac and a mounted huntsman, and overlaying in each case a design of alternating bands of arabesque interlace and scrolling foliage inhabited by birds, the latter repeated on the comb and the brim, and in the former case involving at each side an oval cartouche enclosing at the left and right respectively a drummer and a soldier holding a banner, the etching in all cases set against a blackened ground, in part stippled25.5 cm; 10 inProvenanceClapp & Graham Co. Inc., 514 Madison Avenue, New York, 7th May 1930JWHA Inv. No. 1078ExhibitedAssumption College, Worcester, Massachusetts, 1 May-27 June 1961Smithsonian Institution, Washington, D.C., 1 February 1979Schenectady Museum, New York, 4 June-13 September 1979LiteratureIda Sinkevic (ed.), Knights in Shining Armor, Myth and Reality, 1450-1650, Allentown, Pennsylvania, 2006, p. 28

**A SOUTH GERMAN COMB MORION, NUREMBERG, CIRCA 1580, WITH LATER ETCHED DECORATIONwith rounded one-piece crown rising to a high roped medial comb, and integral brim turned down at each side and rising to an obtuse point front and rear, the latter struck at its right with the quality-control mark of the city of Nuremberg, the edge of the brim formed with a roped inward turn and the base of the crown encircled by sixteen round-headed lining-rivets and brass rosette-washers retaining a quilted lining (replaced) of wool covered with faded crimson velvet, etched to either side of the crown with a strapwork cartouche enclosing at the left and right respectively a coat of arms depicting a demi-lion rampant in chief separated by a fess from a hunting horn in base, and a cherub riding a dolphin, overlaying in each case an overall pattern of scrolling foliage on a stippled and blackened ground, repeated on the comb and the brim, in the former case involving at each side an oval cartouche enclosing at the right and left respectively a female nude accompanied by fabulous birds of prey and a mermaid accompanied by dolphins (the left of the helmet showing several small brazed repairs, the crest of the comb bruised, and the brim pierced at each side with a later wiring-hole)23.0 cm; 9 inProvenanceParke-Bernet Galleries Inc., New York, 13th December 1950, lot 1208JWHA Inv. No. 2898ExhibitedDenholme & McKay Co, 22 April-5 May 1952Wonder Workshop, Bridgeport, Connecticut, 19 February-28 June 1954

**A SOUTH GERMAN COMB MORION, CIRCA 1600-20with rounded two-piece crown joined along the crest of a high medial comb, and integral brim turned down at each side and rising to an acute point front and rear, the edge of the brim formed with a plain inward turn (each side of the brim pierced with a later wiring-hole and the turn at the left with slight cracks), and the base of the crown encircled by eight (originally ten) round-headed lining-rivets with brass rosette-washer and fitted at the nape with a later plume-holder, the surface of the helmet blackened overall 25.5 cm;10 inProvenanceAngelo Peyron, Florence, Italy, sold Savoy Art & Auction Galleries, New York, 4th November 1954, lot 131JWHA Inv. No. 3069.1ExhibitedChoate School, Wallingford, Connecticut, 29 March-May 1961

**A BLACK-AND-WHITE COMB MORION, EARLY 20TH CENTURY IN THE NORTH GERMAN STYLE OF THE LATE 16TH CENTURYwith rounded two-piece crown joined along the crest of a high roped medial comb, and integral brim turned down at each side and rising to an acute point front and rear, the edge of the brim formed with a roped inward turn (accompanied at each side by a small wiring-hole), and the crown encircled at its base by ten round-headed lining-rivets with brass rosette-washer, decorated in relief at each side of the crown with a fleur-de-lis encircled by stylised acanthus foliage, and at each side of the comb with radiating lobes, burnished bright in both cases against a blackened ground 29.0 cm; 11½ inProvenanceStated to be from The Armoury of Archduke Eugen, Fortress Hohenwerfen, Salzburg, Austria, sold Anderson Galleries, New York, 1st - 5th March 1927J. Glueckselig & Sohn, Vienna, 1st December 1936 JWHA Inv. No. 2383

**A SOUTH GERMAN COMB MORION, CIRCA 1600-20with rounded two-piece crown joined along the crest of a high medial comb (split at front), and integral brim turned down at each side and rising to an acute point front and rear (the front cracked and pierced with small wiring-holes), the edge of the brim formed with a plain inward turn and the base of the crown encircled by ten round-headed lining-rivets with brass rosette-washer retaining the greater part of a leather lining-band, the surface of the helmet blackened overall 26.5 cm;10½ inProvenanceThe Armoury of Archduke Eugen, Fortress Hohenwerfen, Salzburg, Austria, sold Anderson Galleries, New York, 1st - 5th March 1927, lot 139JWHA Inv. No. 146

**A SOUTH GERMAN COMB MORION, NUREMBERG, CIRCA 1580-90with rounded one-piece crown rising to a high roped medial comb, and integral brim strongly turned down at each side and rising to an obtuse point front and rear, the edge of the brim formed with a roped inward turn accompanied by a recessed border struck within its left rear end with the quality-control mark of the city of Nuremberg (each side of the brim pierced with a later wiring-hole), and the base of the crown encircled by twelve holes for lining-rivets (missing) 28 cm; 11 inProvenanceWilliam Randolph Hearst, sold Gimbel Brothers, New York, 31st October 1941JWHA Inv. No. 2639ExhibitedCharleston Art Gallery of Sunrise, Charleston, West Virginias, January-1 May 1975

**A SOUTH GERMAN BLACK-AND-WHITE COMB MORION, CIRCA 1600-20with rounded two-piece crown joined along the crest of a high roped medial comb, and integral brim turned down at each side and rising to an acute point front and rear, the edge of the brim formed with a notched inward turn (chipped at the right and accompanied by a small wiring-hole at each side), and the crown encircled at its base by ten round-headed lining-rivets with brass rosette-washer and decorated at each side with a raised band burnish bright, like the comb, against an otherwise blackened ground (slightly worn) 23.5 cm; 9¼ inProvenanceFenton & Sons Ltd, London, 8th July 1954JWHA Inv. No. 1404

**AN ENGLISH FUNERARY HELMET, LATE 17TH CENTURY, INCORPORATING EARLIER ELEMENTSwith rounded two-piece skull rising to a low medial comb, separate nape-plate, fixed peak from a mid-17th century harquebusier`s pot, bevor and deep one-piece gorget plates front and rear, the latter originally forming an early 17th century pikeman`s collar and formed at its main edges with plain inward turns accompanied in the case of the lower of them by a recessed border, the peak and bevor connected by five vertical bars forming a prognathous face-guard, and the skull fitted at its apex with a pair of rivets formerly serving to retain a spike for the attachment an heraldic crest (heavily pitted and painted black overall; the gorget-plates and the centre of the peak showing rust-perforations)37 cm; 14½ inProvenanceHenry Griffiths Keasby, sold American Art Association, New York, 5th-6th December 1924, lot 119Sumner Healey, New York, 30th April 1929JWHA Inv. No. 574

**AN ENGLISH OR FLEMISH CLOSE HELMET, MID-16TH CENTURY, CONVERTED TO FUNERARY USE IN ENGLAND IN THE 17TH CENTURYwith one-piece skull rising to a high roped medial comb, fitted at its apex with a distally-pierced vertical rod for the attachment of an heraldic crest, and at its front with a pivoted bevor contemporarily patched at its upper rear corners and fitted with a pivoted, forward-sloping visor pierced with a single broad, stepped and roped vision-slit, and deep one-piece gorget-plates front and rear, originally constituting an early 17th century pikeman`s collar and each formed at its lower edge with a plain inward-turn accompanied by a recessed borders (the helmet heavily pitted and blackened overall, and showing large rust-perforations at the left of the skull and the right of the bevor) 43.5 cm; 17¼ inProvenanceCyril Andrade Ltd, LondonSumner Healey, New York, 30th April 1929, no. 1JWHA Inv. No. 575

**A NORTH ITALIAN SKULL OF A CLOSE HELMET, CIRCA 1560-70; A NORTH ITALIAN OR FLEMISH SKULL OF A CLOSE HELMET, CIRCA 1560 AND A SOUTH GERMAN SKULL OF A BURGONET, NUREMBERG, CIRCA 1580-90of one-piece construction rising to a high roped medial comb flanked to either side by a pair of divergent roped ribs, its rear flanged outwards to receive a single gorget-plate decorated at its upper edge with a pair of incised lines, and its sides pierced over small auditory holes with a pair of larger holes for the attachment of missing visor-pivots; the second similar to the last except that it lacks a gorget-plate, auditory holes and decorative roped ribs but is fitted at its nape, beneath a pair of holes for the attachment of a missing plume-holder, with a series of lining rivets and brass rosette-washers (with some cracks and perforations, and a mottled patina overall); and the third of one-piece construction rising to a high roped medial comb (enclosed to either side by a series of later holes), boxed at each side, projecting forward to an obtusely-pointed integral peak formed at its main edge with a roped turn accompanied by a recessed border struck with the quality-control mark of the city of Nuremberg, flanged outwards at its rear to receive a missing neck-defence and cut away at each side to receive a missing cheek-piece (heavily patinated overall and showing several cracks and perforations)the first 27 cm; 10¾ in; the second 25.5 cm; 10 in; the third 25 cm; 10 in(3)ProvenanceThe first and third: Dr. Bashford Dean, Riverdale, New York, 28th September 1929The second: George L. Maxwell, sold Anderson Galleries, New York, 28th November 1928, lot 164JWHA Inv. Nos. 885, 648 & 888

**AN ELECTROTYPE COPY OF AN ITALIAN BURGONET WITH EMBOSSED AND CHASED DECORATION, THE ORIGINAL MILANESE, CIRCA 1560-5of one-piece construction rising to a high medial comb, projecting forward and backwards respectively as an obtusely pointed peak and a matching neck-guard, the latter stuck at its left side with an indistinct inscription surrounding the crowned Wittelsbach arms, and cut out between them to receive missing cheek-pieces, the left and right of the crown respectively decorated with scenes depicting the Raising of Helen and the Judgement of Paris, the comb with trophies of arms, and the edges of the peak and neck-guard with scrolls28.5 cm; 11¼ inProvenanceWürtembergische Metalwarenfabrik, Geislingen, No. 8329, 20th May 1930JWHA Inv. No. 1082The helmet is copied from that of an original preserved in the Deutsches Historisches Museum, Berlin, Inv. No. W 1004-5.Its decoration is taken from the engravings of Jean Mignon (active at Fontainebleau between 1537 and 1547 to circa 1556), after Luca Penni (1500-1556). See J.A. Godoy & S. Leydi, 2003, pp. 154-5 & 435-7, figs 16-19.

**AN ARMET IN THE WESTERN EUROPEAN STYLE OF CIRCA 1530with rounded two-piece skull rising to a low boldly roped comb and fitted at its lower edge with two short gorget-plates, at its nape with a large plume-holder, at each side with hinged cheek-pieces fastening to one another at the chin and in each case flanged outwards at its lower edge to form an integral gorget-plate, a visor formed with a stepped pair of vision-slits and a markedly concave upper bevor pierced at each side with four diagonal ventilation-slots, the last two elements attached by common pivots, the first of them decorated at its rear terminals with patterns of rivets, and the second of them secured at the right of the chin by a spring-catch, and the skull and cheek-pieces each fitted with a lining of canvas stuffed with wool and faced with buff-leather 26 cm; 10¼ inProvenanceHenry Furmage, London, 21st April 1931JWHA Inv. No. 1466

A three strand coral necklace with a floral yellow metal clasp together with a JR faux pearl clutch bag, mother of pearl set cigarette case, matching compact, cigarette lighter, comb, folding photograph album and a lipstick

A matched cased Art Deco five piece silver and enamel dressing table set, Bravingtons Ltd. & Adie Brothers, Birmingham 1930/3, each piece with silver mounted and blue guilloche enamel decoration, comprising; a hand mirror, a hair brush, a comb, a clothes brush, a circular cut glass jar and a circular cut glass perfume bottle with dispenser cover, all presented within fitted case

George VI silver backed set of dressing table set, comprising, mirror, four brushes and a comb, with engine turned decoration, by S. J. Rose & Son, London, 1951,

George V silver tazza, (filled base),silver tea strainer, a pair of silver ashtrays and a silver cased comb, various dates and marks, six silver coffee can holders with three cups and five saucers in fitted case,

Silver backed dressing table brush, mirror, comb mount, cased set of twelve teaspoons and six other teaspoons, various dates and marks,

A 19th century Swiss rosewood eight air musical box by Duccomun Girod the rosewood case with floral marquetry spray to the lid and tulipwood crossbanding, the interior with glazed dust lid and lever wound movement with 27.5cm. brass cylinder and steel comb, also playing concealed bells, the lever signed `Ducommun Girod`, printed tune indicator to inside of lid with hand written titles, 18¾ x 7¾in. (47.5 x 19.75cm.), 5½in. (14cm.) high.

A silver and pink and opalescent enamel dressing table set, comprising hand mirror, hair brush and clothes brush, Chester 1939 by Walker & Hall, together with a silver mounted comb and a silver mounted manicure set with engine turned decoration, comprising nail buffer, jar, scissors and three nail accoutrements, Birmingham 1927 by Crisford & Norris, cased.

A cased gilt metal and coloured enamel brush and comb set; a cased petit point brush and comb set

A late Victorian mahogany revolving captain`s chair, the shaped bow back above comb supports, the shaped panel seat raised on four downswept cabriole legs and castors.

A 17th Century provincial oak side chair, the shaped top rail above a comb back and solid seat, on turned and block legs, together with another similar side chair (faults).

A set of four George V oak dining chairs with carved foliate top rails and comb backs above woven seats, on barley twist and block legs, together with three other similar chairs.

An Edwardian child`s comb back Windsor armchair

A late 19th/early 20thC French Art Nouveau white metal moustache comb and brush, each piece decorated with mistletoe in a brown leather case

An Art Deco cased beadwork design dressing table set, a hand mirror, comb, brush, and matching stand

A Chinese export silver dressing table set by Wang Hing & Co., Hong Kong, Canton & Shanghai (‘WH90’ and a character mark), fl. circa 1854-1925, circa 1900, engraved and embossed with dragons amidst clouds, engraved with a monogram ‘CBM’, comprising: a rectangular tray, 30.5cm (12in) long; two hairbrushes; a clothes brush; a comb; a mirror; a boothook; a shoe horn; a rectangular box and a cylindrical box, the tray and two boxes 1220g (39.25 oz), the rest loaded. See von Ferscht, Adrien ‘Chinese Export Silver 1785-1940: Catalogue of Makers’ Marks’ Glasgow 2012, p.28.

Asprey, a silver mounted dressing set in a natural pigskin case by Asprey & Co. Ltd, London 1939-40, the ten mounted fittings engine turned, comprising: a hair brush, a comb, a hand mirror, a clothes brush, three glass bottles and three jars all fitted to one side of the case, the other for night clothes, the case and outer canvas cover initialled ‘C.A’, the case 34cm (13 1/2in) wide; sold with the original receipt from Asprey & Co. to Sir Arthur Grant dated 14th November 1942. Major Sir Arthur Lindsay Grant of Monymusk and Cullen, 11th Bt. (1911-1944) was the son of Colonel Sir Arthur Grant and Evelyn Alice Lindsay Wood and was in the Grenadier Guards. He married Priscilla Jean Fortescue Thomson, Baroness Tweedsmuir of Belhelvie, daughter of Brigadier Alan Fortescue Thomson on 14th May 1934. He was killed in action on 18th July 1944 in Normandy (mentioned in despatches posthumously). Christian Mona Grant (born 1920) was Arthur’s sister and married, firstly, Captain Michael Fife William Angas, son of Major L. Angas, on 14th November 1942. They were divorced in 1951 and she later remarried twice.

Silver and buff coloured enameled dressing table wares, comprising; a lidded glass powder bowl, a clothes brush and a comb, London 1970 and a similar hairbrush, London 1948.

A silver circular inkstand, decorated with a beaded rim, Birmingham 1920, another silver circular inkstand, a silver plated inkstand of square form, decorated with a cast scroll pierced border, an onxy inkstand, a faced glass inkstand, a silver mounted hand mirror, Birmingham 1908, a silver mounted clothes brush, a silver mounted comb and a ladies rectangular plated compact, with a box.

19th Century elm Windsor chair, high comb back, stamped R.H

19th Century elm Windsor armchair, high comb back

Silver-mounted five-piece dressing table set comprising a hand mirror, three brushes and a comb, cased.

An Elizabeth II seven piece silver dressing table set including a pair of candlesticks, hand mirror, comb, jar and brushes.

A small Windsor comb back chair together with an Edwardian crown back carver

A George V Dressing Case, maker`s mark NM, London 1912, retailed by Pittway Brothers, crushed green leather case, rectangular, with outer protective pigskin cover, opening to reveal a fitted interior with three lift-out trays containing numerous vanity utensils, including five slice cut jars/bottles and covers, pair of hair brushes, pair of clothes brushes, hand mirror, double-ended spoon, shoe horn, glove stretchers, manicure items and a curling tongs and heater box, the case (excluding the cover) 46cm wide; and A Leather and Gilt Metal Mounted Calling Card Case (2) This case displays significant original use. Some of the bottle caps are dented. Some small chips amongst the glassware. One rectangular box missing. Two vacant recesses on the mirror tray. The smallest of the lift-out trays has split at the angles and is quite scruffy, heavily worn on the green velvet surface lining material. Comb recess is empty. The largest of the glass trinket boxes has a massive chunk missing out of one angle. The hinges on the heater box are damaged. The bristles on the brushes are slightly outward pointing and very worn. Twenty-eight silver mounted items in total, leaving three steel pairs of scissors. The cover of the case is very heavily worn and damaged, and the straps have broken off. 050213

A Fine George III Musical Mahogany Striking Table Clock, signed Willm Mason, London, circa 1770, inverted bell top case, side carrying handles and pierced sound fret opening doors, applied gilt metal mask and floral mounts to the canted corners, raised on bracket feet, 8-inch arched brass dial with silvered Roman and Arabic chapter ring, matted centre with date aperture and signed silvered recessed plaque Willm Mason London, arch with four tune selection dial God Save Ye King/Home Sweet Home/Vicar Of Bray/Tom Bowling, triple fusee movement with anchor escapement, the pinned comb controlling eleven hammers striking a nest of eleven bells for the musical train every hour and followed by a further hammer striking a single bell for the hours, movement backplate engraved with basket, scroll and bird decoration, secured with brackets, 58cm high 27.02.13, Case with some pieces of veneer missing to the door, case with some small dents and crack marks in places, some mouldings around the case with chips and are slightly lifting, some small pieces of veneer has been added later, back door very slightly bowed, dials need re-silvering and brass dial plate needs cleaning, movement needs cleaning, hour striking bell post has broken and not striking on a bell at present, front plate with a small hole which has been plugged next to the anchor arbor pivot, converted to anchor from verge, the musical tunes all appear to be working at present, The home sweet home tune appears to have been added in the early 19th century which the pins to the pinned comb would have had to be slightly re-positioned on the comb.

A Nicole Frères Cylinder Music Box, 19th century, the 20`` cylinder playing on a comb within a rectangular walnut, kingwood and ebonised case with brass carrying handles, retailer`s mark for IMHOF & MUKLE, 103cm wide In good overall condition. 120313

A 19th century yew and elm comb back kitchen armchair, with a crinoline stretcher (repaired)

A quantity of miscellaneous items, including a miniature pagoda, a handbag, a tortoiseshell comb, etc

Silver dressing table set comprising tray, two glass and silver topped bottles, two brushes together with a crescent brush, comb and button hook and silver pot. (B'ham).

An embossed hallmarked silver dressing table set comprising mirror, two brushes a comb and a similar dressing table glass pot

An early 20th century Scottish green enamel and blister pearl set tiara A J Smith, of Art Nouveau form, curved scroll design, the shaped triangular centre front composed of open green to white enamelled scrolling borders surmounted by three graduated blister pearls, with hinged hair comb, contained in a tooled leather fitted case stamped A. & J. SMITH...ABERDEEN 11.5cm x 15.5cm

A cased silver gilt and tortoise shell dressing table set London 1925, comprising tray, shoe horn, button hook, comb, two clothes brushes, two hair brushes and hand mirror, each with simple silver gilt borders and floral garlands inlaid into tortoiseshell panels, in original fitted case

A collection of propelling pencils various dates and makers, to include engine turned examples, reeded and engraved etc, various patterns and styles; together with a small number of novelty items including comb covers, tooth picks etc (qty)

An Art Nouveau silver backed Hairbrush, matching hand mirror, shoe horn and button hook, Birmingham, 1910, a silver backed comb and a silver serviette ring.

A luxury Persian comb silk golden ground rug having pink floral peonies and exotic bird design.

Bermuda. 1938-52 low value definitive collection in blue boxed Warwick album. Range of shades and blocks mint and used. We note 1d and 1½d comb perf sheets, each Plate 2a-2a, 2d comb perf sheet from unnumbered plate; some covers and booklet panes. Odd bit of foxing here and there

Child`s stained beechwood and elm rocking chair, comb-back, solid seat, width 35cms.

Two pairs of children's shoes, one cream wool with flat leather sole and the other cream leather sandals, children's bonnet with cream lace, ribbons and embroidery and one other with a children's pink enamel dressing table set comprising hand-mirror, three brushes of different sizes and a comb (qty)

AN OAK AND ELM COMB BACK WINDSOR ARMCHAIR, the broad seat raised on splayed legs.

A collection of embossed silver dressing table items including hairbrushes, mirrors (one with missing glass) a cut glass perfume bottle, a tidy, comb and tray

An apprentice piece in the form of a Windsor comb back Armchair

A Sheffield Silver Dressing table Set comprising Mirror, Brushes and Comb, dated 1952.

Late nineteenth century Swiss walnut and stained wood music box, the lid decorated with musical instruments and cross banded, playing twelve airs on thirteen inch cylinder and comb, with air indicator and lyre-mounted damper, no. 45073, 65cm wide

Silver harlequin part dressing table set comprising brush, comb, shoe horn, buttonhook, file, two toilet jars also a brandy label, acorn bell (af) plaque, two rings, etc

An ethnic African carved wood comb, height 19cm, on a perspex stand, and a bone carving.

A Janet Leach St Ives stoneware vase with comb textured sides, impressed pottery and personal seals, height 15cm.