We found 20273 price guide item(s) matching your search

1920s silver and tortoiseshell mounted dressing table set with flower and ribbon decoration comprising two pairs hair brushes, hand mirror and two pot covers (London 1928 / 1929), another silver mounted dressing table set with engine-turned decoration, comprising two pairs hair brushes, face mirror and comb (Birmingham 1917 / 1918), together with one other comb (Birmingham 1962) (qty)

1930s pink leather jewellery box containing assorted jewellery including Victorian agate beads, tortoiseshell hair comb, Victorian locket and costume jewellery

A white metal posy holder, a large simulated tortoiseshell mantilla comb and a collection of similar items (a lot)

A collection of early 20th century hair combs to include a tortoiseshell feather design comb, a long carved horn leaf shape comb, a further horn comb with gilded Art Nouveau dragonflies set with paste stones and another Art Nouveau comb with silvered and gilded fuchsias decoration. (4)

A large 1920s green and coloured celluloid hair comb, pierced with a basket of fruit and flowers together with an Art Deco pale green celluloid comb set with paste and faux pearls and a large pierced fan shape comb set with blue paste stones. (3)

A collection of hair combs, early 20th century to include an Art Nouveau sunflower design comb, an Art Nouveau faux tortoiseshell comb set with green paste stones, a large fan shape asymmetrical comb with paste stones, a large yellow and blue stone set comb and a black fan shape comb. (5)

A late Victorian walnut cased polyphon, late 19th century, 10 cm steel comb, leaver wind and with eleven disks, width 31 cm, (12).

A late 19th century walnut and marquetry inlaid cased polyphon,the interior of the lid inscribed "Douglas & Co, 7, South St. London E.C.", with 12cm comb and 16 discs of diameter 21.5cm.

Mattel Skooter no.1040 Titian, wears red shorts, red and white stripy crop top, red shoes. VG condition, slight yellowing to right wrist. and hair is wiry but no visible missing hair plugs, includes leaflet, stand, brush and comb. Contained in VG box.

Mattel Skooter no.1040 Brunette, wears red shorts, red and white stripy crop top, red shoes. Sticky residue to arms, no missing hair plugs, overall VG. Includes leaflet, stand, brush and comb. Contained in G/VG box, one corner of lid torn and one corner taped,

"Two pierced silver dishes, Birmingham 1910 and London 1894; silver photograph frame, Birmingham 1924; silver backed hairbrush, mirror and comb (6) "

"A silver and blue enamel dressing table set comprising hand mirror, four brushes and similar comb, Birmingham 1935 "

"Tortoiseshell comb, 13cm "

A box containing a silver backed four piece dressing table set comprising two hairbrushes, hand mirror and comb (by Walker & Hall, Sheffield, various dates), together with a white metal mounted scent bottle and two manicure items

A set of four Edwardian mahogany and inlaid salon chairs, the curved comb backs over an upholstered seat raised on square tapering legs to spade feet

A Swaine-Brigg leather suitcase with fitted vanity contents tan leather, the interior with easel mirror and small jewellery box, the silver mounted contents by T.P., London 1945, comprising three etched glass bottles and jars, hairbrush, clothes brush, together with a later silver mounted brush and comb, the case 20 x 14 x 6½in. (51 x 35.5 x 16.5cm.).

* Travelling brush set. A Mauchline Ware travelling brush set, contained in rectangular case, printed ‘Burns Monument & Cottage Homes, Mauchline’, with associated poem, enclosing an ebonised brush set with a bevel-edge mirror and ebonised comb, 10cm long. (1)

A silver mounted simulated tortoise-shell comb, another comb, sugar tongs, silver plated spoons etc.

A silver mounted dressing table brush embossed with figures within a landscape, a similar brush and a comb (3)

A mixed lot of silver items, comprising a silver mounted table vesta case, modelled as a braizier, cast iron body, by Saunders and Shepherd, Chester 1900, a trinket box, of oval form, a cased pair of military brushes, another pair of military brushes, a comb, a brush , a brush back, and three religious medallions, approx. weighable 4oz. (qty)

A mixed lot, comprising: silver items, a hair comb, two boxes, a swizzle stick, a fruit knife, three-Victorian regalia mounts, and a modern wine label, plus a toothpick in a fitted wooden case, a pair of tweezers, and three plated wine labels. (14)

English Dresser SetTwo piece dresser set mounted with English sterling silver, 1913, including comb and brush in fitted caseStarting Price: $50

Inlaid Polyphon music box(lot of 20) Polyphon inlaid music box circa 1890, the hinged top having a floral marquetry decorated medallion opening to the comb 15.5`` player and rising on turned feet, together with nineteen (19) discs, 10``h x 21``w x 18``dStarting Price: $1000

A GEORGE V SILVER HAND MIRROR AND HAIR BRUSH, BIRMINGHAM 1921, A SILVER COMB, ETC

SIX PIECE SILVER AND GREEN GUILLOCHE ENAMELLED VANITY SET in a fitted glass fronted case, including a hairbrush, comb, three other brushes and an etched glass perfume bottle of bulbous form, makers Adie Brothers, Birmingham 1926, the box 26cm long, 19.5cm wide, the perfume bottle 11.5cm high

Art deco silver and guilloche enamel dressing table set , boxed, of three bottles, three jars, pin box, and manicure set (scissors lacking) with white and blue decoration, Birmingham 1933 - 1935 (enamel removed from one jar lid); also a cased set of a silver backed hand mirror , pair of hair brushes, one (of two) cloth brushes, comb and a button hook, Hamilton & Inches, Edingurgh 1924 . (2 cases)

An eight piece silver and enamel lady’s dressing table set each piece painted with a spray of red roses on a cream guilloche enamel ground, comprising a hand mirror, a pair of hairbrushes, a pair of clothes brushes, a comb, a circular ring box and a circular glass powder bowl, Birmingham, 1959, 1961 and 1962, maker’s HCD, retailer ‘Winsor, Bishop & Co. Ltd. of Norwich’.

A modern stripped pine kitchen table, on turned legs, together with a set of six comb back dining chairs, on turned legs united by stretchers.

"Art Deco silver and enamel silver folding comb by C and C, import London 1927"

Birmingham silver four piece silver backed dressing table brush set comprising hand mirror, comb and two hair brushes (4)

Edwardian Walker & Hall three piece silver backed dressing table brush set comprising hand mirror and two hair brushes, Sheffield, 1909 and a Chester silver silver backed comb (4)

Pair of Chester silver desk candlesticks and a silver backed comb, (3) (a/f)

George V silver and tortoiseshell backed dressing table brush set comprising two hair brushes, hand mirror and comb, makers mark for Daniel Manufacturing Company, Birmingham, 1929, complete with original fitted case

Birmingham silver miniature two handled trophy cup, silver backed brush and comb set, two Birmingham silver handled shoe horns, Victorian Chester silver sugar tongs, London silver desk candlestick, Birmingham silver pepper grinder, Birmingham silver egg cup, pair of Birmingham silver pierced cup holders, Epns tea strainer and stand and an Epns mounted comb, all mixed dates and makers marks (14)

A matched silver vanity set including hairbrushes, clothes brush, silver mounted comb and vanity mirror with neo-classical engraved motif, one clothes brush engraved `Presented Mrs Mein by the Officers, NCO`s and Men of the 6th Battalion Home Guards 1944`. (5)

Silver and enamelled back five-piece dressing table set, Birmingham 1926, engine turned decoration, comprising a hand mirror, a pair of clothes brushes and a pair of hair brushes, together with a matched comb, cased.

A Comb in the form of a ladies leg, gilt propelling pencil, mother of pearl Penknife and Spectacle Case

A set of six George III Scottish teaspoons, five Victorian teaspoons and a pair of matching sugar tongs and a silver backed hairbrush and comb

AN ANTIQUE RUSSET CARVED HARD STONE FIGURE OF A COCKEREL HAVING A HEAVILY CARVED TAIL AND COMB. 6 CM`S X 5 CM`S. THIS ITEM WAS COLLECTED IN CHINA IN THE 1950`S BY AN ENGLISHMAN WHO WORKED UNDER LORD TREVELYAN BETWEEN 1952 - 1955.

A 19th Century slipware dish with comb decoration, 30cm (11.75”) wide and a similar smaller dish

A late 19th Century carved ivory hair comb, of shaped outline with pierced decoration and foliate detail, 18cm (7") long

A FINE AND RARE GERMAN ETCHED AND GILT COMB MORION OF THE SAXON TRABANTENLEIBGARDE OF THE CHRISTIAN II, ELECTOR OF SAXONY (1591-1611) with tall skull formed in one piece and rising to a roped comb, the base encircled by a row of sixteen gilt-brass lion`s masks over lining-rivets, each with a ring in its mouth (two rings missing), narrow brim rising to a point at the front and rear, decorated at its edges with a roped inward turn, struck with Nuremberg mark and the maker`s mark, a pair of shears, at the front, fitted at the rear with gilt-brass plume-holder cast and chased in high relief as a female herm, the skull decorated with etched and gilt bands of interlaced foliate scrollwork encircling the figure of Mutius Scaevola before Porsena on one side and Marcus Curtius leaping into the gulf on the other, the comb with further etched and gilt bands of running foliage and a central-cabled medallion framing, on the respective faces, the arms of the Dukes of Saxony and the Archmarshallship of the Holy Roman Empire, the brim decorated with etched and gilt bands of running scrolls, complete with its original cheek-pieces comprising three lames on the left and two on the right (one missing), each etched and gilt with bands of running foliage around its border and fitted at its centre with a gilt-brass foliate boss over an iron rivet, and retaining much original gilding throughout 30cm; 11 3/4in high Provenance The Saxon Electoral Armoury, Dresden Colonel Norman Colville, sold Sotheby & Co., 12th June 1953, lot 66The maker`s mark is perhaps that of the Nuremberg master Martin Schneider (Müller & Kunter 1984, pp. 263-5 and 269). A shield struck with the same mark was sold in these rooms, 8th December 2012, lot 178.This helmet belongs to a distinctive group which was first made for the Trabantenleibgarde of the Elector August I of Saxony (1553-86) and continued to be used, and possibly added to, in the time of his successors Christian I (1586-91) and Christian II (1601-11). Originally this would have matched the black doublets and yellow trunk hoses of the uniform of the guards. A large number of helmets from this group, which may have included the present example, were removed from the Electoral armoury in the 1830s and sent to the State Opera House in Dresden for theatrical use, many of which were seen there by Bashford Dean in 1912. See H. Nickel 1989, pp.117-21 and I. Eaves 2002, pp. 149-150.

A RARE SOUTH GERMAN CLOSE HELMET FOR THE TOURNEY, CIRCA 1590, AUGSBURG OR DRESDEN of notable weight, formed of a rounded skull rising to a high roped medial comb, pierced at the rear of the neck with six small rivet-holes for the attachment of a missing plume-holder and to either side of it with four lace-holes, visor, upper bevor and bevor attached by common pivots with domed heads, the visor with a prominent step beneath its single broad vision-slit and a spring-catch at the right side (pull missing), upper bevor with roped upper edge, pierced at its left side with twenty-six small circular ventilation holes arranged in three concentric circles and at the right side with a similar arrangement of twenty-four holes, the right side secured by a spring-catch with button release, the bevor fitted with a threaded bolt and retaining its wing-nut for the attachment of a reinforce, lower bevor shaped to the chin and secured to the right of the skull by a spring-catch with push-button release and fitted with pivotted prop for the upper bevor, the lower edges of the skull flanged outwards to receive missing gorget-plates (one small patched repair at the nape of the neck), and the left side of the skull showing numerous cuts from a rebated sword 27cm; 10 3/4in highProvenance The Property of a Gentleman, sold Sotheby & Co., 31st July 1951, lot 67.The strongly stepped visor, the provision for a reinforce, the overall form and the weight of this helmet is reminiscent of the well known group of armours made for the Elector Christian I of Saxony (1560-91). Several complete armours of this type are still preserved in Dresden and were used for tournaments until just before the Second World War. See E. Haenel 1923, pl. 9.

A FINE NORTH ITALIAN CLOSE HELMET WITH ETCHED AND GILT DECORATION, PROBABLY MILANESE, CIRCA 1590 with one-piece skull rising to a moderately high roped medial comb, and visor, upper bevor and bevor attached to it by common pivots with radially-fluted heads (replaced), the visor with strongly-stepped centrally-divided vision-slit, pierced at its right side to receive a missing lifting-peg, the prow-shaped upper bevor pierced at its right side with nine small circular ventilation-holes in rosette-formation and secured to the right of the bevor by a swivel-hook and pierced stud, and three rounded gorget-plates front and rear (the lowest at the front restored), the main edges of the helmet decorated with cabling (a small section missing from the lower front edge of the rear gorget-plates) and its surface etched on a stippled and gilt ground with bands and borders of trophies of arms enclosed by narrower bands of cabling (lightly patinated overall) 38.5cm; 15¼in highProvenance Sotheby & Co, 4th May 1964, lot 24

A RARE NORTH ITALIAN SALLET, CIRCA 1500 with hemispherical skull rising to a low medial comb, centrally-cusped brow-plate arched over the face, and two restored tail-plates projecting backwards to a rounded end, each attached to the former and each other by a pair of rivets, the lowest plates in each case formed with a plain inward turn (the whole heavily corroded) 18cm; 7in highStated by Enrico Minervino of Milan to have been found by divers in the River Bacchliglioi near Padua, Italy, but showing a preservation typical of pieces obtained from the armoury of the Knights of St John at Rhodes which fell to the Turks in 1522/3. It can be compared with sallets from that same source now preserved in the Royal Armouries Museum, Leeds (IV. 481), the Higgins Armoury Museum, Worcester, Mass. (880), and several private collections (W. Karcheski & T. Richardson 2000, pp. 9 & 13-15).

A RARE .690 CALIBRE FLINTLOCK MILITARY RIFLE BY JOHN PROBIN, BIRMINGHAM PRIVATE PROOF MARKS, CIRCA 1790-95 with swamped octagonal barrel rifled with eight grooves and stamped with the maker`s mark, IP within a rectangle, fitted with white metal fore-sight (the back-sight replaced), flat border-engraved lock stamped with the crown mark and signed on the tail, figured walnut full stock swelling about the rear ramrod-pipe, the butt boldly impressed `2` over `13` and with a broad arrow mark feintly impressed on the left of the comb (the stock with slight shrinkage about the lock, minor filled repairs), full brass mounts of regulation type, a pair of sling swivels, and steel ramrod 77.1cm; 30 3/8in barrelLiterature De Witt Bailey, Ph.D., British Military Flintlock Rifles 1740-1840, Rhode Island, 2002, pp.189-190, illustrated.In April 1776 Heneage Finch, Lord Guernsey, later Fourth Earl of Aylesford, recommended that John Probin be allowed to make rifle barrels for the Board of Ordnance. The Board requested that one of Probin`s barrels be sent to the Tower for testing. There are no further references after this. However, there are a number of other very similar rifles to the present one known, some of which have unit markings on the brasswork suggesting that they were issued. Another is preserved in the Royal Armouries, Leeds. See C. J. Ffoulkes 1916, p.350, no.150. For a discussion of these rifles see D.W.Bailey 2002, pp.189-190.

A GERMAN WHEEL-LOCK SPORTING RIFLE, CIRCA 1660 with octagonal sighted barrel rifled with six grooves and the breech and muzzle each decorated with a gilded panel drawn-out at three points, flat lock engraved with a unicorn and bull engaged in combat, flat wheel-cover engraved with a serpent within a laurel wreath, pierced engraved dog, set trigger, figured walnut full stock, the butt inlaid with engraved staghorn plaques, including a grazing stag and a pair of birds-of-prey on the cheek-piece, enriched with small geometric plaques of both horn and mother-of-pearl, inlaid with marquetry banding along the comb and fitted with sliding patch-box cover veneered in engraved horn, the fore-end inlaid with further marquetry banding over its length and with later plain geometric mother-of-pearl plaques (some inlay replaced), horn butt-plate, moulded brass trigger-guard and engraved bone fore-end cap (the ramrod-pipes and ramrod replaced) 78.8cm; 31in barrelProvenance Counts Schenk von Stauffenberg, sold Sotheby`s, Olympia 10th July 2002, lot 260

A LIÈGOIS FLINTLOCK BLUNDERBUSS PISTOL, EARLY 19TH CENTURY with two-stage part octagonal barrel strongly swelling at the muzzle, stamped with Liège proof mark at the breech, and fitted with spring bayonet locked by the trigger-guard beneath, box-lock action engraved with scrolling foliage on each side (cock comb chipped), fitted with sliding thumb-piece safety-catch also locking the steel, flat-sided walnut butt cut with a panel of fine chequering on each side (rubbed, loose) the spine set with silver nails, and engraved steel trigger-guard 25.5cm; 10in

AN IMPORTANT 20 BORE FRENCH ROYAL FLINTLOCK LONG HOLSTER PISTOL MADE FOR CHARLES XI, KING OF SWEDEN (1655-97), BY PIRAUBE AUX GALLERIES DU LOUVRE A PARIS, DATED 1676 with blued barrel formed in four stages, the forward section signed `Piraube aux Galeries du Louvre a Paris 1676` in gold damascene on a long flat decorated with further damascened scrollwork, fitted with silver fore-sight, damascened with a classical trophy-of-arms at the muzzle, and a pair of monsterheads attacked by serpents hanging in scrolls of foliage ahead of the median, the latter formed with an engraved shaped panel flanked by a pair of damascened captives seated upon further trophies, the breech of octagonal then polygonal form, decorated in gold damascene with foliage, pellets and the full crowned Royal Swedish Arms (the bluing faded and with losses), the underside of the breech stamped with the barrelsmith`s mark, the letter `M` in a rondel, engraved tang decorated with monsterhead scrolls of foliage and border ornament, rounded lock chiselled with scrolls of foliage issuant from a classical vase and signed `Piraube` twice on the tail, engraved with border ornament, delicate scrolling tendrils inhabited by an archer and inscribed `aux Galleries a Paris` beneath the pan, the brim of the pan chiselled with a grotesque, fitted with chiselled cock decorated with leafy tendrils, a serpent head, a green man mask on the comb and retained by a further mask-shaped screw (the top-jaw and screw replaced), steel chiselled with a symmetrical arrangement of leafy tendrils issuant from a green man mask, figured walnut full stock (an early working replacement of circa 1730-40), impressed with the letter `K` next to the trigger-guard, carved with a raised moulding over the fore-end, a spray of foliage ahead of the trigger-guard and further scrolls and shell ornament about the tang, steel mounts comprising side-plate pierced and chiselled with a central moustachioed mask dividing an arrangement of scrolling monsterhead tendrils inhabited by a pair of differing herms, spurred pommel engraved with a pattern of rondels and foliage around the border, chiselled on each side with a symmetrical design of scrolling monsterhead tendrils issuant from a green man mask against a recessed gilt ground, the front and the back chiselled with further masks and engraved with monsterhead scrolls, fitted with a small finely chiselled grotesque mask cap supported by a pair of gold damascened Classical figures seated upon Classical trophies and surmounted by a Classical bust portrait, engraved trigger-plate, trigger-guard with an early inventory number `P No 1` chiselled with a further mask on the bow, the forward baluster issuant from a gaping mask and the finial chiselled with scrolling tendrils on a recessed gilt ground, a pair of moulded ramrod-pipes, the rear decorated with a gold damascened angel, pierced and engraved escutcheon damascened with the crowned Royal Swedish Arms, and steel-tipped ramrod, perhaps the original, and remaining in fine condition throughout (the damascene with small losses, areas of light wear) 53.3cm; 21inProvenance Charles XI, King of Sweden An American Private Collection Literature John F. Hayward, Bertrand Piraube, in Livrustkammaren 15, no.5 (1980), pp.129-132, figs 12-14.The pair to this pistol is preserved in the Metropolitan Museum of Art, New York (inv. no. 1990.114.2).These pistols are Bertrand Piraube`s earliest dated work. The late John Hayward identified three levels of quality by this maker of which the present pistol belongs to the highest. Piraube has been described as the most important figure in the decorative development of French firearms in the latter part of the 17th and early 18th centuries. On 25th January 1670 Louis XIV granted him a brevet de logement in the Galleries du Louvre. This appointment, which was confirmed in March the following year, established Piraube as primus inter pares amongst the gunmakers working for Louis XIV. In Germain Brice`s Description de la Ville de Paris, published in various editions between 1698 and 1718, he was described as a gunmaker who produced pieces of rare beauty. His period of tenure in the Galleries to Louvre (1670-1720) was the longest of any gunmaker. Working within the precincts of the Royal Palace freed Piraube from the restrictions of the Parisian Guilds and consequently he was able to employ as many apprentices and journeymen as his commissions required. It comes as no surprise that a significant number of the great European Ancestral Gunrooms have firearms by him. The present pistol and its pair illustrate a number of aspects of the designs of Louis XIV`s chief designer, Jean Bérain. For a further discussion of this maker and his work see John F. Hayward (op.cit.), and Thomas Del Mar Ltd, 9th December 2009, lot 266.Charles XI (1655-97) succeeded to the throne at the age of 4 in 1660. He excelled in the chase and was a fine horseman, as recorded in both his and other members of the Royal Family`s diaries. The present made to him by the French Ambassador at his coming of age in 1672 comprised twelve magnificently caparisoned Spanish thoroughbreds, complete with an equal number of pistols and guns, of which Piraube made one pair of pistols and one fowling piece. The present pistol, and its pair, must have been ordered within two years of this gift, allowing for the time lag in construction. A smaller pair of pistols, with silver barrels and mounts, decorated in almost an identical manner to the present pistol, are preserved in the Royal Armoury, Stockholm, (inv.no.4072, 4073). Given their size they were probably intended for a lady, and the materials used would suggest that they were made more for display than use.The letter `M` within a rondel beneath the breech is stamped on a number of French firearms of this period, including another pair of pistols and a gun by this maker, a pair of pistols by Masson, and a gun by Varnier all preserved in the Livrustkammeren, Stockholm (inv. nos. LRK 4334, 4335, 3626, 3627, 10036 respectively).See J. F. Hayward 1963, pp.32-47; the same author 1980, pp. 118-157; N. Drejholt1996, pp. 136-139 and S. J. Pyhrr 1991, p. 24.

A 28 BORE FRENCH FLINTLOCK HOLSTER PISTOL BY JEAN LIEBEAU A SEDAN, CIRCA 1680 with two-stage sighted barrel stamped with the barrelsmith`s mark in a horseshoe-shaped recess over the breech and with traces of a signature, plain tang, rounded lock engraved and chiselled with scrolls on the tail, signed in full on either side of a further scroll beneath the pan, chiselled cock (the upper portion missing), pierced with a delicate scroll behind the comb, rootwood full stock (the fore-end cracked and chipped), carved with a scrolling leafy tendril about the rear ramrod-pipe, inlaid with silver wire scrolls over the fore-end about the trigger-guard and on the butt, the tang enclosed by a steel plaque pierced and engraved with a symmetrical arrangement of scrolling tendrils involving exotic birds, reclining figures and a green man mask, finely decorated steel mounts, comprising side-plate pierced and chiselled with birds and hounds inhabiting leafy tendrils issuant from a moustachioed head, spurred pommel pierced and engraved with a band of foliage and masks, trigger-guard with a cherubic mask on the bow, delicate pierced mouldings at each end and pierced leafy terminal, a pair of ramrod-pipes, and wooden ramrod 50.5cm; 19 7/8inJean Liebeau is recorded in Sedan, Ardennes, circa 1670. During the third quarter of the 17th Century Sedan was an important seat of gunmaking. This declined following the Revocation of the Edict of Nantes in 1685 though it is still mentioned as a centre for gunmaking as late as 1735 in a German Encyclopaedia. See J. F. Hayward 1963, p.42. The influence of Parisian gunmakers and contemporary pattern books is evident in this pistol.

A 22 BORE FLINTLOCK BELT PISTOL FORMED ENTIRELY OF STEEL BY THOMAS CADDELL, THIRD QUARTER OF THE 18TH CENTURY with four-stage barrel engraved with arrangements of scrolling foliage, flared faceted muzzle engraved with alternating decorative panels, fluted breech incorporating the back-sight, engraved bevelled lock signed `Thos Caddell`, the cock incorporating a pierced engraved flowerhead disc behind the comb, three-quarter stock engraved with panels of scrolling foliage and border ornament, scrolling ramshorn butt inlaid with an oval silver escutcheon engraved with a thistle on each side, engraved brass button trigger, pricker (head missing), engraved belt hook with pierced finial (one screw missing), and iron ramrod (ramrod-pipe part detached, ramrod slightly bent) 28.5cm; 11 1/4in

Leather vanity case fully fitted with a fine selection of 1920s silver and pique work brushes and a mirror, five silver lidded scent jars, silver topped tortoiseshell comb and a five piece manicure kit, maker AG & Co Limited, Birmingham 1927, the case 20" wide

Two ostrich feather fans, a parasol, and a hair comb

Three silver backed brushes, a mirror, and a comb

An antique Welsh Comb Back Chair in ash, oak and fruitwood with curved top rail above stick back, thick solid seat on four stick legs

A group of six ivory dressing items including; a brush with parrot finial by R.W. Forsyth, Edinburgh and Glasgow, a shoe horn with parrot finial, three further brushes, a Chinese export hand mirror and a faux ivory comb, (6).

A Japanese Nabeshima dish of circular form decorated to the well with irises against a mi-parti ground of stylised waves, the exterior with three camellia sprays above a comb foot, 20.2cm diameter, 19th century

A SIX PIECE DRESSING TABLE SET, maker`s mark C & A, London 1925/6, with tortoiseshell effect fascias and comprising pairs of hair brushes and clothes brushes, comb and circular bevelled hand mirror, cased

Silver Mounted Circular Easel Photograph Frame and Ornate Silver Mounted Tortoiseshell Comb (2)

A late Victorian oil lamp, having Hinks & Son`s patent burner, glass funnel, comb-cut cranberry glass reservoir and brass flared columnar stand, 33cm high to top of burner