A Small Bells-En-Vue Musical Box, Playing Eight Airs, Serial No 21016, with small single-spring motor, single-section comb with the five-tooth bells lever-select comb to left, engraved bells with plain strikers arranged two-tier buffet, in ebonised interior under dustlid, rare Narcissus spray colour lithographed tunesheet, in grained and veneered case - 21 1/2'' wide, the cylinder.9'' £350-550
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A Superb 17-Inch Lochmann Original No. 68 Disc Musical Box, With Tubular Bell Accompaniment, with large single comb, four blued comb screw washers and twin separate four-tooth combs for bells accompaniment, with each bell suspended with twin lyre-form frame, from silvered reeded cast bedplate, single massive spring motor with twin sprung fly governor, on/off see-saw start/stop under motor cover with lithograph banner, plain polished walnut interior with full-frame signed coloured lithograph study of a maiden feeding ducks, rounded corners and plain fielded raised top, plinth, original T form winding key, with 14 Lochmann discs, titles re-painted - 26in. wide
YOK SANG; a Chinese silver powder shaker and glove stretchers with ivory mounts, also a Chinese silver five piece dressing table set comprising hand mirror, comb, brush, lidded pot, each marked WSL (7)Additional InformationGeneral surface wear throughout, mirror plate loose, silver finials on glove stretcher both loose, handle on brush is dented and loose from brush, lidded pot and brush engraved Jessie. We cannot weigh this set because some of the parts are filled with resin.
An African tribal carved double figure group, height 26cm, a carved double figure, length 40cm, and a further carved figure, height 34cm (3).Additional InformationThe double comb has general surface rubbing, a couple of old holes caused by insects at some point, the double figure has a split to the base but general old surface wear and a few chips around the rim. The third figure is very dry and is losing a lot of the surface and has a crack to the base and could even have been burnt at some stage.
A 19th century rosewood, simulated rosewood and inlaid musical box with associated movement inscribed 'Columbia' and numbered 96602, length of barrel 21.5cm, diameter 6cm, length of case 55.5cm (af).Additional InformationThe movement is associated to the case and when positioned within this case damage has been caused. Some of the component parts are twisted and replaced, there is also a bad knock to the right edge of the barrel. Five teeth are damaged on the comb and the damping pad is slightly off centre. The case has surface scratches and heavy wear throughout and some of the black painting to the lower plinth is also missing.
A Swiss ebonised key wound musical box, Nicole Freres, circa 1870, the brass-bed framed mechanism stamped by the maker and numbered 35248 to the corners and playing a choice of twelve airs via a 12 inch pinned cylinder on a tuned steel comb, the comb stamped for the maker, the left hand end with hinged flap revealing winding square and operation levers, opposing key storage slot to right hand end, the case with handwritten tune sheet pinned to the internal surface of the lid and with corresponding serial number to lower lozenge, 17cm high, 52cm wide, 23cm deep Provenance: The estate of Christopher and Rosemary WarrenCondition Report: The case with marks, knocks, scratches, abrasions consistent with age and use, deeper scratches and areas of wear, the ebonised finish possibly later, the interior later red stained, there is wear to the sides where the levers and winding square have rubbed. the lid is slightly bowed. One tooth to the comb appears to be missing to the far side, the action works at time of report, Dreweatts cannot guarantee the action and full functionality - we recommend getting it inspected by a professional clock restorer. the winding key appears to be original - it is marked 'IPIG 24'There is no case key present Please refer to additional images for visual reference to condition Condition Report Disclaimer
AN EARLY 19TH CENTURY GEORGIAN GARNET SET, comprising of a necklace of floral detail, set throughout with fancy-cut garnets, a bangle and a pair of earrings of similar design, mounted in silver, necklace length 44cm, bangle inner diameter 5.7cm, earrings length 1.1cm; the owner purchased later a tortoiseshell hair comb and a pendant/brooch locket set with similarly-cut garnets as well as an element of similar style (some garnets deficient), mounted in silver, hair comb length 10cm, brooch-locker length 5.5cm, element length 2.7cm, within its original leather case, including a letter of provenance Subject to CITES regulations when exporting items outside of the EU During the summer of 1803, while on holidays from school, the young sixteen year old Lord Byron fell in love with Mary Ann Chaworth. Byron had come into possession of Newstead Abbey on the death of his great-uncle in 1798. Mary Ann, two years his senior, was a distant relative of Byron's and she lived nearby in Annesley. The two properties were adjoining and over the course of the summer months Byron's devotion towards Mary Ann blossomed. As an expression of his affection, he offered her a present of this jewellery garnet set, which consists of a necklace, earrings and bracelet in a leather case. He did not succeed in winning her hand, as unfortunately, Chaworth was already engaged to John Musters and she was married two years later. While Chaworth does not seem to have been greatly affected by this incident, for Byron his unrequited love had a lasting effect on his character. This first love continued to influence Byron's whole life and career and he later wrote 'Had I married Miss Chaworth, perhaps the whole tenor of my life would have been different'. She was the subject of his poem 'The Dream' written in 1816. Over a century later, during the first world war, the garnet jewellery set was auctioned at a sale in Nottingham to raise money for the Red Cross. It was here that it was purchased by the current owner's great grandfather, with a letter stating that it was a present from Lord Byron to Mary Ann. This letter was believed to be have been a note recorded by the family many years before the sale of the garnet set in Nottingham. It is also believed that a portrait existed of Mary Ann Chaworth in which she is shown wearing the garnets.
Mid 18th Century Carved and Painted Wooden Tuck Comb Doll, with painted locks to her forehead, blushed cheeks, painted eyes, wearing a faded black silk dress with net mount and bonnet, hinged wooden arms, one leg (loose) with red painted shoe, 16cm; Two Later Miniature Wooden Dolls, with painted faces and jointed arms, painted hair, mounted onto 'cone' skirts, one with painted lower leg, each approximately 10cm (3)
A 19th Century painted wood peg doll, circa 1880 with carved and finely painted features, blue eyes, painted black hair with curls and tuck comb, red bead necklace and earrings, peg jointed at the shoulders, elbows, hips and knees, painted white lower legs and arms, red slippers and in original green dress with point lace detail, 31cm (12 1/4").
AN EARLY 20TH CENTURY CHINESE EXPORT SILVER DRESSING TABLE SET by Wang Hing, 1910, comprising a tray, hand mirror, pair of hairbrush backs, pair of comb backs, clothes brush, cylindrical box and cover, rectangular box and cover, shoe horn, button hook and glove stretcher, relief decorated with herons amidst iris on a spot hammered ground, tray 28cm wide, in original fitted hardwood box, and accompanied by the original receipt from Wang Hing dated 1910, and a letter from the original purchaser gifting it to his wife, also dated Hong Kong 1910
An early 20th century tortoiseshell and silver dressing table set with pique decoration, by William Vale & Son, Chester 1923/24, comprising matching cotton wool pots, a scent bottle, a trinket pot, two hair brushes and two smaller brushes, one hand mirror and a later comb, all in original fitted case
A 1930s silver combination compact/purse and cigarette box by Goldsmiths & Silversmiths Ltd London 1935 of rectangular form with engine turned decoration, enclosing a mirror, a hinged comb holder, a glass lidded compartment, two lidded compartments and a removable cigarette lighter, 3/4" x 6 1/2" x 4 1/4", 663g, total, excluding comb and purse
A late-Georgian cut glass mallet decanter, c.1810, with three neck rings, panel cut shoulder and basal comb cutting, ground pontil to base, with star cut mushroom stopper with annular knop, 25.5cm. high; together with a mid-19th century comb cut tumbler, engraved 'EC 1859'; a similar Edwardian lemonade glass; and a Victorian moulded glass tumbler. (4) * Condition: - Decanter: Scratching to base, a few minute frits to comb cutting, one tiny frit to top of stopper. Good overall. - Comb cut tumbler: Scratching to base, otherwise good. - Lemonade glass: Good condition. - Moulded tumbler: Minute chip to base. Otherwise good.
Seven 19th century small wine or gin glasses, with petal and panel cut decoration, 9.9cm. to 12.4cm. high; together with a small bucket bowl rummer with basal comb cutting and flared stem, 11.2cm. high; and a 20th century goblet with engraved double-headed eagle armorial and double knopped stem, 16.7cm. high. (9) * Condition: All in good condition.
Three 19th century large rummers, one with comb, petal and husk cut ovoid bowl on a square base, 15.6cm. high; one with plain ogee bowl on a lemon squeezer base, 14cm. high; and the third with fruiting vine engraved and cut ogee bowl on a capstan stem and plain foot, 13.8cm. high; together with a Victorian cut glass decanter with engraved fruiting vine decoration, 11¼in. (28.5cm.) high. (4) * Condition: - Large square base rummer: Fritting and one small chip to corners of base. - Plain square base rummer: Chip to one corner of base and fritting to other corners. - Vine engraved rummer: Tiny frit to top of foot. - Decanter: Four small frits to rim.
A Barnstaple style treacle glazed serving dish, with white comb slip decoration, 15½in. (39.4cm.) long; together with a Studio Art pottery bowl with organic swirl decoration; and a lamp base by Tremaen, Newlyn, Cornwall. (3) * Condition: The dish with surface scratches and slip loss, otherwise pieces good.
African / Tribal / Ethnographica interest - East Griqualand Zulu beadwork curios and jewellery, early 20th century, comprising of beaded panel necklaces; pipe; cylindrical necklace; hair ornament/comb; money shell necklace; bone snuff spoon or hair ornament, etc. * Provenance: Accompanied by handwritten letter dated 1909, titled ' Natal Curios ', a friend from East Griqualand told much about these interesting curios ', listed below a number of curios, some of which present in this lot.
A Zulu bone snuff spoon-comb and two similar snuff spoons, 19th/20th century, Condition - the shortest spoon is lacking one end and the long double-ended spoon has a small loss to one bowl, the spoon-comb has remnants of old glue around the carving but has NOT been repaired, L. 12, 13.5 and 17.4cm
A reproduction Windsor triple-back writing arm chair. 21st century. Triple comb-back spindle chair with right arm writing board. Drawer beneath writing and plank seat. Turned legs and stretcher. 45" x 37" x 27". Shipping: This lot does not qualify for in house shipping. We will provide a list of our preferred shippers.Condition: Wear to paint consistent with age and use.Provenance: Purchased in 2011 from DeLuca Windsor Reproductions, 326 Stone Hill Road Conestoga, PA.
Three Wimshurst pattern electrostatic generating machines, Unsigned, early 20th centuryThe first with twin contra-rotating glass discs applied with brass lozenges centred with silvered metal buttons at regular intervals pivoted between two wooden uprights also supporting two pairs of nickel-plates electrostatic friction arms, flanked by comb pickups applied to insulated arms connected to Leyden jars at each end and with pivoted discharge arms above, the base with crank handle driving wooden drive pulleys, on bun feet (discs damaged), 46cm (18ins) wide; the other two smaller with Bakelite discs and cast iron frames, each approx. 25.5cm (10ins) wide. James Wimshurst (1832 - 1903) was an inventor and engineer who developed the type of contra-rotating disc design of electrostatic generator included in the present lot. Such machines operate by having two insulated discs and their metal sectors rotate in opposite directions passing the crossed metal neutralizer bars and their brushes. An imbalance of charges is induced, amplified, and collected by two pairs of metal combs with points placed near the surfaces of each disc. These collectors are mounted on insulating supports and connected to the output terminals. The positive feedback increases the accumulating charges exponentially until the dielectric breakdown voltage of the air is reached and an electric spark jumps across the gap.
A SWISS MUSICAL BOX, WITH 33CM PINNED CYLINDER AND ONE PIECE COMB, IN BURR WALNUT AND EBONISED CASE, 58CM L, LATE 19TH C Comb with surface rust fitting and lacking almost half of the teeth, lacks winding handle, mechanism oily / dirty, exterior of box affected by damp and lid warped, unrestored.
A SWISS MUSICAL BOX, WITH 43.5CM PINNED CYLINDER AND TWO PIECE COMB, IN INLAID ROSEWOOD CASE, WITH MUSICAL TROPHY TO THE LID AND FRONT, BRASS CARRYING HANDLES, 71CM L, LATE 19TH C. Provenance: Northleach Museum of Mechanical Music Lacking several teeth; oily / dusty, the marquetry musical trophy to the lid with loss. Unrestored.
[English Civil War]. Historical Memoires of the Life and Death of that Wise and Valiant Prince Rupert ... Containing a Brief but Impartial Account of his Great and Martial Atchievements [sic], during the time of the Civil Wars: together with his several Ingagements in the Wars between His Majesty and the States-General of the United Provinces, 1st edition, London: for Tho[mas] Malthus, 1683, [16] 80 pp., engraved portrait frontispiece, trimmed along edge of image in fore margin and the margin re-extended, strip of browning along bottom edges of title-page and final leaf, small worm-track in top margins, just touching one letter of headline in signature A4 verso, ramifying slightly in quires B-C, comb-marbled endpapers, near-contemporary sprinkled calf, spine gilt in compartments, gilt arms to covers (see note), spine-label perished, joints rubbed, small 8vo (16.1 x 9 cm) (Qty: 1)NOTESProvenance: 1) Sir John Aubrey, 2nd Baronet (c.1650-1700), of Llantrithyd, Glamorgan, and Boarstall, Buckinghamshire (engraved armorial bookplate dated 1698 to title-page verso). Aubrey's father, also John (c.1606-1679), was created a baronet at the Restoration; the younger John was a patron of his cousin and namesake, the famous antiquary and biographer (1626-1697). 2) Henry Pelham Fiennes Pelham-Clinton, 4th Duke of Newcastle under Lyme (1785-1851), landowner and politician (armorial binding; 20th century Clumber Park bookplate to front pastedown). Newcastle 'gained the reputation of representing all that was worst about the English aristocracy' (ODNB); the library at the former ducal seat of Clumber Park, Nottinghamshire, was sold after the house's demolition in 1938. ESTC R35991; Wing H2104.
* [Continental illuminations]. Antiphonary or gradual leaf with large figurative initial 'C', Northern Italy, 15th century, manuscript in black ink on single vellum membrane, Italian Gothic rotunda script, staves in red, recto with large polychromatic initial 'C' in opaque pigments depicting stylised gamebird with wattle but no comb (13 x 12 cm), soiling, closed marginal tear to upper inner corner, text and music notation slightly faded recto, a few small areas of ink corrosion, tape-residue from mounting, membrane dimensions 57 x 38.5 cm (Qty: 1)
[Italy]. Four manuscripts, c.18th century, comprising: 1. 'Scritture diverse appartenenti alla Contea di Casa Carpegna, coll'Istoria della Sovranita della Sede Apostolica nel Contado del Monte Feltro e luoghi aggiacenti', c.1730, approx. 900 pp., written in several hands, irregular pagination, all edges untrimmed, contemporary vellum, manuscript spine-title, alum-tawed ties, 4to (27.4 x 19.3 cm), together with: 2. 'Investiture di terre, castelli, ed altri beni fatte da diversi Pontefici à varie famiglie, ed ad altri. Con li suoi indici de’Papi, ch’investono de i beni investiti, e delle famiglie ed ad altri, à che s’investono', c.1700, [52] 336 pp., consistent show-through from ink and consequent browning to text area, contemporary vellum, manuscript spine-title, 4to (26.5 x 20.5 cm), 3. 'Investiture di Papi' [spine-title], c.1750, [49] 414 [72] pp., comb-marbled endpapers, edges sprinkled red, contemporary vellum, gilt spine, gilt border to covers, 4to (27.2 x 19.5 cm), 4. 'Prima [-Seconda] Parte dell'Istoria scritta d'Antonino Castaldo Napolitano principal Notaro del Regno delle cose occorse in Napoli, dal tempe, che vi fu Vicere Don Pietro di Toledo Marchese di Villa Franca per insino alla rebellione di D. Ferrante San Severino Prencipe di Salerno, e diverse Occorrenze Seguite', c.1750, [324] pp., edges dyed blue, contemporary vellum, 8vo (18.8 x 12.4 cm) (Qty: 4)NOTESProvenance: First two items only: Giuseppe Renato Imperiali (1651-1737), cardinal and significant patron of scholarship, the arts and architecture, with his ink-stamp to first page of text and to title-page respectively ('Ex Bibl. Ios. Re. Card. Imperialis'). All items: 1) Frederick North, 5th Earl of Guilford (1766-1827), with engraved bookplates; 2) Sir Thomas Phillipps (1792-1872), English bibliophile, with pencilled annotations to front pastedowns or North's bookplates, and shelf-mark labels to spines ( Phillipps Manuscripts 7276 (& 7801?), 7211, 5134, 4996); 3) Professor Cecil H. Clough (1930-2017), Reader in Medieval History, University of Liverpool. For the first work see Clough, The Duchy of Urbino in the Renaissance (1981), p. 174. The fourth work (Castaldo) was printed at Naples in 1769.
Heideloff (Nikolaus Wilhelm von). Gallery of Fashion, volumes 2-4 (of 9), 1st editions, London: N. Heideloff, 1795-7, 3 hand-coloured engraved title-pages, 71 hand-coloured aquatint plates (of 72: without Abbey's plate 55, 'Opera Dresses'), containing 124 separate costume designs, each volume with 12 leaves of descriptive text, 12 monthly part-titles, and list of subscribers, volume 2 with 'Advertisement' leaf (lacking in volume 3; none called for in volume 4), variable light toning, slightly stronger towards rear, a few plates faintly offset, a few other minor spots and marks, fore and bottom edges untrimmed, comb-marbled endpapers, engraved armorial bookplate with druidic motto 'Y gwir yn erbyn y byd', 19th-century full vellum gilt, dust-soiled, 4to (30.2 x 23.2 cm) (Qty: 1)NOTESAbbey Life 218; Colas 1170 ('Cette belle publication'); Lipperheide 4578; Tooley 258. 'The most splendid of English costume books, and the first real venture in this country of a periodical devoted to the changing taste in dress' (Abbey). 'One of the most beautiful books on costume ever published, certainly the finest example of coloured aquatint as applied to fashion plates' (Tooley).
Early 20th century bakelite music box, the top with Arc de Triomphe de Letoile decoration and opening to reveal three airs, with single cylinder and comb, 11cm wideCondition ReportThere is no winding key for the music box. There is chip to the back that leads to a crack which stenches the entire front. There is also chips to the front and side. See attached images.
Early 20th century pearl and diamond target brooch, the central pearl (approx. 9mm diameter, untested) surrounded by 14 old-cut diamonds, within an outer radiating circle of twelve old-cut diamonds of alternating sizes, unmarked, with detachable comb for conversion to a hair ornament, in fitted case for Josef Netter & Co, Baden BadenCondition ReportSome small blemishes to the nacre of the pearl. No obvious major faults. Estimated diamond colour F - H Estimated total weight of the six largest outer diamonds: 2.95ct Please note that weights of gemstones and grading information for diamonds are very much estimates and for guidance only. Both coloured gemstones and diamonds are routinely treated to enhance their appearance. We cannot guarantee that gemstones are free of treatments.Metal unknown. May need some work to convert into a pendant.14 Small ring of Diamonds approx 1.75mm diameter6 other small diamonds approx 2.5mm diameter
A World War I leather Howitzer sight case containing personal effects. Including, pipes, spectacles, combination campaign cutlery set, sergeant cloth badge, folding comb and pocket knife etc. Stamped inscription to the case top very feint. Short split across the leather hinge. Overall in good order.
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18578 item(s)/page