A FLINTLOCK MUSKETOON, CIRCA 1790 with 56.5 cm; 22 1/4 in steel barrel flared at the muzzle, the tang struck '9' beneath a crown (rubbed), regulation lock with 'GR' crowned and 'Tower', full stock (small repairs, the fore-end cracked), butt with flat-topped comb, brass mounts of regulation type comprising trigger-guard, side-plate, butt-plate and ramrod-pipe, and brass-tipped wooden ramrod, perhaps the original 97.0 cm; 38 1/4 in overall
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A 1960s gold coloured woven clutch bag, the woven heart design sprung panels with polished bar warp and textured weft, with hinged lid, stamped 750 with unidentified maker's mark (GFS), interior mirror, and gold coloured woven handled comb, 15cm x 9cm x 4cm, 382.3g gross, with a brown suede pouch
A modern silver backed four-piece dressing table set embossed with masks, scrolling foliage and birds, comprising hairbrush, comb, mirror and clothes brush, maker W I Broadway & Co, Birmingham, 1982 and 1985, cased, together with a George V silver topped glass dressing table jar, Birmingham 1923, a George V silver cigarette box, maker William Comyns & Sons Ltd, London 1924, 11.5cm, a silver topped shoe horn, and a metal mounted red glass dressing table jar (a/f)
Imperial German Hessian Fireman’s Pickelhaube Style Helmet, fine leather bodied helmet with white metal central helmet plate having crossed fire axes on oakleaf backing with central rampant lion and motto in three part scroll. Complete with the original white metal comb, leather chinstrap and reichs cockade and Hessian state cockade. Complete with its original leather liner. Very good overall condition.
Edward VII silver dressing table set, Birmingham 1904, maker Cornelius Desormeaux Saunders & James Francis Hollings (Frank) Shepherd, consisting of hand mirror, hairbrush, clothes brush, shoe horn and comb, with scroll and foliate decoration, together with two similar silver lidded glass dressing table pots (7)
Antique Drum And Bell Music Box By Baker Troll Geneva Large 19th century drum on bells-on-view music box by G. Baker Troll & Co., numbered 7403, playing eight popular airs with two piece steel comb, drum and six bells below glazed cover, with original label to lid, Rosewood box, 22 x 12 inches, 10 inches in height appears in working order.
Ladies Deluxe - Boxed Solid Mahogany Top Quality - 8 Piece Silver Vanity Set. Comprises Hand Mirror, Hand Brushes, Comb, Shoe Horn, Button Hook. All with Regency Stripe Decoration. Hallmark Sheffield 1918, Maker F.C. ( Frank Cobb and Co ) Comes Complete with Solid Mahogany Deluxe Box Case with Hinged Drop Down Front and Imperial Lock.
Nicole Freres musical box with 27cm cylinder, single comb, key wind with three operating leavers behind hinged end, flap glazed cover, paper card to interior of lid naming six aires, rosewood rectangular case with white-wood marquetry inlay and stringing, 46cm (18") x 17cm (7") x 13cm (5").Condition report: Tune card to interior of lid damaged and un-readable, case sun-stained, comb appears to be in good order, mechanism in working order.
A Victorian coromandel and brass mounted dressing case in the manner of George Betjemann, the hinged lid with a leather and plush lined mirror and a letter pouch to the underside, above engraved and monogrammed silver topped cut-glass bottles, boxes and jars hallmarked for London 1884 by Wright & Davies, with a tray fitted with silver handled utensils and steel scissors, the twin hinged front fitted with glass bottles revealing push button activated leather and plush lined drawers, one with a comb holder, with a brass Bramah lock, 20.7cm high, 31.3cm wide, 25cm deep. Provenance: Antigone Clarke & Joseph O'Kelly.
A mid-18th century and later yew Windsor armchair attributed to John Pitt, the comb back above a burr vase shape splat, with concave arm supports, above a solid elm seat, on cabriole legs and pad feet united by turned stretchers. Provenance: The estate of the late John F. Braund. See Regional Furniture, The Journal of the Regional Furniture Society, vol. XIX, 2005, pp. 20-32 for a similar example, see also a similar cherry wood armchair attributed to John Pitt sold in these rooms 4th September 2007, lot 141.
A set of six 19thC Lincolnshire elm, elm and birch Windsor country chairs, with comb cresting rails, pierced splats and triple ring turned legs joined by a H stretcher, 89cm H. (6)Cotton (Dr. Bernard). The English Regional Chair, p133 illustrates a similar carver chair stamped for G WILSON of GRANTHAM (fl. 1841-92)
A mixed lot of Japanese blue and white porcelain items to include; a printed blue and white flower head decorated fluted bowl, a blue and white painted specimen vase and a good quality and well decorated miniature stem cut cup decorated in underglazed blue and red with fruiting branches caligraphy, lotus petal comb and scroll patterns to the stem. (3)(B.P. 24% incl. VAT)
A GEORGE III RECTANGULAR SNUFF BOX with engraved decoration and concaved sides, by William Pugh, Birmingham 1808, a smaller curved snuff box, by Cocks & Bettridge, Birmingham 1807, together with a vesta case with an engine-turned cover by Sampson Mordan & Co., Chester 1914, a mounted comb, an embossed dressing table box, a comb case & a small round box, unmarked; the large snuff box 3" (7.5 cms) long; 7.6 oz weighable silver (7)
CHARLES HENRY DUMENIL; a cased George V hallmarked silver guilloche enamelled vanity set, London 1925 (af).Additional InformationMirror with damage to lower left side above handle, one of the hair brushes has a small area of damage, comb with damage to both ends either side, further small nibbles at edges and surface scratches.
A MID 19th CENTURY SWISS KEY WOUND SIX AIRS CYLINDER MUSIC BOX NO. 12763 the rosewood case with boxwood string inlay having a hinged lid, with the original label to the underside, opening to reveal a brass cylinder and steel comb, the side of the case hinges open to access the controls 42cm wide
A good Edwardian silver and tortoiseshell dressing set in fitted case, W. J. Myatt & Co., Birmingham 1910, comprising an oval hand mirror, two hair brushes, two clothes brushes and a comb, all with repoussé foliate and shell silver mounts, the tortoiseshell inlaid with silver swags, rosettes, scrollwork and crossed horn motifs, in a shaped black morocco case with fitted interior. *Condition: In good condition, with no damage to contents. Case has some scuffs, scratches and minor losses to morocco. Green interior velvet faded. Catch from LH side missing.
Halfpenny (William). Six New Designs for Convenient Farm-Houses, with their Proper Offices, etc. ... Part I [-IV], 1st edition, printed for Robert Sayer, 1751-2, 20 engraved folding plates, plate 10 slightly frayed, loosening and stained in margin, similar marginal stains to plates 17 and 19, bound with: ibid., Rural Architecture in the Chinese Taste ... Divided into Four Parts, 2nd edition, printed for and sold by Robert Sayer, 1752, 60 engraved plates including title-page, several folding , small marginal damp-stain to plates 10 and 55-60, fore edges of folding plates slightly nicked, contemporary calf-backed comb-marbled boards, rubbed and worn, 8vo (20 x 12.8 cm) (Qty: 1)Provenance: Lord Cadogan (armorial bookplate); ownership inscription, 'James Pain 1847', possibly the architect and builder (1779/80-1877), who in partnership with his brother George was responsible for a large number of churches, court houses, prisons, bridge and country houses across the south and west of Ireland; their country houses were often in an elaborate Tudor Gothic style. Archer 137.1 & 134.2; ESTC N23353 & T79274; Harris 312 & 301. ESTC traces six copies world-wide for Six New Designs . Rural Architecture in the Chinese Taste was first published as New Designs for Chinese Temples , in 1750. Halfpenny's 'eminently affordable pattern books, complete with dimensions and estimates, were expressly intended to enable "workmen at a distance from the Metropolis" ... to erect all manner of rural buildings in a wide variety of materials and in all the latest fashions at little cost. Though often bordering on the ridiculous, his pattern books for chinoiserie in the form of garden furniture, temples, bridges, and other follies were the first of their kind and were enormously successful' (ODNB).
Sayer (Robert, publisher). The Florist. Containing Sixty Plates of the most beautiful Flowers regularly dispos'd in their Succession of Blowing, printed for Rob[er]t Sayer, T. Bowles and John Bowles and Son, [between 1753 and 1764], engraved title-page, 16 pp., 60 engraved plates, toning, text-leaves spotted, a few plates moderately browned or marginally spotted, marginal stain to plate 37, 'by Parkinson' added in manuscript to foot of title-page, contemporary quarter calf, comb-marbled sides, rubbed and worn, 4to (23.9 x 15.5 cm) (Qty: 1)Provenance: Thomas Baskerfeild FSA (1752-1816; bookplate); 'F Cavendish' (ownership inscription and elaborate pencilled monogram 'F C' dated 1809). Baskerfeild, from a Bedfordshire family, was able to live on the wealth of his father, a drysalter in partnership with Sir Richard Glyn in Hatton Garden. 'His library was sold at Sotheby's on the 13th November 1817, the sale taking seven days and realising £1,426' (University of Toronto, 'British Armorial Bindings', online). ESTC T470741; Dunthorne 272; Henrey 708; Nissen BBI 1734. 'One of the earlist of the drawing and colouring books' (Dunthorne). 'The text and plates were later copies and published under the title of Bowles's Florist' (Henrey). Very rare: ESTC traces two copies only (British Library and Wellcome).
A SWISS ROSEWOOD MUSICAL BOX FROM BRANTWOOD, CONISTON, C1870 the key wound movement with 21.5 pinned cylinder and one piece comb, in plain case with three levers at one end, old handwritten label to the underside of the lid 'Brantwood', brass winding key (2)Provenance: The local Antique Dealer Miss Elizabeth Tyson (1878-1970) of Busk House, Ambleside by whom acquired in person at the Sale of the remaining contents of Brantwood, Coniston, July 1931 or else shortly thereafter; thence by descent to the present vendor It has not been possible to establish whether this musical box was one of Ruskin's possessions or belonged to Arthur Severns.++Basically complete and unrestored, lid slightly warped, movement dirty and lacking 7 teeth
A LATE 19TH/EARLY 20TH CENTURY MUSICAL PHOTOGRAPH ALBUM FITTED WITH A JUNGHENS MOVEMENT, the tooled brown leather binding with papered interior, the inside cover housing the 11.5cm / 4 1/2'' Junghens discs, twenty pages, several printed with floral sprays, the movement to the back of the album, comes with twelve discs and seen working intermittently at the time of report, with key and letter relating to repair by Keith Harding in 1992, housed in a later storage case, together with another Victorian musical photograph album, with cylinder and comb mechanism which is in working order, with key, album is in worn condition (2)

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