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A small ash and elm comb-back Windsor chair, 18th century, West Country, stamped 'ID', the saddle seat raised on three supports united by T-stretchers, 60cm wide56cm deep100cm highProvenance: York's Tenement, Yoxford, Suffolk.Condition ReportGeneral characterful old knocks, losses and wear commensurate with age and use. Top rail appears replaced, as do a few spindles. A small replaced section to the left hand side of the bow. Traces of old red paint. General surface wear and old splits to seat. Traces of historic woodworm damage, which is not active. Joints sound and solid. Overall appears in stable condition and ready to place.
A George III elm and fruitwood comb-back Windsor armchair, c.1800-1820, West Country, the serpentine top rail over a saddle seat, raised on ring-turned supports united by 'H' stretchers, 59cm wide55cm deep90cm highProvenance: York's Tenement, Yoxford, Suffolk.Condition ReportGeneral knocks and wera throughout commensurate with age and use. Some splits, chpis and losses. Some possible repair and replacement to legs and stretchers, with feet appearing re-tipped, traces of old paint beneath. Joints generally sound and solid. See additional images.
A SILVER MOUNTED BRUSH, MIRROR, COMB, COINS ETC., to include an early 20th century silver mounted brush, a silver mounted mirror and comb, none matching, in a case, together with various coins, mainly old currency from different countries, a wristwatch and a penknife (condition report: watch has not been tested, we cannot guarentee the working order of any watch)
A Chinese Celadon Jade Belt Hook, 18th Century Qianlong , carved with a salamander and dragon, mounted in gilt metal and now mounted as a horn comb, 10ins (25.4cm)Images within attached Dropbox link https://www.dropbox.com/scl/fo/36jrzashoazlm7ttsynuo/h?rlkey=j1qt1bxmojfipat3aj1ndndpa&dl=0 Size of belt hook 12.5cm x 2.5cm wide. The jade appears to be in good condition with no obvious damage/loss/restoration The comb and gilt metal fittings again appears to be in good condition with no obvious damage/loss/restoration
A George V Silver-Backed Seven-Piece Dressing Table Set and other Dressing Table Items, the seven-piece set by William Comyns & Sons Ltd, London 1911 & 1915, comprising - mirror, hairbrush, two clothes brushes, comb, shoe horn and button hook, all with engine turned backs and engraved "RMB", and a selection of other dressing table items, various, and a plated rectangular cigarette box
This grouping of barnyard animals includes two hens and a small chick. The mini hen was made mainly from clear faceted crystal, with black eyes and a frosted comb. Designed by Gabriele Stamey from 1987 to 2001. The mini chick is made from clear, faceted crystal with black eyes, and rhodium beak and feet. Designed by Max Schreck from 1979 to 1988. Swarovski etched backstamp. Largest piece measures 1.5"L x 1"W x 1.25"H. Manufacturer: SwarovskiCondition: Age related wear.
Early 20th century silver mounted four piece dressing table set, comprising two hair brushes, clothes brush and shoe horn, all with bead and dart border and engraved monograms, hallmarked W G Sothers & Co, Birmingham 1912, together with another silver mounted clothes brush and a comb holder, both hallmarked Condition Report: General wear commensurate with age and use, in the form of surface scratches, nicks and small knocks. Some larger knocks and indentations throughout. Some wear to brush bristles and losses to some. Hallmarks with varying degrees of wear, some elements indistinct.
American silver mounted three piece dressing table set, comprising hand mirror, hairbrush and comb, each embossed with flowers and C scrolls, stamped Gorham SterlingCondition Report:General wear commensurate with age and use, in the form of surface scratches, nicks and small knocks. Mirror with a couple of larger knocks to silver and marks to mirror.
1930s silver and blue guilloche enamel four piece dressing table set, comprising two hairbrushes, hand mirror and comb holder, hallmarked William Comyns & Sons Ltd, London 1932 & 1933Condition Report:General wear commensurate with age and use, in the form of surface scratches, nick and small knocks. Losses to enamel on both brushes, scratches and areas of wear to enamel on all items. Larger knocks and indentations to silver throughout. Hallmarks with varying degrees of wear, some elements indistinct.
An eclectic collection of vintage items to include a 1930s embroidered picture depicting Grimms Brothers 'Goose Girl' with a handwritten dedication to reverse, a leather case containing a selection of haberdashery items, a leather case with suede, leather and silk gloves with a bone glove stretcher, cotton handkerchiefs and two hand fans, a box of crochet silks, a 1928 Wyley Lodge Coventry Freemasons boxed grooming set with garment brush and comb, two fabric Union flags, three hats and Limpet metal mangle alongside a metal lock box containing ephemera including letters and postcards. (qty in one box)
A collection of vintage headwear to include a 1930s black velvet hat with red felt flower detail two navy blue feather hats, a white feather pillbox hat with elastic fastening, two black structured feather headbands, a 60s net and velvet hat, a brown grosgrain and feather hat, a hair comb with Edwardian feathers attached and a pair of 60s Rayne court shoes inside of two vintage vanity train cases. (qty in two boxes)
Imperial Austrian Dragoon Officer's helmet. Exceptionally fine scarce example: the black metal skull with a narrow gilt edging and mounted with a massive and ornate gilt Arms of Austria, the double-headed Eagle bearing the cypher of the Emperor Franz Josef on its breastplate. High gilt crest, with burnished top edge and chequered sides bearing a large Lion and Serpent. Tapered foliate gilt chin-scales with leather backing, attached to the skull by lion’s head bosses. The internal headband of roan leather, with two-piece lining of cream silk above. A minor dent to front of comb. Generally VGC. See Lot 514 for associated tunic. INVOICE PAYABLE ON PRESENTATION BY BANK TRANSFER
A George V hallmarked silver and pink guilloché enamel dressing table set, comprising a mirror, two hairbrushes, two clothes brushes and a comb, in a fitted box (af).Condition Report: - Some damage/loss to the enamel - mainly to the top edges of the mirror, one of the clothes brushes and one of the hairbrushes. Some dents and tarnishing. Comb teeth warped. Lining of the box perished and shredded, with some staining. Wear and scuffing to the box exterior.
1st-3rd century A.D. The goddess standing, wearing an Ionic chiton and himation secured by a characteristic knot tied between her breasts, the folds cascading to the floor; her left hand modelled open and held above her breast; her centre-parted wavy locks fastened with a band, pulled back in a chignon at the nape of her neck and surmounted by a hair-comb; mounted on a custom-made display stand. Cf. Boucher, S., Tassinari, S., Bronze Antiques du Musée de la civilisation Gallo-Romaine a Lyon, 1. Inscriptions, Statuaire, Vaisselle, Lyon, 1976, nos.20-21,38 (Fortuna and Isis-Fortuna); also Descamps-Lequime, S, 'Acquisitions' in La Revue des musées de France. Revue du Louvre, 2, 2016, p.91, fig. 109, no.109, Louvre inventory Br 6045. 280 grams total, 13.3 cm including stand (5 1/4 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.Statuettes of Fortuna, the goddess of chance, were evidently popular during the Roman Imperial times judging by the large number that have been found, and with the advent of the cult of Isis within the Roman Empire, the two divinities were identified as a single goddess. [No Reserve]
A George V silver, enamel and glass vanity case by Goldsmiths and Silversmiths Co. Ltd, London 1934, with Jubilee mark, comprising of a square easel travel clock, pair of long handled hair brushes, pair of clothes brushes, long handle mirror, comb, shoe horn, button hook, three round jars, three rectangular jars, a hair pin jar, three scent bottles, leather covered manicure set and a circular leather jewellery case, the whole set in a green leather case, initialled A.A, 32cm (12.5in)
An Edwardian silver mounted shaped-oblong three piece dressing table set. Each embossed with galleons in full sail. Comprising; a hand mirror, a hair brush and a clothes brush, hallmarks for Jones & Cropmton, Birmingham 1906, the hand mirror 26.5cm long overall; in a fitted black leather and pale-blue silk lined fitted case (lacking the comb)
An Art Deco silver mounted four piece dressing table set and other items. The set comprising; a hand mirror, a hair brush, a clothes brush and a comb, the mounts with hallmarks for Birmingham 1938; a silver round box, the pull-off cover with a filigree floret, hallmarks for London 1984, 4.25cm diameter; two base-metal shell shaped bowls or salts, a spoon, a plated sifter spoon; together with a Halcyon Days blue and black enamelled oval box to commemorate Lord Britten of Aldeburgh, Suffolk, 1913-1976; and a Glassform iridescent-glass mushroom applied with a small frog
A late 19th century Swiss ‘forte piano’ cylinder musical box, in an inlaid mahogany case, playing four airs on two hundred and nineteen teeth, barrel 39cm wide, case; 57cm wide, 17cm deep, 13cm high, on a later separate stand Case top tired, stained and with chips and missing sections; cover hinges replaced; no key. Two-piece comb with all teeth undamaged; integral winding crank; condition of the cylinder pins unknown and accuracy of music/sound unknown.
A late 19th century Swiss mahogany cased six air cylinder musical box playing on seventy-seven teeth, barrel 20.5cm wide, case; 39.5cm wide, 17.5cm deep, 13cm high Case fair to good; no key. Teeth to single-piece comb undamaged; integral winding crank; condition of cylinder pins unknown; seems to be working, without guarantee.
A late 19th century Swiss rosewood inlaid cylinder music box by Nicole Freres, playing twelve airs on one hundred and twenty-nine teeth, barrel 31cm wide, case 53cm wide, 22.5cm deep, 17cm high Rosewood top one small inlaid boxwood section missing; grained finish to box itself; box front, back and one side woodwormed; no key. Single-piece comb without damage to teeth; stamped Nicole Freres; brass frame stamped Nicole Freres a Geneve and numbered 37826. Mechanism needs a kick to get it started but plays tunefully. Condition of cylinder pins unknown; also unknown as to whether the tunes played accord with the tunesheet.
Tortoise shell comb with a sterling silver spine is 8"L. The brush is 5"L x 1.75"W x 1.5"H. The file is 6.75"L. The button hook is 7.25"L. All of the pieces are marked sterling and monogrammed with the initials LBM. Total weight is approximately 195g. Dimensions: See DescriptionCondition: Age related wear.
A group of various English and Continental silver and silver plated items Including a pair of wine coasters with turned bases, LP, London, 1962, 13cm diameter, a silver dish, Asprey & Co., London, 1996, a pair of silver shell shaped dishes, a small silver octagonal lidded box, a pair of silver riband tied pots, a small silver engine turned snuff box, an Indian silver bracelet made into a dish, a silver hinged wrapped bonbon shaped small box, a set of six pink enamelled and silver Art Deco fish tail knives, E.J.Trevitt & Sons, Birmingham, 1935, a Stratton silver cased comb, L&S Birmingham, 1961, a small Elkington & Co. electroplated cake slice in box, a small fish fork, a pair of silver long handled spoons, Asprey & Co., London, 1972, a small silver wavy edge bowl and a pair of white metal champagne tongs. (qty)
AN ENGLISH SILVER DRESSING TABLE SET Broadway & Co, Birmingham 1950/51; comprising a mirror, and two brushes, with engine turned and foliate decoration, together with a similarly decorated comb with silver plated mount, in original fitted case The mirror 29cm long Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A 19th century portrait miniature of an older lady in lace and ribbon cap, lace fichu and blue dress, unsigned, plus portrait miniature of lady with mantilla comb and red roses in her hair, (unsigned, continental), miniature of a lady inscribed verso ‘Lady Scott’ in pearl necklace and brown dress, unsigned (3)
Symphony is a larger-than-life size high relief sculpture made with white bonded sand, a medium that American Contemporary artist Bill Mack has mastered for his idealized depictions of women. An erotic nude female is laying on a bed with her negligee and leg slipping out of the deep frame. Mack contrasts the smoothness of her skin to the background's tool comb marks and rugged surface. Signature carved on upper right: Bill Mack. Edition number in pen on upper right: 30/95. Artist: Bill Mack (American b. 1949)Issued: c. 1990Dimensions: 68"L x 8"W x 48"HEdition Number: 30 of 95 Country of Origin: United StatesCondition: Age related wear.
Lloyd (Trevor, binder).- Chambers (Sir William) A Treatise on Civil Architecture, first edition, list of subscribers (bound after preface), 50 engraved plates, very light soiling to title, some light foxing and browning, occasional faint damp-staining to lower margin (including to title), exquisitely bound in full red goatskin, by Trevor Lloyd, covers with central lozenge and corner-pieces of inlaid white paper, elaborately tooled in gilt and edged in black goatskin strapwork, the background lavishly tooled in gilt all over with a variety of tools all specially made by Stewart Field and incorporating four large circles of detailed featherwork, spine tooled in gilt in compartments with seven raised bands, second compartment with black goatskin label lettered in gilt, spine with "Bound by Trevor Lloyd MBE for David Nathan Maister" lettered in gilt to foot, turn-ins with gilt floral tools, comb-marbled endpapers, g.e., housed in a goatskin-backed drop-back box, [Fowler p.70; Harris 122; Millard, British 13], folio (535 x 375mm.), Printed for the Author, by J. Haberkorn, 1759. *** Bound in the style of one of the legendary Irish Parliamentary bindings tragically destroyed in the explosion at the Dublin Public Record Office in 1922. Described by the late G.D. Hobson as "probably the most majestic series of bound volumes in the world", the 149 large folio volumes containing the manuscript Journals of the Irish Lords and Commons had been stored, unnoticed, in the Dublin Public Records Office since the Acts of Union in 1800.The magnificent collection, nominally the work of the King's Stationers in Ireland, was shown to book collector and amateur binder Sir Edward Sullivan in the last decade of the 19th century. Sullivan made rubbings of all 149 unique volumes (now in the National Library of Ireland) and photographed 20, publishing his findings in Country Life magazine in September 1908 and Decorative Book-Binding in Ireland in 1914. The Dublin Public Record Office, with nearly all its contents including the bindings, perished during the siege of the Four Courts just a few years later.In 1990, Philip Maddock, a Boston-based book collector, started to build up a visual database of Irish hand tools with a view to making a digital reproduction of one of the lost volumes, inspired by images displayed in Maurice Craig’s Irish Book Bindings 1600-1800. This digital reproduction of Commons Journal 1757 was finally produced in 2006. Edward Bayntun-Coward, who carried out a review of this digital reproduction, introduced Maddock to Trevor Lloyd, the renowned bookbinder and restorer. The team of Maddock, Lloyd and toolmaker Stewart Field then collaborated over the next decade to make exact facsimile reproductions of 14 of the original (and now lost) bindings, a project that culminated in the exhibition 'Burning Books' at Dublin Castle in April 2017.
Regina, United States. Two-piece upright music box cabinet with six 27-inch double comb discs, ca. 1890s. With a crank-wind along the right side and key to lock the cabinet. The interior with a gilt metal bedplate stamped "Regina" and with serial no. 21196. Both the upper and lower cabinets with carved columns; the upper case with a Victorian style carved shell finial. The lower cabinet with a front-fall disc bin.Height: 81 1/2 in x width: 35 in x depth: 15 1/2 in.Condition:The music box is in good condition. The lower drawer and upper door open and close well. Some light wear to the back of the cabinet. No major splits, chips, losses, or repairs. The music box has been tested and runs. The music plays strongly. Not all discs have been tested. The discs are generally discolored. Some discs with some warping or bends.
A VIETNAMESE BLUE AND WHITE CHICKEN FORM KENDI 15th Century, a pouring vessel in the form of a chicken with curled tail feathers and beak pointed forward, painted claws and contour moulded wings, a flared bottle-like neck, and back decorated in peonies, unglazed flat rectangular base Provenance: The collection of Adrian Zecha, acquired prior to 1977, listed as No.61 in Sotheby's inventory of April 1977 Notes: For a similar example see Oriental Trade Ceramics in South-East Asia: Ninth to Sixteenth Centuries, Guy. J. S., Oxford University Press, 1990, p.118, n.131, Ceramic Art of Southeast Asia, Willetts. W., The Art Museum The University of Singapore, p.110, n.82; an example in the Asian Civilisations Museum, Singapore, Accession No. 2011-02073 17.5cm high, 19cm long Condition: Condition Report There is restoration to the mouth rim, a small chip to the comb, and a hairline to the backside. The mouthrim has been rebuilt and the overspray/paint has discoloured and begun to flake away. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

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20273 item(s)/page