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Barlow Patent copper shot flask together with a shell-pattern copper flask, Victorian brass comb box, Victorian brass trivet and a pair of Victorian brass matchbox sleeves (6)

700-1100 AD, Viking Age. A bronze pendant comprising a stylised openwork dragon-shaped handle on the upper part and below it a comb with long, pointed teeth. Extensive dot-in-circle motifs cover much of the surface of the object. In Norse mythology, Jormungand (pronounced “YOUR-mun-gand;†Old Norse Jörmungandr, “Great Beastâ€), also called the “Midgard Serpent,†is a snake or dragon who lives in the ocean that surrounds Midgard, the visible world. He was so enormous that his body forms a circle around the entirety of Midgard. He is one of the three children of Loki and the giantess Angrboda, along with Hel and Fenrir.Both men and women wore long hair among the Vikings, and it is therefore possible that this beautiful piece belonged to a well-groomed Viking warrior. Excellent condition; beautiful patina. Size: L:46mm / W:70mm ; 36.2g; Provenance: Property of an established London gallery; acquired from a private estate collection formed before 2000.

A Yewwood Stick-Back Armchair, the comb shaped top rail above curved armrests and a solid yewwood seat, 56cm by 36cm by 109cmChair is a structurally sound. However, the chair back is slightly misshapen. Please note the chair is sold undated as it has been falsely aged. The underside has been repainted green, some slight movement in the leg joints. Provenance - private client

Hallmarked Sterling Silver Brush, Comb & Mirror Set with Monogram

Four Piece Hallmarked Sterling Silver Dressing Set; Mirror, Brushes & Comb

A 19th century flintlock smooth-bore musket with 46-inch barrel and inset with brass furniture, overall length 158cm (af), also a leather shot flask with spring-loaded shot measure spout (2). CONDITION REPORT The gun has been heavily lacquered, including the lockplate and barrel, leaving a yellow tarnish. The stock has a split running from the back of the lockplate down to the comb of the stock. The lower section of the brass butt plate is missing, although it appears to have been cut rather than snapped. Various nicks and losses throughout the fore end and several areas of light surface pitting to the barrel and lockplate. Further splits to the stock on the opposing side to the lock. Possibly missing the ramrod retaining bracket from the muzzle end of the gun.

A vintage Pilot black cash tin containing a quantity of white metal door handles and doorknobs, two plated cigarette cases, a plated berry spoon, a dressing table brush, comb and mirror set, etc.

An Elizabeth II cased hallmarked silver vanity set comprising brush, hand mirror, comb and clothes brush, Birmingham 1957, Adie Bros Ltd. CONDITION REPORT minor dents and scratches

A dark oak and ash comb back Windsor rocking chair.

DOUG HYDE (BRITISH 1972), 'Daisy Trail', a limited edition sculpture of a boy and his dog 422/595, impressed signature with certificate and box, height approximately 29cm (condition:- small chip to paint of Cockerels comb)

A LATE 19TH CENTURY ROSEWOOD EBONSIED INLAIND AND STAINED CYLINDER MUSIC BOX, the hinged lid with pinned list of eight airs, the movement with three bells and cylinder length 15cm, numbered 33127, all teeth present to comb, seen and heard working apart from bells striking, total wide 42cm x depth 27cm x height 22.5cm  Condition Report  All tips to comb are present. The bell strike mechanism is not functioning correctly. The start/stop mechanism is working intermittently

A LATE 19TH CENTURY ROSEWOOD, EBONISED, STAINED AND INLAID CYLINDER MUSIC BOX, playing eight airs with programme pinned to the interior of the hinged lid, cylinder length 33cm, comb missing four teeth, case length 59cm x depth 24cm x height 16cm, some splits to case, heard and seen working

2 boxed silver backed brush and comb sets.

A continental silver tea strainer, a hall marked silver gilt nail buffer, a silver gilt comb a/f, a silver handled straining spoon and a pair of white metal fruit scissors.

Lucian Ercolani - Ercol - Model 473 - Chairmaker's - An original retro vintage 1960's beech and elm double bow rocking chair having a shaped comb back spindle back rests with single panel seat and broad arms. All raised on spindle legs and sleigh rockers. Original blue label present. Measures:  102cm x 63cm x 75cm.

Case of Silver Brush and Comb Set with Full British Hallmark

dating: Period (1603-1867) provenance: Japan, Iron hachi with low comb decorated in Katakiri Bori style, represented by a monkey with its cub under a tree with silver and golden leaves, another monkey on the opposite side and similar decorations. Riveted mabizashi, engraved and with a base for maedate. Fukigaeshi lacquered in black. Five-plated, lacquqered shikoro (small parts missing). Internal part in blue fabric. Complete with shinobi no o. Provenance: Sir Frank Bowden Collection. height 27 cm.

dating: 1600 - 1620 provenance: Italy, Heavy skull, composed of two pieces, with a small roped comb, a rectangular hole in the center, smooth sides, number '70' in the right part, four ventilation holes near the cheek-piece on both sides. Chanfrin with slightly sharpened brim and with raised and roped border, riveted at the mask-shaped visor, with finely prominent nose, eye-slots and mouth with raised borders and oblique pitting, central part with ventilation holes so as the nose. Beaver composed of two hinged pieces, carved together with a neck-guard plate. Hook for the visor and beaver. Neck-guard and nape-guard plate slightly sloping, with raised and roped border, nape-guard plate hammered together with two skull hemispheres. A row of brass rivets. Small remains of original leather strings inside. Small restore on the nape-guard plate. Provenance: Charles Buttin Collection, see 'Catalogue de la Collection D'Armes Anciennes de Charles Buttin', Rumilly, 1933, nr. 2, pages 13/14 and illustration plate 11. (A collection catalogue will be given together with the helmet).Baron Hans de Schulthess (1885-1951), Schloss Au, near Zurich, Switzerland.Literature:Claude Blair, European Armour, London, 1958, p. 150 José-A. Godoy, ‘Les Armets Savoyards du Musée d’Arte et d’Histoire de Genéve’, Geneva, N. S. Vol. L, 2002, pp.11-97. height 32 cm.

dating: about 1540 provenance: Southern Germany, Skull in one piece, with low, roped comb and longitudinal fullers; fine visor with eye-slots and thin and rectangular ventilation holes, ribbed in the center, pivot with a button, chiselled for opening; beaver and neck-guard in one piece, with recessed edge and roped border, visor release button. Nape-guard of two plates with border en suite, both replaced by a skillful master, final plate reports his mark. Plume-holder decorated with oblique grooves, fixed with two rivets. Helmets of this fascinating type can be found in various museums and private collections. See a similar one in 'Europäische Helme' by Müller/Kunter no. 41. height 28,5 cm.

dating: circa 1600 provenance: North Italy, Elegant set, composed of morion, bust and complete brassards. Morion with skull in one piece, comb of medium height, with border with twisted engraving, two bands with fullers on sides, an iron plume-holder on the back, a row of rivets at the skull base, with brass rosettes, brim with hemmed edge, remains of enameled numbering inside. Breast-plate carved in Pisan style, with smooth bands alternated with other engraved with braided rinceaux and with medallions with various characters, the main one with knight in a battle, Master of the Castle emblem right under the neckline, traces of gilding. Back-plate decorated in Pisan style as well, with theme of various characters and two portrays in circular medallions that look at each other, loin-guard with remains of edge. Two-plated gorget with remains of engravings in Pisan style and roped neckline and with twisted engraving. Seven-plated pauldrons (one with four restored lower small plates), with decorative bands and medallions. Complete brassards, engraved en suite with pauldrons. Knuckle-shields without fingers, with beautifully engraved braided rinceaux and medallions on cuffs with elegant effigy of antique warrior and a lady. On a fine, wooden mannequin with embossed and painted head, provided also with old dress, in embroidered fabric (worn), decorated in style.Height as shown circa 112 cm. The breast-plate bears the well-known mark of the Master of the Castle of the Three Towers, a gunsmith whose name is not known, probably of Milanese origin, who towards the end of the 16th century marked a large production of armour. Most of his production was carried out for the Dukes of Savoy. See the detail of a breast-plate photographed on page 191 (n. 36, cat. n. 20) in the volume 'Museo Poldi Pezzoli, Armeria I' catalogue of the relative museum. See also 'L'Arte dell'Armatura in Italia', pages 473-474. height total with base circa 190 cm.

dating: circa 1800 provenance: Italy, Fine set, finely made as the originals of the era. Fit-in helmet with skull in two halves, joined at the comb (smooth and of medium height); visor ribbed in the center with cusped upper border, eye-slots with prominence, vertical ventilation holes, followed by circular holes and, lower, with transversal holes. Beaver and skull with release snap button, row of rivets. Lower border of the beaver and skull with flight groove. Gorget with three front and back plates, upper border with rope. Breast-plate ribbed in the center, with gleanings, upper neckline is smooth so as the pauldron small plates border, gussets festooned en suite with other plates. Back-plate provided with three-plated culet, festooned as well. Front loin-guard and tassets all festooned, with smooth ropes. Brassards complete with partially festooned plates, elbow piece and knuckle-shields top parts resume the decoration with festooned plates. Complete scaled fingers. Full-leg defense carved en suite, with articulated sabbatons. Brass rivets, ropes carved en suite, smooth and with longitudinal rib, edges with a recessed band. On a wooden exhibition mannequin complete with high pedestal. Armour height 139 cm. height total with base 172 cm.

dating: circa 1600 provenance: Augsburg, Composed of a cavalry helmet, bust complete with gorget, breast-plate and back-plate, complete brassards and knee-cops. Helmet with skull in one piece, with medium-height comb, with roped engraving on the border, raisable visor with a slot for a comb in the center, eye-slots with strongly relieved prominence, opening knob; ventail with double row of ventilation holes and remains of double lines, beaver with release button for ventail; a row of brass rivets at the skull's base, iron plume-holder on the back, neck-guard and nape-guard both of single plate with edge with a recessed band and file-roped border with downward turn, two-plated upper border with dotted festoons and double outline. Neck-collar with four front and back plates, the upper ones with a thick twisted rope, the others all with festooned upper edge, dotted and with double line. Fully enclosed arm defenses with articulated couters with large epaulettes with brass rivets, file-roped border and cusped upper edges; all the articulated plates of the brassards carved en suite with the gorget and helmet. Beautiful breast-plate, strongly ribbed in the center and with well evident tapul, engraved with a scene with an armed man, fully dressed and armed with a rapier is kneeling intent on praying devoutly the effigy of crucified Christ; both figures with traces of gilding, a cartouche above the knight with letters 'RUBR'; well visible Augsburg stamp under the thick file-roped neckline. Gussets with festooned borders en suite with other elements, pauldron small-plates with a thick roping en suite with neckline. Back-plate with two culet plates with festooned border. Front loin-guard with two plates provided with long knee-cops of thirteen elements, removable. Protection plates of the cuissard, all with upper border with dotted festoons and with double outlining. Articulated knuckle-shields with scaled fingers and back carved en suite with the other elements. Later leather strings but of old production anyway. Mounted on a wooden exhibition support.Height as shown circa 138 cm. This fine armour carved en suite is documented in 'Zeitschrift für historische Waffen', Dresden 1912-1914, as 'Ein Augsburger Trabharnisch'. height total with base circa 195 cm.

dating: about 1580 provenance: Germany, Skull in one piece, with comb with a thin border with roped engraving. Raisable visor, strongly elongated, with slot for a brim, thin eye-slots, sharpened front part, ribbed in the center, provided with opening lever on the right side; ventail with double rows of rectangular ventilation holes, present on both sides. Beaver and base of the skull with release snap buttons. Nape-guard and neck-guard both of two plates, external edge file-roped and with roped border. Iron rivets. Gorget with four front and back plates, neckline with very thick and twisted rope, the two lower plates with undulated gleanings. Breast-plate ribbed in the center and with well relieved tapul, gleanings with recessed undulated lines above; thick neckline of the breast-plate and pauldron small plates (smooth) with rope faced outward. Front loin-guard of two plates carved en suite with tassets with upper borders with festooned decorations alternated with smooth segments; all the lower edge with recessed band and with rope, which on the last two plates of tassets, becomes thick and well relieved, twisted as well. Back-plate provided with smooth protrusion. Smooth shoulder and brassards plates, internal border with recessed band and roped. Similar decoration on the elbow piece. Cuffs ribbed in the center, articulated hands with complete scaled fingers. Full-leg defense, all with drawing ribbed in the center. Articulated cuissards, provided with two additional plates and ending in a lunette with twisted roping. Knee-cop wings roped as well. Articulated sabbatons and with roping at the cap. Restored leather strings. Iron rivets. Armour height circa 180 cm. On a wooden exhibition mannequin, complete with high pedestal and accompanied by an antique ring-mail segment in the front part. Massive combat armour with a beautiful helmet which, although not signed, is a typical work of Anton Peffenhauser. height total with base circa 210 cm.

dating: provenance: Europe, Completely in iron, basket with bands, front part with a grotesque mask dominated by a long boar nose, rooster's comb and long donkey ears. Collar-latch. See a similar mask in 'Tortura Inquisizione Pena di Morte' by Aldo Migliorini page 79.Provenance: Museum of Torture and Death Penalty in San Gimignano. dimensions 58 x 61 x 31 cm.

dating: 19th Century provenance: Germany, In iron foil, made in two parts with a small comb (small lateral holes, caused by the rust), sharpened and ribbed ends, typical eyelet. A row of rivets. A ring for lining inside, probably for theater use. Fine shape. height 24 cm.

dating: first quarter of the 20th Century provenance: Denmark, Leather skull, painted in black, with comb, white metal mounts, central star, leather chin-strap, with smooth scales, cockade. Leather cap inside. Scarce. height 25.5 cm.

dating: 20th Century provenance: Italy, Silvered skull, gilded comb, chin-straps and scallop design, leather internal part. Produced by chief gunsmith 'Eugenio Capriolo', of which there are traces of stamp on the skull. Used as gifts on special occasions and rank promotions. height 11 cm.

A beech comb back kitchen chair. This lot can only be collected on Saturday 19th December (9-2pm).

A Chinese carved and painted horn 'butterfly' hair comb, five character mark in gilt, 13.5cm wide. 

A SILVER SIX-PIECE DRESSING TABLE SET, comprising tray, hand mirror, hand brush, pair brushes and a comb, all with embossed cherub head design, London 1900 & 1906; together with a three-piece dressing table set, Chester 1922 & 1923.

A GUILLOCHE ENAMEL AND SILVER FIVE-PIECE DRESSING TABLE SET, in a fitted case (lacking comb). Birmingham 1931.

A salt glazed stoneware studio pottery vase with comb decoration to shoulder, applied handles, and glaze to neck - SB seal mark

A JAPANESE MEIJI PERIOD GOLD LACQUER COMB, carved with temples and landscapes, 8.5cm

A German Third Reich Fire Police Helmet, finished in black paint with later decals and slots for a comb (missing), the leather ten tongue liner with maker's mark for Carl Henkel, Bielfeld, size 58, with leather chinstrap; a German Army Helmet, post-war, finished in green paint with later SS and NSDAP decals, leather liner and chinstrap (2)

Three dressing table sets comprising one ivory circa 1900, a seven piece WMF set including three graduated boxes, five piece hallmarked silver set and another hallmarked silver comb.

A rectangular refectory-type trestle table, 151 x 67, and a set of six Ercol-type elm seated comb back chairs.

Schaftlochaxt. Bronzezeit, 1300 - 800 v. Chr. B 15cm. Vollguss. Mit gerader Klinge mit gebogener Schneide und Nackenkamm. Elegantes Design! Schöne olivgrüne Patina, intakt. Bronze shaft hole axes with neck comb in an elegant modern looking design. Bronze Age, 1300 - 800 B.C. Dark olive green patina, intact. Provenienz: Ex Sammlung Dr. Günter Wiedner, Bayern, 1980er Jahre bis 2015. Ex Gorny & Mosch Auktion 272, 2020, 394.

Holzfigur eines Vogels. Papua-Neuguinea, Mittlerer Sepik, Anfang bis Mitte 20. Jh. H 85cm, B 36cm. Brettförmig aus Holz geschnitzte Silhouette eines (Wasser-?)Vogels, beidseitig ausgearbeitet, die Flügel in Form von sich deutlich abhebenden Ovalen, am Schwanz Ziermuster, die Augen in Form von Knubbeln, auf dem Kopf ein gezackter Kamm. Streifenbemalung aus gelber, roter, schwarzer und weißer Farbe. Die Holzfigur mittels geflochtener Wicklung aus Rattan (?) standartenartig auf ein Stück Bambusrohr montiert. Intakt. Wooden figurine of a bird. Board-shaped silhouette of a (water-?) bird carved out of wood, worked on both sides, wings in the form of clearly protruding ovals, decorative patterns at the tail, the eyes in form of knobs, on top of the head a jagged comb. Decorated with stripes of yellow, red, black and white paint. The wooden figurine is mounted onto a piece of bamboo cane with a braided winding made of rattan (?). Papua New Guinea, early of mid 20th century. Intact. Provenienz: Ex Slg. U.H., Süddeutschland, erworben 1998.

Kamm. Papua-Neuguinea, wohl Sepik, frühes 20. Jh. L 28,5cm, B 7cm. Gefertig aus einem Stück Bambusrohr. Oberer Aufsatz in Form eines Rhombus und eines Dreiecks, die mit leichten Schnitzereien und Einfärbung dekoriert sind, mittlerer Teil mit geschnitztem und dunkelbraun eingefärbten Banddekor, im unteren Bereich die ca. 15cm langen Zinken. Rückseitig ebenfalls beschnitzt, in oberen Bereich die Zahl "8" und der Name "MIKIAN". Im oberen Bereich kleiner Ausbruch, ansonsten intakt. Comb made from a big piece of bamboo cane. Upper attachment in the form of a rhombus and a triangle, which are decorated with light carvings and dark coloring, the middle part with carved and dark brown colored decoration, in the lower area the approx. 6 inch long prongs. Also carved on the reverse, the number 8 and the name MIKIAN in the upper area of the back front. Papua New Guinea, early 20th century. Provenienz: Ex Slg. U.H, Süddeutschland, erworben 1998, davor spätestens seit 1971 Steyler Mission, St. Augustin.

Antiker Kamm, 1.-3. Jh. n. Chr. Horn; Kamm mit reliefierter Darstellung zweier Personen mit Kanne und Schale; 4 Zinken beschädigt, 10 x 6,4 cm Antique comb, 1st-3rd century A.D. horn, 4 teeth damaged, 10 x 6.4 cm

Putzmacherin und Perückenmacher, Kaiserliche Porzellanmanufaktur, Wien, um 1760-65 Porzellan, glasiert, farbig staffiert; Putzmacherin an einem Tischchen mit Perückenstock stehend; Perückenmacher mit Perückenstock, an dem er gerade arbeitet; gemarkt: unterglasurblauer Bindenschild, Bossiererbuchstabe "E" für Joseph Gmandtner (1762-1804), Malernummer "30" für Andreas Hagel (1762-1787); Kamm fehlt, minimale, fachmännische Restaurierung am Perückenstock, H. 19 cm vgl. Annette Ahrens, Sammlung Faltus. Wiener Porzellanfiguren des Rokoko, Wien 2017, S. 98-101; vgl. Elisabeth Sturm-Bednarczyk/Elisabeth Saldek, Zeremonien, Feste, Kostüme. Die Wiener Porzellanfigur in der Regierungszeit Maria Theresias, Wien 2007, S. 113, Abb. 164/165 2 Figures "Putzmacherin" and "Perückenmacher", Kaiserliche Porzellanmanufaktur Vienna, c. 1760-65 porcelain, glazed, marked: blue shield, "E" for Joseph Gmandtner (1762-1804), painter's number "30" for Andreas Hagel (1762-1787); comb missing, minor restoration, h. 19 cmcf. Annette Ahrens, collection Faltus. Wiener Porzellanfiguren des Rokoko, Vienna 2017, p. 98-101; cf. Elisabeth Sturm-Bednarczyk/Elisabeth Saldek, Zeremonien, Feste, Kostüme. Die Wiener Porzellanfigur in der Regierungszeit Maria Theresias, Vienna 2007, p. 113, ill. 164/165

Beretta 12 bore silver pigeon shotgun serial number N94148B, with 28 inch barrels, fixed chokes 3/4 and 1/2, with gun slip.UK RFD OR SHOTGUN LICENCE REQUIRED TO BUY THIS LOT.Condition report: The gun has seen a fair bit of use but has been cared for. The bore is in good order with no pitting or damages to the barrels. The bluing is good all over. The stock has small knocks and signs of use but nothing defacing and would soon improve with light cleaning. The worst mark is a dent to the comb just before the butt plate.

Ebor Premium 12 bore side by side shotgun, serial number 58363, with 28 inch barrels choked to 3/4 and full, side lock non ejector.UK SHOTGUN LICENCE OR RFD REQUIRED TO BID ON THIS LOT.Condition report: Action appears to function correctly. No pitting to the bores. Barrels ring when tapped. Barrel to action fit is tight when closed with no wobble. Signs of wear from use such as wear to the bluing, mainly around the trigger guard. Scratches to and marks to the stock mainly around the comb of the stock, refinishing this area of wood would make this gun look a lot better but it is presentable as it is.

A late 18th/early 19th century ash and elm primitive stick-back chair with comb back and solid seat on four simple turned splayed legs, seat 54cm wide, back 95cm high. Provenance: purchased Sotheby's West Green House 1990 for Billacombe, Lifton.

A 19th century Henriot mechanical musical box, the 31.2cm drum acting on a 30.5cm comb, (all teeth present), playing eight airs, the hinged lid with original card listing eight airs and numbered 50501, the side hinged to reveal winding mechanism and control levers, with hand-written instructions, 50cm long, 12.5cm high, 15cm deep.

Late 19th/early20th century white metal and diamante small tiara/hair comb of curved form, Italian glass necklace, black beads necklace, diamante brooch, jade pendant, three pairs of earrings and two other costume items

A HALLMARKED SILVER AND BLUE GUILLOCHE ENAMEL BRUSH COMB AND SHOEHORN, TOGETHER WITH A HALLMARKED SILVER ND PINK ENAMEL BRUSH AND MIRROR (5)

Another christening set of a brush and comb in fitted box

A collection of lady's vintage beauty accessories, compacts, aide memoir, manicure sets, three evening combination compacts, a gilt metal basket weave evening purse, gilt metal shell purse, 1930's red bakelite handle containing manicure tools, Stratton cocktail powder compact, buttonhole posy holder with brooch fitting, a carded snake design Feather Boa Fastener, a Gwenda pink flatpack powder and lipstick holder, fine tortoiseshell comb with silver mount Birmingham 1914.

A silver-backed hairbrush by Williams (Birmingham) Ltd, Birmingham 1912, a pair of brushes by Deakin & Francis Ltd, Birmingham 1918, engraved initials, silver-handled shoe horns and buttonhook, glove stretchers with white metal handles stamped "Sterling", white metal comb holders, miniature white-handled brush and comb, plus a white metal-topped scent bottle.

A late 19th/early 20th century walnut cased symphonium,: the quarter veneered top with glazed print of a musical putto to underside, enclosing a double comb mechanism stamped 'Schutz-Marke. Made in Germany', cast brass scroll handles to either side, 24 x 47 38cm, together with seventeen discs.

Karura-Maske. Holz und Lack. Spätes 19. Jh. Diese gigaku-Maske stellt den indischen mythischen Vogel Garuda dar, mit einer Art Hahnenkamm und einer Perle im Schnabel. Der rote und schwarze Lack teilweise abgeblättert. In der Art von Kano Tessai.H 5,7 cmProvenienzSammlung Peter E. Müller (1933-2019), Küstnacht, SchweizDieses Objekt wurde unter Verwendung von Materialien hergestellt, für die beim Export in Ländern außerhalb der EU eine Genehmigung nach CITES erforderlich ist. Wir machen darauf aufmerksam, dass eine Genehmigung im Regelfall nicht erteilt wird. A laquered wood netsuke of a Karura mask. Late 19th century This gigaku mask represents the mythological bird Garuda with a type of cock's comb and a small jewel in his beak. Flaking of the lacquer. In the manner of Kano Tessai.Height 5.7 cmProvenanceCollection Peter E. Müller (1933-2019), Küstnacht, SwitzerlandThis lot contains materials which require a CITES licence for export outside of the EU contract countries. We would like to inform you that such licenses are usually not granted.

An adornment comb, ivory, decoration "Animals and flowers" en relief. Sinhalese (Kandy), Sri Lanka, 18th C., many teeth missing, Dim. - 12,5 x 9,5 cm

An adornment comb, ivory with traces of polyvhrome, decoration "Flowers" en relief. Sinhalese (Kandy), Sri Lanka, 18th C., some teeth missing, Dim. - 13,5 x 11 cm

A MIXED LOT, to include two metal and glass hip flasks in leather with captive lids, another silver plated hip flask, two silver clothes brushes, stamped sterling a broken silver comb, a silver bookmark designed as a trowel, and an Edwardian silver replica anointing spoon, hallmarked London 1902, makers mark 'CB'

A silver-bladed and mother of pearl fruit knife and two other items, comprising a small comb in engraved silver case and a small oval silver photograph frame.

A miscellany of vintage items amongst which are a selection of brushes, trivets, clay pipe,matchbox holder and lighter,pen knives and a ladies travel set comprising of hairbrush,comb and miniature razor in tin and more.

Two elm seat comb back kitchen chairs. Estimate £10-20.

Six items of silver backed Dressing Table Ware, four brushes, hand mirror and comb, all bumped

Silver baby's comb and mirror set marked 900..