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A good early 19th century tortoiseshell and pique work hair comb, 7 points below a carved panel centred by a silver pique panel of a jardinière of flowers, 14.5cm x 11.5cm.

A fine 19th century Indian ivory rectangular comb, double sided with a comb to each long edge, divided by a pierced and carved panel of two female dancers with polychrome decoration within a carved rectangular diaper work frame, 10.2cm x 11cm.

A rare late 18th century iron comb, below a panel pierced ""Napper Tandy"", some rusting and a few points short, 11cm x 3.5cm. (Tandy, James Napper 1740-1803 - United Irishman born in Dublin)

An early 19th century tortoiseshell hair comb, probably Canton for the European market, 7 points below an elaborate pierced and carved panel of stylised clouds below feathers and shells, 21cm x 12.5cm.

A cut steel mounted tortoiseshell hair comb, 7 points below a hinged panel of cut steel flowerhead and leaf sprays, 9.5cm, in a fitted oval leather case titled ""Pearce, 77 Cornhill"", together with a pair of cut steel `en tremblent` hair ornaments, 11cm. (3)

A gold hair comb and two silver examples, the first in 9ct gold with 2 prongs below a pierced scroll mount, 12.5cm, and two silver examples, Birmingham, 1908, by G.A.S., 10cm, and a 3 prong examples, pierced and engraved, Chester, 1907, 9cm. (3)

Three combs, comprising; a Chinese arched top example in tortoiseshell carved with flowers and leaves, 10cm, another inlaid with mother of pearl, 9.2cm, and a 19th century white metal `H` comb, engraved with leaves, 7.5cm. (3)

Three 19th century metal and stone mounted silk route wooden combs, comprising; a double comb, Bukhara, 11.5cm, another Kazakhstan, in engraved silver with lapis lazuli and other stones, 8.6cm, and another, E. Pakistan, mounted in gilt metal with stones, 9.7cm. (3)

A 19th century Chinese silver comb, the arch with floral decoration, with three removable symbolic pins in the form of fish, umbrella and pomegranate, 9.5cm x 8cm max.

Three combs, comprising; a bronze double comb labelled ""13/14th century medieval - From a Bristol Collection"", 6.6cm, a wooden double comb with gilt lacquer decoration, probably Indo-Persian, 8.5cm, and a 19th century French horn comb, pivoting into a pressed case decorated with flowers in a basket, 8cm closed. (3)

Silver back and mauve cased five piece dressing table set together with a silver comb

Silver topped dressing table bottles, silver comb case, silver comb holder, spirit labels, silver card holder etc.

A pair of George V silver and blue enamel covered engraved glass jars, with matching clothes brush and comb mount, Birmingham 1929 by Henry Clifford Davis, together with a similar silver and blue enamel hand mirror, clothes brush and hairbrush, London 1934 by Mappin & Webb (faults).

A George V silver and blue enamel dressing table set, comprising a hand mirror, a pair of hair brushes, a pair of clothes brushes and a comb, Birmingham 1925, cased.

A George V silver dressing set, William Neale, Birmingham, 1918, comprising; a hand mirror, a comb, two paddle brushes and two rectangular brushes; a silver handled shoe horn and a nail tool

(lot of 22) One shelf of Asian metal items, including comb, hairpins, hand warmer, a bell and six Buddhist gau (portable shrines), 8""h. Provenance: From the estate of Edward Gerber

A Pair of Gentlemen`s London Silver Mount Oval Hairbrushes having embossed floral and scroll decoration, also 2 other similar brushes and comb in fitted leather case

A Birmingham Silver Mounted Dressing Table Set, having part engine turned decoration, comprising hand mirror, 4 brushes and comb in fitted mahogany case (1 brush restored)

A 19th Century elm and fruit wood comb back kitchen armchair.

A large 19th century silver gilt Mantilla hair comb from Valencia. Height: 18 cm, length: 18cm.

An Edwardian crocodile skin gentleman`s dressing set by Finnigans, with initials `M.B.`, fitted with silver mounted brushes and bottles, London 1910, together with a tortoiseshell comb, ivory handled brushes and utensils and an easel backed mirror, stamped `FINNIGANS. 18 NEW BOND ST.W`, 19cm high, 32.3cm wide. Provenance: The Dr. Lawrie Webster Collection of Boxes.

A Victorian black leather cased toilet set, the hinged lid to a fall front enclosing bottles and jars, a soap case, brushes, a glove stretcher, comb, scissors and other utensils, 11cm high, 22cm wide, 13.2cm deep. Provenance: The Dr. Lawrie Webster Collection of Boxes.

A Victorian leather cased set of ivory brushes, the lid with initials `G.B.P.`, enclosing a plush lined interior with four brushes carved with a monogram and a comb, one marked for `A. Barrett of Piccadilly`, 32.2cm wide, 18.3cm deep. Provenance: The Dr. Lawrie Webster Collection of Boxes.

Silver and tortoiseshell dressing table mirror, tray and comb London 1903

An Edward VII silver brush set by Walker & Hal, Sheffield 1907-1908, comprising mirror, three brushes, comb and pot, each with hammered finish (6)

A George V cased silver brush set by Boots Pure Drug Company , Birmingham 1916, comprising four brushes, mirror and comb (6)

A George V cased silver brush set by H&M, Birmingham 1925, comprising four brushes, comb and mirror

ASSORTED VINTAGE HOMEWARES comprising a 1930s dressing table mirror, the shaped plate with a faceted bevelled edge and an easel support, 37cm high; a 1950s Rondis dressing table set, comprising hair brush, hand mirror, comb, and clothes brush, unused and boxed; and a mid 20th century green enamelled cast metal mincer, (3).

CARVED AFRICAN TRIBAL ART `PADDLE` AND A COMB

A late 18th century comb back Windsor armchair.

A boxed hallmarked silver brush and comb set

A boxed hallmarked silver brush and comb set

GAMBIA Gambia: Collection on pages incl 1869-72 no wmk 4d brown and 6d blue, 1874 wmk crown CC, imperf 4d pale brown and 6d deep blue, 1880-81 wmk crown CC to 1s green (most comb perf, wmk upright) 1898-1902 to 1s violet and green, 3d is deep purple and ultramarine, 1902-05 wmk crown CA to 3s carmine and green/yellow, 1904-06 wmk MCA to 2s deep slate and orange, 1906 surch set of 2, 1909 wmk MCA to 3s yellow and green, 1912-22 wmk MCA to 5s, 1921-22 wmk script to 4s, 1922-29 wmk MCA to 5s and wmk script to 10s (excl 3s slate-purple) (135)

GAMBIA 1922-29 3s slate-purple, comb perf 13.8x13.7 (SG 139) fine used by complete Macarthy Island cds for Fe 7 27, very rare usage for this stamp, cat £425

A Nicole Frères Ltd Polyphone with 9cm wide comb and nineteen 21cm diameter discs.

Three magnifying glasses; letter opener; comb; pair of cape fasteners etc. Condition report: see terms and conditions.

An American Sterling silver part dressing table set Gorham, early 20th century, comprising a hand mirror, hair brush, clothes brush and cut glass jar and cover, decorated with engraved ribbon tied floral swags; together with a matched Gorham silver mounted faux-tortoiseshell comb and another American silver hand mirror with loop handle and beaded border. (6)

A fine early 20th century silver fitted crocodile skin travelling case the dark tan crocodile skin case with split hinged top opening to reveal a dark blue morocco and silk fitted interior with silver contents by John Pound & Co., London 1912, including a tray with engine turned decoration, hand mirror (a/f), comb, brushes, silver capped cut glass bottles and jars and a pair of silver and ivory glove stretchers, together with a leather cased sewing kit with silver thimble, leather wallet and leather cased nail care kit, the side pocket of the case containing an unused leather bound notebook and ivory letter opener, inkwell and vesta case, the case 16½ x 11in. (42 x 28cm.), 12½in. (32cm.) high. See Illustration.

A late 19th/early 20th century Swiss table top musical box, rosewood and line inlaid rectangular case of small proportions, sixty-six tooth steel comb playing on a 23.5cm brass cylinder, plays sixteen airs, levers for play/stop and change/repeat to one side, wind handle to the other side, case size 49cm long

The New Plain Dealer; or Freeman`s Budgets. No. I. Containing an Impartial State of the Case between John Bull and G. R. ... The Second Edition. [General; title:] The New Plain Dealer, a Curry-Comb for Double Dealers. London: Sold for the Editor, by J. W. Fores, [1792]-May 1792. Parts I - III in one volume, 8vo (209 x 128mm). Engraved "Portrait of an English Citizen who was two Years imprisoned in English Bastilles without Trial, Conviction or Sentence," large folding letterpress table, hand-coloured engraved frontispiece, folding hand-coloured plate (torn without loss of about one third of the plate), engraved plate of a fire grate at the end. Modern half calf preserving old marbled boards. Provenance: The Earl of Enniskillen (armorial bookplate). Sold not subject to return.

**PROPERTY SOLD BY ORDER OF THE TRUSTEES OF THE METROPOLITAN MUSEUM OF ART, NEW YORK A COMPOSITE NORTH ITALIAN ETCHED CORSLET , LATE 16TH CENTURY well composed and decorated, comprising morion with rounded one-piece skull rising to a high roped medial comb (patched at four points), and `swept` integral brim rising to an acute point front and rear, the latter struck with the initials MB, probably of an erstwhile owner (the rear point restored and the front one patched at its left edge); collar of two lames front and rear (the top one in each case restored, the lower front one with chipped lower edge and the associated lower rear one with plugged holes at its upper edge and a patched extension at its left end); breastplate formed of a main plate of deep, peascod, fashion fitted at its arm-openings with fixed gussets (the upper end of the left missing and that of the right restored) and flanged outwards at its lower edge to receive an associated fauld of one lame (the centre of its upper edge cracked) carrying on three restored straps and buckles at each side a trapezoidal tasset, the left of ten lames and the right of eleven lames; one-piece backplate (restored) with broad shallow neck-opening and flanged lower edge; two large symmetrical pauldrons (not a pair) each formed of seven lames of which the lowest four extend inwards only to the armpit (the upper two lames of the right pauldron cracked, the second of them patched); and two fully articulated tubular vambraces (not a pair), each fitted at its upper end with a turner, that of the left of two lames (the upper one restored) and the right of one lame, and at its elbow with a winged bracelet couter of three lames; the main edges of the armour formed with inwards turns, decorated, except in the case of those of the right vambrace with roping, and accompanied at points by roped ribs in some cases terminating in volutes; the morion decorated overall within vertical bands on the crown and strapwork-interlace on the comb with linear etching showing, on a pearled ground, female figures and birds among trophies of arms, and the remainder, except the backplate, finely decorated with bands and borders of relief-etching on a stippled and blackened ground involving at the top of the breastplate the figure of St John the Baptist holding a banner with the abbreviated inscription AD for Agnus Dei, elsewhere allegorical figures, including lions, birds and fabulous beasts, and in the volutes of the breastplate, pauldrons and tassets, classical busts (the etching of both front lames and the upper rear lame of the gorget, the fauld, the uppermost lame of the left turner, and of the right vambrace later), See note at front of catalogue for information concerning stands Provenance Prince Peter Soltykoff, Paris, sold 1860 William H. Riggs, Paris The Metropolitan Museum of Art, New York, Acc. No. 14.25.681 For a discussion of this type of armour see Boccia and Godoy 1992, pp. 87-110, where the decoration is described as ""armor decorated with smooth bands alternating with bands filled with small trophies in the Lombard style"" as opposed to the more common, and inaccurate, appellation `Pisan`.

**A MOUNTED ARMOUR FOR THE `JOUSTS REAL` IN THE SPANISH STYLE OF CIRCA 1500-10, MAINLY 19TH CENTURY WITH SOME EARLY 16TH CENTURY ELEMENTS of great weight, comprising helm with rounded one-piece skull rising to a low medial comb, shaped to the nape, extending downwards over the top of the backplate and fitted at each side of the brow with a projecting sprung stud to engage a frog-mouthed visor and bevor formed in two pieces joined by rivets just behind the vision-slit, the bevor gently shaped to the chin and extending downwards over the upper part of the breastplate to which it is attached by bolts, and its right side fitted with a hinged trapdoor closing a large rectangular ventilation-hole; breastplate formed of a medially-ridged main plate fitted at the top of its right arm-opening with a projecting flange and at its centre with a fixed reinforcing breastplate through which protrude at each side five pierced staples, retaining at the right a large rigid openwork lance-rest, and at the left, an even larger openwork frame fitted with studs to support a shield, and the lower edge of the main plate fitted with a waist-plate bearing at its left side a large loose ring to support the bridle-arm and flanged outwards at its lower edge to receive a fauld of two lames, the lower edge of which retains on a pair of turning-pins at each side a medially-ridged one-piece tasset, the left longer than the right, and both cut away in a curve over the crotch; backplate formed of a central main plate that narrows to its lower end and two side-plates (the right patched at its lower end) rigidly connected to one another by rivets and overlain at their lower ends by a tall plackart formed at its upper end with three cusps and fitted within its lower edge with a culet of two lames; a pair of spaudlers each of three lames overlapping outwards from the second and boxed in six vertical panels, its fifth lame attached by a single rivet to a fully articulated tubular vambrace boxed en suite with the spaudler, fitted at its upper end with a one-piece turner, at its elbow with a winged couter of five lames open at the rear and decorated on the front of the wing of its two-piece main plate with a spray of flutes in the `gothic` fashion, and at the upper end of the outer plate of the lower canon with a flange shaped to the base of the couter (the inner plates of both lower cannons patched); an asymmetrical wooden shield curving forward at its upper and lower ends, pierced towards its outside with a pair of large lace-holes, faced with overlapping rectangular plates secured in each case by a single nail and covered elsewhere with red velvet; a conical vamplate decorated peripherally within a recessed border with scallops; a wooden saddle covered overall with quilted crimson velvet (worn) decorated around its edge with a yellow fringe and faced on its upstanding bow and arcon with three saddle-steels in each case, those of the bow stepped at the right side and those of the cantle projecting at their upper corners as curved arms; two stirrups (not a pair), each with slightly flaring fluted sides and a tread of four bars, the two inner bars in one case writhen (each pitted and worn); a curb-bit of tinned iron with simple pierced and engraved ornament and fitted with later bridle of leather covered with crimson velvet edged with gold piping and decorated at intervals with rosettes and scrolls of gold braid; and an heraldically-decorated caparison of yellow fabric strips each faced with black velvet (now largely faded to green) and terminating in tassels of gold bullion See note at front of catalogue for information concerning stands Provenance Sixth Count of Asalto, Guadamur Castle, near Toledo, circa 1887 Ambrose Monell, Tuxedo Park, New York, before 1911 Henry Furmage, London George F. Harding Jr, Chicago, purchased 1927 Transferred to the Art Institute of Chicago, 1982, Acc. Nos 1982.2216; 1982.2697a-h 1982. 2879a & b; 1982.3110; 1982.3113; and 1982.3143a & b. The horse bit: His Imperial Highness, Archduke Eugen, Veste Hohenwerfen, Salzburg, sold Anderson Galleries, New York, 4 March 1927, lot 932 Literature Bashford Dean, Loan Exhibition of Arms and Armor, The Metropolitan Museum of Art, New York, 1911, p. 10, pl. VII The main and side-plates of the backplate, the turner and cannons of each vambrace and the stirrups are all of early 16th century date. The horse-bit is probably of 17th century date.

**VARIOUS OWNERS A COMPOSITE GERMAN AND ITALIAN CAP-A-PIE FIELD ARMOUR IN THE SO-CALLED `MAXIMILIAN FASHION, PARTLY NUREMBERG, EARLY 16TH CENTURY comprising close helmet with rounded one-piece skull rising to a low boldly roped medial comb, fitted at the nape with a broad neck-guard of three lames (the first restored) and at each side by means of common dome-headed pivots with a `bellows` visor and bevor, the visor stepped beneath its centrally-divided vision-slit, pierced with eight horizontal ventilation-slots arranged in two rows and fitted at the right of the chin with a short lifting-peg (replaced), the bevor fitted at the right cheek with a pivoted visor-prop (replaced) and struck at the left of the neck with the quality-control mark of the city of Nuremberg, each secured at the right by a spring-catch with push-button release (the button in each case replaced); `Almain` collar of four lames front and rear, the lowest in each case significantly deeper than the rest (the front one cropped at its lower corners), the two sections connected to one another at the left by an internal hinge, and each side of the whole fitted with a short spaudler of three lames (restored), the last fitted with a turning-pin to attach an arm-defence; breastplate formed of a rounded main plate fitted within each of its arm-openings with a movable gusset boldly roped en suite with its straight upper edge, and within its lower edge with a waist-lame (restored) flanged outwards to receive a fauld of four lames bearing a pair of integral tassets each again of four lames (restored), the latter having wired between them a small skirt of modern butted mail; backplate formed of a main plate with straight upper edge, fitted within its lower edge with a waist-plate (restored) and an associated culet of one lame; spaudlers each of five lames overlapping outwards from the second and connected at its lower end to the one-piece turner of a fully articulated tubular vambrace fitted at the elbow with a couter of three lames (perhaps reworked in part), the central one formed with a medially-puckered oval side-wing; gauntlets (the right restored) formed of short straight-ended cuff (the left patched at its upper edge) with a separate hinged inner plate, five metacarpal-plates (the last of the left patched at its inner end), a knuckle-plate decorated with a transverse ridge, five finger-plates and a hinged thumb-defence of three scales; cuisses (restored) each formed of a gutter-shaped main plate fitted at its convex upper edge with a short extension-plate and at its lower end with a winged poleyn of three lames having riveted within its lower edge a full-length tubular greave terminating in an integral broad-toed sabaton of eight lames embossed at each of its corners with a decorative whorl; all parts of the armour, with the exception of the collar and greaves decorated with panels of predominantly vertical flutes emphasised by pairs of incised lines and accompanied on the insides of the cuffs of the gauntlets by vertical `slashes`, the main edges of the armour largely formed with inward turns, often boldly roped except on the collar where it is elaborately writhen; and the borders of the wings of the couters and of the lower ends of the lower cannons of the Italian vambraces etched in line on a hatched ground with running acanthus foliage and guilloche; all mounted on a wooden stand with a wooden base

**A NORTH ITALIAN CLOSE HELMET FOR HEAVY FIELD USE, PROBABLY MILANESE, CIRCA 1580 with one-piece skull rising to a high roped medial comb fitted to either side of its rear end with a pair of rivets for the attachment of a missing plume-holder and pierced over each ear with seven small circular auditory-holes in rosette-formation, visor, upper bevor and lower bevor attached to the skull by common pivots with radially-fluted domed heads, the forward-sloping visor stepped in front of its centrally-divided vision-slit and fitted at the right with a slender lifting-peg (the latter replaced and the centre of the upper edge of the visor patched), the prow-shaped upper bevor pierced at its right side with eleven small circular ventilation-holes in rosette-formation and secured to the lower bevor, at its right, by a swivel-hook and pierced stud, and two gorget-plates front and rear (the lower front lacking the right end of its lower edge), the main edges of the helmet decorated with file-roped inward turns accompanied, in the case of those of the gorget-plates, by recessed borders, and the subsidiary edges with single incised lines, the whole retaining a black-from-the-hammer finish and traces of gilding in its borders and on its fittings 33.0 cm; 13 in

**A DUTCH HARQUEBUSIER`S CLOSE HELMET, EARLY 17TH CENTURY with two-piece skull joined along the crest of a low medial comb and fitted at the nape with a large plume-holder, obtusely-point peak and bevor attached to the skull by common pivots of dome-headed form, the bevor with broad U-shaped face-opening, secured to the skull at the right of the neck by a swivel-hook (replaced) and pierced stud, and two gorget-plates front and rear, the lowest ones in each case of obtusely-pointed form and decorated at their centres and outer ends with patterns of round-headed rivets, the main edges of the helmet formed with plain inward turns accompanied by single incised lines and the subsidiary edges only with single incised lines (some light patchy patination overall) 36.5 cm; 14¼ in

**A BLACK-AND-WHITE BURGONET, PROBABLY FLEMISH, CIRCA 1560 with shallow one-piece skull rising to a high roped medial comb, projecting forwards and backwards respectively to an integral peak and neck-guard, the former more acutely pointed than the latter, and fitted at each side with a small hinged cheek-piece (the right patched), its front and rear edges shaped to accommodate the ends of the peak and neck-guard, the main edges of the helmet, except for those of the cheek-pieces, formed with boldly roped inward turns accompanied by narrow recessed borders, and its surface decorated with narrow longitudinal bands blackened, like the borders, to contrast with an otherwise bright ground (the colours originally reversed) 24.0 cm; 9½ in

**A GERMAN BURGONET, EARLY 17TH CENTURY with rounded skull formed in two pieces joined along the crest of a high and slender narrow medial comb, acutely pointed peak attached within the front of the skull by rivets, one-piece neck-guard articulated to its rear, and a pair of large hinged cheek-pieces each flanged outwards at its lower edge to serving as continuations of the neck-guard and pierced at its centre with five small auditory-holes in dice-formation, the skull fitted with a canvas lining, the main edges of the helmet formed with plain inward turns and its 28.0 cm; 11 in

**A DUTCH PIKEMAN`S POT, CIRCA 1620-30 with hemispherical crown formed in two pieces joined along the crest of a low medial comb, integral brim of even width turned down all round and formed at its edge with a plain inward turn bordered by a single incised line, the base of the crown fitted at the rear with a large plume-holder and encircled by fourteen round-headed lining-rivets, and the brim struck at the right with an indistinct mark, almost certainly the crowned IR government ownership mark of the reign of King James II of England (pitted overall and showing some bruising) pierced at points with later suspension-holes) 22.0 cm; 8¾ in

**AN ENGLISH HARQUEBUSIER`S POT, MID-17TH CENTURY with hemispherical skull formed in two pieces joined medially along the crest of a low comb, fitted at the brow with a broad, flat obtusely-pointed peak supporting on its underside a triple-barred face-guard, at the nape with an obtusely-pointed one-piece neck-guard embossed to simulate four lames bordered at their upper edges by single incised lines, and at each side with a pendent scutiform cheek-piece, the main edges of the helmet formed with plain inward turns bordered in the case of the neck-guard by a recessed border (the peak, face-guard and cheek-pieces restored, the left articulation-point of the neck-guard repaired and the whole moderately patinated overall)

**A CLOSE HELMET IN THE EARLY 17TH CENTURY GERMAN STYLE, 19TH CENTURY with two-piece skull joined along the crest of a moderately high, file-roped medial comb and fitted at the nape with a plume-holder, visor, upper bevor and lower bevor attached to the skull by common pivots fitted beneath their small rounded heads with rosette-washers of iron, forward-sloping visor pierced at its lower end with a pair of vision-slits and at its right side with a small hole intended to accommodate a missing lifting-peg, the near-upright lower bevor pierced with five circular ventilation-holes at its left side and six rectangular ones at its right, the lower edge of the right side further pierced with a hole to accommodate the spring catch projecting from the chin of the lower bevor, and two gorget-plates front and rear, the main edge of the lowest in each case formed with a plain inward turn accompanied by a recessed border and the surface of the helmet blackened overall, 30.8 cm; 12 in

**A BURGONET IN THE SOUTH GERMAN STYLE OF THE LATE 16TH CENTURY, 19TH CENTURY with rounded one-piece skull rising to a high medial comb, projecting forward to upward-sloping obtusely-pointed integral peak, fitted at the nape with a rounded one-piece neck-guard and at each side with a hinged cheek-piece flanged outwards at its lower edge to serve as a continuation of the neck-guard and pierced at its centre with nine small auditory holes in rosette formation, the main edges of the helmet formed with plain inward turns (showing a light mottled patina overall)

**A .800 CALIBRE GERMAN REGULATION FLINTLOCK MUSKET, DATED 1749 adapted for English service, with sighted barrel moulded at the median and the breech, the latter stamped with a mark, bevelled lock struck with a mark `G.C.` crowned, walnut full stock, butt with flattened comb, regulation brass mounts including four faceted ramrod-pipes, trigger-guard with moulded baluster finial (sling swivels missing), and butt-plate engraved `G.R. crowned and dated 1749 on the tang, and iron ramrod 116.5 cm; 45 7/8 in barrel

A comb back elbow chair with hard seat and turned legs

A large and interesting collection of jewellery that includes simulated pearls, amber, carved shell cameos, yellow metal chains, silver backed brush, comb and hand mirror, and cuff links, dress buttons, rings, brooches, necklaces, etc, etc. (Qty)

A Georgian elm Windsor chair, comb and pierced splat, chunky scroll arms supported by spindles, saddle seat, turned and bobbin chunky legs with turned stretchers (63cm wide).

A Dutch leather fire helmet, having crossed axe brass plate to front, brass comb complete with chinstrap and liner

German Fire Brigade helmets, three steel Black M42 style helmets, all complete with liners and straps, one having comb to top, one missing comb (3)

Two early Russian fire helmets, a green steel helmet with comb having oval badge to front featuring fire engine and crossed hammers, together with a brass helmet with comb to top with Russian Star and crossed axes to front, complete with liners (2)

A World War 2 NFS fire helmet, having a stepped comb and NFS transfer to front, complete with chinstrap and liner

Two leather and brass Czechoslovakia fire helmets, high comb to top, both having brass fittings and cap badges to front, complete with chinstraps and liners, wear to both (2)