Karura-Maske. Holz und Lack. Spätes 19. Jh. Diese gigaku-Maske stellt den indischen mythischen Vogel Garuda dar, mit einer Art Hahnenkamm und einer Perle im Schnabel. Der rote und schwarze Lack teilweise abgeblättert. In der Art von Kano Tessai.H 5,7 cmProvenienzSammlung Peter E. Müller (1933-2019), Küstnacht, SchweizDieses Objekt wurde unter Verwendung von Materialien hergestellt, für die beim Export in Ländern außerhalb der EU eine Genehmigung nach CITES erforderlich ist. Wir machen darauf aufmerksam, dass eine Genehmigung im Regelfall nicht erteilt wird. A laquered wood netsuke of a Karura mask. Late 19th century This gigaku mask represents the mythological bird Garuda with a type of cock's comb and a small jewel in his beak. Flaking of the lacquer. In the manner of Kano Tessai.Height 5.7 cmProvenanceCollection Peter E. Müller (1933-2019), Küstnacht, SwitzerlandThis lot contains materials which require a CITES licence for export outside of the EU contract countries. We would like to inform you that such licenses are usually not granted.
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A MIXED LOT, to include two metal and glass hip flasks in leather with captive lids, another silver plated hip flask, two silver clothes brushes, stamped sterling a broken silver comb, a silver bookmark designed as a trowel, and an Edwardian silver replica anointing spoon, hallmarked London 1902, makers mark 'CB'
A collection of Art Nouveau silver mounted vanity items, to include: a hand mirror and hair brush, by L & W, Birmingham 1903, together with the matching silver comb back, by Synyer Beddoes, Birmingham 1903, a rectangular silver topped glass vanity box, by Matthew John Jessop, Birmingham 1903, a button hook, manicure set and small silver topped glass vanity jar, by Jones & Crompton, all Birmingham 1909. a three piece Art Deco engine turned silver mounted hair brush and hand mirror set, by William Hutton & Sons Ltd, Birmingham 1926, and other items. (condition varies). (qty)
A 19th century Swiss rosewood cased music box, the 6" cylinder playing eight airs and striking on three bells, with stop/start and change/repeat function, the case with satinwood stringing and marquetry floral single spray to the lid, w.41cmCondition report: Comb good and complete.Fully functioning.Movement has the appearance of having been fairly recently overhauled.Case good and appears recently polished.
A set of six (4+2) Ercol comb-back dining chairs having shaped elm seats Condition Report: The chairs are probably from the 1970s/1980s. There is wear and tear to the chairs - they have been well used. There is wear to the tips of the two arms on the carvers. Scuffs and scratches to the bottom of the legs commensurate with age. Structurally they look good with no damage or repairs noted. There original seat covers with hunting scenes are included also.
Willi Baumeister 1889 Stuttgart - 1955 Stuttgart Weißes Zeichen auf Hellgrün. 1940. Öl auf Leinwand. Beye/Baumeister 799. Rechts unten signiert und datiert. 43 x 33 cm (16,9 x 12,9 in). Im oberen Teil der Darstellung wird durch die darunterliegende Kamm-Struktur sichtbar, dass Baumeister für das vorliegende Gemälde eine zumindest in Teilen bereits auf der Leinwand angelegte, frühere Komposition übermalt hat. [JS]. • Außergewöhnliche Komposition aus der frühen Werkgruppe der 'Ideogramme und Zeichen'. • Seit den 1940er Jahren in Familienbesitz. • Erstmals auf dem internationalen Auktionsmarkt angeboten (Quelle: www.artnet.de). PROVENIENZ: Privatsammlung Baden-Württemberg/Hessen (in den 1940er Jahren direkt vom Künstler erhalten). Privatsammlung Hessen (vom Vorgenannten durch Erbschaft erhalten). Aufrufzeit: 11.12.2020 - ca. 14.33 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONWilli Baumeister 1889 Stuttgart - 1955 Stuttgart Weißes Zeichen auf Hellgrün. 1940. Oil on canvas. Beye/Baumeister 799. Signed and dated in lower right. 43 x 33 cm (16.9 x 12.9 in). The subjacent comb structure is visible in the upper part of the painting, which shows that Baumeister painted over, at least partly, an earlier composition. [JS]. • Exceptional composition from the early work group 'Ideogramme und Zeichen' (Ideograms and Signs). • Family-owned since the 1940s. • For the first time on the international auction market (source: www.artnet.de). PROVENANCE: Private collection Baden-Württemberg/Hessen (obtained from the artist in the 1940s). Private collection Hesse (inherited from aforementioned). Called up: December 11, 2020 - ca. 14.33 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.
A late 19th century Swiss three-bell cylinder Music Box, playing six airs on 5in (12.5cm) cylinder and one-piece comb, the bells with flower finials, in hinged rectangular rosewood and faux rosewood case with floral marquetry decoration, music box in working order but bells need adjusting, comb missing one tooth, 16½in (42cm) wide x 10in (25cm) deep x 8½in (21.5cm) high.
Gasteiger Jakob Ohne Titel, 5.1.2010 Acryl auf Leinwand Signiert, datiert und mit Stempel versehen Verso 60 x 50 cm Die reliefartige Struktur dieses monochromen Bildes entsteht durch das Verwenden einer Kammspachtel beim Auftragen der Farbe. Die Farbe wird innerhalb dieses Arbeitsprozesses nicht als Inhalts- oder Bedeutungsträger eingesetzt, sondern als Material per se. Gasteiger befragt in seinen Arbeiten Parameter der Malerei und thematisiert, erweitert und durchbricht die Grenzen von Graphik, Malerei und Skulptur. Gasteiger Jakob Untitled, 5.1.2010 Acrylic on canvas Signed, dated and stamped Verso 23,6 x 19,7 in The relief-like structure of this monochrome picture is created by using a comb spatula when applying the paint. In this work process, color is not used as a carrier of content or meaning, but as material per se. In his works, Gasteiger questions parameters of painting and thematizes, expands and breaks through the boundaries of graphics, painting and sculpture.
Edward VIII silver travelling dressing table set, comprising six engine-turned silver topped glass jars, sponsors mark of George Carsberg & Son, London 1936, three ivory backed brushes and an ivory comb etc, in a leatherette case with external canvas travelling cover, 41cm wide Condition: Losses of hair to the brushes, some minor wear and dents to the travelling utensils, silver-plated shoe horn shoes signs of corrosion etc. Outer canvas travelling case shows signs of wear and staining. Monogram to the outside case of RT, no key. **General condition consistent with age
Rare George III ash and elm primitive comb back Windsor chair, probably West Country, circa 1800, with shaped top rail over eight upper spindles, 'crinoline' arms with sixteen spindles and two shaped arm supports beneath, and broad D-shaped saddle seat on four splayed turned supports, 61cm wide x 105cm high For a similar example, see Cotton, Bernard D., The English Regional Chair, ACC, 2001, p.262, Figure SW8. Condition: Minor cracking to top rail where some spindles peg into the base, one dowel peg loose. Typical minor losses to top edge of top rail. Crinoline arms are well worn and patinated with old worm scarring particularly evident to one arm. Very old loss to rear edge of seat, typical cracking and figuring as per images. Patination a little dry in places. All legs appear original but two of these have metal stops beneath (presumably once on a non-level floor) and so this can not be guaranteed. Two of the legs are slightly loose due to pegged construction and shrinkage. **General condition consistent with age
"The Beheading of Saint John the Baptist", icon on glass, stained frame, decorated with comb, attributed to painter Petru TămaÈ™-son, FăgăraÈ™, late 19th century "The Beheading of Saint John the Baptist", icon on glass, stained frame, decorated with comb, attributed to painter Petru TămaÈ™-son, FăgăraÈ™, late 19th century 67 × 61 cm
A green painted 'comb' back Windsor chair, second half 18th century, possibly Irish, the curved rectangular top rail above turned spindle supports the 'horseshoe' arms, above the solid seat, carved with ownership initials 'S*' to the side edge, on turned legs, joined by an X-shaped stretcher, 92cm high, 66cm wide, 51cm deep In addition to the 'S' carved to the side of the seat, the letter 'W' has also been carved twice to one arm terminal.Condition Report: Marks, scratches and abrasions, old chips and splits comensurate with age and use. Some old losses. Some old repairs. In some very small areas where the paint has been worn, fragments of a red coloured paint are visible. Where the stretchers to the legs cross eachother, they have been tied in a 'primitive' manner. It is impossible to tell how old this string is, it may not be original. In addition to the 'S' carved to the side of the seat, the letter 'W' has also been carved twice to one arm terminal (see additional images). No old breaks to the legs. The chair is of solid structure. As one may expect from a 'primitive' chair, it does not sit perfectly straight and some movement and wear to the legs and structure has occurred over time. This chair is part of the Phillip Lucas collection. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
An ash and elm 'comb' back Windsor chair, second half 18th century, of West Country type, possibly Cornish, the shaped top rail above the spindle back and curved arms, the solid seat on turned legs, 114cm high, 61cm wide, 45cm deepFor two remarkably similar examples of chair see, Bernard D. Cotton, The English Regional Chair, Antique Collectors Club, 1990, page 265, plate 34, and page 273, figure SW33. Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Various old chips and splits. Slight movement within spindles but chair is structurally solid overall. Some filler used in places. Slight movement within join between one legs and seat. Some old later nails to top rail and arms to help secure spindles. Two old filler holes to centre of seat. Old glued repair to centre of top rail. Old nail repair to one spindle of the back. Condition Report Disclaimer
A 19th century Swiss musical box, with 14 cm comb playing ten airs. Case width 46 cm. CONDITION REPORT: The music box does play. All teeth and tips are present. The mechanism winds and appears to change tune. The stop start mechanism is sluggish. The case itself is structurally sound but generally tired with paint loss, scuffs and marks.
A George V travelling brush set with embossed floral spray decorated backed brush and silver mounted comb and oval mirror in a tooled and gilded leather case (by W J Myatt & Co., Birmingham 1927), together with a silver needle case, miniature whistle, "Fiddle" back fork and "Old English" pattern teaspoon, 2.53 oz total weighable silver
A late 19th Century rosewood and simulated rosewood inlaid cased musical box, four airs by Nicole Freres of Geneva retailed by Imhof & Mukle, 547 Oxford Street, London, approx 40 cm long CONDITION REPORTS Appears in good order throughout. There are no teeth missing and the cylinder seems in good condition. The comb is stamped with maker's name. The brass plate top right of the cylinder is No'd. 39520 which coincides with the number upon the music card to the lid. The interior however is very red in colour suggesting that it may have been once restored. The buttons / levers to the right appear quite stiff but move. The handle has a similar feel in that it is quite stiff but works. See images for further detail.
A George V silver and engine turned four piece dressing table set comprising two clothes brushes, hairbrush and mirror (by Asprey of London, Chester 1911), together with two further clothes brushes and comb and an early 19th Century Pearl ware pottery figure of a Putti with basket of flowers, No'd to base "21" (x 5)
Two Regency period openwork tiara hair combs, one decorated with faux pearls and another set with paste stones, both in gilt metal One is missing pearls, with other pearls are broken or cracked, wear to gilt, top finials are broken off. Top section of tiara is missing entire comb section and sides. Twelve paste stones missing, others not secure in setting, glue residue visible from previous repairs. Two top finials are broken. Both items are mis-shapen
Geschlossener Helm, Historismus im Stil um 1570 Zweiteilig geschlagene Kalotte mit hohem, geschnürltem Kamm. Zweiteiliges, aufschlächtiges Visier mit getrennten Sehschlitzen. Kinnreff mit zwei Sperrhaken, die zwei angenieteten Halsreife mit gebördeltem und geschnürltem Rand. Oberflächen geschwärzt. Visier und Kinnreff nicht bewegbar. Höhe 32 cm. Zustand: II - A close helmet, historicism in the style of circa 1570 The skull forged in two pieces with a tall, roped comb. The pivoted two-part visor with separate eye slits. The chin guard with two hook-and-eye closures, the two riveted neck lames with turned and roped edges. Blackened surfaces. Visor and chin not opening. Height 32 cm. Condition: II -
Prunk-Sturmhaube aus Kupferguss nach Vorbild der Renaissance, deutscher Historismus um 1860 Einteilig gearbeiteter Helm aus Kupferguss mit Reliefdekor in antikisierendem Stil. Auf der Kalotte seitlich Schlachten- und allegorische Szenen, auf dem Kamm Trophäendekor. Hohl gegossener Augenschirm und Nackenschutz. Die Außenseite versilbert und stark patiniert. Höhe 30 cm. Hochwertige Arbeit einer Kunstgießerei nach dem Vorbild der italienischen "a la antiqua"-Paradehelme der Spätrenaissance. Zustand: II A splendid German historicism burgonet in copper die casting, modelled after the Renaissance, circa 1860 The helmet forged in one piece in copper casting, with antique-style relief décor. Battlefield and allegorical scenes on the sides of the skull, trophy décor on the comb. Hollow-wrought peak and neck guard. The exterior silver-plated and heavily patinated. Height 30 cm. Outstanding workmanship, made by an art foundry after the Italian "all'antica" parade helmets of the late Renaissance. Condition: II
A COLLECTION OF 19TH CENTURY GREEN PASTE JEWELLERY, comprising a rivière necklace, the line of graduated oval mixed-cut pastes in open-back pinched collet settings, accompanied by a possibly associated gilt-tooled green leather case, together with a pair of ear pendants, each pear-shaped paste drop surmounted by a cushion-shaped paste, set throughout in foiled closed-back pinched collet settings, on hinged wire fittings with French rooster's head gold marks, and a hair ornament, similarly set with graduated cushion-shaped pastes, on comb fitting, necklace length 41.5cm, ear pendants length 3cm, ornament width 12cm (3) Condition report: These pieces are of matched design and do not appear to originate from the same workshop. All pastes have scuffs, chips, nicks and scratches to the surface. The ear pendants and hair ornament have foiled closed-back settings, with patchy discolouration to the foil backing. One of the outer pastes to the ornament appears to be a later replacement. Pastes to the necklace graduate from approx. 11mm x 9mm to 9.5mm x 7.5mm in length x width. The necklace settings have patchy wear and thinning, and the clasp tongue has been replaced/repaired with an associated later panel and solder to the adjoining setting. The necklace has further repairs at the junctions between other settings, metal standard is untested, gross weight approx. 31.8gm. The possibly associated case is in worn condition. One of the ear pendants has a large dent and split to the back of the drop, the other has shallow dents/impressions. Both ear pendants are tarnished and the fittings are functioning, gross weight approx. 3.5gm. The hair ornament is gilt metal mounted, with large dents and splits to the backs of the settings, an area of loss to the finish on the front of the mount and staining to the back. The comb section is partly bent. Gross weight approx. 32.5gm.
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