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A BOX OF ASSORTED SILVER ITEMS, to include a ‘Sampson Mordan & Co’ silver dish, hallmarked London 1899, a hair brush hallmarked Birmingham, a silver lined comb hallmarked Birmingham, a silver handled button hook and shoe horn each hallmarked Birmingham, a silver fronted address book, three glass scent bottles with silver collars, two silver lidded vanity jars, a single napkin ring and manicure scissors, approximate gross weight of weighable silver 3.62ozt 112.9 grams
A group of 19th century and later furniture, comprising: a Victorian pine blanket chest, an Edwardian mahogany towel rail, folding chair, mirror, open bookcase, tall pine bookcase, child's country comb back chair, small reproduction drum table, small torchere, 1920's oak two drawer filing cabinet, Edwardian mahogany lamp table, provincial spinning wheel, small pine chest, and a reproduction wine table (14)
A PAIR OF COMB BACK WINDSOR ARMCHAIRS the seat 53.5cm wide, 105cm high overall Condition Report : good condition, slight crack/damage where arms meet uprights Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A late 19th century tortoiseshell and ostrich feather fan, a beadwork pouch purse, decorated with dogs, two other purses, a spoon with moonstone finial and a hair comb.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A large 19th century Swiss rosewood and marquetry rounded rectangular bells in sight orchestral music box, 17.5cm cylinder playing eight airs on a one-piece comb, four bells and a snare drum, serial number 21961, corresponding tune sheet, inlaid with a musical trophy and outlined with boxwood stringing, bracket feet, 26cm high, 49.5cm wide, 31.5cm deep, c.1870
A Victorian silver chatelaine, comprising an aide memoire (af), clip, thimble, cross, pencil holder, by Rosenthal, Jacob & Co, London 1869, a white metal example, and a silver hair comb, with pierced floral decoration, by Reynolds & Westwood, Birmingham 1905, weighable silver 140gms (2) Condition Report:Available upon request
An Edwardian six piece silver dressing set, comprising two clothes brushes, two hand brushes, a hand mirror and comb, all decorated with relief moulded vine borders featuring blank cartouches, by Martin, Hall & Co, Chester 1908, the mirror for the same maker, Birmingham 1910 (6) Condition Report:Available upon request
A collection of silver including a silver hand mirror with engine turned decoration surrounding a monogrammed cartouche, Birmingham 1923, a white metal hand mirror with relief moulded decoration of roses, unmarked, a silver handled shoe horn and crochet hook, Birmingham 1907, a silver mounted comb, Birmingham, a silver mounted clothes brush, by W J Myatt & Co, Birmingham 1924 (5) Condition Report:Available upon request
A silver mounted hand mirror decorated with Reynolds angels, by Henry Matthews, 1905, a matching comb and top of a brush, a cased set of silver apostle spoons, with shell shaped bowls and wrythen terminals, by William Devenport, Birmingham 1896, a pair of silver napkin rings, a silver dwarf candlestick, Birmingham 1913 (weighted), a silver handled shoe horn and crochet hook, a silver jar lid, by John Grinsell & Sons, Birmingham 1935, a silver topped cut glass scent bottle, a silver topped cut glass pot, weighable silver 142gms (8) Condition Report:Available upon request
A George V tortoiseshell and silver mounted and pique decorated part dressing table set, comprising one hair brush, one clothes brush and a mirror, Birmingam, with a silver mounted hair brush and comb, some damage (5)Part set - all dented. Two handles curved. Silver frame on mirror with small sections of buckling and lacking finial on inlaid decoration.Remainder - dents and scratches
A 19th century comb-back ash Windsor chair, the hooped back with eight spindles, the saddle seat raised on ring-turned supports united by an H stretcher, 56cm wide x 50cm deep x 102cm high, seat height 45cm.All joints sturdy. Evidence of re-gluing where legs join the seat. Leg length slightly different and so the chair does have a wobble. Fine split to seat adjacent to front right arm support. Brace to mid rail on one side. General signs of age and use throughout including typical wear and scuffing.
[BASKERVILLE PRESS / BINDING] BOOK of COMMON PRAYER..., 8vo, [9.75 x 6.5 inches], unpaginated: 7 ff. (n.n.), ending at 'Mm2' as often, full black morocco with wide gilt multiple roll-tooled gilt borders to the covers, spine with raised bands, gilt-tooled, comb-marbled end-papers, (a little rubbed, corners knocked), Cambridge, John Baskerville, 1761
A silver presentation cigarette box, Walker & Hall, Sheffield 1957, engraved crest and 'Invicta' motto to lid, cedar wood lined with inscribed presentation plaque inside lid, 9cm x 11.5cm; a silver-mounted comb; a silver shield fob containing a small knife blade; a silver bookmark; two silver thimbles; four silver buttons with old sailing ship design; a white metal name brooch; and a pair of buckles; total weighable approx. 1oz.
The Tourist's Guide through the County of Kent, and Part of Sussex; Describing the Principal Watering Places, and Most Interesting Objects. Embellished with Twelve Copper Plate Views, and a Correct Map of the County, and Containing a Water Itinerary from London to Margate, London, Wallis, early 19th Century, 116 pp, gilt-tooled half calf with comb marbled boards, 14 cm x 9 cm
Stan Shaw eleven piece Sow belly exhibition/collectors penknife, with pearl scales, milled brass linings, stainless steel blades and hand engraved silver bolsters hallmarked Sheffield, featuring; scraper, scissors, dog comb, clip blade, pruner blade, fleam, sheepfoot blade, pen blade, button hook, saw and a castrater blade, stamped 017 to a blade, 4" long, in a fitted presentation case - ** sold with the original invoice receipt dated 2010
A large 19th century Swiss rosewood and marquetry rounded rectangular music box, 40cm cylinder playing twelve airs on a one-piece comb, lyre shaped damper, cranking handle, Stop/Start and Change/Repeat selectors, serial no.12508, corresponding tune sheet, the hinged cover inlaid with a musical trophy and outlined with boxwood stringing, 69.5cm wide, c.1870
A FRENCH CAVALRY HELMET AND HELMET FITTINGScomprising an early 20th Century steel helmet with brass laurel-leaf front plate bearing a grenade, brass binding to edges and a plume-socket on the left hand side. Seven-tongue leather lining. Now lacking its decorative brass comb and chinscales. Together with a brass Medusa-face helmet-comb of similar pattern, and anothe comb with dragon decoration to sides; a rayed brass frontal plate (now flattened), probably for a bearskin cap; a lion~s head finial for a British 1834 Pattern dragoon helmet; and a pair of chin scales for a German officer~s pickelhaube(6)Provenance; David Jeffcoat (1945 - 2020);
â“‚ A COMPOSITE GERMAN FULL ARMOUR, CIRCA 1500/10comprising close helmet formed of a rounded one-piece skull rising to a boldly cabled medial comb decorated with pairs of incised lines and cut away at the nape to receive a neck-guard of two lames (later), fitted with brow-reinforce en suite with the skull, visor of ~sparrow~s beak~ form, pierced with a single stepped vision-slit and a series of circular and slotted ventilation-apertures, fitted at the right with a later lifting-peg, later bevor shaped for the chin and secured to the skull at the right of the neck by a swivel-hook and pierced stud (the skull with an early patched repair), the reinforce, visor and bevor all attached by common pivots; collar of three lames front and rear (the lowest front lame trimmed, pitted, small cracks and chips) the top lames lightly roped, the remainder bordered by single incised lines; strongly formed globose breastplate with a bold inward turn at the neck, fitted with later lance-rest at the right of the chest, movable gussets at the arm-openings (the left restored) en suite with the neck (an early internal patch repair), associated waist-lame, and fauld of three lames with pendant tassets each of four lames (the upper three restored using old plates); backplate formed of a main plate drawn-in at the waist, fitted with waist-lame flanged outwards to receive a short culet of three lames each formed at its upper edge with three cusps, the lowest with a recessed border of low triangular section; a pair of spaudlers each of five lames (the top right restored, small repairs); articulated vambraces formed of tubular upper and lower cannons, the former fitted at its upper end with a turner, and a couter of three lames, the central lame projected inwards at the front as a wing decorated with recessed border; circular besagews (the left restored), each rising to a small central boss and decorated at its edge with roping and a recessed border, gauntlets each formed of a short straight-ended cuff with fixed inner plate, four metacarpal-plates, knuckle-plate (the left restored), shaped finger-plate, hinged thumb-defenses terminating in a pair of scales (the finger-defences restored), and later buff-leather lining gloves; cuisses each formed of a gutter-shaped main plate (the right with a riveted patch) decorated at its upper edge with a bold inward turn and incised lines, and fitted at its lower edge with a winged poleyn of five lames, the wing fluted, and a pair of tubular full-length greaves (both with trimmed edges, the front right plate patched) fitted at the front with a mail sabaton terminating with later steel caps (areas of pitting throughout): on a wooden stand with moulded basePart proceeds to benefit the Acquisition Fund of the Arms and Armor department, The Metropolitan Museum of Art, New York.
A COMPOSITE NORTH EUROPEAN CUIRASSIER'S ARMOUR, EARLY 17TH CENTURY, PREDOMINANTLY DUTCHcomprising heavy close helmet with rounded skull formed in two halves joined along the crest of a moderately high roped medial comb, fitted at its rear with a tapering tubular plume-holder and at its front with a peak and bevor attached by common pivots having slightly domed radially incised heads (replaced), the obtusely pointed peak fitted on its underside with a U-shaped face-defence cut with seven bars each formed with a medial ridge, the lower edge of the face-guard secured to the bevor at the right of the chin by a swivel-hook and transversely pierced stud, the skull secured at the right of the neck by a similar swivel-hook and stud, and the flanged lower edges of the skull and bevor in each case fitted with a one-piece gorget-plate; slightly later heavy one-piece breastplate of vestigial peascod fashion with an upstanding inward-turned neck-opening, fitted at each of its shoulders with a later hinged buckle replacing a lower fastening now represented only by a vacant hole, and formed at its lower edge with a flange fitted at either end with a large mushroom-shaped stud for the attachment of a tasset; the right of the breast struck with the helmeted |A| mark used by the Armourers~ Company of London between 1650 and 1660, and the left of the breast struck with a cross paté; one-piece backplate with upstanding neck-opening and outward flanged lower edge fitted at its right and left ends respectively with a mushroom-shaped stud and a transversely-pierced stud for the attachment of an associated, detachable deep culet of four upward-overlapping lames; large symmetrical pauldrons, not an exact pair but in each case each forming part of the same series, the left and right of nine and ten lames respectively, in each case overlapping outwards from the fifth (the first lame of the left and the first four of the right associated), both pauldrons connected by a turner to a fully articulated vambrace formed of a tubular upper and lower cannon with an intervening bracelet couter of three lames (the right couter and lower cannon of the left vambrace associated); long tassets not an exact pair but in each case forming part of the same series, the left and right respectively of twelve and thirteen lames, and terminating in a winged poleyns of five, the latter laterally hinged to the last metacarpal lame; the main edges of the armour formed with inward turns; fingered gauntlets each formed of a long flared and pointed cuff fitted with a short separate inner plate, a wrist-plate, six metacarpal-plates, a knuckle-plate, scaled finger and thumb-defences ard turns, in some cases roped, and accompanied by incised lines, and the subsidiary edges bordered by similar lines; the surfaces of the armour cleaned bright with a light partly mottled patina; and accompanied by a pair of modern leather boots formed of sewn panels white fabric lining bordered at its upper edge with lace; the whole mounted on a mannequin with a steel base
A COMPOSITE ENGLISH PIKEMAN~S ARMOUR, LONDON, MID-17TH CENTURYcomprising pot with rounded crown formed in two halves joined by a turn along the crest of its low medial comb, and extending at its base to an integral brim turned down slightly at each side and projecting to an obtuse point front and rear (its edge showing some small cracks, dents, perforations and patches); collar formed of a single deep plate front and rear, in the former case flanged upwards at the neck-opening; one-piece breastplate of vestigial peascod fashion fitted at each side of its upper end with a pierced stud and accompanying swivel-hook (the left hook restored) to secure the free ends of the shoulder-straps of a backplate, the neck-opening struck with the mark |IW| of its maker, probably identifiable as John Wright (made free 1626, presented mark 1637, and the crowned IR government ownership mark of the time of King James II (1685-8), and formed with a deep flange at its lower edge supporting on a pair of hinges (the outer right one restored and the inner left one fractured at one side) a deep one-piece tasset embossed to simulate six lames; the main edges of all elements formed with plain inward turns accompanied at various points by recessed borders and incised lines, and the whole cleaned to a lightly patinated finish, and mounted on a fabric-covered mannequin with a wooden stand;
A GERMAN BURGONET, MID-16TH CENTURY AND AN ELECTROTYPE COPY OF THE HERMITAGE MILANESE BURGONET EMBOSSED WITH SCENES OF JUDITH AND HOLOFERNES OF CIRCA 1560, 19TH CENTURY; the first with rounded one-piece skull rising to a high medial comb, fitted with later peak (now in two pieces), associated one-piece neck-guard (internally patched repair), and fitted at each side with a later hinged cheek-piece (extensive rust throughout); the second with low comb, each face with a differing scene surrounded by classical figures and trophies (a small portion detached); the first: 24.0 cm; 9 ½ in high; (2); ; The second is copied from that preserved in the State Hermitage, Saint Petersburg (inv. no. 3.0.6155)
AN IVORY NETSUKE OF AN ONI COMBING HIS HAIRJapan, Meiji period (1868-1912)The finely carved and stained ivory netsuke depicting a seated Oni with a satisfied facial expression, holding a water basin in his left hand, and a comb in his other hand, brushing through his hair and using the water to slick the hair back. Two symmetrical himotoshi at the backside.HEIGHT 3.9 cmCondition: Fine condition with usual traces of wear and age, with a crack to the right foot and to the water basin. Provenance: Tajan, Arts du Japon, 25 October 2012, Paris. A notable European collection, acquired from the above.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
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18647 item(s)/page