We found 20273 price guide item(s) matching your search

A rectangular terracotta slipware dish, with two-tone brown comb decoration on a cream ground, pinched rim, 32cm w

AN ART DECO BOXED BRUSH, MIRROR AND COMB SET

ANTIQUE & VINTAGE HOUSEHOLD FURNITURE GROUP - a crinoline stretchered Windsor armchair, comb back missing, oak reclining armchair with spindle gallery sides and button upholstered cushions, two Danish teak occasional tables and a bow fronted set of three occasional tables, various measurements

A PRIMITIVE ELM AND ASH WINDSOR STYLE ARMCHAIR POSSIBLY WELSH, LATE 18TH / EARLY 19TH CENTURY the stylised comb top rail above a stick back and a slab seat, the scroll arms branded with initials 'L D', on rustic branch type legs, with traces of red painted decoration

AN IRISH PRIMITIVE ASH AND SYCAMORE 'GIBSON' ARMCHAIR 19TH CENTUR the curved comb top rail above a stick back, with outscrolling arms, above a solid seat and rustic legs, with traces of green painted decoration

19th century leather fire helmet, the high comb with brass lion head brass trimming all round, leather chinstrap.

19th century leather fire helmet, high comb, brass trimming all round, brass scaled chinstrap.

A gilt metal Albertine with faceted spheres, fitted with a T bar and swivel, reverse painted brooch harbour scene, hand painted portrait in a gilt metal mount, Limoge plaque, faux tortoiseshell air comb, novelty telephone brooch with shamrock, paste set cravat pins,

A pair of silver-mounted clothes brushes; a pair of Indian white metal napkin rings, decorated with dogs chasing quarry; two silver napkin rings; a silver-mounted comb; and an EPNS cigarette box.

A FOUR PIECE SILVER VANITY SET, to include a hairbrush, clothes brush, comb and a handheld mirror, each with an embossed floral and bow design, with hallmarks for 'Deakin & Francis' Birmingham 1979

A SELECTION OF SILVER ITEMS, to include a three-piece cruet set comprising a cut glass salt with a silver salt spoon, hallmarked Birmingham, a cut glass silver lidded pepperette, hallmarked Birmingham, and a cut glass with glass stopper vingerette, on a plain polished cruet stand with an openwork circular handle, hallmarked 'Barker Brothers', Chester 1909, two pierced silver and blue glass lined salts, each with a decorative scroll embossed rim, hallmarked 'William Arthur T Hallet' Birmingham 1905, a cut glass and silver mounted dressing table jar, hallmarked Chester, a cut glass and silver mounted ink well, a cut glass silver lidded rectangular dressing table box, rubbed unreadable hallmark, a compact engine turned mirror and comb hallmarked London import, within a purse with popper button, also including two small filigree openwork trinket dishes, Continental control marks, approximate gross weight of weighable silver 185.1 grams

Edward VII silver dressing table set, Sheffield 1907/08, maker Walker & Hall, consisting of hand mirror, hairbrush, clothes brush, comb handle, all with embossed scroll decoration, silver mounted glass jar (5)

19th century elm and ash Yorkshire Windsor chair, high comb back with pierced and fretwork splat, turned supports joined by double H-stretcherDimensions: Height: 112cm  Length/Width: 65cm 

A group of mixed collectables to include a hallmarked sterling silver topped comb, button hook and shoe horn together with silver plated items.

A boxed silver brush and comb set. The box 28 cm wide.

A white metal comb on a chain

A large church oil heater lamp with a squat brass base, base approx. 11" diameter and unusually embossed around the side, standing on three pimple feet with a 6" diameter gallery supporting a pear shaped honey comb cranberry glass globe, 12" tall x 11" wide, complete with brass crown (crown a/f.), 20" tall in total. The lamp has been converted to electricity. * Church Oil Heater Lamps provided heat with a reddish glow within a church or church hall, some lamps with globes had brass crowns or coronets on top to radiate more heat, and apparently were often placed on the floor by pews, normally pews belonging to the rich and good of the village, to keep their legs warm, while the vicar gave his long sermon. Lamps with pinched and flared tops were usually placed in church halls, vestries or cold and drafty gloomy corridors or cloisters.

CHINESE SILVER FOUR PIECE VANITY SET, comprising hand mirror, two brushes and a comb, three pieces stamped (4)

A late 19th Century lever wind musical box playing ten airs in an inlaid walnut case (comb and barrel as found)

EARLY 20TH CENTURY SILVER COMB BOX, London marks, of oblong form, the hinged cover opening to reveal an interior fitted for two combs, 17.5cm wide

CASED EARLY 20TH CENTURY SILVER BRUSH SET, Birmingham marks, comprising a pair of clothes brushes and a comb, engine turned with central initialled cartouche, 12cm wide, cased, along with another pair of clothes brushes

EARLY 20TH CENTURY SILVER AND GUILLOCHE ENAMEL DRESSING TABLE SET, Birmingham marks, comprising hand mirror, hair brush, clothes brush and comb, the hand mirror 27cm long, in fitted case

An George VI silver four piece dressing set comprising hand mirror, hair brush, clothes brush and comb, Birmingham marks 1950/51 in velvet lined case

Collection of Vintage Compacts and Comb

A Late 18th Century Thames Valley Fruitwood Armchair, the comb shaped top rail above a solid vase shaped splat and elm moulded seat, on turned front legs joined by an H stretcher, height 103cm, width 58.5cm, depth 44cm. For a similar chair see Michael Harding-Hill, Windsor Chairs page 36.Provenance:Michael Trethewey. A Gentleman of Taste.We are delighted to be selling in this sale and over forthcoming sales, items from the estate of the collector Michael Trethewey. Michael had an unerring eye for quality. He was a frequent visitor to these auction rooms, an elegantly dressed, unassuming man who bought well and had a singular passion for old school antiques.We are honoured to be handling his estate and as well as the items in this antiques sale we will be selling further pieces from his extensive collection in our June 17th Jewellery, Silver & Watches Sale and across our range of upcoming specialist sales.

An ash and elm 'comb back' Windsor armchair, 19th century, height 94cm, width 60cm.Condition report: Front leg broken and detached, seat and stretcher wormed.

Selected silver pieces primarily dressing items including a brush, comb, vanity scissors, files etc; also six assorted silver napkin rings and a chain link purse (the napkin rings and purse 5.3 oz t)

*A GILT LACQUERED TORTOISE SHELL COMB, KUSHI Japan, Meiji period Adorned with a landscape and with flowers. L: 7,1 cm Weight: 4,9 grams ** Please note that this lot contains tortoise shell and is subject to CITES regulations when exporting outside of the EU. The United States Government has banned the import of ivory into the USA.**

Ⓦ AN IMPORTANT SOUTH GERMAN ETCHED^ GILT AND EMBOSSED CLOSED BURGONET^ AUGSBURG^ CIRCA 1555-60^ THE ETCHING ATTRIBUTED TO JÖRG SORG THE YOUNGER¦formed of a rounded one-piece skull rising to a high notched medial comb^ pierced at the nape with five small rivet-holes for the attachment of a missing plume-holder and to either side of it with four lace-holes^ peak^ face-guard and bevor attached by common pivots with domed foliate heads^ the broad peak of ogival form^ the face-guard pierced with four large trapezoidal apertures and secured at the right by a spring-catch^ the bevor pierced at each side with a circular arrangement of seven holes^ shaped to the chin and secured to the right of the skull by a hook acting on a pierced spring-catch with push-button release^ fitted with falling buffe of three lames^ each secured by a spring-catch on the right^ the bevor flanged outwards at the base to receive a single front lame (the lowest missing)^ the nape fitted at the rear with two neck-lames^ the principle edges notched en suite with the skull^ decorated throughout with embossed^ etched and gilt designs comprising on each side of the comb^ the skull^ the peak and the gorget-plates broad bands filled with large expanded flowerheads and foliage on a blackened and stippled ground within a framework of interlace^ the latter issuant with tulip-shaped flowerheads^ the face-guard decorated with cherubic masks^ foliage and trophies-of-music on the vertical bars^ the bevor with a rosette on each side^ the secondary borders decorated with matching interlace (areas of pitting and patination)¦34.5 cm; 13 ⅝ in high¦¦Part proceeds to benefit The Wallace Collection¦¦Provenance¦A private European Collection¦¦This previously unrecorded helmet belongs to an elaborate garniture including a close helmet^ gauntlet for the left hand^ breast and backplate^ now preserved in the Philadelphia Museum of Art (acc. no. 1977.167.109a-n)^ a front skirt lame preserved in the Metropolitan Museum of Art^ New York (acc. no. 04.3.278)^ a vamplate preserved in the Musée de l~ Armée^ Paris (K.Po.2341)^ and a saddle sold Christie~s London^ 18th April 1985^ lot 40.¦¦Its distinctive ornament identifies it as part of a group of at least five very closely related designs including that occurring on an armour made for Don Garcia de Toledo^ Marqués de Villafranca and Viceroy of Sicily^ by Anton Peffenhauser and decorated by Jörg Sorg. The design on the present helmet closely matches it with the added embellishment of tulip-like flowerheads emerging from its borders. The inclusion of tulips is possibly a reference to the Ottoman empire^ the flowers having been documented^ apparently for the first time^ in the spring of 1555 by the Imperial ambassador at the court of Suleyman the Magnificent. The decorative scheme is also comparable to that of the celebrated ~Flower pattern~ and ~Burgundy Cross~ armours of Philip II made in 1550 and 1551 respectively (inv. nos. A217^ A 219 and A263). See Don Juan 1898^ pp. 74-75 and pp. 86-89.¦¦Jorg Sorg^ the son of a painter of the same name^ was born in Augsburg around 1522. His mother was the daughter of the celebrated armourer Kolman Helmschmied. It is likely that he learnt his trade in his father~s studio and was received into the Augsburg Painters Guild as a master in 1548. In 1564 he is recorded living next door to the armourer Wilhelm Seusenhofer and in 1575 he became guardian of the motherless son of the armourer Matthäus Fraunpreiss II. His importance as a decorator of armour is documented by an album of his designs dating to 1548-63 in which a number of armourers and patrons for which he worked are recorded. The latter includes a number of prominent members of the Hapsburg courts in both Austria and Spain. Don Garcia de Toledo is represented by a garniture of three armours dated 1551 in the manuscript.¦¦The armour garniture reached its greatest and most elaborate extent around the middle of the 16th century. The |Eagle| garniture made for Ferdinand II^ Archduke of Tyrol^ in 1547 comprised eighty-seven interchangeable pieces that could produce twelve different armours for different forms of combat. Though clearly functional such armours had become increasingly powerful status symbols.¦¦See Becher^ Gamber and Irtenkauf 1980^ pp. 64-7^ fol. 19-20; Del Campo 2009^ pp. 228-92 cat. nos. 46-7 and pp. 239-243^ cat. no. 50; Kienbusch 1963^ pp. 37-38^ no. 23; Norman 1986^ pp. 83-86; and Tavares 2014^ p. 118. Laking^ Vol. 3^ pp. 310-17.¦

‡Ⓦ A FINELY CONSTRUCTED COMPOSITE SOUTH GERMAN BLACK-AND-WHITE THREE-QUARTER ARMOUR (HARNASCH)^ SECOND HALF OF THE 16TH CENTURY¦comprising extensively restored close helmet with rounded two-piece skull joined along the crest of a moderately high medial comb^ and fitted with a broad^ obtusely-pointed peak and a bevor attached to the skull by common pivots^ the bevor fitted over a U-shaped face-opening with a falling buffe of two downward-overlapping lames pierced at each side with ventilation-slots^ the lower edges of the skull and bevor each formed with an internally-hollowed rim to fit over and rotate on the upper edge of the collar; collar of four lames front and rear^ the lowest in each case deeper than the rest (originally of |Almain| form^ but with its integral spaulders subsequently removed); breastplate formed of a medially-ridged main plate with a near-straight upper edge struck at its centre with a makers (?) mark^ projecting forward over the belly^ fitted at each arm-opening with a moveable gusset^ and flanged outwards at its lower edge to receive a pair of tassets each of fifteen upward-overlapping lames terminating in a winged poleyn of four lames; one piece backplate with a near-straight upper edge^ flanged outwards at its lower edge to receive a deep culet of one lame; a pair of asymmetrical pauldrons each of six lames overlapping outwards from the second which in each case bears an upstanding haute-piece^ the lowest four lames of the right pauldron cut away at the armpit to accommodate a lance^ and fitted there with a large circular besague rising to a central point^ and the lowest lame of each pauldron attached to the turner of a fully-articulated vambrace formed in each case of tubular upper and lower cannons linked to one another by a winged bracelet couter^ the lower cannon opening at its rear; a pair of fingered gauntlets each formed of a long flared and obtusely-pointed cuff with a fixed separate inner plate^ five metacarpal-plates^ a transversely-roped knuckle-plate^ and scaled finger- and thumb-defences; the main edges of the armour formed with roped inward turns^ and its surface decorated with bright borders and bands on a blackened ground incorporating at the front of the left pauldron and its besague a star-shaped device; all on a wooden stand and rectangular base¦202.0 cm; 79 ½ in high¦¦Part proceeds to benefit The Wallace Collection¦¦Provenance¦Henk Visser (1923-2006)^ inv. nos. C91^ C92¦Thence by descent

A "BLACK AND WHITE" COMB MORION IN GERMAN EARLY 17TH CENTURY STYLE ^ 20TH CENTURY¦with rounded two-piece crown joined along the crest of a high medial comb^ integral brim turned down at each side and projecting to an obtuse point front and rear^ and each side decorated with a burnished crescentic band rising to a point^ against a blackened background (refreshed with paint) ¦28.0 cm; 11 in high¦

Ⓦ A COMPOSITE ENGLISH HARQUEBUSIER'S ARMOUR^ MID-17TH CENTURY¦comprising pot with hemispherical skull formed in two pieces joined medially along a low comb^ fitted at the brow with a slightly down-turned pivoted peak struck at its left side with the maker~s mark ID (?) and supporting on its underside a triple-barred face-guard^ at the nape with a one-piece neck-guard embossed to simulate three lames^ and its sides with pendent cheek-pieces (the left detached)^ heavy one-piece breastplate formed with a medial ridge^ a V-shaped waist-line^ a raised neck-opening and a short outward-flanged lower edge^ each side of the chest fitted with a stud for the attachment of a shoulder-strap^ and one-piece backplate formed with an upstanding neck-opening and outward-flanged lower edge^ and fitted with scaled shoulder-straps and waist-belt^ the centre of the neck-opening struck with the maker~s mark ~SK~ and the cross of St George within an escutcheon^ the government ownership mark of the time of the Commonwealth^ the main edges of the armour decorated with plain inward turns and its surfaces retaining the greater part of a black from the hammer finish (now extensively pitted; the cheek-pieces of the pot and the shoulder-straps of the backplate replaced): on a wooden stand¦83.5 cm; 32 7/8 in high¦¦Property from the David Jeffcoat Collection (1945-2020)¦¦Part proceeds to benefit The Wallace Collection¦¦The Government Ownership mark on the backplate dates from the time of the Commonwealth^ namely 1649-60. The maker~s mark on the backplate may be that of Sylvester Keen^ who worked in partnership with Rafe Boulter and received an order for ~200 backs and brests and pots English at xxsp suite~^ together with an order for ~200 headpieces at viis p piece~ on 26th June 1645. The partnership between Boulter and Keen appears to have broken up as they both registered their own marks on 30th October 1648. Keen continued to work and was appointed chief hammerman of the re-established Almain Armoury at the Tower on 7th May 1660. His step brother was probably Henry Keen^ one of the best known of the London Armourers of this period. See Richardson 2004^ pp. 49-50 and p. 53.

Ⓦ AN ENGLISH HARQUEBUSIER~S POT^ MID-17TH CENTURY¦with hemispherical skull formed in two pieces joined medially along the crest of a low comb^ fitted at the brow with a broad^ flat obtusely-pointed peak bearing traces of a makers mark and supporting on its underside a triple-barred face-guard^ at the nape with an obtusely-pointed one-piece neck-guard embossed to simulate four lames and punched ~21~^ and at each side with a later pendent scutiform cheek-piece^ the main edges of the helmet formed with plain inward turns (pitted throughout^ small chips at the front behind the peak)¦33.5 cm; 13 1/4 in high¦¦Property from the David Jeffcoat Collection (1945-2020)¦¦Part proceeds to benefit The Wallace Collection

Ⓦ A BURGONET IN GERMAN LATE 16TH CENTURY STYLE^ 19TH CENTURY¦with rounded skull formed in two pieces joined by welding along the crest of a high medial comb^ pointed peak and neck-guard respectively attached within the front and rear edges of the skull by rivets with domed heads^ and hinged cheek-pieces attached to the sides of the skull by similar rivets^ the main edges with inward turns¦29.0 cm; 11 ½ in¦¦Property from the David Jeffcoat Collection (1945-2020)¦¦Part proceeds to benefit The Wallace Collection

Ⓦ A NORTH ITALIAN COMB MORION^ CIRCA 1580¦with rounded one-piece crown (extensively holed on left side) rising to a tall file-roped comb (dented towards the front of its apex) and an integral brim turned down at each side^ rising to an acute point front and rear^ and formed at its edge with a file-roped inward turn accompanied by a narrow groove^ the base of the skull encircled by eleven (originally fourteen) round headed lining-rivets with brass rosette-washers^ and its surface bearing a blued finish (rubbed in parts and lightly pitted overall)¦28.0 cm; 11 in high¦¦Property from the David Jeffcoat Collection (1945-2020)¦¦Part proceeds to benefit The Wallace Collection¦¦The morion forms one of an extensive group sold by Fenton & Sons of 11^ Oxford Street^ London in the 1930s for 5 guineas each. They were said by his former conservator^ Theodore Egli^ to have been acquired by him between the World Wars in Ireland^ and may conceivably be relics of the Elizabethan wars there.¦

A silver backed dressing table set comprising brush, comb, hand mirror and hand brush; another two sets and a manicure set.

A MID-18TH CENTURY OAK DOUBLE HEIGHT CORNER CHAIROn block supports, 74cm wide; 112cm highCondition report: Overall, in good condition considering age and use. General scuffs, wear, rubbing, some variation in colour and small chips commensurate with age and use. An old repair to the top rail of the comb back, with a pinned brass brace to the underside of the rail.  Split visible to the top and a central spindle peg also visible; repegged at some point.Further wear and  shrinkage to the curved central horizontal back rail with two carcksextending from front to back with opening of splits at the back (see additional images) Signs of  some old repair. The elements and joints would benefit from some strengthening. Later corner block to seat rails. Some old worm holes to other corner blocks. Rush drop-in seat in good condition. Rush work probably replaced at some point, in relatively good condition, but some age and wear, losses, dirt and dust. Seat frame in relatively good solid order. Please see additional photographs on www.bellmans.co.uk

Queen Own Worcestershire Yeomanry Officer helmet A fine and rare example of the pattern introduced to the Regiment in 1850 and continued to be used until 1871 following the introduction of the busby. The skull, neck and front peak of boiled black enamelled leather, edged with silver plated trim. This trim is repeated to the base of the skull. To the crown a silver plated comb, decorated with six vertical open slits. This is surmounted by a scarlet inside white horse hair plume with a gilt rose-head boss. To the front a helmet plate of gilded metal, Laurel wreath surrounding title circlet inscribed QUEEN OWN REGIMENT surmounted by a Royal Crest and with Lion and Unicorn supporters. Applied gilt VR cypher to the centre on a burnished silver ground. Two part scroll along the base of the wreath inscribed Worcestershire Yeomanry. The helmet retains a pair of lion head bosses which support a silvered interlinked chin chain with velvet backing. The interior retains cotton lining. Slight age wear VGC. See Uniforms of the British Yeomanry Force 1794-1914 Part 11 Worcestershire Yeomanry page 9 & 10.

France. National Guard, Mounted Branch 1814 Model Helmet. A scarce early Restoration Period example with boiled black leather skull, mounted with large crowned Fleur de Lis with palm sprays silvered helmet plate to the front. The crown mounted with a ornate silvered comb, which supports a detachable horsehair crest. Two large silvered bosses again mounted with Fleur de Lis (one replaced) support silvered chin scales. Oak leaf embossed band to the base of the scull, the design repeated base to the helmet plate. Feather plume in tubular holder to one side. Interior with part leather sweatband lining absent. The helmet is in restored condition.

A Luiz Ferreira long legged birdSilver and quartz crystalMoulded and chiselled sculpture with applied ivory beak, fresh water pearls comb and garnet eyesArticulated neckEagle hallmark 835/1000 and maker's mark Venâncio Pereira (1976-2001) stamped LFHeight: 19 cm

This lot will be auctioned on Thursday, July 1st. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or June 30th. An Industrial Light & Magic (ILM) post-production guide from the production of Robert Zemeckis' neo-noir film Who Framed Roger Rabbit. The guide provided ILM team members with an overview of the post-production workflow process for the innovative live-action/animation hybrid film. The black-and-white printed guide features a black plastic comb binding, cardstock front and back covers, and 35 interior pages of information including text and graphics. It is in good overall condition with some wear from use and age, including edgewear and staining. Dimensions: 12" x 8.5" x 0.5" (30.5 cm x 21.75 cm x 1.5 cm) Estimate: $600 - 800

This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. A shadow box of props from Patricia Birch's musical -comedy sequel film Grease 2. British exchange student Michael Carrington (Maxwell Caufield) competed with Nogerelli (Adrian Zmed), the leader of the greasers, for Pink Ladies leader Stephanie Zinone's (Michelle Pfeiffer) attention. This lacquered wood and glass box featuring a collage of printed stills consists of two Rydell High banners; Goose's (Christopher McDonald) switchblade and comb; Sharon's (Maureen Teefy) cigarette holder; Nogerelli's sunglasses; a necklace; a cigarette pack; a "T-Birds" bracelet; and a plaque engraved for property master Kent H. Johnson. It was created by a prop company involved in production. It remains in good overall condition with scuffs, chipping, and various signs of production use to the contents. Dimensions: 30.5" x 25" x 3.25" (77.5 cm x 63.5 cm x 8.25 cm) Estimate: $3,000 - 5,000

George V child,s three piece silver and enamelled dressing table wares to include a hand mirror, hair and clothes brush, each backed with brown guilloche enamel and hallmarked Birmingham 1931, maker,s mark Albert Carter, together with a silver mounted comb, Birmingham 1929, (4)

Group of 1960s silver mounted dressing table items, with engine turned decoration comprising, a pair hair brushes and a matching hand mirror (London 1960) Garrard & Co, together with another matching pair of brushes and a comb (London 1960) DCB & Co. (6)

Selection of early 20th century silver mounted dressing table items, including a face mirror and two matching brushes, two other silver mounted brushes and a silver mounted comb (Various dates and makers), together with two other white metal mounted combs and an unmarked oval wire basket. (Qty)

An 18th century primitive vernacular comb-back elbow chair, possibly Welsh,with remnants of original painted finish.70cm wide, 34cm deep, 99cm high.

A primitive comb back Windsor armchair, possibly West Country,with a shaped rail above a notch-cut back, swept arms and turned front rails with turned and chamfered legs.67cm wide, 39cm deep, 106cm high.

A rare Swiss quatre-revolver cylinder musical box, late 19th centuryWith a sectional 148 tooth comb, playing on four interchangeable revolving 33.5cm cylinders, in an inlaid walnut case with front viewing window, fitted with ormolu handles, no tune sheet present,88 x 36cm, 38cm high.

Nicole Frères, G. Baker-Troll & Company, A large and complex Swiss multi-instrument cylinder music box, 19th centurythe sectional seventy-two tooth comb interspersed with twenty striking pins, before a castanet and drum, flanking six bells, playing over twelve airs, the marker stamped ‘G. Baker-Troll & Company, Geneva’, the regulator stamped ‘ Nicole Frères’, with original song card, in an inlaid rosewood case, 49.5cm cylinder.83 x 39cm, 36cm high.

Scrap HM silverware, including pair of candlesticks, silver topped glass jar, comb handle, boot hook & shoe horn

Silver four piece dressing table set, marked Western Germany Sterling Silver 925/000silvering to mirror & comb missing

A collection of silver and guilloche enamel dressing set items comprising four brushes, a mirror, two lidded glass jars and a comb topper, maker JD & S, Birmingham 1935 (mirror and comb topper AF)

A box containing a collection of dressing set items comprising four brushes, four lidded bottles, a silver topped comb and one other (a collection)

A silver bedroom set. Hairbrush, comb, hand mirror, assayed Birmingham various maker marks.

An Ercol comb back stained beech rocking chair, width 60cm, depth 50cm, height 106cm

Mid 20th Century gentleman's travelling vanity set, to include scissors, nail file, comb, mirror, pots and covers brushes etc. all housed in a brown leather case

A matched boxed silver dressing table set, comprising two hand brushes, two clothes brushes and a comb, mostly hallmarked London 1900-01, comb hallmarked Birmingham 1901, together with a hallmarked silver teaspoon, three lockets, one with chain, a pearl set brooch and a string of simulated pearls. IMPORTANT: Online viewing and bidding only. No in person collections, an additional charge of £30 (inc. VAT) applies to this lot to cover postage to registered UK only address.

Collection of Far Eastern WW1 & WW2 items.including a hand made British P.O.W hair brush and a locally made hair comb, with a WW2 letter from home and four Japanese letters home. 

Double barrel muzzle-loading shotgun in 14 bore by Witton of 82 Old Broad St. London, with percussion cap. Wittons traded at the Old broad St. address from 1841-50 and were succeeded by Witton Daw x Co from 1851. Average condition and patination with rust patch to extremity of 1/h barrel and broken 1/h nipple. Top rib lifting slightly and rust and some pitting to bone. Plain straight hand stock straight grained with old repair to crack on comb and varnished finish. Well worn chequering to wrist. Ram rod present.

A cased four piece silver and enamel dressing table set comprising hand mirror, hair brush, clothes brush and silver mounted comb, all Sheffield assay 1933/34/37, sponsors mark for Walker & Hall and contained in fitted case.Condition Report: Generally in excellent condition, the hair brush has a couple of slight chips to a small area of the enamel, some surface tarnishing and light scratching to the silver and enamel.Lot descriptions reflect the cataloguer's opinion only and do not constitute a guarantee. If in doubt, intending bidders should either attend public viewing or request a written condition report. All sales are final.