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Great looking Japanese-market GSX-R400RS. Developed in the 1980s as a road going sports bike that emulated the Endurance racers of the time. By the 1990s, the model had become lighter, more aerodynamic and more powerfulStiffer frame and inverted forks gave the bike a much better riding dynamicThis Japanese-market example is presented in mostly original and unrestored condition, benefitting from a recent major recommission after being stored for some timeWork included full brake overhaul, suspension rebuild, carburettor rebuilds and full serviceIn good running order and will be MOT'd before the saleShowing only 18,750 recorded miles and one previous owner before being acquired by our vendorRare bike in this unmolested state. UK-registered on a current V5CSpecification Make: SUZUKI Model: GSX-R400RS Year: 1996 Registration Number: P166 PKJ Engine Number: K709 109288Click here for more details and images

UK-supplied first edition 1992 SC28 Fireblade. Launched in 1992 and the first Honda model to carry the RR suffixMuch lighter than its multi-cylinder competition at 205kg which meant better performanceThis first year of production example is presented in original and mostly unrestored conditionUK-registered from new and showing 19,000 recorded milesCorrect numbers and in running orderComplete with original handbook, service book, numerous old MOTs and some receiptsGreat first year example of the iconic FirebladeUK-registered on a current V5CSpecification Make: HONDA Model: CBR900RR FIRE BLADE Year: 1992 Registration Number: J974 PFJ Engine Number: SC28E 2002206Click here for more details and images

A collection of metalware and silver plated items to include goblets, tray, jug, lighter, etc (1 tray)

Antique Art Deco lady striker lighter made by Ronson

Collection of Scottish Costume Jewellery to include 14 broaches, zip lighter, three pocket watches, cufflinks and badges.

Spaceship design retro lighter with pot decorated pipe, lighter and Remanco cigarette paper roller

Crate of Costume Jewellery, Parker Pen, Badges, Watches, Ronson Lighter, Wedgewood Brooches etc Larger Quantity

Boxed Dunhill cigarette lighter, 060703 made in Englands

An I11 Corona table lighter, Shakespeare book set electric and gas.

A Dunhill Rollalite 14k outer jacket petrol lighter

A Maria Theresa novelty wick lighter

Patek Philippe: A Very Rare Stainless Steel Automatic Wristwatch, signed Patek Philippe, Geneve, model: Calatrava, ref: 2585, circa 1956, (calibre 12-600) 30 jewel lever movement signed Patek Philippe & Co Geneve and numbered 766971, movement stamped twice with the Geneva seal, adjusted to heat, cold, isochronism and five positions, silvered dial with baton markers and signed, seconds dial, Patek Philippe crown, screw back stamped inside Patek Philippe & Co Geneve Swiss, case serial number 694416 and reference number 2585 35mm wide This very rare discovery, reference 2585, is a classic vintage Patek Philippe Calatrava dating back to the 1950's. Reference 2585 is powered by the high-quality calibre 12-600 and housed in a stainless steel case. Only a few Patek Philippe reference 2585 with this movement calibre in a waterproof stainless steel case are known to have been sold at auction.This is a rare opportunity for a watch collector to purchase this exquisite timepiece. Case with surface scratches, back cover with opening tool scratch marks which are slightly deeper than surface scratches, Patek philippe crown with PP logo, later strap and buckle are not by Patek Philippe, plexi glass with scratches, original finish dial discoloured throughout the dial from a silvered colour and now has a russet light brown coloured finish with lighter parts, hands with some staining marks visible under an eyeglass, hands with luminous discoloured, hand setting correctly, manual winding function is working, (automatic rotor is currently detached from the movement, this is due to a part missing and two screws, which would have held the automatic rotor in place), this is the original automatic rotor stamped PP 18K and with the underside of the rotor numbered 766971, movement plates are slightly dirty, movement in going order. This watch is sold with no boxes and no paperwork. It is the sole responsibility of the purchaser to contact Patek Philippe if they would require an extract from the archives.

A George VI Silver Novelty Table-Lighter, by Asprey and Co. Ltd., Birmingham, 1949, With Irish Import Marks, Retailed by West and Son, Dublin in the form of a cigarette-server, oblong and with gadrooned border, with a part-turned wood handle, with a central wick11.5cm wide over handleFully marked underneath and further part marked on wick. Further marked underneath with import marks for Dublin and retailer's name. The marks are generally clear. There is some overall minor surface scratching and wear, consistent with age and use. There are some minor bruises.

A George III Mahogany Serpentine Chest of Drawers, early 19th century, the moulded top above four long graduated drawers with later brass handles, on moulded bracket feet85cm by 48cm by 80cmOverall good condition, however, there are some slight variations in colour. The drawer fronts are slightly lighter than the top and the left-hand end panel is slightly faded. The top section has some general scuffs and scratches, as well as some slight water? marks. The top also has a fine split (this is only really visible when viewing the chest from the side - see photograph). The backboards to the verso have been darkened/painted black. The brasses are later but no previous handle marks visible. The bracket feet are also later. Please see further images.

A George III Mahogany Straight-Front Chest of Drawers, circa 1800, the moulded top above two short and three long oak-lined drawers, on a moulded base with bracket feet80cm by 48cm by 79cmSome variations in colour, this is mainly to the top section which is lighter than the drawer fronts. The top section has some general scratches, both to the top and the sides. The top section also has a bruise (as photographed).  The drawer fronts have recently been polished so they are therefore in reasonable cosmetic condition. The base section has some scuffs (as photographed).

British School (19th Century)Portrait of a gentleman, three quarter length standing, wearing a black cape, a view of a landscape beyondPortrait of a lady, three quarter length standing, wearing a white lace bonnet and a shawl with paisley pattern edgingOil on canvas, 88.5cm by 69cm and 89.5cm by 69.5cm respectively (2)Gent:Lined. All keys present. Good tension/support. Large passages of wide drying cracks throughout, mostly suppressed by a campaign of retouching but their texture is visible (see images in reflected light). Particularly noticable in the background top left, hair and collar. There are a few minor restored losses including a 1.5inch loss top right corner and scattered along the bottom edge. There has been fairly extensive abrasion and a brushy, broad campaign of overpainting, particlarly to the hair, parts of the drapery and parts of the background, with more delicated touches of overpaint in the face.There is old ingrained and partially removed yellowed varnish and a slightly uneven upper varnish. Somev ery minor matt splash marks and a light surface dirt layer. Lady:Lined, all keys present, good tension. Fine patches of brittle age craquelure - stable and not elevated. Passages of wide opened drying craquelure suppressed by retouching but the surface texture is visible in reflected light. The cracks are concentrated around the head, neck and surrounding background and in the shoulders. Widespread abrasion has been suppressed by broad brushy overpaint, as well as that to the drying cracks. Lighter touches of overpaint across the face. Ingrained old dirt and varnish, partially removed but left on in the darkest vulnerable passages such as the black drapery. A upper varnish layer, and light layer of surface dirt.

James Baker Pyne (1800-1870) "Grasmere" Signed, inscribed "Number 262", and dated 1849, oil on canvas, 74cm by 109.5cm Provenance: Thomas Agnew and Sons, Manchester The British Galleries, London Lined. All keys present, original tacking margins removed. Fair tension. A quantity of dirt and debris on the reverse. The impasto has been flattened somewhat in the sky.Fine brittle age craquelure and isolated patches of impact craquelure throughout. All secure and not elevated. Some very slightly open/abraded cracks in the delicate browns of the rock to the left of the sheep. Several shallow pale nicks in the upper paint layer, the largest 1.5mm in a vertical band through the sky and right of the lake. Minor abrasion and rubbing at all edges, possibly some slight abbrasion to the thinner brown glaze layers.A fairly even varnish layer slightly yellowed, with an older varnish layer in the darker passages which has been removed in the lighter areas. Older ingrained dirt and old varnish in troughs of canvas and paint.

Follower of Cornelis Janssens van Ceulen (1593-1661) Portrait of a lady, three quarter length standing at a table, wearing a decorated white cap, a large white ruff and black dress, her hand resting on a a leather bound book, inscribed, bears signature D Finsonius and date 1647, oil on canvas, 117cm by 87cm Lined. Three keys missing and the canvas is a little slack. Original tacking margins removed and the lining canvas is split in a couple of places at the reverse turnover margins. The painting is slightly loose in its frame, the edge is visible at the right hand side. There are two areas of restoration which are possibly to tears in the canvas: a 10cm long area in the upper left quadrant of the background and in the left side of the upper chest and shoulder. Both are in plane and supported by the lining.There is a fairly fine brittle age craquelure throughout, with some slight elevation in places with a few isolated sharp points, but mostly stable and secure. There has been some minor pinpoint losses from flaking associated with cracking in the past.There are numerous patches of overpaint and filling to old losses across the picture, which is more flat and opaque than the original and in the background appears more greyish. (see images in bright torch light). The overpaint likely extends over a larger area than the losses themselves. Larger patches include around the inscription top right, down the right hand side, over the right shoulder, above the left elbow, to the forehead/hairline, the nose, the ruff, and numerous smaller scattered losses. Plus there are a few minor unrestored losses, such as to the left cuff (filled but not retouched), and 3 newer losses down the right hand side.The preparatory layers are very coarse and gritty, and the paint has abraded over the tiny highpoints - evident as dark spots in the lighter passages and light spots in the darker passages. There has been some further thinning and abrasion from time and cleaning in the past, particularly in the delicate dark glazes to the drapery, which have been reinforced with retouching in places throughout, and in passages of the lighter areas of the drapery. There have been a few further touches of overpaint throughout.There has been some possibly oxidisation/browning of the upper green glaze layers.There is old ingrained dirt and varnish in the troughs of the paint, a slightly uneven surface gloss due to the slight matte surface of the retouching. The upper varnish is slightly yellowed. A light layer of surface dirt and accretions.

Adolphe Piot (1831-1910) French Le Papillon Bleu Signed, oil on canvas board, 56.5cm by 44cm Backboard. Reverse of work not visible. Canvas laid on board, possibly slightly flattened impasto. Canvas delaminating from board slightly, mostly along the top section of the painting, leaving it with a bumpy surface visible in reflected light (see images in reflected light). The edge of the canvas is visible along right hand side.Brittle age craquelure throughout, with patches of elevated and active flaking in the red sleeve and turquoise drapery, which have a myriad of losses, some retouched, some not. (see images in normal and raking light). Further small scattered retouched losses across the picture. There are also patches of drying craquelure, some slightly opened, mostly in the background which give the surface a little texture.There is a thick grey opaque stroke of overpaint over the bottom of the turquoise drapery at the bottom edge. Opaque degraded varnish make it difficult to see if there is any further overpaint in the background other than than over small losses. Some slight abrasion, notably to the butterfly. Minor scuffs and losses at all edges.Thick old ingrained dirt and varnish layers, mostly visible in the lighter passages. The whites have been partially cleaned in the past, and the rest of the painting has old yellowed varnish.Fairly matte upper varnish layer, light surface dirt. Frame: A few minor losses at the inner corners, which themselves are slighly open. Rubbing and minor loss to the raised flat section. Old flaking and cracking to the sanded frieze. Further minor cracking in places to the leaf hollow and leaf and berry top edge wiht only small losses. Further minor cracking and a few larger losses of gesso at the back edge. See images.

George Armfield (1808-1893)Fox and rabbits in vegetationOil on canvas, 21.5cm by 25cmProvenance: A Private Estate, North Yorkshire. Mandell's Gallery, Norwich Lined. All keys present, good tension. Fine brittle age and impact craquelure throughout, with minor stretcher bar marks. Not raised or flaking. Quite a few of the cracks have been supressed by retouching that is a little discoloured and matte in reflected light. Scattered old tiny restored losses, including one to the right of the fox's ear, the filling of which is flaking slightly, and at the edges. There has been some abrasion to the thinner passages of paint, notably the leaves in the trees, which has had some reinforcing retouching and a larger passage of grey overpaint to the left side. A fairly even surface dirt, varnish not particularly yellowed, but there has been some partial cleaning over the lighter passages in the past. Light surface dirt and accretions.

William Mellor (1851-1931)"Langdale Pikes, from Elterwater, Westmorland"Signed and inscribed verso, oil on canvas, 29cm by 49.5cmUnlined. Four keys missing, lacking in tension. Old patch of card nailed to top tacking margin - unclear what this is. Undulating canvas across the picture. Brittle age craquelure in places - finer in the darker passages and broader cracks in the lighter passages. Not elevated and all secure. One old puncture through the canvas in bottom right corner approx 2mm across, with associated loss of paint and ground. Minor small loss top right corner behind rebate. Line of dirt/gold along the top edge. A little ingrained dirt. Slightly darkened varnish. A series of dark drips/marks? to right of ducks. Light surface dirt

An Art Deco style spherical chrome table-lighter on shagreen block base, to/w various ceramics and glass including Doulton character jugs, Caithness paperweight etc (box)

A tray of collectables; incense maya clay figure burner, antique pewter measures, antique spirit level, brass animals, Ronson Lighter & other items

Karl Glazer 1932 Austria Schnauzer Dog Table Petrol Lighter [13.5cm]

4 zippo lighter 2 unused boxed

A vintage British Military issue G.S.T.P. (General Service Trade Pattern) pocket watch - open face with black enamel dial and luminous hands and Arabic numerals, together with an Artillery button trench lighter. (2)

An Asprey & Co 9ct gold concealed lighter - engine turned, the spring loaded slide-action mechanism opening to reveal the lighter, stamped 'Asprey London A&Co Ltd', London hallmarks, date letter rubbed, patent number 354564.

A Ronson cigarette lighter - with a brushed steel case, together with four other similar lighters, a small silver box and nine boxes of matches. (qty)

Pair French Brass Twin Handled Vases, brass school bell, desk bell, lighthouse lighter, serpentine lighthouses, horse brasses, plated basket, and napkin rings, etc;- One Tray.

A WWI Trench Art Cigarette Lighter, 1914-1915 Marked, together with six Spode Delphi coffee cups and saucers.

Masons, Aynsley, Clarice Cliff, Denby, Noritake and Other Ceramics, glassware, bronzed figure of a dog, brass carriage clocks, Ronson lighter, etc:- Two Boxes.

A 1920s silver enamel Dunhill lighter, A 1920s silver enamel Dunhill lighter, the vari hue enamel lighter depicting a geisha to one side and foliage to the other, pat. no. 143752, signed 'Dunhill Unique Lighter,' Swedish standard marks, W&G, London, 1927, dimensions 4.5 x 3.7 x 1.3cm, gross weight 1.60ozt.Overall condition fairDamage and discolouration to enamel, see imagesLighter has not been tested if it worksScratches and tarnishing in keeping with ageMarks clear and legible

A 19th Century Day or Night Three-Draw Telescope by Dolland London And a Lowne's Patent Colliery Air-Meter A 19th Century Day or Night Three-Draw Telescope by Dolland London, with mahogany barrel, together with a cased Lowne's Patent Colliery Air-Meter by Stanley London, No. 2066, cased.Telescope 90cm long fully extendedTelescope does produce an image albeit unfocused when tested and with dirt or other obscuring material to eye-piece, some knocks as well as tarnish and discolouration to brass, scratches to barrel; wind-meter with similar but generally lighter wear.

An Austrian cold-painted cast metal combination table lighter and ashtray in the form of a Highland Terrier, 10cm high, 13cm long and a painted metal table lighter in the form of a beefeater, 17cm high, (2).

An unusual trench art-style aluminium and brass table lighter inset on each side a Marie Therese thaler, 10.5cm high.

A chromium-plated table lighter in the form of a donkey, 14cm high, an Art Deco-style Ronson chrome-plated 'Dismal Desmond Dog' table lighter, 12cm high and a painted metal table lighter in the form of a golden pheasant, 22cm long, 12cm high, (tail retaining screw lacking), (3).

Dunhill Gents Gold Plated Lighter with Display Box, Instructions, Cleaning Brush. c.1960's.

Dunhill 70 London Deluxe Silver Tone Lighter. c.1960's. With Fitted Box / Papers.

Dunhill - Switzerland Gold Plated Lighter. c.1960's. Good Condition.

A Variety of Assorted Collectables to include a table top lighter, pocket watches, pens, off flat ware, leather bound jewellery casket etc

A Table Lighter in the Form of a Spitfire Pilot with a Propeller. Measures 11 inches in height.

Collection of Costume Jewellery & Jewellery Boxes, comprising watches, lighter, perfume bottle, brooches, bracelets, pearls, bangles, mother of pearl cufflinks, five new pocket watches, a travel clock, and several carved wooden boxes.

A DUNHILL GIANT 'JOSEPH LUCAS' TABLE LIGHTER, REGISTERED DESIGN 1928,the petrol lighter with Dunhill marked wick-cap arm, the main body encased in plastic with Lucas lion design, the underside marked 'Plastic and Styling by Joseph Lucas Ltd Birmingham England', the lighter, 10cm wide.

A first world war WWI Civilisation medal awarded to 78094 CPL T Brown R.AM.C. together with various cap badges, lighter, buttons etc

A collection of Royal Crown Derby Posies to include pin dishes, lidded boxes, loving cup, watering can, lighter, iron, hexagonal graduated boxes, etc. (1 tray)

A Collection of Irish Wade Items to include tankards, ashtrays, vases, tea pot, table lighter etc. (approx. 45 pieces in two trays)

A heavy silver cigarette lighter, 2.25 inches high, London 1968

A lighter charm 9ct 1.5 gms

A silver lighter by DUNHILL boxed

Set of four soapstone table lighter and ashtray set

A small collection of silverware including toast rack, sauce boat, two handled cup and weighted table cigar lighter, 208g (6.7ozt) weighable silver (4)

A Victorian silver vesta case together with a silver spirit lighter (2)

S.T. Dupont Paris Gold Plated Lighter, allover textured finish, numbered "1J9DG89", 5.5cm; together with a slim two tone lighter stamped "32000 Japan". (2)

A collection of gold tone metal accessories including a Dunhill pocket lighter. The gentleman's accessories to include a Dunhill gold plated lighter with engine turned design and roller action, signed Dunhill. A Donatus Solingen gold tone metal cigar cutter, signed Donatus Solingen. A Waterman Lady Patricia fountain pen with an 18k gold nib, signed Waterman, Made in France and nib marked 18k - 750. The lot to also include two gold tone metal Emerich Meerson Paris wristwatches with gate link bracelet straps, signed Emerich Meerson to dials. Lighter measures 6.2cm x 2.2cm. Cigar cutter 5.1cm x 2.4cm. Pen measures 10.8cm x 0.9cm. Watches measure 50.4cm and 47cm. Total weights 226.6g. All weights, measurements and sizes are approximate. All watches are sold as untested, therefore without warranty. 

GROUP OF COSTUME JEWELLERY, AND COLLECTABLES including match and stamp box, compact, lighter, brooches and necklace

COLLECTION OF SMALL SILVER ITEMS, including a propelling pencil, marked G Wheeler, London, a Chinese pickle fork, a heart shaped pin dish, a miniature penguin figure and a continental silver mounted lighterthe weighable silver - 30g gross

CONTINENTAL SILVER MOUNTED TABLE LIGHTER, AND A RONSON LIGHTER the tablelighter stamped to base10cm highQty: 2

An interesting brass and Bakelite tray, 60 x 37cm. Together with a group of five Russian hand painted paper mache boxes, two cigar cutters and a cigar lighter.

Ceramics - a Fielding's Crown Devon rectangular music box, the domed press close cover painted with a hunting scene and signed W. Lamonby, 7cm high; a Bavarian trinket tray, dish and bowl, decorated with 19th century courting scenes, picked out in gilt; an amethyst style shouldered glass vase, 17cm high; a Japanese transfer-printed serving platter; other miscellaneous items including a resin bronze effect figurine, tin trinket box, guilloche enamel vanity set, Barro gas lighter, etc (qty)

A Royal Crown Derby paperweight, Chipmunk, 10cm high; a Posies pattern paperweight, Platypus, gold stopper, 12cm high; an 1128 Old Imari table lighter (3)