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Lot 2622
A mixed group of collectors' items, including a silver vesta case, a burr wood cigarette case, a set of three 9ct gold dress studs, cased (one missing pearl stud), a Colibri lighter and a collection of bus tickets.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 81
AN IMPORTANT LATE 17TH CENTURY EBONY VENEERED LONGCASE CLOCK OF THREE MONTH DURATION WITH ROMAN-STRIKING AND ONE-AND-A-QUARTER SECOND PENDULUMJoseph Knibb, LondonThe rising hood with shallow caddy top surmounted by three gilt brass flattened-ball finials over a blind fret supported by brass-mounted multi-piece Corinthian columns, centred by a cast gilt brass foliate swag terminating in tied ribbons, each side with pierced wood sound fret, the trunk with internal spoon lock and set with a mask to the centre of the upper cross-piece, the long door set with three panels, two long and one short, the sides matching, raised on a plain base and brass ball feet. The 10.5-inch square brass dial signed along the lower edge, Joseph Knibb, London between winged cherub head spandrels interspersed by engraved foliate boughs to the sides and a symmetrical foliate motif above, all framing the large expanse of very fine matting acting as the perfect foil to the silvered skeletonised Roman chapter ring with each minute engraved on the minute band. The quarter-hour track with small leaf-shaped half-hour markers, and finely fettled blued steel hands. (In typical fashion for a Roman striking clock, the numeral four is marked by IV rather than IIII.) The weight driven movement secured to the backboard with a brass L-shaped bracket, with arched and slightly shouldered plates united by substantial knopped and ringed pillars latched to the frontplate, both trains with large diameter barrels and finely shaped collets to the wheels, the going train terminating in an anchor escapement, the rear pivot of which is supported on a single-footed cock mounted on the backplate with a long crutch to the two-piece pendulum which hooks on to a spring suspension hung from a shaped bracket at the top of the backplate, with butterfly suspension. The backplate with semi-circular cut-out for the anchor pallets. The strike train using the Roman notation system of sounding the hours on a pair of hammers and bells – one large and straight-sided to represent the numeral '5' and a smaller, lighter example to represent the numeral '1', controlled via a small-diameter outside countwheel with four crossings and external detent. Ticking and striking, together with the pendulum and a pair of very large brass-covered weights. 2.135m (7ft) high.Footnotes:The foregoing is a list of the seven Roman striking, three-month going, longcase clocks by Joseph Knibb that are known to exist. It is immediately apparent that the current clock is in a very select group of Golden Age clocks. Perhaps even more telling is that of the seven listed, only one matches the current lot in benefitting from the additional refinement of a skeletonised chapter ring. The other skeletonised example is illustrated in the standard reference work 'The Knibb Family Clockmakers' by R.A. Lee, in figures 32 and 48. At that time, the images had been supplied by Messrs. F. Partridge & Sons Ltd, one of the great Antique dealing dynasties of the modern period. It has not been seen in public since its publication in 1964 and its current whereabout is not known to us. The current clock, therefore, offers a remarkable opportunity to acquire an iconic clock from one of the world's most revered makers. Garnier & Hollis (2018): Innovation and Collaboration; 'The early development of the pendulum clock in England. Catalogue of the Exhibition held at Bonhams, 101 New Bond Street', London 3-14 September 2018, Exhibit number 100. (three-month duration, ebony case, 10.5-inch dial, solid chapter ring)R.A.Lee; The Knibb Family Clockmakers, The Manor House Press, 1964, plates 31 and 47 (three-month going, ebony case, un-recorded dial size, solid chapter ring)R.A.Lee; The Knibb Family Clockmakers, The Manor House Press, 1964, plates 32 and 48 (three-month going, ebony case, un-recorded dial size, skeletonised chapter ring)Roberts, D. (1990) British Longcase Clocks. Pennsylvania: Schiffer Publishing, Figs. 96 A and B (three-month going, ebony case, un-known dial size, solid chapter ring). J. Darken (ed.) (2003) Horological Masterworks: English 17th Century clocks from Private Collections, AHS, Exhibit 25 (three-month going, ebony case, 10.5inch dial, solid chapter ring)H. van den Ende (ed.) (2004), Huygen's Legacy, The Golden Age of the Pendulum Clock, Castletown, pp156-157 (three-month going, ebony case, 10.5inch dial, solid chapter ring)The Time Museum sale of Clocks and Watches, Sotheby's New York, 13 October 2004, lot 532 sold for $540,000. (three-month going, ebony case, 10.5-inch dial, solid chapter ring)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 136
A PAIR OF GEORGE III MAHOGANY SIDE CHAIRSIRISH, CIRCA 176597cm high, 58cm wide, 52cm deepCondition Report: Marks, scratches and abrasions comensurate with age and use.Some old cracks, chips and splits, some old repairs. The timber appears closer to that which has been known as 'red walnut' . It has a grain associated with walnut but the red colour of mahogany. Good colour and patina overall with some fading as expected for age and use. The cresting rails (top rail of each) is lighter in colour, particularly of one which has previously had some old cracks/ breaks through it (see images) . The colour could be improved again by being attended to by a restorer. On closer inspection, the cut of timber and figuring to it varies from the timber to the remainder of the chair. It seems possible that the timber was selected to use in that position. Some small nails have been used to secure elements such as the repair of one top rail of one chair and the 'shoe' pieces at the base of each back splat (see images) Some old worm damage (see images) none weakens the overall structure of the element it affects.The seat rails underlying the upholstery are not visible so we cannot guarantee their originality at this stage. Please contcat us if it is vital you know the originality/ see images Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 156
AN AGRA CARPETapproximately 682 x 446cmCondition Report: Some wear to carpet overall. One end of the carpet with heavy wear and fading (see images). This area is considerably lighter than the rest of the carpet. Some 'abrash' and colour variation. Pale knot heads poke through pile in places. Areas of losses in places throughout, which appear to be from old moth damage (see images). To one border this has resulted in a hole (approx. 5x3cm). Fringing is short at both ends and has wear and fraying. This wear has encroached into the guard stripe slightly at one end. Longest edges are untidy with sections of loss, loose threads and wear. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 159
AN ANGLO-INDIAN EXOTIC HARDWOOD SERVING TABLE CIRCA 1830103cm high, 181cm wide, 66cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and use,Old chips and cracks, splits and chips, some chips, losses, and replacements to veneers, The top with numerous old indentations and scratches, also some marks and old water staining, there is also colour variation, it is lighter to one front corner and darker toward the back overallOne rear leg with timber missing to the bottom, approx. 12cm high Condition Report Disclaimer
Lot 20
A SHIRVAN KILIMapproximately 289 x 126cmCondition Report: Generally of fair, tidy condition for its age and use.Some minor wear and fraying. Some loose threads and minor losses.Some small dark coloured stains which are more visible in lighter areasSome areas of separation between areas of different colour.Please refer to additional images for visual reference to condition.Condition Report Disclaimer
Lot 333
A GEORGE IV MAHOGANY LIBRARY TABLECIRCA 1825The frieze with four drawers to each side and two false drawers to each end79cm high, 183cm wide, 106cm deepCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old splits and chips. The leather inset top with the expected wear, marks, scuffs and fading. There is an area of additional wear to one edge of the top which is lighter in colour and the gold leaf border has been lost. One drawer with various ink stains to interior. Some other drawers with a few ink stains. No key present but all locks are open. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 266
Sasha Gotz No Nose Red head girl doll, Swiss 1965, with painted grey brown eyes, with single line eyelids and smaller lighter line above and eyebrows, light pink lips and nostrils, long red hair with fringe, swivel head on a five-piece body jointed at shoulders and hips, torso with single seam and belly button, wearing knitted blue and white dress, underclothes and red sandals, marked Sasha Serie to back of head and torso, 16” (41cm) tall, (condition: excellent).
Lot 268
Sasha Gotz No Nose Blonde Schoolboy doll, Swiss 1966-67, with painted grey brown eyes, with single line eyelids and smaller lighter line above and eyebrows, light pink lips and nostrils, short blonde hair, swivel head on a five-piece body jointed at shoulders and hips, torso with single seam and belly button, wearing knitted brown jacket, white jumper and green corduroy dungarees, marked Sasha Serie to back of head and torso, 16” (41cm) tall, (condition: excellent).
Lot 347
A rare Liverpool (John Pennington) punch bowl, circa 1780Finely painted in blue, the exterior with a continuous grassy landscape scene of a sportsman standing with his legs astride, wearing a wide-brimmed hat, waistcoat and frock coat, aiming his gun at a flock of four partridges or quail on the ground beneath a tree before him, his dog standing by his side, a ruined hillside castle before a lake painted in pale blue in the distance, the interior with a scene of the semi-nude infant Bacchus astride a barrel, a beaker raised in his right hand, a jug painted with a similar figure of a sportsman aiming a gun in his left, the elaborate diaper border to the inner rim reserved with four rococo scroll panels, two with a bird perched on a branch and two with a floral spray, 22cm diamFootnotes:ProvenanceWith Klaber and Klaber, 11 September 1980Walton Temple CollectionWith Roderick JellicoeThis bowl relates to a distinct group of Liverpool shipping bowls, the majority of which are attributed to John Pennington, see Maurice Hillis, Liverpool Porcelain 1756-1804 (2011), pp.331-7. Two of these shipping bowls, one for the Isabella dated 1779 and one for the Will dated 1783, are almost certainly by the same hand as the present lot, see p.334, figs.8.33 and 8.34. Both are particularly finely painted to the exteriors with scenes depicting two sailors in a very similar style to the sportsman on this bowl and also employ lighter shades of blue to suggest distance in the background features.For further information on this lot please visit Bonhams.com
Lot 1486
Follower of Lu Ji (circa 1475-1503), probably Ming period, 17th / 18th century, a pheasant, pair of ducks, other birds and flowers, watercolour on linen, signed and with red seal to left side, 27 ¾ x 15 ¾in. (70.5 x 40cm.), framed and glazed., * Has not been examined out of the frame (which is fairly modern - 1980s-90s). The linen has toned to a light brown across the painting. Two patched thumbnail size holes with retouching to upper right hand side and one smaller to centre right side in blue blossom, plus a few other tiny retouches. A few small lighter spots to linen (possibly due to old cleaning)., Has not been examined out of the frame (which is fairly modern - 1980s-90s). The linen has toned to a light brown across the painting. Two patched thumbnail size holes with retouching to upper right hand side and one smaller to centre right side in blue blossom, plus a few other tiny retouches. A few small lighter spots to linen (possibly due to old cleaning).
Lot 1500
A large Chinese gouache painting, early to mid-20th century, depicting a noblewoman and attendant beside a lake in a fenced garden, unsigned, 63¾ x 30¾in. (162 x 78cm.), in a plain gold painted frame. Contact marks & damp spotting to surface of painting around the margins. Small scratches and damp spot marks to the building and clouds to right hand side, and also some to lighter areas elsewhere. Marked brown stain spots and a larger patch to the main figure's orange-red sleeves. Horizontal fold crease visible across the paper, approx. one-third up from bottom edge.
Lot 1813
A mid 20th Century terracotta striker / table lighter in the form of Winston Churchill, with his cigar detaching and forming the striker itself, Made in England by Tallent to commemorate the war. Measures 8½in. (21.6cm.) high. painted version, surface nibbles, scratches etc, overall good / fair.
Lot 868
Larry Ham (British, 1933-2007), Footballers. oil on canvas, signed 'L Ham' lower right, plain gilt hollow frame with canvas slip. 35½ x 24½in. (90 x 62.25cm.). Original frame. Canvas slightly slack and unevenly stretched - would benefit from attention to the stretcher pegs. Tiny pinhole and raised bump to canvas at top left (presumably where a piece of grit or similar got behind the stretcher). Varnish has broken down along the lower margin and possible wear to paint surface, probably due to damp in storage. A few small scuffs and marks to surface of lighter paint - would definitely benefit from cleaning and re-stretching by a professional.
Lot 1368
A cased gold plated Dunhill lighter,together with a cased Saint Hilaire cigar cutter, and a gold plated Dupont lighter (3)Condition ReportDunhill lighter: not currently working. Flint does strike, probably needs gas. Surface marks/scratches.Dupont lighter: not currently working. Does not strike. Possibly needs new flint. Surface marks/scratches.
Lot 1369
A Must de Cartier gas lighter, of ovoid form with a textured finish, serial no. 43875E, 7cm long, with instruction booklet, certificate and spare Cartier flintsCondition ReportNot currently working. Appears to be rusty internally. Very difficult to open lid - won't open fully, striking wheel does not turn. Part of screw at base broken.
Lot 399
An Elizabeth II silver leaf shaped nut dish, Birmingham 1973 by Barker Ellis Silver Co, length 14.5cm, a Continental silver Aladdin's lamp table lighter (lacking cover), four silver pin dishes and a pair of .890 silver pin dishes, each detailed 'My Stella Polaris', total weight 496.5g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 399
TILLMANS, WOLFGANG1968 RemscheidTitel: Mental Picture #52. Datierung: 2000. Technik: Inkjet-Print. Darstellungsmaß: 329 x 267cm. Exemplar: 1/1. Neben dem hier angebotenen Werk besteht nur ein weiterer Artist Proof. Dem Werk liegt ein vom Künstler signiertes und datiertes Echtheitszertifikat, eine Daten-CD und ein Color Match Print als Farbreferenz bei. Zudem liegt eine unterzeichnete Bescheinigung bei, die zum Nachdruck berechtigt. Die Fotografie wird an den für Tillmans typischen Klammern direkt an der Wand installiert.Provenienz:- Galerie Daniel Buchholz, Köln- Sammlung Prof. Dr. Thomas Olbricht, EssenAusstellungen:- Galerie Daniel Buchholz, Köln 2001- Deichtorhallen Hamburg, 2001- me Collectors Room Berlin, 2016/17Literatur:- Ausst.-Kat. Aufsicht. Deichtorhallen Hamburg, 2001, S. 159- Ausst.-Kat. if one thing matters, everything matters. Tate Britain, Ostfildern-Ruit 2003, S. 205- Jäger, Joachim (Hrsg.): Wolfgang Tillmans. Lighter, Ostfildern 2008, S.194- Tillmans, Wolfgang: Abstract Pictures, Ostfildern 2011, S. 104- me Collectors Room Berlin/Stiftung Olbricht (Hrsg.): My Abstract World, Berlin 2016, S. 67, Abb.- Beeindruckendes Format aus der frühen abstrakten Serie der "Mental Pictures" - Technisch hochinteressantes Werk von unglaublich farbiger Strahlkraft - Tillmans ist einer der wichtigsten Vertreter der zeitgenössischen Fotografie Wolfgang Tillmans, dem bereits große Retrospektiven in der Tate Modern, London oder der Fondation Beyeler, Basel gewidmet wurden und der zurzeit im Museum of Modern Art, New York zu sehen ist, wurde Anfang der 1990er Jahre als Fotograf für das Magazin i-D bekannt. Schon als Teenager war er von der Instabilität gedruckter Bilder fasziniert und experimentierte mit einem Fotokopierer, der Graustufenfotos in Schritten von bis zu 400 Prozent vergrößern konnte. Sein Interesse auch die Abstraktion in der Fotografie zu untersuchen geht letztlich auf diese frühen Spielereien zurück, deren Impulse 1998 bei einem Projekt für Parkett wieder auflebten. Für seinen Beitrag wählte Tillmans sechzig fotografische Ausschussbilder aus den vorangegangenen sechs Jahren seines Schaffens aus, von denen jedes einzelne durch Druckfehler und chemische Ausrutscher gekennzeichnet war. Zu einer Zeit, als viele seiner Zeitgenossen digitale Manipulationstechniken ausprobierten, begrüßte der Künstler analoge Fehler und freute sich über die neuen visuellen Möglichkeiten, die sie boten. Tillmans, der Genres, Themen, Techniken und Ausstellungsstrategien nahtlos miteinander verbindet, ist bekannt für Fotografien, die Verspieltheit und Intimität mit einer beharrlichen Hinterfragung der vorherrschenden Wert- und Hierarchiestrukturen unserer bildgesättigten Welt verknüpft.Im Jahr 2000 - dem Jahr, in dem Wolfgang Tillmans als erster Fotograf mit dem Turner-Preis ausgezeichnet wurde - entstand das hier vorliegende Werk "Mental Picture #52". Es ist eines seiner frühesten und größten abstrakten Werke, in denen Farben und Formen wie Tinte über die Oberfläche schwimmen. Das Werk gehört zu der ikonischen Serie der "Mental Pictures", die zusammen mit den im selben Jahr entstandenen "Blushes" den Weg für spätere abstrakte Serien, wie z.B. die "Freischwimmer", ebnen sollten. Fotografisch in der Methode, konzeptionell im Geist und doch fast malerisch in der Erscheinung, fängt "Mental Picture #52" den unaussprechlichen Moment ein, in dem ein Bild ins Leben tritt. Die von einer unglaublichen Leuchtkraft durchzogene Arbeit ist eine Untersuchung über die Entstehung von bildnerischem Ausdruck in seiner ganz reinen Bedeutung. Es hält lediglich die Bewegung von Licht und Chemikalien auf lichtempfindlichem Papier fest und ist in der Dunkelkammer ohne Kamera oder Negative entstanden. Indem er den traditionell mit der Fotografie verbundenen indexikalischen Charakter in Frage stellt, stellen seine abstrakten fotografischen Werke die Vorstellung von der Fotografie als Objekt - und nicht als Aufzeichnung der Realität - in den Vordergrund. Der Künstler ruft so gekonnt eine Faszination hervor, die in einem Moment der Unentschlossenheit, oder besser gesagt, der Unentscheidbarkeit, liegt. Es lässt sich nicht endgültig klären, ob es sich lediglich um die physischen Spuren eines Fotoentwicklungsprozesses handelt oder um höchst sinnliche, reiche Bilder. Auf diese Weise wird der Betrachter eingeladen, über den schwer fassbaren Punkt nachzudenken, an dem Materialien zu Bildern werden.Erläuterungen zum Katalog
Lot 481
Large collection of mixed coins, to include a 1951 festival of Britain boxed crown,11 sets of uncirculated coins, 4 x £2 coins, 10 £5 coins, 3 Birmingham mint commemorative coins, a box of half crowns, a box of 2 shillings coins , box of one penny coins, a box ox half pennies , brass three penny coins and sixpences. a silver anglers welfare fund medal a small cigarette lighter and other items.
Lot 439
A collection of five novelty lighters, circa 1960, comprising three Japanese examples by SAROME, with two of ‘Blue-Bird’ design, in two colourways, the third modelled as the ‘Cruiser’ design in cream and red, together with a lighter by ROLSTAR, with black and gilt decoration, and a RONSON ‘Milady’ lighter in cream gloss enamel, numbered 621570, lengths between 43 - 78mm. £80-£100
Lot 441
American Military: A Vietnam War Zippo lighter, 11th Airborne Division, the chrome plated lighter signed ‘Zippo, Bradford, PA’ to the base, the front side reading ‘VIETNAM 68-69 LOC NINH, with insignia below, the reverse reading: ‘THERE IS NO GRAVITY THE WORLD SUCKS’, length 55mm. £50-£70 --- Lighters could be customised with regimental cyphers and engravings and were purchased by soldiers returning home as a memento of their military service in the specific theatre of operations in Vietnam.
Lot 710
ARAGON LOUIS: (1897-1982) French poet, one of the leading voices of the surrealist movement in France. An excellent manuscript poem signed, Aragon, one page, 4to, n.p., n.d., in French. The poem is entitled Art Poétique, and is considered a committed poetry work, being a tribute to his fallen comrades in World War II. The poem states in part `Pour mes amis morts en Mai - Et pour eux seuls désormais - Que mes rimes aient le charme - Qu´ont les larmes sur les armes - Et que pour tous les vivants - Qui changent avec le vent - S´y aiguise au nom des morts - L´arme blanche du remords - Mots mariés mots meurtris - Rimes où le crime crie…… Et quand notre cœur faiblit - Réveillez-nous de l´oubli - Rallumez la lampe éteinte - Que les verres vides tintent - Je chante toujours parmi - Les morts en Mai mes amis´ An important manuscript poem by Aragon. Last few paragraphs showing a slightly lighter ink, although remaining perfectly legible. G Art Poétique is a poem included in Aragon´s collection En français dans le texte, published in 1943 by Ides & Calendes at Neuchatel.Aragon had been sent to the Belgian front. In May 1940, and following the attack of the German troops, he will be one of the soldiers besieged in Dunkirk.
Lot 57
From The Collection Of Valerie Leon - Margot Fonteyn (1919-1991 - English Ballet Dancer / Ballerina) - autographed 6.5x4.5" black and white photograph of Fonteyn, signed in blue ink to a lighter area of the image. Obtained personally by Leon. Valerie Leon is an English actress and model who has had roles in film and television productions, including six of the 'Carry On' film series and in two James Bond films The Spy Who Loved Me (1977) and Never Say Never Again (1983) alongside Roger Moore and Sean Connery. She also had roles in high profile films such as The Italian Job (1969), The Wild Geese (1978) and Revenge of the Pink Panther (1978) and had a starring role in the Hammer horror film Blood from the Mummy's Tomb (1971).
Lot 261
4th-3rd century B.C. A tinned bronze Pontic helmet of Chalcidian type with the dome divided into two by a carinated ridge, the lower edge with cut-outs for ears and eyes with flared edges, short lanceolate nose-guard; fitted with removable cheek-pieces, each with a perforation for the chinstrap, short angular neck guard; accompanied by a custom-made display stand. See Ohly, D., Die Ägineten, Die Ostgiebelgruppe, Munich, 1976; Pflug, H., 'Chalkidische Helme' in: Antike Helme, RGZM Monographien 14, Mainz, 1988, pp.137-150; Chernenko, E.V., The Scythians 700-300 BC, Hong Kong, 1998; see similar helmets in Hixenbaugh, R., Ancient Greek Helmets, a complete guide and catalogue, New York, 2019, nos.X254-280. 945 grams, 30.5 cm high (2.16 kg total, 42.5cm high including stand) (12 in. (16 3/4 in.)). Private collection of Comte de Bressac, France. Sold in London after 1918. English private collection until the 1960s. Later in a London, UK, private collection. Accompanied by an academic report by military specialist Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11532-195912. The Chalcidian type of ancient Greek helmets was essentially a lighter and less restrictive form of the Corinthian helmet. Later Chalcidian helmets had hinged cheek pieces that were anatomically formed to fit closely to the face. Representations of these helmets with articulated and raised cheek-pieces (type V) appear on the Attic vase paintings since the early 5th century B.C., although the first four typologies still show fixed elements for the face protection like in their Corinthian prototypes. Contemporary to these representations are the sculptures in the temple of Aphaia in Aegina, where these helmets are widely represented and where we can see first examples of such helmets with a short nose-guard (Hixenbaugh, 2019, p.209, fig.108). [A video of this lot is available to view on Timeline Auctions Website.]
Lot 330
A SWISS SEMPACH HALBERD, 20cm face with rounded top and down-turned bottom, opposing down-turned fluke, reinforced or armour piercing tip, reinforcing straps, mounted on an early octagonal section wooden haft. This piece closely resembles the sempach from the Zurich arsenal although this example has a more exposed haft within the cut out head, rendering it lighter and possibly as early as 15th Century. Provenance: A gentleman
Lot 158
THEMES LIBRARY - LP PACK. Another fantastic selection of 9 LPs released on the London music library Themes. Titles include Percussion Spectrum (TIM 1029, record Ex+/ sleeve has some corner bending, VG), Things To Come (TIM 1026, Ex+/ VG+), Main Themes And Sig Tunes (TIM 1003, Ex+/ Ex), The Lighter Touch (TIM 1001, Ex+/ VG+), Rock Comedy (TIM 1017, Ex+/ VG+), Keytronics (TIM 1033, Ex+/ sleeve has corner bend VG), Street Pictures (TIM 1032. Record Ex+/ sleeve has corner bend and split in the middle of the bottom edge, VG), Happy Pastimes (TIM 1009, Ex+/ VG+) & Guitar Pictures (TIM 1028, Ex+/ sleeve has corner bend VG).
Lot 107
CIGARETTE LIGHTER ETC. A silver mounted Colibri Monopol table lighter, the cartouche with presentation monogram. Also, a silver dice & shaker set in fitted case. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase and only to the UK mainland. WE CANNOT SEND THIS ITEM TO A NON-UK ADDRESS.
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