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A small collection of miscellaneous items, to include a bronze and gilt bronze Kozuka knife handle, trench art type lighter in the form of a shell with crest for the Royal Electrical Mechanical Engineers, desk-stand with badge for the Leicestershire Regiment within two sabres and surmounted by a shell, cut-throat razor etc
A selection of silver and white metal tableware and accessories, to include a silver table lighter in the form of a genie's lamp (marks worn), 7.3cm tall, a silver and tortoiseshell mounted cut glass atomiser, stamped 'STERLING SILVER', 12.3cm high, a silver mounted cut glass caster, 13cm high, a silver mounted cut glass scent bottle, 11.2cm high, a pair of silver handled glove stretchers, 20.5cm long, a white metal wine funnel, 8.5cm long, and a white metal shoe horn, 17cm long (7) Condition reports can be found attached to your lot of interest once a request has been submitted, and can be found attached to the lot at auctions.trevanionanddean.com. Please only bid if you are entirely satisfied with the condition of your lot. The absence of a condition report does not guarantee that the lot is free from faults or defects.
Afrika - Deutsch Südwestafrika - - Zur Erinnerung an meinen Aufenthalt in Deutsch-Südwest-Afrika. Album eines deutschen Soldaten. Mit 100 OPhotographien lose eingesteckt. Vintages. Silbergelatine-Abzüge. Ca. 1912. Ca. 12 x 18 cm, wenige ca. 16 x 19 cm. Olwd. mit goldgepr. Einbandtitel (R. einseitig lose, Ecken l. gest.). Inhaltlich interessantes Photoalbum mit Ansichten von Swakopmund (2), Karibib (2) und weiteren Ortschaften, der Kaufladen eines Bernhard Rosler, diverse Eingeborenen-Aufnahmen, nackte Kolonialsoldaten beim Baden, weitere Photos von Soldaten der Kolonialtruppen beim Apell, auf einem Dromedar, in der Wüste etc., Jagdphotos, eine kleine Serie mit Photos einer verunglückten Eisenbahn, etc. - Meist Privataufnahmen, wenige mit Photostudiostempel auf den Rückseiten (Erich Staebe, Karibib). - Anfangs auf den Photorückseiten datiert und beschriftet. - Gelegentlich etwas ausgeblichen und mit leichteren Aussilberungen am Rand. German South West Africa. - Namibia. (German South West Africa) - With 100 original photographs. - Interesting photo album with views of Swakopmund (2), Karibib (2) and other villages, the shop of a Bernhard Rosler, various native photos, naked colonial soldiers bathing, more photos of soldiers of the colonial troops at the Apell, on a dromedary, in the desert, etc., hunting photos, a small series with photos of a railroad accident, etc.. - Mostly private photos, few with photo studio stamp on the backs (Erich Staebe, Karibib). - Initially dated and inscribed on the photo backs. - Occasionally somewhat faded and with lighter silvering at the margins.
DUPONT PARIS; a silver plated cigarette lighter, in original box and outer box.Additional InformationPLEASE NOTE; as this lighter contains fuel it cannot be posted using royal mail. Please refer to mailboxes for postage.There are no marks or scratches to the external surface of the lighter.It strikes and lights.
SMITHS; two mid-20th century gentlemen’s stainless steel cased mechanical wristwatches, one a Deluxe with 17 jewel movement, the other Shockproof with 5 jewel movement, dial diameters excluding winding crown 32mm, both on later leather straps (2).Additional InformationDeluxe dial yellowed with spots and marks, lighter but similar to the other, both run when wound but no guarantee of working order, both with scratches to cases, the Deluxe heavily scratched, both will require some attention and replacement straps.
WANG HING (probably); a circa 1900 Chinese export table cigarette lighter modelled as a vase decorated with figures in landscape in relief with dragon head finial and a pair of accessories houses in bamboo trunks, on octagonal stepped base to four bun feet, with stamped marks and no.90 to base, height 12.1cm, approx 6.2ozt/193g.Additional InformationNot tested, no guarantee of working order, scratches, nicks and general wear, some impacts to the feet.
GEORGE UNITE; a white metal star brooch with bright cut detail, stamped and registration marks to reverse, with agate drops on attached chain, 5.7 x 6.4cm, and a small unmarked yellow metal mourning brooch with central glazed aperture set with seed pearls and red coloured stones, 1.7 x 1.9cm (2).Additional InformationThe lighter agate drop with hairline cracks and fissures, brooch with scratches, nicks and tarnish; yellow metal brooch with knocks and misshaping, indents, scratches and nicks.
A Japanese enamel and white metal three piece smoking set, comprising cigarette holder of tapering form, ashtray and table lighter, each with marks to the base (3).Additional InformationThe white metal rim at the bottom of the ashtray is loose, general wear, light scratches throughout. Cracks to the lighter.
Jan Brueghel d.Ä. (1568 Brüssel - 1625 Antwerpen) und Jacob de Bakker (1540/45 Antwerpen - Jan Brueghel d.Ä. (1568 Brüssel - 1625 Antwerpen) und Jacob de Bakker (1540/45 Antwerpen - Jan Brueghel d.Ä. (1568 Brüssel - 1625 Antwerpen) und Jacob de Bakker (1540/45 Antwerpen - 1591/99) Allegorie der Fruchtbarkeit Öl auf Kupferplatte. 30,8 x 40 cm. Beigegeben ein Gutachten von Dr. Klaus Ertz vom 28. September 2020. Er datiert das Gemälde auf die Zeit vor 1590 in Italien. Neben der malerischen Qualität würde auch die Dicke der Kupferplatte ohne Marke dafür sprechen, wie sie in Italien dieser Zeit üblich war. In weiter Landschaft fällt der Blick auf mehrere nackte Paare, die Frauen mit hellerem Inkarnat als die Männer, dabei von kleinen Kindern umgeben. Rechtsseitig ein Paar vor einem Waldstück unterhalb einer Rosenhecke, die Frau gerade Blumen pflückend, während die beiden neben ihr stehenden blond gelockten Kinder in ihren Händen bereits Blumen und einen Blumenkranz halten. In der Bildmitte ein weiteres Paar unterhalb eines mit Rebzweigen bewachsenen, alten Baumes, von dem der Mann eine blaue Traubenrispe gepflückt hat, die er dem Kind auf dem Schoß der Frau reicht. Links von ihnen einige Kinder mit einem Ziegenbock, sowie einem Hündchen und einer Katze. Auf der linken Bildseite am Waldrand sind neben Rehen ein großer Pfau, ein Huhn, ein Meerschweinchen und ein weißes Kaninchen zu entdecken. In der Bildmitte des Hintergrundes weitere Figuren unter hohem blauen Himmel mit großen weißen Wolken, die teils malerisch von der Sonne beschienen werden. Bei Jan Brueghel d.Ä. spielte in seinem gesamten Werk die Allegorie immer ein wichtige Rolle; auf diesem Gemälde der Allegorie der Fruchtbarkeit hat er die Landschaft geschaffen sowie die prachtvollen detailgenauen Blumen und Blüten, die in der Bildmitte im Vordergrund liegenden Früchte und sowie den Ziegenbock und die Vielzahl der Tiere. Die Figuren hat er meist von darauf spezialisierten Kollegen malen lassen, so wie hier, laut Dr. Ertz, von Jacob de Bakker. Zudem arbeitete er im mythologischen Genre unter anderem zusammen mit Peter Paul Rubens (1577-1640), Hans Rottenhammer d.Ä. (1564-1625), Hendrik van Balen d.Ä. (1575-1632) oder auch Hendricx de Clerck (um 1570-1629). Neben den Paaren mit den Kindern tragen auch die vielen Blumen, Früchte und Tierarten zur Verdeutlichung der Allegorie der Fruchtbarkeit bei. Höchst qualitätvolle Malerei mit vielen präzisen Details bei gekonnt gesetzter Lichtführung und hervorragender Farbgebung. Kleinere Retuschen. Jan Brueghel d.Ä. (1568 Brüssel - 1625 Antwerpen) und Jacob de Bakker (1540/45 Antwerpen - Jan Brueghel d.Ä. (1568 Brüssel - 1625 Antwerpen) und Jacob de Bakker (1540/45 Antwerpen - Jan Brueghel the Elder, (1568 Brussels - 1625 Antwerp) and Jacob de Backer (1545/50 Antwerp - 1591/99) ALLEGORY OF FERTILITY Oil on copper plate. 30.8 x 40 cm. Accompanied by an expert''Ts report by Dr Klaus Ertz, Lingen, dated 28 September 2020. He dates the painting to before 1590 in Italy. The quality of the painting and the thick copper plate with no mark are typical for Italy during that period. In this vast landscape painting the viewer's attention is drawn to several naked couples, the women shown in lighter flesh tones than the men, surrounded by small children. Paintings of allegories form an important part throughout Jan Brueghel the Elder''Ts oeuvre. In this painting of the Allegory of Fertility he created the landscape, the magnificent and detailed flowers and blossoms, the fruit in the foreground at the centre, the billy goat and a number of other animals. He usually collaborated with a colleague specialized in painting figures, as is also the case in the painting on offer for sale in this lot and Dr Ertz identifies Jacob de Bakker as the artist responsible. For mythological subjects he collaborated, among others, with Peter Paul Rubens, Hans Rottenhammer, Hendrik van Balem or Hendrick de Clerck. Apart from the numerous couples with children, it is also the abundance of flowers, fruit and animal species that illustrate the allegory of fertility. High quality painting with many precise details and masterful direction of light and colouration. With minor retouching.
Backer, Jacob Adriaensz Backer, Jacob Adriaensz Backer, Jacob Adriaensz 1608 Harlingen - 1651 Amsterdam Bildnis eines Violinenspielers (Allegorie des Gehörs) Öl auf Holz. Parkettiert. 70 x 59,5 cm. In breitem Holzrahmen. Anbei ein Gutachten von Peter van den Brink, 21. Januar 2014. Vor braunem Hintergrund das Brustbildnis nach links eines jungen vollbärtigen Mannes mit langen, dunkelblonden, lockigen Haaren. Er hat sich so gedreht, dass der Betrachter des Gemäldes auf seine linke Schulter blickt mit einem weißen Hemd und einem grauen Mantelüberwurf im Vordergrund an dem er seine hellbraune Geige hält. Hinter der Geige Teile des Geigenbogens erkennbar. Der junge Mann scheint gerade auf dieser Geige zu spielen, er hat zudem seinen Kopf leicht gewendet und schaut mit seinen glänzenden hellbraunen Augen aus dem Bild heraus. Dabei hat er den roten Mund leicht geöffnet und scheint zu seiner Musik zu singen. Die Darstellung könnte auch eine Allegorie des Gehörs sein, die im 17. Jahrhundert besonders beliebt waren. Qualitätvolle Malerei in überwiegend monochromer beige-brauner Farbigkeit. Dabei das Inkarnat des Violinenspielers durch hellere Farbgebung besonders herausgestellt. Rest., Retuschen. Provenienz: Versteigerung Köln, Van Ham, 15. November 2013, Lot 454. Backer, Jacob Adriaensz Backer, Jacob Adriaensz Jacob Adriaensz Backer, 1608 Harlingen - 1651 Amsterdam PORTRAIT OF A VIOLINIST (ALLEGORY OF HEARING) Oil on panel. Parquetted. 70 x 59.5 cm. In broad wooden frame. Enclosed an expertise by Peter van den Brink, 21 January 2014. This could be depiction of the Allegory of Hearing, which was especially popular in the 17th century. The flesh tones of the violinist are particularly emphasized through lighter colouration. Restored, with retouching. Provenance: Auction Cologne, Van Ham, 15 November 2013, lot 454.
Trade Advertising, Liebig, selection of advertising items, a boxed advertising lighter with small enamelled Liebig logo in red & white, a fold-out paper fan, dinner party image to one side and advert to reverse 'Bouillon Oxo de la Cie Liebig', a pencil sharpener, three different 12" metal rulers, two empty cube packets & a Liebig Menu Card reference book (gd/vg)
An Edwardian silver novelty patent cigarette or cheroot case, hinged cover enclosing a gilt interior, the side with a domed compartment, possibly for a lighter, 9cm wide, S W Smith & Co, Birmingham 1910Heraldry: Robert Stephen Kingsmill Eyre of St. John's Wood and Woodside, Crowborough, Sussex (1873-1940). He was the joint owner of the immensely lucrative St. John's Wood estate (London) and sixth in descent from Henry Eyre, who bought the estate from the celebrated Philip Dormer Stanhope, 4th Earl of Chesterfield in 1732. He was a scion of the Wiltshire Eyre family which , although bearing the same arms as the Derbyshire Eyres, appear not to have been of the same stock.R S K Eyre married (i) in 191 Sybil S. C., daughter of John Furtado of Eridge, Kent and had several children (descendants of whom survive) and (ii) married in 1907 Muriel Couchman.
A quantity of treen, Oriental and other vase stands, a small quantity of treen manicure items, ring stand, a brass jewellery box with interior pink silk quilting containing a small quantity of costume jewellery, a Harrison Line cigarette lighter, c1920s napkin rings, a GR digital camera, a Nikon Coolpix and a Samsung camera, a late 19th century ebonised jewellery box with brass and mother of pearl inlay containing a quantity of playing cards, a large quantity of mismatched EPNS and metal flatware, two cased sets of flatware, etc (2).
A gold Dunhill lighter, of lattice design with white gold wire, marked Dunhill to the inside of the cover, base marked 750, 66 x 26 x 15mm, 100.09gCondition report: Strike still rotates.Not tested, possibly out of gas.Body generally in a good condition, some surface marks/scratches/dents to the base.
A small Victorian walnut credenza, width 96cm depth 38cm height 95cmCONDITION: Top has been repolished and is of a lighter tone, two plugged holes suggest that this once had some sort of superstructure, front and sides of a more original if slightly faded colour, key present to door, some wear to velvet inset linings of the shelves.
ALBERT MARLOW (1862-1911), 'LONGMOOR POOL, SUTTON COLDFIELD', figures and buildings beside a pool, signed and dated 1887, attribution plaque to frame incorrectly dated 1837, watercolour on paper, framed and glazed, size approximately 61cm x 91cm (Condition Report There is staining visible in the lighter areas of the painting such as the sky and pool. Craquelure and small losses to the frame.
A pair of early 19th century ivory cased and gilt metal lorgnettes, a 19th century carved bog oak thistle pattern pipe, an early 19th century gents silver cased wristwatch with gouache dial and small selection of other items. CONDITION REPORT: Lorgnettes are sadly broken to the ivory. Pipe appears to be in good order. Gents watch lacking a seconds hand, other items comprise 2 fruit knives, a stopwatch (not working), lighter and an enamelled butterfly pattern paper clip.
A SILVER CASED FOUNTAIN PEN with 14ct gold nib, in presentation box, together with a cased medal, 'The Thirty Club of London', in Spink & Son Ltd London case, together with a brass lighter fashioned as an Eley shotgun cartridge, and various bank notes Condition report – nib engraved “Champion warranted 14ct”, the silver barrel engraved “N.H. Gardner”, named “Sheffield” on the pocket clip, there is a hole on the cover side, not sure from what. The “Bakelite” band is chipped and worn, needs a clean.

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44568 item(s)/page