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A Thorens 1920 patent cigarette lighter with proto-Art Deco/Vorticist enamel decoration, spring-clasp striking action to/w a tortoiseshell cigarette case, a tortoiseshell pendant vanity mirror on chain, two mother of pearl shell carvings, St Joseph and the Annunciation and a pair of Victorian field binoculars in leather case (box)Lighter is in working order but no flint, complete, enamel generally good condition, but chip on back of cover
A pair of 19th century painted gesso and parcel gilt Blackamoor figures, each holding aloft remnants of a torchère, on turned socles (both af), a German anniversary clock, a pair of small binoculars and a novelty lighter in the form of a knight on a Thorens musical base, playing the music of Harry Lime.
A styptor and emerald Miniaudière, Van Cleef & Arpels for Asprey, circa 1930centering 27 baguette-cut emeralds weighing approximately 1.35cts; the Miniaudière is fitted with a mirror set into the lid, and includes a lighter and powder compact; mounted in styptor and rose gold; gross weight approximately: 661 grams; case dimensions: 6 x 4 3/4 x 7/8in.; signed: Van Cleef & Arpels & Asprey
A small collection antique brass boxes comprising of a square snuff box having an embossed bull dog to hinged cover, 2½in. (6.4cm.) square; circular snuff box, the hinged cover with engraved gentleman riding a bike and the words 'Modern Prophecy', 2¾in. (7cm.) diameter; rectangular twin compartment stamp box the hinged cover with a shooting scene, 2 5/8in. (6.7cm.) long; bullet form trench art lighter; two go to bed vesta cases one fashioned as a barrel; rectangular cigarette box, together with a spitfire model. (8)
A small Persian silk rug the ivory field with central floral pendant medallion and all over floral and vine decoration, with deep violet spandrels, within a floral meander border and conforming guards, in tones of ivory, deep violet, copper, light blue and light green, 53 x 30¼in. (134.5 x 77cm.). *Condition: One end very dusty and pile flattened, so it appears lighter unless the pile is brushed the right way. Staining to fringe to same end. Overall good.
Ouless, Philip John Scenic Beauties of the Island of Jersey, exhibited in a series of views from the drawings of a native artist, to Which Is a Concise Notice, Explanatory & Descriptive of Each Portion of Scenery Portrayed, by the Rev. Edward Durell, pub. No.8 Royal Square, St. Helier, 1840, 21 lithographed plates and pictorial title by Ouless, some foxing, contemporary quarter red morocco with marbled boards and gilt title plate, folio, lacks double-page panorama of St. Aubin's Bay. *Condition: Heavy foxing to twelve of the plates (inc. title) and lighter foxing to the remainder. Also foxing and dark edge staining to end papers. Small loss from edge of two plates. Covers with heavy corner and spine wear to morocco, light water mark towards top of cover. Cover and borders of back cover sunned. Spine bumped.
Asprey - a set of six Elizabeth II silver pip dishes Asprey & Co Ltd, Sheffield 1975, 3 1/8in. (8cm.) diameter; together with two further base metal dishes by Christofle; a silver gilt engine-turned Ronson table lighter by S J Rose & Son, London, 1975; and a similar gilt metal table lighter (inscribed), gross weight of silver dishes 12.5 tr.oz. (10) *Condition: Silver Dishes in good condition, other pieces with wear.
Five Vincennes and Sèvres small cups c.1754-61, variously painted with panels of flowers within gilt foliate borders on a bleu celeste ground, a larger cup (gobelet Hébert) painted with an exotic bird with outstretched wings, a small cylindrical toilet pot with similar decoration, and a coffee can (gobelet à litron) of the first size, painted possibly by Bulidon with a vase of flowers beside a letter and a quill pen on a marble ledge, reserved on a bleu celeste ground, interlaced Ls marks enclosing various date codes, painter's marks including Vincent Taillander, Méreaud and Tandart, damages, 7.5cm. (8) Two of the pieces in this lot are of a noticeably lighter shade of turquoise than the traditional bleu celeste, although Judith records that no name appears to have been applied to this variation in colour.
Ca. 400 BC. Attractive Greek Chalcidian Hoplite Helmet with cheek-guards on a custom made stand. The Chalcidian helmet was popular in Greece in the fifth and fourth centuries BC, as well as the southern parts of Greece that were colonized by the Greeks. The helmet appears to have been a development of the Corinthian helmet, but with improvements in design which gave the wearer better hearing and vision, resulting in a lighter and less bulky helmet. The helmet would commonly have a hole pierced on each cheek piece or elsewhere in order to accept an inner lining which was made of leather; adornments, such as combs of horsehair, were usually placed on the top of the helmet. By the time of Alexander the Great the helmet was still worn by soldiers, most notably the hoplites, the heavy infantrymen who carried long spears; the helmet would later go on to develop into the Attic helmet which is iconic of Classical soldiers. Overall good condition; some professional restoration; 360 x 240 mm; 14.1732x9.4488 in; 845g; Provenance: Property of a professional London art expert; obtained from an old British collection formed in the 1970s.

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44570 item(s)/page