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An RAF lighter, enamel pill box, compact and lipstick holder, Imperial clock with dome, quartz 'silver scenes' clock, cigar cutter, etc

Silver Garrard & Co Ltd Ronson Table Lighter, Engraved Beck & Pollitzer, The Pipes & Pipelines Pumps & Valves Convention Earls Court, April 1962, Fully Hallmarked, Stamped Garrard & Co Ltd 112 Regent Street W To Base, Height 4.5 Inches

Debbie Reynolds - Hollywood Actress - original signed autographed 8x10" black and white photograph. Dedicated. Signed to a lighter portion of the image. Rare. 

Novelty nut cracker in the form of a ships wheel mounted on mahogany bowl, trench art lighter, Libra set of scales & set of brass weights, copper and brass jug, Brownie camera, metal bound bucket etc in one box

Collection of lighters and vintage powder compacts, including Wedgewood 'Jasper Ware' table lighter, Ronson 'Electronic' and Varaflame' lighters, Vogue 'Vanities' compact, Ingersoll 'Triumph' pocket watch and other lighters and compacts

including a cabbage teapot and water jug, a Royal Crown Derby table lighter and other wares

A WWII 6lb shell case (originally a blank) with a brass lighter

Oasis - 'Columbia’ 2004 promo CD Creation for the Nation 11 track promo CD from 1999 featuring Oasis ‘Live Forever’ (Demo) also tracks by Teenage FanClub and the Boo Radleys etc. ‘Standing On The Shoulder Of Giants’ CD album, 1 Oasis coin from 2000. ‘F****** In The Bushes’ 4 track promo CD. 1 ’Turn Up The Sun’ promo sticker. 1 ’Stop Crying Your Heart Out’ promo Zippo lighter, 'Familiar To Millions’ 3 track promo CD, ‘Be Here Now’ 4 track album promo CD, Liam Gallagher & Steve Craddock ‘Carnation’ promo CD. .

Walter Frederick Osborne RHA ROI (1859-1903)Beached Rowing Boat and Figures by the ShoreOil on board, 25 x 21cm (9¾ x 8¼'')Provenance: Sale, Adam's, 16 June 1993, Lot 69, where purchased by the late Gillian Bowler.Walter Osborne’s picture depicts a sloping, high river bank upon which small rowing boats are moored. Just over the brow is a large pavilion-like building with steep roof, tall chimneys and masts. On the left, a figure in hat and white smock stands silhouetted against the sky, while in the right foreground another man in white sits in his boat, moored below the steps which climb the banks. The smooth water below reflects the boat and river bank, complementing the dark shape of the building above. Osborne’s scene is viewed against the light, so the tone of the picture is subdued. Yet a quiet sense of mystery is evoked, the two men conversing with one another perhaps, or lost in their own thoughts. Osborne’s scene has echoes of small, intimate pictures of heath or quarries by earlier landscapists such as John Crome and William Mulready.Osborne spent much of the period 1884 to c.1891 painting in English villages and coastal towns in the summer months. The setting of the present picture is probably at Rye in East Sussex.Rye had been an old fortified town on the river Rother on the Sussex coast and became one of the ‘Cinque ports’. But in the 16th century the harbour began to silt up, so that the town became situated two miles inland. The Flemish portraitist Anthony Van Dyck painted beautiful watercolours there c.1633. Osborne was working in Rye c.1889-1890, and was inspired to paint some of his finest paintings there. These include ‘Cherry Ripe’, c.1889 (Ulster Museum); ‘The Ferry’; ‘When the Boats Come In’; small oil studies such as ‘On the Quay at Rye, 1889 and the present picture; and the wash painting ‘Boats in Rye Harbour’ (National Gallery of Ireland); and he also took photographs there (NGI).English villages provided Osborne with interesting subject matter and also inspired a new palette in his paintings, the warm russets, oranges and maroon colours of brickwork and roof tiles, the browns of old woodwork, often being lit up by lovely sunlight. In the present scene, which is observed against the light, the tones, dark maroons, plum colours, raw siennas (lighter at the top of the bank) and dark blues, are more subdued. But the sky is bright, covered by light cloud and with touches of blue sky breaking through. Osborne’s brushwork is light but expressive. On the riverbank, for example, changes in direction are visible as his brush moves quickly over the picture surface, while in the clouds fluid, horizontal brush marks can be seen, creating blurred edges where the building meets the sky.Osborne’s painting belonged in the collection of Gillian Bowler, founder of Budget Travel. A very similar subject was exhibited at the Dublin Art Club in 1890.Julian Campbell, April 20181) ‘The Ferry’, Important Irish Art, de Vere’s, Dublin, 27th November 2013, Lot 39.2) ‘When the Boats Come In’, 19th Century European, Victorian and British Impressionist Art, Bonhams, London, 1st March 2017, Lot 62.3) ‘On the Quay at Rye’, 1889, Irish Sale, Sotheby’s, London, 18th May 2001, Lot 165 - this was a gift from Osborne to fellow painter Blandford Fletcher.

A group of Conway Stewart and other fountain pens and pencils to include 'The Dinkie', a boxed Harrods enamel box, a Ronson lighter and a Royal Crown Derby commemorative dish

A Kudo brass 400 day mantel clock, walnut cased mantel clock, rock barometer and lighthouse lighter, 24cm tall

Silver items: a silver mounted horses hoof, London 1912, an oval hinged box, Drew and Sons, Piccadilly Circus, London 1913, a 'genies lamp' cigar lighter, Birmingham 1912, matchbox holder and cigarette case

A QUANTITY OF COLLECTABLES TO INCLUDE A VINTAGE WOODEN PULL-A-LONG TOY, LIGHTER, RAZOR, ETC

A good quality heavy duty pocket knife by Durham 261 Regent Street, with antler casework, unusual whistle/screwdriver, bottle opener combination, three tier pocket compass, together with five silver plated dolphin and shell salts, silver lighter, large bagging needles etc, in a 19th century oak and brass banded box

A S.T DUPONT CIGARETTE LIGHTER. Limited edition 'Nuevo Mundo.' Gold plated, blaue 'Laque de Chine,' edt 0934/2000. Set with semi-precious stone and engraved in the pre-Colombian style. 2.5" (6cm) high. In original case with all documentation. (1)

A RARE FOUR SIXTY FIVE PUMA BACKPACKER FOLDING POCKET KNIFE. German. With green checkered grip, and blade locking mechanism. In original red leather pouch. Inscribed, Solingen Puma Germany. An Elizabeth II Near East Medal. To P. Baker A.B.R.N. On cream and striped red ribbon. TOGETHER with a Kalibri of London, stainless steel cigarette lighter. AND another cigarette lighter. AND another Sheffield stainless steel pocket knife, cased. (4)

Novelty silver-plated windmill table lighter

Paul Henry RHA (1876-1958) WESTERN SKIES, c.1919 oil on canvas signed lower left 20 by 24in. (50.8 by 61cm) Collection of Maurice Solomon, acquired directly from the artist, c.1950; deVere's, 13 March 1990, lot 40; with the Oriel Gallery, Dublin; Private collection; Gorry Gallery, Dublin, 2003; Private collection; Taylor Galleries, Belfast, 2006; Private collection 'Paintings by Mr. & Mrs. Paul Henry', Magee's Gallery, Belfast, from 14 April 1919; 'Pictures by Paul & Grace Henry', Mill's Hall, Dublin, 12-24 May 1919; 'Exhibition of Paintings by Paul Henry and Frank McKelvey', Oriel Gallery, Dublin, 11 December 1990 to 26 January 1991, catalogue no. 32 (illustrated); 'Exhibition of 18th, 19th and 20th Century Irish Paintings', Gorry Gallery, Dublin, 2-12 March 2005, catalogue no. 41 (illustrated) Kennedy, S.B. Dr., Paul Henry: with a Catalogue of the Paintings, Drawings and Illustrations, New Haven and London: Yale University Press, 2007, p.209, catalogue no. 526 (illustrated) The composition, typography, handling of the paint and the general mood established in Western Skies is similar to that in a number of other pictures by Paul Henry, such as An Antrim Bog, 1919 (SB Kennedy catalogue no. 525), A Western Landscape, c.1919 (no. 527) and The Bog Cutting, c.1919 (no. 528). An Antrim Bog is known to have been painted in the spring of 1919 when Paul Henry and his wife, Grace, visited Cushendun in County Antrim, so it seems likely that Western Skies also dates from around that time and that the setting is also County Antrim. If that is the case, then the precise location is almost certainly a stretch of bogland situated near Glarryford and close to the present A26 main road, an area famed for pine trees that form a sort of arch way over the road. The narrow strip of land at the bottom of the picture plane is common to all these pictures, as is the flat terrain and the band of purple hills in the distance that halts the eye's recession. In each case, too, the landscape is sodden and is further threatened with rain - indeed in Western Skies rain already intrudes - from the menacing cumulous clouds. The range of colours is restrained in each picture, although Western Skies is lighter in mood than is the case in the other compositions. Dr S.B. Kennedy

JESUS CARRIES HIS CROSS and JESUS FALLS FOR THE FIRST TIME, 1927 pencil and watercolour; (2)14 x 8 in. Literature:Nicola Gordon Bowe, Harry Clarke, The Life of Work, History Press Ireland, Dublin, 2012, pp. 266-267 (Jesus Falls for the First Time, illustrated) Two full scale designs for the second and third Stations of the Cross inset panels in pencil and watercolour dating to 1927 for the Basilica at St. Patrick's Purgatory, Lough Derg. This commission was the largest of Clarke's church commissions at this time, others included a three-light window for the Catholic church at Tullycross, Co. Galway, a two-light at Killaloe, a three-light ordered by Colthursts for Blarney, Co. Cork and three windows for St. Patrick's College, Thurles. The commission - for Professor William Scott's new basilica in Lough Derg - comprised a series of Stations conceived as small oval panels leaded into a scheme of fourteen windows depicting The Apostles, St. Paul and Jesus. Clarke sent pencil designs and three full-scale colour studies of the inset Stations of the Cross panels in these to his patron, Canon Keown in February 1927. Two years later, in June, The Lough Derg Windows were consecrated to great acclaim. Alice Curtayne (1898-1981) the author and lecturer referred to them thus in her text Lough Derg (Dublin 1944): In St Patrick's Basilica on Station Island, Lough Derg, the Station of the Cross are set up in a very distinctive manner… Each of these fourteen … holds up a Station, which is shown on an inset plaque of lighter glass, more delicately coloured, so that it stands out in bold relief from the window. In this way it is the Station chiefly which holds the attention, while the attendant Apostle seems to hover attentively in the background. For further reading see: Nicola Gordon Bowe, Harry Clarke, The Life of Work, History Press Ireland, Dublin, 2012, chapters 9 & 10, pp.253-277  

A collection of Wedgwood Jasperware, etc., in green, pale blue, dark blue and black colourways, including a teapot, loving cup, fruit bowl, jug, various vases, table lighter, pomander, pin dishes, etc, together with a similar but unmarked shoe with applied strawberry decoration, a pair of basalt vases and a basalt bust of Eisenhower (24 items)

A box of vintage advertising tins for Typhoo tea, petrol -pak lighter fluid and tobacco etc.

A silver table lighter, Birmingham 1909, a/f, dents to side

A Dunhill lighter and one other

Costume jewellery and a Ronson lighter, boxed

Pair of enamelled match box cases, an enamelled match box case depicting Montgomery, Eisenhower, Alexander, Roosevelt, Churchill and Stalin "Souvenir of the World War", cloisonne cigarette case depicitng five toed dragon, Ronson table lighter, white metal vesta and a white metal travelling ink well (7)

Table lighters to include Ronson, one in the form of a swan, clasped hands etc, boxed ladies Ronson lighter with mother-of-pearl decoration, Guinness Zippo lighter, Pink Floyd lighter, bead necklace, brass cigar box, Britains first decimal coins etc

A mixed lot, including: hip flask with pewter cup, silver dressing table box lid, commemorative crowns, cigarette lighter and other items.

A good mixed lot to include a Canaux Radio Ocean Navigation System Fil 2000, a brass captain's cabin door plaque, a travel compass, a Tobishika set of 4 x 30 binoculars in travel case and a Zippo lighter in presentation case - This lot MUST be paid for and collected, or delivery arranged, no later than close of business on Tuesday. Please do not bid if you are unable to comply

A Royal Crown Derby cigarette lighter.

A WW1 Trench Art lighter in the form of a book.

Assorted sewing accessories, pin cushions, crochet hook, miniature wooden doll with bead decoration, blue ribbon small hinged purse, sterling silver lighter, etc

Pine open bookcase; pine low bookcase; four decorative mirrors; an up-lighter; and standard lamp

An smoker's oak cabinet in the form of a safe containing a mixing bowl, pipes and lighter

TORVILL & DEAN: TORVILL JAYNE (1957-  ) & DEAN CHRISTOPHER (1958-  ) English Figure Skaters, performing together they won a gold medal at the 1984 Winter Olympics. Signed 9½ x 12 photograph by both Jayne Torvill and Christopher Dean, the image depicting the duo in a head and shoulders pose together. Signed by both in bold fountain pen inks with their names alone to lighter areas of the image. Together with Betty Callaway (1928-2011) English Figure Skating Coach, coach to Jayne Torvill and Christopher Dean. Bold black ink signature ('Betty Calloway') on a white 12mo card. About EX, 2

WEST MAE: (1893-1980) American Actress and Sex Symbol. Vintage signed sepia 5½ x 7 photograph, the image depicting the actress in a head and shoulders pose, in a publicity shot for Paramount Pictures. Signed in bold red ink with her name alone to a lighter area at the base of the image. About EX

 DEL RIO DOLORES: (1905-1983) Mexican Actress. Signed 8 x 10 photograph of Del Rio standing in a three-quarter length pose. Signed in bold turquoise ink to a lighter area of the image. About EX   

KENDALL KAY: (1927-1959) English Actress. Rare vintage signed 7½ x 9½ photograph, the image depicting Kendall seated in a half-length pose. Signed in bold blue fountain pen ink to a lighter area of the image. Autographs of Kendall are scarce as a result of her untimely death at the age of 32. With minor corner creases, otherwise VG

ANNABELLA: (1907-1996) French Actress. Vintage signed and inscribed 7½ x 9½ photograph, the image depicting the actress in a head and shoulders pose. Signed in bold black ink to a lighter area of the image. With light creasing to the corners. Together withAnny Ondra (1903-1987) Czech Actress, wife of German boxing champion Max Schmeling. Vintage signed postcard photograph, the image depicting Ondra in a head and shoulders pose. Signed in bold blue ink with her name alone to the image. G to VG, 2

BERLIN IRVING: (1888-1989) American Composer and Lyricist. Vintage signed 8 x 10 photograph, the image depicting the composer seated in a half-length pose. Signed in bold blue fountain pen ink with his name alone across a lighter area of the image. With minor creasing to the left edge, otherwise VG

 KELLY GRACE: (1929-1982) American Actress, Academy Award winner. Later Princess of Monaco. Signed 7½ x 9 photograph, the image depicting the actress lying in a bed, in costume as Nancy Brubaker alongside William Holden (LT Harry Brubaker) in a scene from the war film The Bridges at Toko-Ri (1954). Signed in bold black ink with her name alone to a lighter area at the base of the image. With a minor crease to the lower right corner, otherwise VG 

FOSTER JODIE: (1962- ) American Actress, Academy Award winner. Signed colour 8 x 10 photograph, the image depicting Forster seated in a half-length pose. Signed in bold black ink with her name alone to a lighter area of the image. EX

CAGNEY JAMES: (1899-1986) American Actor, Academy Award winner. Signed 8 x 10 photograph, the image depicting the actor in a head and shoulders pose. Signed in black fountain pen ink to a lighter area of the image. VG

SIMON CARLY: (1945-  ) American Singer-Songwriter, Musician and Children's Author. Signed 6½ x 8 photograph, the image depicting Simon standing in a three-quarter length pose. Signed in blue ink to a lighter area of the image. Double matted in green and cream beside a 7" vinyl single of Nobody Does It Better by Simon, and above a small etched metal plaque stating Carly Simon, Nobody Does It Better. Framed and glazed in a black wooden frame to an overall size of 19½ x 15. With minor discolouration to the photograph, otherwise VG

Pens to include Conway Stewart and Waterman's, a Stanhope, plated lighter etc

An Art Deco ladies smoking necessaire, a chromium cigarette lighter and case combined, cold enamelled to resemble tortoiseshell, in original box, 15.7cm max; and a Elizabeth Arden vintage gilt metal powder compact, stamped Made in Switzerland, with beveled mirror to interior, decorated with scattered flowers, 7.5cm (2)

Rosenthal Versace Goldfever lighter with Box.

Total Extravagance!: A Fine and Elaborately Gilded and Silvered, Carved and Pierced Ivory Fan. circa 1780's, the monture has a wealth of features, many picked out in gold, many more subtle. The guards are elaborately carved and gilded, the monture serving as a playground for numerous gilded cherubs who climb up and down and perch on the delicately pierced gorge sticks, themselves a marvel of intricate carving and piercing in numerous fine designs. The double silk leaf is no less of a designer's triumph, with a trompe l'oeil border encircling three vignettes, containing sequins of different forms in gold, lime green and cerise. The central scene is finely and colourfully painted with a wealthy couple with their young son inside a park, the couple seated on a bench, the child chasing a white dove. The lady is sumptuously dressed in lilac, her wide skirts probably supported with paniered petticoats, her tiny waist drawn in with corsets, a large hat with several drooping plumes, her sleeves and fischu, edged with lace. The gentleman is equally richly attired, with a blue jacket and double breasted striped waistcoat, and yellow breeches, his wig with trailing pigtail, his arms around his lady as she leans towards two white doves which she retains on a leash. The child is dressed in a red suit with short jacket and matching breeches, a large straw hat with plumes balancing on his curls. The side vignettes feature a basket overflowing with recently gathered flowers, and a musical score and stringed instrument. The reserves are painted with flowers and gold highlights and feature more sequin decoration. The verso is painted with deep autumn coloured leaves and three sprays of pink roses and green leaves, coinciding with the reverse of the three vignettes on the recto. Guard length 28cm. Together with an attractive fan box made from two tones of wood, the lighter tone used for entwined initials and flowersRestoration to many folds on the verso. Possible repair to one guard.

An 18th Century Ivory Fan, the guards painted in a pale sea green, with chinoiserie detail in brown and gold. The gorge is also painted in slightly lighter shades, a water scene with boat, a house on stilts, and rocks. The vellum leaf, mounted à l'anglaise, is painted with people at leisure in a garden, a further figure watching from a stone summer house. One gentleman plays a stringed instrument, a couple dance, a white dog with black markings listens, and the central lady dressed formally in a pink sack back robe, chats with her friends. The verso, with a simple meandering flower border, depicts a tree. Guard length 27cmThe leaf has either been slightly affected by humidity, or the slight crumpling is a result of many repairs to the folds on the verso. The folds are quite rubbed.

An 18ct yellow gold Cartier lighter, with a basket weave body, the base marked No.35859T, 6.5cm high, approximately 88.5 grams

1931 Fine and decorative silver patent golf table lighter - hallmarked Birmingham and Pat.no 4657/31 silver pedestal mounted with 3x golf clubs and ball c/w hinged lid fitted with original The Dormie 1.62 square mesh dimple - overall 6.5"h

Collection of 3x various golf related metal ware items - Ronsons "Touch Tip" Art Deco style Pat table lighter c/w spelter figure of a Lady Golfer overall 6.25"h x 7.25" x 4" "lighter may be incomplete); table lighter with golfer mounted on large Warwick 50/50 style golf ball c/w striker overall 6.75" and toast rack for 4 slices decorated with crossed golf clubs and guttie golf balls - overall 4.25"h x 3.75"x 2.75"

Cricket Gold Plated Win G3000 Cigarette Lighter Presented by the John Player League housed in original box with instruction paper. From the personal collection of Bernard Thomas, who was the physiotherapist for the England team between 1970 and 1985.

A mixed lot including various lighters, a trench art bullet lighter, miniature mouth organ, white metal hip flask , and a cast iron sign for Pitch Pole Cultivator by John Wilder of Reading

Imperial German M.15 Drivers Peaked Cap, a magnificent condition lightly worn driver’s cap, all nap to body excellent, no moth damage, red centre band, a black peak with a lighter field grey green leather strap. To the interior profusely stamped with a maker’s stamp, depot issue stamps of the 4th Corp marked ‘K.B.A.IV’, stamped size ‘55’. Manufacturer’s stamp of ‘Ebert’ to the interior, complete with both its national and Prussian State cockades. Shown on page 120 of Feldzug 15.

Model 1918 Camouflaged Trench Helmet, featured on pages 146-149  of Feldzug 18, any M.18 camouflage helmet is incredibly difficult to obtain, this example having a good bright variation of colours including ochre, brown, yellow and maroon to the exterior with black separation lines. To the interior the lighter cream three padded liner is all intact to the steel liner band. All of the three inner horsehair pads remain. Clips for the M.18 strap are present but the strap is missing.

A 1970's Danish sideboard with a blonde wood interior and plywood back. It is fitted with sliding doors, fitted with a swivel top for TV The left hand side is lighter than the right hand side due to exposure to light, other than this the item is in good conditionThere is a Danish control mark sticker attached

2 Goldplated Sheaffer and Parker fountain pens and a Colibri pocket lighter, (3).

WWI souvenir brass lighter with penny and French coin

A Late Victorian novelty spirit lighter in the form of a ship's "port" lamp with a convex, red glass lens, by L. Emmanuel, Birmingham 1899; 3.6" (9.3 cms) high

A Dunhill silver plated petrol table lighter, 10cm