The outstanding Second War submariner’s D.S.M. and Bar group of seven awarded to Leading Seaman D. Duckers, Royal Navy, who completed at least 35 war patrols as H.S.D. operator and senior ASDIC rating in H.M. submarines United and Tapir Distinguished Service Medal, G.VI.R., with Second Award Bar (JX.213687 D. Duckers, A.B.) impressed naming; 1939-45 Star; Atlantic Star; Africa Star, 1 clasp North Africa 1942-43; Burma Star; Italy Star; War Medal 1939-45, mounted court-style for display, good very fine or better (7) £4,000-£5,000 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- D.S.M. London Gazette 12 October 1943: ‘For courage, resolution and skill successful patrols in H.M. Submarines.’ The original recommendation for an immediate award states: ‘For skill and outstanding devotion to duty as senior Asdic rating of the submarine during 17 consecutive patrols in the Mediterranean. Throughout this time he has conducted himself with unfailing good spirits under at times the most arduous conditions. When United was once forced to remain submerged for over 36 hours and was hunted continuously throughout the night for 13 hours, this rating remained closed up at the Asdic set for 13 hours without relief and by his coolness, vigilance and efficient operating, played a major part in the successful evasion of the enemy. He has frequently materially assisted in the success of attacks by providing an accurate estimation of the enemy’s speed by their revolutions and has invariably displayed the utmost coolness during enemy counter attacks.’ D.S.M. Second Award Bar London Gazette 19 June 1945: ‘For courage, endurance and outstanding skill in successful patrols whilst serving in H.M. Submarines.’ The original recommendation for an Immediate Bar to the D.S.M. states: ‘Leading Seaman (H.S.D.) Donald Duckers, H.M. S/M. Tapir. For outstanding skill as H.S.D. operator in an attack on a German U-boat, in first detecting the U-boat and subsequently providing most accurate information of its movements which helped materially in its destruction. For consistent efficiency of a very high order in running his department, and for consistent cheerfulness and courage during 36 patrols in war.’ The covering remarks of the Rear Admiral commanding 3rd Submarine Flotilla state: ‘Fully concur with remarks of Commanding Officer. An experienced rating whose technical skill undoubtedly greatly assisted the Commanding Officer to bring the attack to a successful conclusion. The reasons given for the shortness of the list of recommendations are entirely concurred in; the chief credit for this very fine attack must go to Lieutenant J. C. Y. Roxburgh, D.S.O., D.S.C., Royal Navy, and his Asdic operator.’ Donald Duckers was born in Manchester on 5 July 1913, and educated at Bury Grammar School prior to finding employment as a salesman for a paper firm in Liverpool. On entering the Royal Navy as an Ordinary Seaman in August 1940, he volunteered for submarines and, having passed his training course, joined the Tigris in March 1941. In her he participated in operations in Arctic waters, including a successful patrol which accounted for five enemy transports and another severely damaged, the latter laden with supplies for the Murmansk front. His C.O., Commander H. F. Bone, D.S.O., D.S.C., was presented with a young reindeer by a grateful Russian Admiral, gift and crew safely returning home to their depot ship. In February 1942, Duckers removed to the P. 44 (a.k.a. United) as one of her H.S.D. operators, the commencement of a memorable tour of operations in the Mediterranean with the famous ‘Fighting Tenth’ Flotilla, his first D.S.M. reflecting service in 17 war patrols, the whole under the command of John Roxburgh, D.S.O., D.S.C. During that period United accounted for the Italian submarine Remo in the Gulf of Taranto on 15 July 1943, four merchantmen and three schooners, in addition to damaging others. She was also credited with the probable destruction of the Italian destroyer Bombardiere west of Sicily on 17 January 1943. Extensive coverage of United’s exploits can be found in John Wingate’s The Fighting Tenth, the author having been her First Lieutenant during Ducker’s time aboard. A hair-raising run-in with some E-boats, in which Duckers’ skills as the Asdic operator were in much demand is just one of many extraordinary encounters related by Wingate, encounters that more often than not resulted in punishing depth charge attacks, on one occasion for a duration of 13 hours. But there were lighter moments, such as the occasion Roxburgh received a signal informing him of the safe arrival of a daughter, news that prompted the running up of the ‘stork flag’ to accompany United’s ‘Jolly Roger’ – a plain white sheet with a black stork carrying a baby in its beak. Duckers, who received his D.S.M. at a Buckinghamshire Palace investiture in November 1943, accompanied Roxburgh to his next command, the recently launched Tapir in October 1944. And it was more or less between them that they plotted the destruction of the U-486 off Bergen on 12 April 1945, thereby winning the accolade of being among the handful of naval personnel to have successfully participated in a ‘sub-on-sub’ encounter; a full account of the action appears in Geoff Jones’s Submarines versus U-boats. The U-486 had sunk the troopship S.S. Leopoldville off Cherbourg on 30 December 1944. Crammed with 2235 American troops from 66th Infantry Division, 763 soldiers were killed, making it the heaviest loss an American Infantry Division suffered from a U-boat attack during the war. Awarded a Bar to his D.S.M., Duckers departed Tapir in September 1945 and was demobbed in January 1946. Sold with an impressive array of original documentation and photographs, including the recipient’s Asdic Operator’s Log covering the period September 1942 to August 1943 in United, and likewise for Tapir in the period March to August 1945; his Certificate of Service and Submarine Detector History Sheet, the last date stamped at Portsmouth on 27 January 1941; Admiralty letter informing him of his award of the Bar to his D.S.M., dated 26 June 1945; a dozen or so wartime photographs, including excellent crew and ‘Jolly Roger’ images, assorted newspaper cuttings, and correspondence with John Roxburgh, his old skipper.
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A first quarter of the 19th century German carved wooden dancing couple, possibly Oberammergau, the woman with elaborate tiara and peineta, hair piled high, a white empire line gown, gold waistband, long gloves, the man with lots of dark curly hair, sideburns, grey tailcoat and lighter grey trousers —4in. (10cm.) high - possibly representing Maria Christina of the Two Sicilies and Ferdinand VII of Spain, his third wife from 1829 to 1833.
Architecture. Texier (Charles) & Pullan (R. Popplewell, Architect to the Budrum (sic; i.e. Bodrum) Expedition; Agent for The Dilettanti Society in Asia Minor), Byzantine Architecture; Illustrated by Examples of Edifices Erected in the East During the Earliest Ages of Christianity. With Historical and Archæological Descriptions, first English edition, London: Day & Son, Lithographers, 1864, chromolithographed additional architectural title-page (Frontispiece in the List of Plates), half-title, complete, contents collating: [xii], 218pp, illustrated with 70 tinted lithographed or chromolithographed plates, in-text wood-engraved illustrations and ornamental vignettes, an ex-library copy, their stamps to the fore-margin of every leaf and verso of every plate (though not affecting the image to recto), [2O2] & 2Q1 with single tears to their lower margin affecting or just touching letters, but without loss, further and lighter chipping in places throughout, some finger soiling, occasionally on plates - yet not within the image, plates LXIX & LXX printed as one double-page with stable inner-gutter split and tear, 20th institutional green morocco over cloth, gilt lettered, somewhat rubbed, corners bumped, contemporary red-stained edges as issued, pastedowns and endpapers with their withdrawn and other labels and stamps, folio (42.5 x 33cm), [Atabey 1213; Blackmer 1647]
![Sidney (Sir Philip, Knight), The Countess of Pembroke's Arcadia [...], With his Life and Death; a brief Table of the pri](https://cdn.globalauctionplatform.com/6abfac2d-222e-4bd4-8f53-b29100c4c94e/396073e4-5862-4a3d-9b3a-b29100c8e748/468x382.jpg)
Sidney (Sir Philip, Knight), The Countess of Pembroke's Arcadia [...], With his Life and Death; a brief Table of the principal heads, and som (sic) other new Additions, tenth edition, London: Printed by William Du-Gard: and are to bee (sic) sold by George Calvert, at the half Moon in the new buildings in Paul's Church-yard; and Thomas Pierrepont, at the Sun in Paul's Church-yard, 1655, lacking frontispiece, mispaginated in places, collating: [xxxii], 624, [26]pp; i.e. A2-5, b-d⁴, B⁶-³I⁶, ³K¹, foxed and browned in places, overall good, ink stains to pages 142 & 143 but not affecting legibility, repaired tears to page 259/260, further lighter and discreet repairs of a professional standard in some places throughout, never affecting text, later marginal worm trails in places, bound in 17th c style panelled calf in the later 20th c by J. Henderson, signed, tooled and ruled in contrasting gilt and blind, morocco lettering pieces, spine gently sunned, contemporary 17th c red-stained edges, later endpapers and blanks, loosely-inserted typed bibliographic notes and a late 18th/early 19th c portrait engraving of Sidney, folio (29.5 x 21cm) Provenance: Lord Rivers, engraved armorial bookplate to pastedown.
Thomas Cook (1744-1818) - After William Hogarth, The Rake's Progress, Plate III, coloured engraving, published by G. G & J. Robinson, London, 1796, 37 x 42cm, Robert Winchester Fraser (1848-1906) - Scene on the River Thames, signed, dated '95 and inscribed At Kew, watercolour, laid on the original mount, 19 x 39cm, unframed, a drawing of Mont Croix, Brittany by John Falconar Slater, signed with monogram, dated September 1909 and inscribed, pencil, a set of nine early 19th c miniature French prints of Nottingham, lithographs, in contemporary colour, 65 x 88mm, together framed and an engraving after Swain (5) One of the miniature prints stained, lighter stains affecting one or two of the others Watercolour foxed, with loss to upper right corner and with slight fold to centre
1980 Kawasaki KZ750, registration No. W473EOX, swing arm frame, frame No. unknown, OHC, four cylinder, 738cc capacity, engine No. KZ750EE18433 (replacement 1983) The KZ 750 is an upgraded 650 and a smaller lighter Z Series machine, this version appearing to have an engine from 1983, originally registered in 1980 and re-registered in 2000, with last V5C in July 2000 Not crash damaged, no old vehicle licence90% complete; Basically sound, for rebuildingMajor losses; Petrol tank, tail light cowl, speedometer, tachometer indicators
Bible and Biblical Criticism; Extensively Annotated and Interleaved by an East Anglian Cleric in the Late 17th/Early 18th Century. The Westminster Assembly of Divines & Puritanism: [Downame (John, attributed editor), et al], Annotations Upon all the Books of the Old and New Testament; wherein The Truth is Explained, Doubts Resolved, Parallelled, and Various Readings observed. By the Joynt-Labour of certain Learned Divines, there unto appointed, and therein employed, As is expressed in the Preface, first edition, London: Printed by John Legatt and John Raworth, 1645, black-ruled title-page, double-column, wood-engraved decorative head and tail-pieces, extensively annotated in the later 17th/18th c by the Rev. Richard Nesling (1670-1734), principally interleaved with approx. [454]ff of manuscript glosses and commentary, particularly denser through the New Testament, and more so the the Psalms than the Old Testament, further interleaved leaves bound-in in advance of marginalia and commentary, yet blank, letterpress leaves' margins annotated throughout, title-page, preliminary letterpress and annotated leaves water-stained and tatty, with creased corners, of which the title and one annotated leaf are detached, the remaining contents brighter, but also affected by creased corners and a degree of tattiness that becomes gradually lighter, letterpress fore-edges worn &/or chipped with some loss of words and probably sense, fragmentary contemporary calf binding, split yet just holding, worn and with some losses, folio (34 x 23cm) Provenance: 1) The Reverend Richard Nesling (1670-1734), born in King's Lynn, Norfolk, proceeding to BA & MA at Emmanuel College, Cambridge, and returning to his native county for ordination within the Diocese of Norwich, his appointment as schoolmaster at King's Lynn Free School (presumably his alma mater), preacher and vicar at Houghton. Later rector of Hessett and then Beyton, both near Bury St Edmunds, Suffolk; his ownership inscription to ffep, his autograph manuscript glosses and notes, and loosely-inserted 19th/early 20th c inscribed card. 2) Long undisturbed at a Stowmarket solicitor's office, until 30 years ago when the vendor's aunt, an employee, was asked to find a home for it; before then '[...] it was used in legal proceedings but was considered that it was no longer needed [...].'
Collection of WW1 and WW2 Medals, buttons and badges. WW1 Defence medal, 39-45 Star. Edward VII Coronation medal, Royal Hussars Cap badge, Coldstream guard cap badge, WW1 Leinster Irish collar badge, WW1 Durham Shoulder title, United States Army Button, RAF 51 Squadron badge, WW2 British Nome front, G B & Russia badge, GB & France badge. 8 x Egypt themed Damacene black on gold coloured badge/buttons. Plus Ronson lighter display box
Joined oak linen press, basically 18th century, two arched fielded panelled doors over an arrangement of three short, two half width, and one full width drawer, width 134cm depth 53cm, height 183cm.Condition report:Evidence of heavy historic worm activity throughout, especially to the base section and back. Old splits to the side panels and some historic fillet repairs. The interior is fitted with an arrangement of wooden pegs/ hooks. The interior base of the top appears to have dropped and is split in half, held together with old tape. Repairs and replaced lengths of mouding to the base section. Replaced handles to the drawer fronts. Drawer linings are all complete but well stained and dirty. Worn block feet. The front is lighter in colour than the sides.
THE WAILERS - CATCH A FIRE LP (UK ORIGINAL - ZIPPO SLEEVE - ISLAND ILPS 9241). A superb original UK pressing of The Wailers 1973 album Catch A Fire (ILPS 9241, 1973 UK pressing on Island Records. The pink-rim labels are lovely bright and clean. ILPS 9241 A-3U/ B-4U matrix, both sides have a second BML matrix scratched out. The record is in Ex+ condition showing very few marks/ the 'zippo' lighter-shaped sleeve with Basing Street London address under the Island logo on the rear is in strong VG+ condition with only minor edge creasing - the pin is fully intact).
A BOX OF ASSORTED ITEMS, to include a cased set of 'Cross' 14ct gold filled ball point pen and propelling pencil set, a 'Ronson' table lighter and hand held lighter, a boxed ladies 'Prince London' wristwatch, a gents 'Orlando' wristwatch, a boxed set of cufflinks, magnifying glass, a multi tool bottle opener, an antler handled letter opener with cover, a napkin ring and loose world coins
Registration – OE12 YHUChassis No. – SBM11AAC3CW000230M.O.T. – February 2026Odometer – 15,979The “McLaren Project Four” or MP4 12C was launched in 2011 but became known as the “12C” from April 2012. ‘OE12YHU’ is a 2012 example of this stunning 200mph plus British supercar with an innovative carbon fibre construction. With just 15,000 warranted miles covered to date together with a full McLaren service history, it is hard to imagine a more desirable example. With just four owners to date and a host of desirable options, including an interior carbon fibre upgrade, ‘OE12YHU’ is complete with a long, advisory free MOT until February 2026. What’s more, ‘OE12YHU’ has never attracted an MOT advisory, further underscoring its optimum mechanical condition. With just 3,400 12C’s ever built and a heritage and history like McLaren behind it, the 12C is an investment that satisfies both head and heart.The McLaren 12C is built around an innovative carbon fibre “MonoCell” which weighs just 75kgs and was deemed so beneficial that McLaren invested £127 million in its development. This is paired with a carbon fibre composite chassis and a 3,798cc V8 rear mounted engine producing a mighty 592 bhp at 7,000 rpm. A sublime specification. ‘OE12YHU’ presents in the desirable and optional Elite exterior colour of Supernova Silver and is notable for its big, air gulping front grill and impressively wide side “gills.” ‘OE12YHU’ squats on the optional, 12% lighter, Light Forged alloy wheels in a 19-inch configuration at the front and 20-inch at the rear. The 12C’s cabin is surprisingly spacious for a supercar, a feat achieved by situating the seats as close to the centre of the car as possible. The cabin exhibits other high cost options including the full leather two tone upholstery in Carbon Black and Saddle Tan. This is accompanied by the Carbon Fibre interior upgrade to switch packs, steering wheel spokes and centre console.The M838T 3.8-litre V8 twin turbocharged, rear mounted engine is a true powerhouse in both literal and metaphorical terms. That mighty power output is accompanied by 443 Ib-ft of torque which is transmitted to the rear wheels via the seven-speed + R Seamless Shift Gearbox (SSG). The dynamics of this supercar are further enhanced by ProActive Chassis Control (PCC) with hydraulic roll control and adaptive damping. Both the highly specified transmission and suspension can be deployed in three distinct modes – Normal, Sport and Track. An open differential further aids the deployment of the huge power and torque.In summary:· A 200mph plus McLaren supercar with just 15,000 warranted miles to date· A full and diligent McLaren service history· Complete with a number of expensive and desirable options both inside and out
Registration – E637 EGUChassis No. – Q144M.O.T. – September 2025Odometer – 61,578‘E637 EGU’ is one of the rarest cars on the road today. DVLA records suggest just two Quantum Saloons remain in use in the UK in 2025. Quantum Sports Cars was founded in 1987 with their MKI offering being based on the MKI Fiesta. The MKII Saloon happened along in 1991 picking up the MKII Fiesta’s underpinnings along the way. ‘E637 EGU’s’ DVLA date of 1987 refers to its donor car – a MKII Fiesta XR2 – as it is a MKII Saloon so must be post 1991 in origin. ‘E637 EGU’ records a mileage to date of around 61,000 and has been enjoyed by eight keepers to date. In current ownership ‘E637 EGU’ has been well tended to with new wheels, new radiator and header tank, and new starter motor all fitted. The brakes have been replaced all round, a new camshaft fitted, and the cam belt replaced. ‘E637 EGU’ holds a valid MOT until September 2025 and is ready to use and enjoy immediately.The Quantum Saloon is unusual in boasting a GRP monocoque construction. This configuration is immensely strong, as well as being lighter and more aerodynamic than the donor XR2. ‘E637 EGU’ Also it was one of very few kit cars that could seat four adults in comfort, even leaving ample room for luggage in the commodious separate boot.‘E637 EGU’ offers a sleek profile and features some interesting details like the concealed headlights and chunky body kit incorporating a generous boot spoiler. ‘E637 EGU’ is finished in a bright red livery which has suffered some paint fade from a period spent under the bright sun in Portugal. Other pleasing external features are the new, five-spoke 15-inch alloy wheels and the glass sunroof. The interior of ‘E637 EGU’ is pure MKII Fiesta XR2 featuring grey fabric seats with red pinstripes. The signature XR2 twin spoked steering wheel and instrument binnacle are instantly recognisable. A modern, but period look, Bluetooth head unit is fitted. The interior’s condition appears very good indeed and indeed is vendor rated as “excellent.” The bodywork gets an “excellent” with the paintwork earning an “average.” The mechanicals are XR2 items meaning a 96 bhp, 1.6 litre Ford CVH engine mated to a five speed manual gearbox.In summary:An extremely rare and surprisingly practical four seater kit carBased on Fiesta XR2 mechanicals but carrying less weightComplete with a very well presented cabin original to the XR2
Registration – T949 OHEChassis No. – JT152AEB103064713M.O.T. – August 2025Odometer – 150,000The Corolla G6R is a lesser known example of the originally ubiquitous eighth-generation E110 Corolla. Released in limited numbers to commemorate Toyota's 1999 Manufacturer's World Rally Championship, just 420 examples originally made it to the UK. ‘T949 OHE’ is one of these rare models with only 15 or so now thought to remain. ‘T949 OHE’ has had just four owners to date with the current owner acquiring it in October 2022. ‘T949 OHE’ has been brought up to standard by the current owners thanks to a thorough recommissioning. This work extended to bodywork, brakes and underside. A new clutch was fitted, required welding done and undersealing performed. A full service has recently been performed and a new battery fitted. ‘T949 OHE’ has a valid MOT until August 2025, comes with plenty of paperwork and service history and is being offered with no reserve.Toyota proactively marketed the Corolla G6R as “not a hot hatch.” Their idea was to provide good value fun for younger drivers with lighter weight being prioritised over more power. As such the G6R featured an aluminium bonnet and special alloy wheels. Toyota claimed the GR6 “placed emphasis on affordable fun rather than insurance-prohibitive performance.” ‘T949 OHE’ still exhibits that innovative approach and looks great in its original black livery, subtle body kit and 15-inch six spoke Toyota alloy wheels. The G6R’s cabin was notable for its jazzy cloth upholstery, red seat belts and chunky perforated steering wheel. ‘T949 OHE’s’ cabin looks highly original even down to its Toyota branded Philips radio cassette player. The bodywork, paintwork and interior all attract an “average” rating.The 1.6 litre, DOHC, 16-valve four cylinder 4A-FE engine was originally rated at around 109 bhp and the G6R weighed in at just over a tonne. As such ‘T949 OHE’ and its siblings fulfilled the “fun through light weight and modest power” brief. A six speed manual transmission also endowed the car with legitimate motorway cruising credentials when needed. ‘T949 OHE’s’ mechanical systems are all rated as “good.”In summary:· A rare Toyota with just 15 or so thought to remain· Nicely restored to present in a decent overall condition· An unusual and eminently practical modern classic for JDM lovers
S.T. DUPONT Feuerzeug "ANDALUSIA". Limitierte Auflage 1.859 / 3.000. LIGNE 2. Silberfarben mit Platinbeschichtung. Dekorative Guilloche Arbeit inspiriert von andalusischer Mosaikkunst mit blauen Chinalackdetails. Sehr guter Erhalt, leichte Kratzer vorhanden. Box und Papiere anbei. | S.T. DUPONT lighter “ANDALUSIA”. Limited edition 1,859 / 3,000. LIGNE 2. silver-colored with platinum coating. Decorative guilloche work inspired by Andalusian mosaic art with blue Chinese lacquer details. Very good condition, slight scratches. Box and papers enclosed.
Pair of Antique Chinese-Style Porcelain Duck Ornaments A pair of antique Chinese-style porcelain duck ornaments, each measuring 26 cm in height and 9 cm in width. These hand-painted pieces feature a vibrant blue glaze with intricate feather detailing and contrasting lighter tones on the eyes and beaks. Both ducks are depicted standing with wings slightly raised, perched on textured brown bases resembling natural terrain. Each piece is signed on the underside, adding provenance. These well-preserved ornaments showcase fine craftsmanship and are ideal for collectors of Chinese-inspired porcelain art.
**Large Decorative Fruit / Centre Ceramic Bowl with Intricate Hand-Painted Dragon Design**Designed by Peter Vost, signed to the bottom.This remarkable ceramic bowl features an exquisite hand-painted interior design predominantly in blue and dark brown hues. The intricate artwork, likely depicting dragons or similar mythical creatures, is set against a lighter background, providing a striking contrast. The bowl's exterior is plain with natural speckling from the firing process, adding a rustic charm. With a diameter of 14 inches and a height of 5 inches, this bowl is both a substantial and decorative piece, suitable as a centrepiece in any fine collection of ceramic art. The detailed, fluid patterns closely resemble scales, enhancing the mythical theme and showcasing the craftsmanship involved in its creation. The pinkish, spotted texture adds to the overall appeal, making this bowl a unique and visually captivating item. Signed Vost to the bottom.
### Antique Smoking Pipes and Vintage Lighters CollectionA collection comprising 14 vintage smoking pipes, including a meerschaum variety, alongside four lighters with unique design and branding.#### **Smoking Pipes**1. **Materials and Design**: - Pipes primarily crafted from briarwood with polished, smooth, or sandblasted finishes; one meerschaum pipe included, known for its light hue and intricate detailing. - Stems made of vulcanite or ebonite, showing varied styles, including straight and bent shapes. 2. **Notable Markings**: - Some pipes are marked, including examples engraved with “GENUINE BLOCK MEERSCHAUM,” certifying authenticity. - Another engraved with "LHS PARKWAY" and "REGAL MADE," attributed to Louis Hellman & Sons, dates likely to the 1940s-1950s. - A pipe with the marking "PERMAREX" and another marked with "R.P. MADE IN ENGLAND" are reflective of mid-20th-century craftsmanship. 3. **Condition**: - Signs of use such as darkened interiors, wear on stems, and patina indicative of aging; suitable for restoration or display. #### **Vintage Lighters**1. **Gun-Shaped Lighter (Corona)**: - Made of metal with a polished silver finish, shaped like a miniature gun. - Marked “CORONA” on the frame, suggesting 1950s-1970s novelty production. 2. **Ronson Lighter**: - Rectangular polished chrome design with engraved initials "G.A." - Features a flip-top mechanism, a signature of the prestigious Ronson brand; likely from the 1930s-1960s. 3. **Other Lighters**: - A black enamel-coated cylindrical lighter and a silver brushed-metal lighter, both designed in mid-century modern aesthetics. This ensemble highlights diverse craftsmanship and design from mid-20th-century smoking accessories, appealing to collectors and vintage enthusiasts.
***Three Handmade Ceramic Pieces by Peter Vost***This exquisite collection comprises three handcrafted pottery items by the esteemed artisan Peter Vost, each boasting an earthy, rustic brown glaze indicative of his distinct style. The set includes:1. A charming brown ceramic mug with a handle, featuring the name "SIMON" embossed prominently on its surface. It has a sturdy, traditional shape enhanced by subtle variations in its dark brown glaze and lighter brown stripes, with a reddish hue adorning the inner rim.2. Another brown ceramic mug, slightly taller and more conical than the first, exhibiting similar earthy tones and a semi-matte outer finish. The hand-crafted ridges and glossy interior underscore the artisanal quality of the piece.3. A larger, bulbous ceramic pitcher with a handle and a spout, also in a rustic brown glaze. This substantial jug features ridged detailing around its circumference, a narrow neck that flares gracefully at the top, and a generous handle for functional use. Combined, these pieces exemplify the harmonious blend of form and function characteristic of Vost's work, making them both practical for everyday use and visually appealing as decorative items.
Contemplative Gibbon Monkey Ceramic Sculpture by Peter VostThis exquisite ceramic sculpture captures a gibbon monkey in a profoundly contemplative and relaxed pose, masterfully crafted by the renowned artist Peter Vost. The gibbon is depicted seated with its arms wrapped around its legs and its head restfully placed on its knees, emanating a sense of peaceful introspection. A striking contrast is evident in the sculpture, with a dark brown expressive face set against a body adorned with a lighter, crackle glaze. This contrast not only highlights the intricate details of the monkey’s features but also showcases the exceptional craftsmanship and artistic depth typical of Vost's work. The sculpture measures 46 cm in height, 33 cm in width, and 31 cm in depth, making it a substantial and eye-catching piece suitable for any collection or display.
### Set of Three Silver-Backed BrushesA collection of three vintage silver-backed brushes, including one British hallmarked piece and two likely of Chinese origin. Featuring natural bristles attached to intricately detailed silver or silver-plated tops, this set includes:1. **Oval Brush**: Rounded design with coarser bristles suitable for heavier fabrics or haircare, the silver top exhibits tarnish and wear consistent with age.2. **Rectangular Brush**: Beveled edges with lighter, tightly packed bristles for clothing maintenance or grooming. The silver top displays faint decorative detailing obscured by tarnish, indicative of careful craftsmanship.3. **Narrow Elongated Brush**: Tapered shape with fine bristles, likely for detailing or delicate surfaces. The lightly hammered silver top adds a refined touch.Dating from the late 19th to mid-20th century, these brushes represent the craftsmanship of period grooming sets. Detailed inspection of hallmarks on the British piece and potential decorative elements on the others is recommended for further insights into origin and maker.
**Chinese Oxblood Glazed Vase with Distinctive Glossy Finish**This exquisite Chinese vase features a luxurious and deep oxblood red glaze, renowned for its rich and vivid hue. The vase exhibits a traditional shape, with a wide body that elegantly tapers to a narrower base and is crowned by a slightly flared neck. Its smooth, glossy finish is complemented by a contrasting unglazed or lighter-coloured lip, creating a striking visual effect. Additionally, the bottom of the vase reveals a distinct white area with irregular edges, characteristic of this glazing technique. Measuring approximately 9 inches in height.
Collection of Busts and Classical Figurines A varied collection of approximately 20 busts and sculptures crafted from materials including plaster, resin, terracotta, and bronze or bronze-like metal. The collection showcases historical, classical, and artistic figures, with notable items featuring identifiable names and stylistic influences from antiquity through the 19th century. **Key Items:** - **Busts with Names:** Small busts include depictions of Ludwig van Beethoven ("BEETHOVEN" inscribed on black bases in gold text), Franz Schubert ("SCHUBERT"), and Richard Wagner ("R. WAGNER"), among others. A bust of Socrates, in bronze with the inscription "SO?????S" (Greek) on its base, is also present. Another bust inscribed "WILLIAM MORRIS" features architectural detailing referencing the Red House. - **Large Classical Busts:** Two ivory-toned busts in a neoclassical style, with flowing hair and period attire, resemble aristocrats or historical figures. - **Bronze Busts:** A central metallic bust inscribed "LENIN" portrays Vladimir Lenin with a patinated surface. Another, bronze-coloured, showcases curly-haired classical styling. - **Classical Figurines:** Replicas of iconic sculptures include a discus thrower (Discobolus), athletic male figures, and reclining or musical female forms, echoing Greco-Roman and neoclassical influences. A detailed wrestling scene and a standing nude adjusting his foot are also visible. - **Terracotta Bust:** A red-hued terracotta bust with classical features contrasts with the lighter-toned pieces. The collection likely consists of 19th- to mid-20th-century reproductions and decorative pieces reflecting classical antiquity and notable artistic and historical figures. Bust sizes range from approximately 10 cm to 30 cm.
**Set of Vintage Mantel Clocks in Wooden Cases** A set of six vintage mantel clocks, each featuring unique wooden cases and distinct designs. 1. **Clock 1**: Dark wood case with rounded edges and an arched top. White dial with black Arabic numerals and ornate silver-tone hands. Supported by two small rounded feet. 2. **Clock 2**: Marked "Schatz" on the dial, indicating its origin. Robust dark wood case with a semi-arched top and clean design. White dial with black Arabic numerals and slim black hands. 3. **Clock 3**: Marked "Enfield" below the 12. Medium brown wooden case with a visible grain pattern and slight wing-like base extensions. Roman numerals on the face with black hands and a sweep second hand. 4. **Clock 4**: Lighter wood case with a dome-shaped design. Plain, minimalist style with no visible inscriptions. 5. **Clock 5**: Medium-toned wood case featuring a steep arched design. White dial with slight vintage patina and black Arabic numerals.6. **Clock 5**: OtherThe collection represents mid-20th-century British and European craftsmanship, showcasing a variety of styles and features. Some dials and cases exhibit light wear consistent with age, enhancing their collectability.
Victorian Mahogany Console Table, 19th Century A 19th-century Victorian console table crafted from mahogany or similar hardwood. The rectangular tabletop features rounded corners and a geometric inlay design made from contrasting lighter and darker wood, indicative of mid to late Victorian decorative styles. Supported by four intricately turned and spiral-shaped legs, with a turned stretcher providing structural enhancement. Visible patina and surface wear indicative of age, with estimated dimensions of approximately 68cm cm in height, 87cm in width, and 41cm in depth. This piece represents functional yet decorative furniture typical of Victorian interiors, circa 1850-1880.
Palladium and Tantalum Ring, Hallmarked by Lance James, PD500, Size R/S (UK)This distinctive ring features an intriguing blend of palladium and tantalum, showcasing a unique visual contrast with a darker outer band and a lighter central stripe. A hallmark from Lance James authenticates the ring, with the designation PD500, indicating its composition and quality. The ring is available in size R/S. This piece reflects a modern design sensibility with its combined metallic hues and textural elements.
Collection of Vintage Accessories and Personal Items A curated selection of small vintage accessories, including: 1. **Cigarette Case**: A rectangular, metallic silver-tone case, likely used for cigarettes or cards, with an engraved monogram emblem featuring "M." Reflective with minor wear, possibly from the mid-20th century. 2. **Ronson Items**: Two Ronson lighters, one with a brushed silver finish, and the other featuring a silver and chrome dual-tone design. Additionally, the Ronson R601 lighter packaging in orange and white is marked "Made in Hong Kong," dating this to the 1960s–1980s. 3. **Gold-Tone Compact Case**: Rectangular with a grid-like textured pattern, potentially for cosmetics or cigarettes. 4. **Pins and Badges**: Includes pieces with maritime, heraldic, and commemorative designs: - **"Scillonian" Ship Pin**: Gold and enamel, referencing the Scillonian ferry. - **Rooster Pins**: Featuring “COURAGE” banners in gold and green enamel. - **Statue of Liberty Pin**: Marked "LIBERTY 1836-1986," commemorating the Statue’s 150th anniversary. - **"TAB" Pin**: Rectangular, red enamelled with Olympic motif. 5. **Cufflinks**: Gold and silver-toned in various forms, including engraved and mother-of-pearl designs, alongside novelty designs with ship and heraldic motifs. 6. **Miscellaneous**: A cylindrical brass object, presumed vintage lipstick case; a small gold-tone ring with a pearl insert; and decorative tokens. The collection spans the 1940s–1980s, showcasing vintage craftsmanship and reflecting personal and decorative trends of the era.
**Handcrafted Ceramic Pot with Abstract Brown and Beige Glaze, Signed by "Vost"**This handcrafted ceramic pot features a striking design with a glossy finish and predominantly brown and off-white abstract patterns. The pot, which measures approximately 12 inches in height, has a wide, short neck leading to an open top, making it an ideal piece for decorative display. The interior showcases ribbed concentric rings and speckled patterns, adding to its artisanal charm. Notably, the base of the pot includes a round, unglazed rim with a glazed central portion exhibiting a spiral pattern and natural marks, indicative of its handmade quality. The artist's signature "Vost" is present on the base, adding a unique identifier and potential historical significance to this exquisite piece. Perfect for collectors and admirers of bespoke pottery, this pot stands out with its earthy tones and textured design on a lighter beige background.
**Chinese-Inspired Decorative Fruit / Centre Bowl by Peter Vost**This exquisite Chinese-inspired decorative bowl by renowned artist Peter Vost boasts a diameter of 16 inches and a height of 4 inches. Featuring a wide, shallow shape with a small base, this piece is a testament to Vost's mastery in ceramic artistry. The interior of the bowl is adorned with intricate and free-flowing patterns that evoke natural elements such as leaves and branches, rendered in dark brown and black hues. These designs stand out against a light, possibly off-white background, creating a harmonious blend of earthy tones and a lighter palette. The combination of swirling lines, leaf-like shapes, and small dots demonstrates a keen attention to detail, making this bowl a visually captivating and unique decorative piece.
Half-Hull Wooden Ship Model This item is a wooden half-hull ship model mounted on a polished rectangular wooden backboard, a design traditionally used by shipbuilders for vessel planning and display. The hull is crafted from multiple wood layers, featuring contrasting wood tones and visible grain, with the uppermost layer showcasing a lighter colour. The backboard, likely mahogany or a similar hardwood, has a smooth, reddish-brown varnished finish. Two brass keyhole-hanging brackets are affixed to the reverse for wall mounting, each secured with screws, allowing the model to be displayed prominently. The precise curvature and lamination techniques reflect skilled craftsmanship, aligning with traditional maritime practices from the late 19th to mid-20th century. This piece is both functional and decorative, offering historical insight into shipbuilding methods.
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