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ALFRED WATERHOUSE (1830-1905) (ATTRIBUTED DESIGNER) FOR HENRY CAPEL’S ART FURNITURE, LONDON SPINDLE- oak, with later upholstery of the period(46cm wide, 97.5cm high, 46cm deep)Literature: V&A Collection accession no. 29637:138 Note: An advertisement card for Henry Capel’s Art Furniture of around 1875 illustrates a similar chair to the present lot. Henry Capel was one of several furniture manufacturers who specialised in 'art furniture'. The advertisement shows some of the characteristic examples of this style of furnishing: lighter spindle-turned furniture, the use of painted panels and tiles particularly with figurative designs, and reformist Gothic designs. Capel worked particularly closely with Alfred Waterhouse, producing furniture and fittings for over 30 of Waterhouse's buildings. Waterhouse probably drew the designs for these projects, which reflect his interest in Gothic and medieval architecture. Capel is recorded as working throughout the 1870s and exhibited at the Paris Universal Exhibition of 1878.
A SILVER-MOUNTED AGATE SNUFF BOTTLE MODIFIED AS A FRICTION LIGHTER THE SNUFF BOTTLE: CHINA, LATE QING DYNASTY, 19TH CENTURY THE MOUNT: MAISON MAQUET, PARIS & NICE, CIRCA 1900 The agate snuff bottle with a flatted egg-shaped body and with brown inclusions is carved in lower relief with a fan and a woven pattern. It has been silver-mounted on a spread foot chiseled with flowers. The rim is also lined with silver and it is combined with a silver stopper embellished with stones. The rim bears the mark ‘Maquet’. H: 9,1 cm Gross weight: 87,6 grams 由镶银玛瑙鼻烟壶改装的摩擦打火机 鼻烟壶部分:中国,晚清,19世纪 其他部分: 巴黎及尼斯,约1900年 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
A Dunhill Namiki maki-e (lacquer) tallboy lighter, c.1930, decorated with a pheasant perched on a maple branch, the reverse inscribed, Namiki-kan, (Supervised by Namiki) and with artist's signature of Shozan for Tadao Sato with his red seal, the base stamped 'DUNHILL FAB SUISSE CARTIER LICENCE’, 6.4 cm highThere is wear and slight flaking to the lacquer on the upright edges of the lighter. There are other occasional minor nicks and scratches to the lacquer surface. There is some flaking and lacquer loss to the very top of the lighter. The wheel for the Flint turns but the Flint does not engage, some oxidisation to the interior workings, dent to one of the bottom corners of the base. Please see additional photos on Gorringes website.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 6.4 cm high
A Victorian walnut and marquetry side cabinet, with central twin panelled doors and bowed glazed doors separated by fluted columns, on plinth foot and turned feet, W.177cm D.43cm H.112cmOverall in honest condition, the top of a good dark colour with old signs of wear and small lifts to the veneers, central doors faded to a lighter tone, right hand centre drawer is a little loose having lost its lower pin to the bottom hinge, escutcheons and locks look original but no key present, some of the ormolu mounts are lifting a little but all look to be present, typical minor scuffing around the base, interior with old probably original velvet lining.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. W.177cm D.43cm H.112cm
An early 20th century French classical revival mahogany breakfront pedestal desk, with dark green leather skiver and four graduated drawers to each of the kneehole, raised on pad feet and mounted throughout with ormolu classical motif mounts, W.135cm D.82cm H.75cmOverall in very good honest condition with a rich reddish colour to the base, slightly lighter to the top, the skiver has old scuff, dents and wear commensurate with use, locks look original and have a working key, drawers are lined in oak, some scuffing around the plinths and feet.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. W.135cm D.82cm H.75cm
A mid 19th century French marquetry inlaid walnut country house post box, of architectural form, with barley twist corners and floral inlaid panels, applied with an ivory plaque inscribed POST ARRIVES 6.A.M. GOES OUT 5.30.P.M.,UK APHA Registration of an ivory item Submission reference: NEWRZLZW width 26cm depth 24cm height 56cmOverall of a rich mid brown tone, the top somewhat faded to a lighter colour and with old splits and separations in the joins, the slot for letters is at the top front and this has an appearance of possibly seeing some sort of conversion but may have always been intended as a post box, pin hinge to the top of the door has come loose, front catch operated by a sliding button, back of the case a little faded.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. width 26cm depth 24cm height 56cm
Thomas-Francois Cartier (1879-1943). A bronzed group of rutting stags, standing upon a naturalistic base, signed in the bronze, width 69cm, height 31cmOverall of an even dark brown patination, the stags slightly lighter with a little light rubbing to the raised extremities, signed on the right, essentially good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. width 69cm, height 31cmThomas-Francois Cartier (1879-1943).
Daybed Barcelona L 202, 1970er/80er Jahre, Entwurf Mies van der Rohe 1930, Metall verchromt, Holz, schwarzes gestepptes Leder, ca. 42x202x103cm, leichtere Gebr.-spuren, EZ 2, mit NackenrolleDaybed Barcelona L 202, 1970s/80s, designed byMies van der Rohe in 1930, chrome-plated metal, wood, black quilted leather, approx. 42x202x103cm, lighter signs of wear, condition 2, with neck roll
Paar Wassily Chairs, Stahlrohrsessel B3, Entw. Marcel Breuer 1925, Ausführung Knoll Italien, verchromtes Stahlrohr u. Leder, leichtere Gebr.-sp., ca.74x79x70cm, EZ 2-3Pair of Wassily Chairs, B3 tubular steel armchairs, designed by Marcel Breuer in 1925, manufactured by Knoll, Italy, chrome-plated tubular steel and leather, lighter traces of use, each approx. 74x79x70cm, condition 2
Konkrete Kunst - - Josef Albers. (1888 Bottrop - 1976 New Haven). Die Oberfläche. 1965. Portfolio mit 5 Farbserigraphien. Je auf leichtem, gefalteten Vélin. Blattmaße je 31 x 31 cm (gefaltet). Je signiert, betitelt und nummeriert. Je lose in original Kartonumschlag liegend. Mit den 7 Textblättern von R. G. Dienst. - Mappe bzw. Umschläge außen mit leichteren Anschmutzungen und Altersspuren, diese die Arbeiten nicht betreffend. Die Serigraphien teils mit oberflächlichen Fingerspuren. Kanten teils wenig bestoßen. Insgesamt im wohlerhaltenen Zustand. Vollständiges Portfolio. Prächtige, leuchtende Abzüge. Danilowitz, 167.1-5. - Eines von 120 Exemplaren. - Enthält: - Concord - Chry soprase - Opulescent - Silent - Attic. - Aus der Edition für "Das Kunstwerk", Agis-Verlag, Baden-Baden 1965. - Druck bei Sewell Sillman, New Haven. - Geprägt vom Bauhaus und De Stijl entwickelte Josef Albers mit seinen Farbtheorien und wahrnehmungstheoretischen Überlegungen ab 1945 ein Werk, welches Malerei, Design und Graphiken umfasst und um bedeutende Erkenntnisse der Farbenlehre und -wirkung erweitert. Der international anerkannte Künstler übte eine große Wirkung auf die Farbfeldmalerei in den USA, auf die OP-Art und die konkrete Kunst aus. Insbesondere in seiner Rolle im Erproben der Prinzipien der variablen Verwendung einheitlicher Grundmuster avancierte Albers zu einer Ikone der Kunst nach 1945. In der Art Farbe zu denken und zu fühlen, stehen die Arbeiten Albers in Ihren klaren Formen und ihrer reinen, interagierenden Farbwirkung für Zeitlosigkeit. Portfolio with 5 colour silkscreens. Each on light, double-sheet folded vélin. Each signed, titled and numbered. Each loose in original cardboard cover. With the 7 text sheets by R. G. Dienst. - Portfolio and covers respectively with slight soiling and signs of age on the outside, but not affecting the works. The silkscreens partly with lighter fingermarks. Edges partly a little bit bumped. Altogether in good condition. Complete portfolio with splendid, luminous prints. - One of 120 copies. - Includes: - Concord - Chry soprase - Opulescent - Silent - Attic. - From the edition for "Das Kunstwerk", Agis-Verlag, Baden-Baden 1965. - Printed by Sewell Sillman, New Haven.
Zeitgenössische Kunst - Street Art - - Vhils (Alexandre Farto). (1987 Lissabon). Burst. 2021. Serigraphie überarbeitet mit Quink Tinte, Bleiche und Säure auf Keaykolour original China. 70 x 50 cm (70 x 50 cm). Signiert und nummeriert. - Verso mit Atelierspuren. Der Abzug farbstark und sauber. Eines von 647 Exemplaren. - Aus der Edition underdogs. - Mit beigegebenem Zertifikat der Authentizität. Silkscreen reworked with Quink ink, bleach and acid on Keaykolour original China. Signed and numbered. - Verso with lighter traces of studio work in a few places. The print with strong colours and clean. - One of 300 copies. - From the "underdogs edition". - With a certificate of authenticity.
Zeitgenössische Kunst - Street Art - - Vhils (Alexandre Farto). (1987 Lissabon). Oxymoron. 2020. Serigraphie überarbeitet mit Säure, Chlor und Quink Tinte auf Keaykolour original China White. 70 x 50 cm (70 x 50 cm). Signiert und nummeriert. - Verso mit wenigen Atelierspuren. Insgesamt in wohlerhaltenem Zustand. Eines von 300 Exemplaren. - Aus der Edition underdogss. - Vhils wurde in Lissabon geboren und wuchs in der Industrievorstadt Seixal auf. Seit 2004 gehört zu den wichtigen Protagonisten der Lissabonner Visual Street Performance Szene. Seine Beiträge auf dem von Banksy kuratiertem Cans-Festival in London 2008 sorgten für Aufsehen. Seither gilt Vhils als einer der bekanntesten europäischen Streetart-Künstler. Silkscreen reworked with Quink ink, bleach and acid on Keaykolour original China. Signed and numbered. - Verso with lighter traces of studio work. The print with strong colours and clean. - One of 300 copies. - From the "underdogs edition".
A fine and detailed 1:5 scale model of 1930 Mercedes-Benz SSKL by Sapor Modelltechnik of Ingolstadt, Germany, 1990s,the Super-Sport-Kurz-Leicht two-door roadster, all metal construction, coachwork painted white, exacting detail made from over 3,000 component parts including full engine detailing and dashboard instrumentation, accessories, suspension and other mechanical parts, black leather upholstery and black canvas hood, the model 85 cm long, 33 cm wide, 25cm high. Footnotes:Made in limited numbers, these models usually sold out immediately, and the early Sapor editions included a 1904 Mercedes Simplex, a 1904 Rolls Royce and a 1913 Mercer 35J Raceabout and are widely accepted as the finest detailed models ever produced.The Mercedes-Benz SSKL was based on the previous SSK, whose short wheelbase made it very light and manoeuvrable. Also known as the 'SSK, 1931 model', the SSKL was even lighter (hence the 'L' ) and was able to achieve a top speed of up to 235 km/h. The final incarnation of the SSKL was driven in the 1932 Avus Race in Berlin by Manfred von Brauchitsch, who with a modified streamlined body won the race with an average speed of 194.4 km/h.This lot is subject to the following lot symbols: ◊◊◊◊ £60 + VAT uplift and storage at £12 + VAT per lot per dayFor further information on this lot please visit Bonhams.com
A BRASS AND BLACK LACQUERED FLOOR STANDING LAMP (2)Circa 1960, with cylindrical shade, enclosing an up-lighter and three other fitments, 178cm high overall; together with a chrome plated floor standing light, late 20th century, 145cm highCondition report: Both will need to be rewired and PAT tested prior to use.The earlier example with various dents, scuffs and scratches, including to the base and a few marks and losses to the lacquering in areas. Some oxidization too. The plated metal example with various light scuffs and scratches commensurate with use and age.
Hornby - one coach & 6 wagons: 1923-4 Pullman dining saloon, green & cream, badly playworn; 1930-2 Brake van SR lighter brown body, large gold 'SR' repainted roof (G); 1922-3 Cement wagon, plain, black open axleguard base, white 'cement' (G); 1923-4 No. 1 Rotary Tipping wagon, black open axleguard base, grey top, 'McAlpine' one side, 'rotary tipper' other side (G-VG); 1923-4 Shell Petrol tank wagon, red, open axleguard base, early cast filler (G) in original plain card box with most of white label (BG); 1939-41 Double wine wagon black French base, red barrels, no drain cocks or fillers, one buffer missing (G); 1933-4 No. 1 Crane truck, plain, yellow base, blue jib lined yellow (VG)

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44570 item(s)/page