ATTRIBUTED TO EDWARD HASTINGS (BRITISH 1781-1861) VIEW OF DURHAM CATHEDRAL Mixed media on paper laid on board, 31 x 53.5cm (12 x 21") Condition Report: The surface is slightly to moderately bowed in a concave manner and on close inspection there are a few small light marks in proximity to the top left corner area and generally some tiny specs apparent over the area of the sky, being lighter in tone, but overall the work views well and is in reasonable condition for its age.
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Small Collection of Wedgwood to include Wedgwood Jasperware Green trinket bowl with lid; small bud vase; rectangular pin dish; two small round plates and one larger round plate; and a table lighter. Together with a Wedgwood embossed Queen's Ware pedestal fruit bowl with two rams head handles, in white ground with green decoration. Please see photographs.
Edward VII set of travel hair-curlers comprising curling tongs in green leather case and a burner/stand in silver-mounted case, the case by CD, London 1903/4, 9 cm wide, together with a vesta case, card case, cigar cutter, lighter and toothpick, weighable silver 83 gr. (7). Please see ewbanks.co.uk for condition reports and further images
bears signature "J S Cotman '41" lower right oil on canvas (Dimensions: 48 x 74 cm)(48 x 74 cm)Condition report: Oil on canvas which is unlined. There are two tears in the canvas which have been repaired from the reverse with canvas patches. The holes have been filled and retouched. The fill is slightly uneven and the retouchings lighter than the surrounding paint layer but they are acceptable. There is some matte retouching in the darker paint passages. The paint layer is stable overall. The varnish is even but slightly yellowed. The frame is in a good condition.
signed and dated lower left on the milestone "E.P. / pinxit /1830" oil on canvas (Dimensions: 29.5 x 38.5 cm)(29.5 x 38.5 cm)Condition report: Oil on canvas which has been lined. The paint layer is stable with a network of prominent age cracks. Retouchings have either darkened or become lighter, notably in the sky. The varnish is semi-matte and clear. The frame has suffered from wear with scattered losses.
oil on canvas (Dimensions: 35 x 30 cm)(35 x 30 cm)Footnote: Provenance: Moulton Grange, Pitsford, NorthamptonshireCondition report: Oil on canvas which has been lined. The paint layer is stable but has suffered from damages in the past. The varnish is thick and semi-matte. Retouchings are poorly matched to the original, for example the lighter area on the sitter's arm. The frame is in a good condition.
oil on canvas, in a painted feigned oval (Dimensions: 71 x 62 cm)(71 x 62 cm)Footnote: Provenance: By descent from the sitter; Christie's, London, 20 November 1992, lot 73; Wood Dalling Hall, Norfolk Other notes: John Hamilton-Leslie, 9th Earl of Rothes (1679-1722) was a Scottish nobleman, the eldest son of Charles Hamilton, 5th Earl of Haddington and Margaret Leslie, 8th Countess of Rothes. In 1701, he succeeded his mother as Earl of Rothes, the chief of Clan Leslie. John Hamilton-Leslie married Lady Jean Hay, the daughter of John Hay, 2nd Marquis of Tweeddale, of Yester, with whom he had eight sons and four daughters. In 1704, Hamilton-Leslie was appointed Keeper of the Privy Seal of Scotland. He was one of the sixteen Scottish Representative peers to sit in the English House of Lords. In 1714, he was appointed Vice Admiral of Scotland by George I and fought in the Jacobite rising of 1715 against the pretender, James Stuart. After the defeat of the Jacobites, Hamilton-Leslie became Governor of Stirling Castle. He died in 1722 at Leslie Castle, Aberdeenshire.Condition report: Oil on canvas which has been lined. The tension is stiff and the picture is in plane. The paint layer is stable overall. There are a few scattered retouchings which are slightly matte and lighter than the surrounding paint layer. The varnish is even and glossy though slightly yellowed. There are several scuffs and an area of hazing in the lower left corner. There are some losses to the gilding on the frame.
A group of cigarette lighters with Royal Navy associations, to include a Deancut lighter with enamel badge for HMS Andrew submarine, a Penguin light with enamel badge for HMS Amphion with engraving to verso, a boxed Ronson lighter, a cigarette case with engraved map of Malaya and an AA car badge
A Vintage Favre Leuba Twin Power Wrist Watch, the watch having a champagne face with baton dial, date aperture, case nr 82092, together with a vintage stainless Andrew 'The Hatton' wrist watch and a Beney lighter. (3)Condition for this Lot - Sale 27/11/19The watch case in reasonable condition for age, watch moves forward when wound.
A collection of jewellery and accessories, including a single strand cultured pearl necklace, of graduated design; suspended from a marquisate-set clasp; an imitation bracelet; an Amita gilt metal, mother of pearl necklace, earring and brooch suite; a small collection of colourless paste set jewellery; together with a 9ct gold propelling tooth pick; with engine turned decoration; a yellow precious metal charm; a gold plated Dunhill lighter and a silver Dupont lighter (qty).
An Unusually Cased Pair Of 50-Bore Flintlock Box-Lock Pistols And Tinder-Lighter The First By Ketland & Co., Late 18th/Early 19th CenturyThe first with turn-off cannon barrels, border engraved actions each signed on a ribbon within rocailles and foliage on one side, and with a rocaille and banners on the other, border engraved cocks and steels, sliding trigger-guard safety-catches each engraved with a flower-head on the bow, and figured flat-sided butts (one with old bruise), London proof marks; the second of pistol form, with border engraved iron box-lock body decorated on top, external mechanism and trigger, hinged rectangular side-plate stamped with maker's name 'S. Cleeve' and with sprung catch at the rear, and figured rounded butt decoratively carved behind the short tang (sconce and bipod replaced): in lined and fitted mahogany standing case with shorter spare cannon barrels, barrel-wrench and green leather pocket (some loss of surface) for flints, all revealed on opening the sliding tambour front, a sliding draw on one side beneath opening to reveal a zinced box, steel bullet mould, lead balls and flints 6 cm. and 10 cm. barrels, case 40.5 cm. high X 33 cm. wideThis lot is subject to the following lot symbols: Y
A silver-plated novelty table lighter in the form of a waterline model of RMS Queen Mary, the centre funnel forming the striker, one side with inscription dated 1939, raised on ebonised plinth, ship 24.5cm, overall 30cm long, in fitted box with funnel, (box damaged) and a scratch-built metal model of a destroyer, (damaged), 23cm long.
Circa 1475-1480 AD. A hunting sword, dedicated to the hunt of boar and deer; on the shelled square an inlaid image of a boar (?); the point, shaped as a long facetted leaf with traces of gilding, fitted in the middle with a fuller, and showing a hole which possibly had two metallic wings attached, destined to stop the penetration of the blade inside the body of the hunted beast; the tang still covered by wooden grip, the pommel pear-shaped, while the cross-guard is straight having a central thickness for the passage of the tang. See Scalini, M., ,i>A bon droit, spade di uomini liberi, cavalieri e santi, Milano, 2007; Abbott, P., Armi: storia, tecnologia, evoluzione dalla preistoria a oggi, Milano, 2007. 1.5 kg,1.22m (48"). From an important private family collection of arms and armour; acquired on the European art market in the 1980s, and thence by descent; believed originally from Liege, Belgium; accompanied by an academic report by military specialist Dr Raffaele D'Amato. This hunting sword is a good parallel to the famous hunting sword of King Renate d'Anjou (Scalini, 2007, p.206, cat.48), also with inlaid blade with scenes of hunters playing the horn, and various animals. Some parallel is visible also with a hunting boar sword, of Germanic origin, with triangular blade and flamed tip, fitted originally with a leather grip hilt. This kind of swords were held with a hand and half, acting as a hunting spike. The hunting boar sword (German Sauschwert) appeared at the end of the 15th century, and had in contrast to a conventional sword or hunting sword, a four-edged blade, which was flattened and ground at the bottom. At the upper end of this ground blade, there were usually two downwardly bent spikes, which prevented a too deep penetration of the blade into the body of the beast and thus keep the hunter at a safe distance. The handles correspond approximately to the shapes of the usual war swords. Except for the characteristic cutting edge and stopper attached to the blade, this special kind of sword looked similar to Estock. In fact, the boar sword was mainly based on the Estock or tuck, its broad stiffened blade being designed to withstand the power of the charging boar or other large animal. The cutting edge was a double-edged blade, and its shape was often expressed as a 'leaf-shaped' or 'ear-blade-shaped', a part wider than the blade to improve the wounding and killing of the wild boar. The longer body of the sword was not sharpened like the blade of a usual sword: being dedicated to piercing the beast's flesh, it did not require a blade for cutting, also to avoid the risk of wounding of the user. The blade was a hard rod that could withstand the boar's rush, and its cross-section was circular or polygonal, like in our specimen. Many grips were long enough to allow the weapon to be gripped with both hands. From the horse it could be used with one hand, but presence of the stopper and the length of the grip suggest that often it was used with both hands also from horseback. At the beginning of the sixteenth century, the shape of these swords was soon transformed by Italian influence, as the blades became shorter and lighter, finally becoming the hunting knife of the 17th century. Most probably our specimen is from a palace or a private household. The piece is very rare and in excellent condition. Introduced in 14th century, this special type of hunting sword was mainly used for wild boar hunting. By around 1500 it had developed its main characteristic, i.e. the facetted or leaf-shaped spear point, to which was later added, near the end of the blade, the crossbar to prevent the animal running up the length of the blade and so making difficult to retrieve. The crossbar was attached between the cutting edge and the blade to prevent the boar being pierced too deeply by the sword. If the sword stabbed deeply, there was the risk that the wild boar could have stabbed the sword's handler with a fang, and it would have been difficult to remove the sword from the boar's body after. It was necessary to devise measures so that the stopper would not get in the way when placed in the sheath. Unlike a detachable crossbar, some specimens have a rod-shaped stopper that was fixed to the blade with a mechanism that allowed the sword to be fit in the sheath. Specimens of such swords that could be rotated and spread existed, or a fold-able spring loaded with a stopper that automatically expanded when the sword was removed from the sheath. In addition to these rod-shaped stoppers, there were also disk-shaped stoppers, as seen in the hunting spears since the Roman age. While noblemen led the boar-hunt from the horse, using such weapon, the hunters, who belonged to the hunting party, often preferred the so-called winged spear, a spear-like pole-arm fitted with two wings lateral at the blades. Until around 1470, the Burgundian fashion was to hunt, by employing longer, specially shaped swords 'Gjaidschwerter'. Hunting swords from the time of Emperor Maximilian I (1508-1519) have the usual grip of swords to one and a half hand, without German-style fist-guard. Sometimes the pommel had a beak-like shape. The blade was always single-edged with an average length of 85 cm. The hunting party of the German Holy Emperor was composed by a special team, dressed with red coats, low caps and armed with such weapons, deputed to join the Emperor in the boar hunting. Fine condition. Very rare.
A group of four George V First World War medals to 8530 L. Cpl. R. L. Neaves, 5th Battalion London Regiment, comprising - 1914 Star, 1914-1918 War medal, Victory medal and Territorial Force Efficiency medal, a Victoria Queen South Africa medal with five bars "Laing's Nek" "Transvaal" "Relief of Ladysmith", "Orange Free State" and "Tugela Heights", a World War II German iron cross, and a piece of World War I "Trench Art" in the form of a lighter in bullet pattern case fixed to shell case pattern base, 6.25ins high
Earlier Medieval, a virtually complete gilt copper-alloy and champlevé enamel anthropomorphic mount of probable Limoges manufacture, dating c. 1100-1250. Probably intended to represent a saint or apostle, the mount demonstrates a bulbous head set atop a rather spindly neck, the latter expanding out into a broadly rectangular body with two consecutive apertures for now-missing rivets aligned down its centre-line. The figure's arms are held loosely by its sides, as opposed to being clasped or joined across the body as is more usual with these artefacts. Adorning the front face of the mount (corresponding to the torso) are a series of four elongated vertical cells retaining dark blue inlays, while at the join between the body and neck is a shorter horizontal cell containing a stripe of lighter, turquoise enamel. Accentuating the head's charmingly stylised facial features, a pair of dark bluish glass pellets provide the figure's eyes. Copious gilding survives across the entire object, though now eroded in some places. Slightly bent in profile view. Length: c. 54mm. Width at shoulders: c. 21mm. Weight: 11.15g. Discussion: mounts of this form are known from across Britain, probably intended to adorn the surfaces of processional crosses or caskets. Likely produced in the artisan workshops of Limoges for the ecclesiastical market, this object is an extremely well preserved example of its type and as such scarce in this condition. A number have been found by detectorists, possibly representing the consequences of 16th century religious reform and iconoclasm. Provenance: found Tysoe, Warwickshire, 2017. Recorded on the PAS as WAW-C78427.

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