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Lot 486
A very large Mintons jardiniere with floral decoration, printed mark to the base, approximately 36 cm (h) and 42 cm (d) and one other. [2]Condition Report: Mintons jardiniere has been restored after significant damage, all pieces are present and haven been affixed back in place, restoration is very noticeable to the lighter coloured interior.
Lot 122
A Victorian walnut adjustable reading stand, circa 1870, the angle and height adjustable rest above stem and shaped triform base, 75cm high at its lowest, the top 75cm long, 40cm wide Condition Report: The mechanism stiff but operating at time of report, There is a later peg to one side.The top faded and lighter in colour overall, there is a darker stripe up the middle of the top - this is possibly from a simulation of rosewood previously. Other colour variation.Some old movement to the base of the pillar where it meets the base. later supporting timber here also. Condition Report Disclaimer
Lot 14
A Tetex carpet, approximately 297 x 202cmCondition Report: Carpet has good pile overall. Binding to longest edges are tidy with just some minor wear. Some fraying and losses to tasselled ends (see images). Some small discolourations to lighter areas. Please refer to additional images for visual reference to condition.Condition Report Disclaimer
Lot 203
A Ziegler Mahal carpet, the dark field decorated with an overall design of meandering foliage incorporating flowerheads and palmettes within pale madder borders and polychrome guard stripes, approximately 533 x 320cmCondition Report: Various losses to pile from moth damage - see images for extent.Wear overall.Wear reveals underlying weft in areas. Longest edges have been re-bound. They have wear, fraying and some loose threads.Pale knot heads poke through pile in places. Stitched repair to tear at one end (approx. 11cm). One end with fringing lacking. Strips of fabric have been stitched to the underside of this end to help secure.Fringing to the other end is short, and has wear, discolourations and losses. Various patches old lighter coloured replacement pile in areas - see images for extent. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 258
‘LIGHTER’ (2004)Acrylic on Canvas152cm x 178cmSTRETCHED BUT NOT FRAMEDNote:London based artist Tommy Penton is best known for his strong fluid line work, where vibrant, graphic scenes eschew reality, by playfully manipulating the perspective. Working in pencil, pen, acrylic & enamel paint, Tommy’s projects are wide and have included his graphic novel Tate to Tate, published by Random House, which depicts ‘An illustrated walk along London’s Southbank’. Past work includes album covers, posters & international advertising campaigns within the music industry for artists Babyshambles, Röyksopp, Mercury Rev, New Order & Underworld amongst others.He has collaborated with fashion group Orlebar Brown designing four cityscapes for the OB Limited Edition. This included live art work in Paris and for London Fashion Week. Tommy was short-listed for Crossrail’s ‘Artist -in-Residence’ scheme and took part in the group show Tunnel Visions.(Please refer to department for Condition report. You can find the biography of this artist in our digital catalogue for this sale)
Lot 205
A model of a Pan American Boeing 314 Clipper floatplane, constructed in mahogany and brushed aluminium, with propellers, raised on three tubular supports, on a revolving globe and turned stand, 77.5cm wide62cm deep46cm highCondition report: Some lighter sections showing signs of handling, some minor surface marks and scuffs, the left hand aileron is not present
![* Grainger (Percy, 1882-1961). Australian composer and pianist. Photograph signed, 'Percy Grainger, Aug[ust] 1923', sepia bro](https://cdn.globalauctionplatform.com/a83f8a98-ef22-4386-8e98-ac9400fa1bd0/a2a02668-8c8d-4c37-aa99-ac950130cabc/468x382.jpg)
Lot 573
* Grainger (Percy, 1882-1961). Australian composer and pianist. Photograph signed, 'Percy Grainger, Aug[ust] 1923', sepia bromide silver print, half-length in part profile, signed and inscribed for Frederick H. Martens in blue ink to a lighter part of the image, beneath 2 bars of an autograph musical quotation from Hillsong I, small circular blindstamp of the photographer [Alfred] Krauth, Frankfurt, to lower right corner, some silvering visible to lower and right margins (when viewed at an angle), 21.5 x 15.5 cm, framed and glazedQty: (1)NOTESThe first version of Grainger’s Hill Song Number 1 was composed between 1901 and 1902. After much rewriting and revising, it was eventually published by Universal Edition in 1924. Grainger said of this work, ‘…I think it is one of the very richest in herzblut [heart's blood] of all my works'. Frederick Herman Martens (1874-1932) was an American music journalist and writer.
Lot 584
* Miro (Joan, 1893-1983). Spanish Artist. Signed photograph, 'Miro', June 1967, gelatin silver print photograph by Adelmann, head and shoulders shot in profile of a smiling Miro, signed and inscribed vertically downwards in lighter area of left margin in black marker pen, 'pour Barry a malven, amicalement, Miro! VI/67', some scattered trivial creases and surface marks, 19.5 x 25.5 cm, photographer's sticker to versoQty: (1)
Lot 610
* Stravinsky (Igor, 1882-1971). Russian-born Composer, Pianist and Conductor. Signed portrait, 'I Stravinsky, Rio, le 11.VI.36', vintage gelatin silver print photograph, head and shoulders portrait in part profile with shadow [by George Hoyningen-Huene, 1934], inscribed and signed in blue ink to lighter upper right-hand area of photograph for [indecipherable first two names] Baruro, image 8.5 x 13.5 cm, original mount, framed and glazedQty: (1)
Lot 452
SILVER ROSE BOWL, maker James Deakin & Sons, Sheffield marks, of footed circular form, with presentation inscription to base, wire grill insert, 9cm high, along with a pair of plated dwarf candlesticks, a silver dwarf candlestick and a silver lamp form table lighter, the weighable silver 290g (5)
Lot 297
AN IMPRESSIVE PLASTER FIGURAL RELIEF WITH CHRIST BEFORE PILATE, AFTER THE WEST FRONT OF ST-GILLES-DU-GARDLATE 19TH CENTURY/EARLY 20TH CENTURY, AFTER A 12TH CENTURY ROMANESQUE ORIGINALWith draped figures below an egg-and-dart moulded edge, the side inscribed with inventory number 75Approximately 114cm high, 180cm wide Provenance: Reputedly, the cast collection of the V&A, LondonCatalogue Note: This relief is derived from a section of the 12th century West Front of the Benedictine abbey church of St-Gilles-du-Gard, which is often considered the pinnacle of Romanesque sculpture in France.Condition Report: Some surface marks and wear. Areas of lighter and uneven colour, possibly repairs, to some of the features and extremities.The original after which this was moulded has areas of degradation and loss, and this is reflected in the plaster.The panel has not been inspected off the wall.Condition Report Disclaimer
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