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Lot 6417

An oak trinket box with applied Swastika emblem to lid together with a Nazi German cigarette lighter and photograph of Goering etc (4)

Lot 32

A Dunhill pocket lighter, inscribed JET to the front, in a shagreen cover, inscribed Dunhill Unique Lighter, Pat No 43752, circa 1930, 4.5cm high, together with another Dunhill pocket lighter, inscribed CMJ to the front, 5.5cm high (2)

Lot 407

Large tray Hornby items including 1937-9 No. 4E station 'Ripon' with round top arch over booking hall, missing lamps, paint loss on fencing, scratches overall, body only for E220 tank loco 1931-6 LNER black 5154, Plain No. 2 timber wagon 1936-9 missing four stanchions, 1957-69 No. 50 BR hopper wagon, total repaint 1931-41 No. 1E lamp standard as a lighter blue base and finial, as found (A-F)

Lot 534

Hornby 1931-5 No 1 special tank loco LNER No 8123 lighter green, eight boiler bands, corrosion spotting to roof, boiler handrails and coupling rods. Complete with lamps, key and shunters pole. Will benefit from cleaning (F) (BVG) with LNER sticker, LNER corrugated wrapper and guarantee dated Oct 7th 1933 - Henshaws of Bury St Edmunds

Lot 1724

Maundy Set 1686 VF, the 4d is lighter in appearance.  -  Brian Lawrence Collection

Lot 1345

Cased Dunhill gold plated table lighter marked to base and # 25572, in presentation case, (height 10cm approx).

Lot 1295

Dupont Paris gold plated cigarette lighter marked to base and # EK3096; together with an enamel and silver circular brooch.

Lot 121

Wedgwood Jasperware Black and White Gent's Cufflinks, further cufflinks, tie clips, key rings, letter opener, Colibri lighter etc:- One Tray

Lot 171

A Hallmarked Silver Orb Pendant, on a chain, a lighter set with a 1940 farthing and a trench art ring "Algiers Africa"

Lot 180

A Pair of Small Hallmarked Silver Candlesticks, (filled) together with a spherical lighter with ashtray lid, gents wristwatches.

Lot 228

A Dunhill `Baby Sylph` Miniature Cigarette Lighter, the silver plated body with lift-arm and hatched body, link to the base, 35mm high

Lot 1142

A box of assorted misc items, mostly metal ware. To include cased Swift binoculars, cased Ronson lighter and assorted brass and copper items.

Lot 1467

A box of assorted misc. items to include boxed enamelled trinket pot, a collection of bird ornaments and marble table lighter and matching ashtray.

Lot 824

A late 19th century Louis Vuitton travelling trunk, covered in the Damier pattern canvas with two painted yellow stripes, embossed leather plaque to front inscribed 'PARIS LOUIS VUITTON MADE IN FRANCE LONDON', with wooden slats, brass corner mounts, catches, locks and side handles, embossed leather bound edges, the hinged top enclosing an interior with ivory glazed calico lining and purple ribbon quilted calico inside the lid, lacks tray, on iron roller castors, metal baseplate, large Louis Vuitton label to the interior, no. 45849, with Vuitton key, numbered to match lock plate, the catches stamped 'L.V.', 31½ x 18¼in. (80 x 46.5cm.), 12¾in. (32.25cm.) high, exterior with some old luggage labels.* Condition: Front panel has old worm to the left hand side and there is some lighter worm to right side of front panel and to the slats on the base. Heavy wear/holes to canvas across the surface, mainly to the lower half. Some surface wear to leather edge binding and two holes to leather edging /strapping to front left. Wear to lower edge of canvas to all sides. Wear to wooden slats to underside and also denting to metal base plate. Interior lacks tray.    

Lot 421

A Chinese silk embroidered wedding skirt, early 20th century, the yellow damask and black bordered pleats with silk embroidered flowers and black and bright blue floral borders, the front and back with large panels embroidered with butterflies amidst flowers and foliage, 39½in. (100cm.) long; together with a similar skirt panel with lighter blue floral borders, 38in. (96.5cm.) long. (2)* Condition: - 100cm skirt: The damask to the centre of one of the pleats has dulled to gold from yellow and there are two other smaller patches similar nearby - we are not sure of the cause but it is old staining. Otherwise in very good condition, with bright, strong colours and no damage apart from one or two isolated pulled threads.- 96.5cm. skirt: Very good overall - clean and bright, strong colours. Purple tape edging has a few small nibbles to the edges. No other damage.

Lot 475

A Chinese Canton carved ivory chess set, late 19th / early 20th century, stained red and natural, carved as the Imperial family and their court, the rooks as caparisoned elephants, on waisted pedestal bases, the white king standing 4¾in. (12cm) high. (complete, 32)* Condition: The white pieces are slightly lighter to the front than the back - very slight sun fading. White king has a filled chip or crack in the ivory to the left side of his hair and the blade from weapon is detached (snapped off). Hairline to one turret on one white rook. The turret on the other white rook has been off and glued back at an angle. Six of the white pawns are missing their sword blades.The red king has a few tiny chips to the base edges. The red queen has a large chip to the lower right hem of her robe. One bishop has a tiny frit to the hat brim and the other has a chip to the base at front left. On one rook, the rider has been glued back in place, and the other turret is glued in place at an angle. One red knight has a tiny chip to the top of the left hand. Red pawns - two are missing part of the handle from their weapon and one is missing the blade from the weapon.

Lot 471

A Chinese Canton carved ivory card case, 19th century, carved with figures, birds and pagodas amidst trees and flowering shrubs, the sides with four dragons, pull-off cover, 3½ x 1 7/8in. (8.8 x 4.7cm.), repair to cover.* Condition: Cover has two cracks to opposing corners and a metal mount has been pinned to the lower edge to secure. This is an old repair and there is no damage to the carving. One side of the case is a little lighter due to sun fading.  

Lot 679

A quantity of military related collectables, comprising British War & Victory medals (38823 PTE. V Rimeur. Hamps. R); Special Constabulary long service medal, awarded to Frank Hedges; Royal Army Medical Corps badge; Dieu et Mon Droit cap badge; Princess Mary Christmas tin; trench art bullets; lighter with broad arrow mark; bosun's whistle; Irish Police Garda drivers badge etc.

Lot 279

SILVER MESS 'GRENADE' LIGHTER etc. The larger of the two just over 4" high, with HM for Birmingham 1914. Engraved on the front with, R G R T from L C M-S. 6th July 1932. Some usage knocks and dink's evident, with a weighted base. The smaller of the two in plated form, some 3.1/4" height with usage knocks evident.

Lot 3065

A collection of various items, including various lighters, a large lighter in the form of a warrior, two silver spoons etc

Lot 2329

A collection of game birds, cold painted, gilt metal and silvered metal (13) together with a bronze putti and a gilt metal table lighter with petit point decoration, nutcrackers and a pair of ballet dancers, all in wooden 19th Century drawer (18)

Lot 1606

Sylvac Corgi, Beswick foal, black pig, Jay, Staffordshire camel, Italian elephant, Adderley pig, black cat, tortoise, horse Burlington Toby jug, Wedgwood table lighter, coasters vases, dressing table jars etc Q

Lot 2352A

Book match holders, weights vesta cases, pipe tampers, sovereign purse, agar cutter level, cigarette lighter case

Lot 617

Three pocket watches, silver, early 20th Century, and two chrome Ingersolls (A/F) and a Tristar lighter, total gross weight 249 grams (4)

Lot 3072

WW1 Brass trench art snuff box, WW1 "Somme" paper knife (Missing handle) Home made cigarette lighter made from 1921 Pennies, two Vesta cases, Cigarette rolling machine, etc. (8)

Lot 2327A

Snuff boxes corkscrews, early cigarette lighter, stud box Art Deco and memorabilia etc

Lot 383

A DUNHILL PARKER-BEACON SILVER WATCH FACE LIGHTER, of rectangular design with engine turned decoration, the front with square watch dial marked 'Beacon Parker', import marks for 1928, patent no. 143752, 5cm high

Lot 249

A gold plated Dunhill cigarette lighter, a silver plated Dunhill lighter, in original box, and another similar

Lot 315

A mid 20th century silver mounted cigarette box, 7 1/2" long, a silver engine turned waisted table lighter, 3" high, and a white metal dish and spoon

Lot 207

A painted metal table lighter in the form of a Yeoman of the Guard, 16.5cm high

Lot 984

A lot comprising of penknives, a cannon lighter and a cannon model

Lot 957

2 unused Babyliss replacement energy cells and 2 Swan unused gas lighter refills

Lot 257

ELIOTH GRUNER (AUSTRALIAN 1882-1939)THE SILVER LIGHT OF SUMMER MORN Signed, oil on canvas41cm x 46cm (16in x 18in)Provenance: A gift to the current owner from Dr. Patricia Mackay who brought it back to Scotland from Australia c.1934/35. When in Australia Patricia Mackay spent time with her first cousin Angus MacIntyre who acquired, re-built and lived in Fairlight House, Manly from 1910-1939. Although there is no record of MacIntyre's collection, Gruner was a regular visitor to Fairlight House.Note: One of the later figureheads pertaining to the Australian Impressionist movement, New Zealand-born artist Elioth Gruner (1882-1939) is distinguished as one of the country's most innovative and poetic painters of light, whose work captured the imagination of many throughout the early 20th century. We are delighted to offer The Silver Light of Summer Morn, an assertion of Gruner's artistic prominence, and a landmark of his evolving career.Gruner moved to Australia at a young age, and in 1901 began selling paintings to Sydney's Society of Artists, where his work gradually gained traction. It was not until 1923, however, that Gruner garnered much of his inspiration from his travels across Europe, where pioneers of European Modernism conjured a rethinking of his artistic technique. The paintings of Cézanne introduced him to a high-key palette, whilst those of Gauguin revealed the beauty of expressive brushstrokes and simplified forms. Upon his return to Australia, Gruner's repertoire developed in accordance with his European counterparts - a simplification of subject matter, an increased attention to pattern, and a freer, wider sweep of the brush set him apart from his Australian equals.The Silver Light of Summer Morn is a fine example of Gruner's dedication to plein-air painting, in which we're presented with his new, excited and liberal working of the brush. A vast turquoise sky extends across most of the composition, subsuming a mellow swathe of sand, and a delicate slither of seawater disappears into the bright horizon. Rougher topology in the distance smoothly tapers down to a low vanishing point, convening with the lighter tones of the water's surface. We are not, however, the only admirers of this placid view. To the bottom right two women regard the calm waters with their backs to the viewer, one leisurely reclining beneath a pink parasol, the other standing. A deckchair endorses this site as one frequently revered by visitors, accentuated by more distant figures merrily testing the waters of the calm Pacific Ocean. Nonetheless, we're still drawn to the sprawling sky that dwarfs all the participants in this blissful scene - Gruner's affirmation of the landscape as the most important facet of this masterful work. The atmosphere is palpable; long shadows allude to the early time of day - a raw light often favoured by Gruner. The painting evokes a certain ephemerality, as if the tide will soon rise, consuming the lowly swathe of sand; the seated woman will surely raise and fold her parasol, continuing with the nearby figure for an amble along the beach. The solitary deckchair will not remain on the sand forever, and the light will change as the day progresses. It is this refreshing simplicity of elements - an impression of a calm Pacific morning - which marked Elioth Gruner as an artist of distinguished skill, worthy of receiving the Wynne Prize seven times across three decades of painting. The Silver Light of Summer Morn is a demonstration of nostalgia, and a celebration of local beauty. It references the theory of artist Max Meldrum who proposed tone as the most important element of any painting. Most importantly, however, is that Gruner painted the unpaintable: the element of light itself.

Lot 65

A Ronson Varaflame Adonis 14ct gold pocket lighter, length 6cm, original case

Lot 66

A Dunhill gold plated pocket lighter, height 7cm, and a Dupont lighter (2)

Lot 799

A large leather jewellery box containing a 9ct St Christopher, rings, a Mordan propelling pencil, a Dunhill lighter etc

Lot 390

A niello cigarette case, chequerboard design, white metal, stamped 900, 5.91oz, an Inco-Triplex Junior pocket lighter, two Ronson lighters, two further lighters, and a Japanese Cont-Lite camera lighter. (7)

Lot 113

A 1970s S.J. Dupont gilt and black lacquer cigarette lighter, having two character Japanese mark, in box with papers (5)

Lot 114

A modern S.J. Dupont gilt lighter, in case with papers, together with another example with worn lacquer (3)

Lot 323

A tray of three piece plated cruet set, plated rose bowl and cigarette box, Ronson table lighter, set of six brass mini goblets, sterling silver cased pocket watch etc

Lot 336

Royal Crown Derby Imari table lighter and two shaped dishes (3)

Lot 293

Silver plate ashtray & smokers set comprising table lighter, ashtrays and cigarette jar

Lot 39

An S T Dupont gold plated lighter, set with Japanese black lacquer inlay, with printed oriental character marks

Lot 458

Selection of pens, silver caddy spoon, Ronson lighter, travel clocks and costume jewellery etc

Lot 297

A Vintage Rolls Royce Cigarette Lighter

Lot 211

A Tray of Mixed Sundries to Include Souvenir Thimbles, Enamelled Badges, Pistol Cigaret Lighter, Wicker Covered Bottle etc

Lot 532

Chad Valley Escalado horse racing game, two Old Spice shaving mugs, Szeher studio midel dog, three knoves, eleven apostle spoons and matching tongs in a case, Noble table lighter, three pens (qty)

Lot 20

Sankei lighter, Cochem boat, boxed

Lot 454

Ronson varaflame cigarette case with inbuilt lighter, Ronson electronic lighter, Ronson Table top lighter, Brown leather and white metal cigarette case (4)

Lot 208

Canadian dollar 1939, other miscellaneous silver etc., coins, 1939/45 medal, cigarette lighter; and boxed Simon snorkel, Corgi Fire-engine 1127.

Lot 90

A Mid 20th Century Counter Top Display Stand for Ronson Varaflame Gas Lighter, 59cm Wide

Lot 185

AN UNBOXED SCHUCO B.M.W. FORMEL 2 RACING CAR MODEL/LIGHTER, No.1072, diecast chassis with plastic body, very minor damage to engine, otherwise appears complete, lighter not working, length approximately 25cm

Lot 66

A box of various silver plated spoons; a lighter etc.

Lot 72

A WW2 brass shell case; together with a Ronson table lighter; a box of cuff-links; a silver serviette ring; small silver condiment spoons etc.

Lot 271

A pair of Chinese peach blossom-glazed bottle vases, formed with a compressed ovoid body supporting a cylindrical neck, the exterior covered with a grey-tinged crimson-red glaze characteristically suffused with shades of lighter pink and greenish-beige spots, the base inscribed in underglaze blue with a apocryphal six-character Kangxi mark, carved wood bases, the vases 18.8cm high (2) 康熙款霁红瓶一对

Lot 7322

A Dunhill cigarette lighter, number 15881, with box and original receipt dated 16.12.00

Lot 249

Ronson cigarette lighter and 3 others

Lot 5705

Movie Original Vintage Poster James Bond 007 The Man with The Golden Gun. Ian Fleming's The Man with the Golden Gun, the 1974 Guy Hamilton English James Bond 007 secret agent spy espionage fantasy action adventure thriller ("The world's greatest villains tried to kill James Bond"; "Now it's Scaramanga's turn to try"; "Dr. No. He couldn't kill Bond with a cyanide cigarette and the world's largest tarantula"; "Rosa Kleb. She couldn't kill Bond with an assassin trained from birth."; "Goldfinger and Odd Job. They couldn't split Bond in half with a laser beam or with the world's deadliest hat."; "Blofeld. He tried to kill Bond with a deadly virus and ten of the most beautiful women in the world."; "A solid gold fountain pen that screws into the body of a gold cigarette lighter. A gold cigarette that is snapped into place form a handle. A solid gold cuff link that becomes the trigger. A single gold bullet that is placed in the chamber."; "The barrel of the gun a solid gold fountain pen"; "The hammer and bullet chamber: a solid gold cigarette lighter"; "The magazine hand grip: A solid gold cigarette case"; "The trigger: A solid gold cuff link"; "The man with the golden gun is ready to assassinate James Bond"; based on the novels by Ian Fleming) starring Roger Moore (in the title role "as James Bond 007"), Christopher Lee (in the title role as Francisco Scaramanga, The Man With the Golden Gun), Britt Ekland (as Mary Goodnight), Herve Villechaize, and Maud Adams. Poster printed for Western Hemisphere. Two producers (Saltzman and Broccoli) were unable to agree which name goes first. They resolved this by having posters for half of the world having one of their names first, and on the other half of the world, they reversed it! Country: USA. Year: 1974. Artist: Robert McGinnis. Size (cm): 104x69. Good condition, restored folds, tape marks in corners, backed on linen.

Lot 1170

A Turkish woollen carpet, and two Caucasian examples (all heavily worn)Condition Report: The Lighter colour example is A/F, with holes, very dirty and worn, large example

Lot 672

A Morris car badge, table lighter, plated cigarette case, copper ashtray, etc.

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