A group of Chinese famille rose dishes, Qing, late 19th /early 20th century, comprising a small pedestal dish painted with four fish, a small octagonal dish on raised foot, with moulded decoration of the eight trigrams, engraved collectors mark to the underside, a circular sectioned dish painted with a cricket and flowers, two with Tongzhi seal marks, and two toilet boxes, each painted with figures, 8cm dia - 12cm diaAll free from any obvious chips, cracks or restoration. Other than light signs of use, all are in good order.
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A set of three Chinese porcelain dragon and Fenghuang dishes, the incised decoration in green and aubergine against a mustard yellow ground, each with apocryphal Qianlong seal mark, 13cm dia, in an old Japanese wood boxOne dish has a rim chip from which issues a 1.5cm hairline crack. All other dishes are in good condition.One dish has a small black mark on the rim, see images
A collection of Chinese coins, Warring States - Song Dynasty, to include a knife and spade example, approximately 81 coins, mixed dates and grades, a taotie applique, a split seal with temple lion mount, three pendant seals and two bronze figures of AvalokitesvaraCoins are not pristine but the majority are decipherable. Signs of wear and tear commensurate with age.
Chinese painting on silk depicting a scholar's rock and flowers. With a calligraphic inscription and several red seal marks along the upper right. This artwork is a hand painted reproduction of an earlier painting.Provenance: Collection of Bruce Dayton & Ruth Stricker Dayton, Minnesota.Sight; Height: 14 1/4 in x width: 23 in. Framed; Height: 22 in x width: 32 3/4 in.
An early 20th Century Chinese silver vesta box holder, of sheared oblong form closed at one end and having a hinged lid to the other, the top decorated with an applied seal displaying The Municipal Seal of the Shanghai International Settlement, and the motto "Omnia Juncta in Unoan" together with its Chinese translation, verso decorated with an engraved Chinese character, maker's mark "TC" stamped to the end, 39 g, 6 x 5.5 x 2 cm [Omnia Juncta in Uno translates as "All Joined in One", being the motto on the municipal seal of the Shanghai International Settlement (1843-1941) which signified the joint governance of foreign powers in the settlement]
A Chinese porcelain wine cooler, Qianlong seal mark, possibly Republic period, of cylindrical form with a white glazed cell-diaper incised exterior, with two zoomorphic lugs, turquoise interior, 12.5cm high No obvious cracks or restorations. The interior is water stained. Exterior with some discoloration to the white glaze. General wear and scratching also visible throughout.
A pair of Chinese blue and white 'Eight Immortals' bowls: each exterior painted with the eight daoist Immortals, the interior with the three star gods Shoulao, Fuxing and Luxing within a roundel, six-character Qianlong seal marks, 15cm [one with short hair crack to rim and tiny flat chip to foot-rim; the other with glued section to rim].
A Chinese blanc-de-Chine seal-paste box and cover and a similar libation cup, Qing Dynasty [18th century]: the box moulded with a floral spray within a line and reeded border, 7.5cm diameter [small rim chips]; the cup of rhinoceros horn shape with relief sprigs of a deer, a bird and pine sprays, 5.5cm high [2].
A WALRUS IVORY SEAL NETSUKE OF A SHISHI WITH MOKUGYO, ATTRIBUTED TO RENSAIAttributed to Rensai, unsigned Japan, Tokyo, Asakusa District, late 19th centuryThe shishi seated on its rear haunches atop an oval base, its front paws resting on a mokugyo, the beast's curled mane and bushy tail finely incised and heightened with sumi, its spine neatly articulated, the floppy ears and fierce eyes well carved, the base with a central himotoshi, the seal face reading Mugaku 無學, which means “no learning”, a phrase often used by Zen priests or Japanese literati with interest in Chinese studies.LENGTH 3.7 cmCondition: Very good condition with some surface wear, natural imperfections to the material, traces of use.Provenance: Christie's, Fine Japanese Works of Art, 19 November 1986, London, lot 414 (sold for 770 GBP, approx. 2,498 GBP today after inflation). The Gabor Wilhelm Collection, Paris.Literature comparison: Compare three closely related netsuke depicting shishi, two attributed to Rensai, the third signed Rensai, illustrated in Sydney L. Moss Ltd. (2016) Kokusai the Genius: and Stag-antler Carving in Japan, vol. III, p. 16-19, nos. 331 and 332, and p. 22-23, no. 336.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore this item can only be shipped within the EU or picked up in our gallery in person.
A VERY RARE CHAMPLEVE-DECORATED IRON 'INRO-SHAPED' WRITING SETUnsigned Japan, late 18th to early 19th century, Edo period (1615-1868)Of upright form and oval section, the hinged container cast as an inro with incised faux-cases, secured by a gilt-metal pin inserted in one of the cord holes, opening to reveal various small gilt-metal tools, including a brush, spoon, knife, and tweezers, as well as two hinged seal paste containers. The iron exterior is finely inlaid with prunus blossoms and dew drops in gilt-metal, silver, copper, and champleve enamel.HEIGHT 6 cmCondition: Good condition with minor wear and manufacturing flaws, tiny nicks, light surface scratches, few small losses to inlays, the interior with extensive traces of use, some of the gilt-metal fittings oxidized.Provenance: Formerly the property of the Strong Museum, donated by Margaret Woodbury Strong (1897-1969), a prolific collector and founder and namesake of the museum. The underside with an accession number, '75.534[0]'. The Strong National Museum of Play (known as just The Strong Museum or simply the Strong) in Rochester, New York is the only collections-based museum devoted solely to the study of play. With a metal netsuke cast in openwork as a hamaguri clam with floral and scroll decoration, attributed to Karamonoya Kyubei, who is mentioned in the Soken Kisho published in 1781. Kyubei is described as making ashtrays, Chinese-style cast netsuke and kuwara (rings used for a priest's kesa). Other designs include gourds, incense burners, eggs, and clams. Many other shapes were used for his Netsuke. Sophisticated designs such as rain dragons, arabesques, flowers, clouds, and spirals were skillfully combined to create an openwork finish. They are very high-quality, perfect netsuke, not too heavy, not too light, and are very comfortable to the touch.With a globular ojime with wire-inlaid decoration of ingots and pearls.
YOZEI: A FINE TSUISHU (RED LACQUER) NETSUKE OF A NOH MASK, KO-OMOTEBy Yozei, signed Yozei 楊成 zo 造Japan, late 19th to early 20th centuryThe wood ground finely carved and lacquered in black and red to depict the face of a young woman with almond-shaped eyes and slender lips forming a cheerful smile, the reverse with a central himotoshi bar, the wood ground to the reverse with the signature YOZEI zo.HEIGHT 5 cmCondition: Good condition with some wear and little rubbing to lacquer.Provenance: European collection P. Jacquesson, acquired from Robert Fleischel on 10 September 2007.With a wood storage box with hakogaki inscription reading, 'Men-netsuke, Yozei zo' (A mask netsuke, made by Yozei) with a red seal.Ko-omote (literally, “little mask”) conveys the beauty of a girl not yet twenty. A skilled actor can imbue an impassive expression with subtle emotion according to his movements; this is the prototype for more than twenty other masks for female roles, each varying subtly from the innocence of this mask to convey sensuous, passionate, demented, or supernatural characteristics.Tsuishu Yozei was the hereditary name given to a famous family of lacquerers, which dated back to the mid-fourteenth century and which specialized in tsuishu in the style of Chinese carved lacquers. Jahss writes that their tsuishu “far surpasses the Chinese work in richness and color, beauty, skill of carving and variation of design”. Judging from the signature and hakogaki inscription, the present netsuke was likely carved by Tsuishu Yozei (1880-1952), who succeeded as Yozei in 1896. His given name was Toyogoro and he studied carving under Ishikawa Komei and Japanese-style painting under Satake Eiko. He was a frequent exhibitor and judge for the Teiten, Bunten, and Nitten exhibitions, and was a member of the prestigious Nihon Gijutsuin (Japan Art Academy) in Tokyo. See Earle, Joe [ed.] (1995) The Index of Inro Artists, p. 331-332.Literature comparison: Compare a ko-omote mask dated to the 18th century in the collection of the Metropolitan Museum of Art, accession number 1993.341.1.
A collection of costume jewellery to include various silver jewellery including silver charm bracelet with various vintage charms, Scottish silver brooch, silver Cycling 'Peels Cycling club', Victorian brooch, ingots, chains, along with a gilt metal seal pencil (A/F, an amber/copal resin bead necklace, white metal and costume paste set jewellery and a bowenite carved Chinese figure (1 bag)
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27276 item(s)/page