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A set of eight 19th century Samson of Paris porcelain cabinet cups & saucers in a Chinese export famille rose armorial wares style, the cups decorated with lion and unicorn armorial within raised rocaille curves and sprigs, fuchsia pink crosshatch border above purple feathers and highlighted with gilt rims, the matching saucers with floral spray to the centre, pseudo-Chinese seal mark to undersides (factory mark for use on imitations of Chinese export porcelain), saucers, 4 3/8in. (11cm.) diameter, cups, 2in. (5.2cm.) high. (16)
A pair of Chinese porcelain garden seats,20th century, of barrel shape, each painted in enamels with lotus flowers on a pink ground with applied 'bosses' and pierced cash motifs, with red Qianlong seal mark to base,50cm high (2)Condition report: No obvious major faults. Spurious Qianlong seal marks to base, and one with 'Made in Macau' sticker.
A Chinese doucai 'dragon' jar and cover, Qianlong seal mark, late 19th/early 20th century, the ovoid body painted with two scaly dragons chasing 'flaming pearls' amidst ruyi shaped clouds and scrolling flames, all between a lappeted border encircling the foot and a 'bajixiang' border above a row of ruyi heads at the shoulder, rising to a short neck, the flat topped cover painted with a flaming pearl and ruyi shaped clouds, the base inscribed with an underglaze-blue reign mark, 20cm high, neck broken and gluedCONDITION: The neck is broken in several sections and messily re-glued. Occasional minor scratches to the glaze otherwise in good condition.cf. a similar design doucai 'dragon' jar without cover sold by Sotheby's Hong Kong, Fine Chinese Ceramics & Works of Art sale, 5 October 2011, lot 2111.
A pair of large Chinese turquoise ground famille rose moon flasks, Tongzhi seal mark and of the period (1862-74), each painted to circular reserves with dignitaries and attendants hunting a stag in a landscape, the reverse with pheasants and magpies amid peonies, rockwork and magnolia, within lotus flower scrolling leaf and shou motifs to the turquoise ground, chi-dragon gilt handles to the shoulder, 51cm high, Provenance - A. T. Arber-CookeCONDITION: Both with some minor wear to the gilding. One of the moon flasks has been broken at the neck with some now slightly discoloured restoration around the area on the interior and exterior. The yellow discoloured restoration on the interior of the neck is also peeling off in places, the other vase is in good condition with no restoration chips or cracks.Provenance - Alfred Theodore Arber-Cooke (c.1905-1993); thence by family descent. Arber-Cooke was an antiquarian and avid collector of Asian works of art, and antiquities principally collecting from the 1930s to the 1970s. He amassed a good reference library on Chinese & Asian coins and wrote on several occasions (1969-70) to to the academic F.A. Turk regarding the study of coin amulets and other non-currency coinages of China. A number of the Asian numismatic reference books will be offered in our 29th March sale.Arber-Cooke initially lived in Wimbledon, Greater London and was involved with the Surrey Archaeological Society. He wrote the book 'Old Wimbledon', with a foreword the MP Sir Arthur Fell, published in 1927. He later moved to Llandovery in Carmarthenshire, Wales, again involved with local archaeology and wrote the History of Llandovery, published in 1975.
A Chinese bamboo 'bamboo sprig' wrist rest, 18th century, carved in high relief with bamboo and incised with a calligraphic inscription and the artisan's seal mark, with golden to caramel brown patina, 17.2cm highProvenance - Dr J W H Grice (1891-1976) collection.CONDITION: There a few tiny losses to the tips of carved leaves top left and toward the bottom. The underside has remnants of a black ink inscription with some darker patina and a worn central rib, otherwise in good condition.ProvenanceDr John William Hawksley Grice (1891-1976) is regarded as a very important collector of carving in Britain; at the time he was collecting, he appears to have been unique among his peers for admiring Qing dynasty carvings. He wrote about 'Chinese Bamboo Carving' in Country Life in 1954, one of the first articles in English on the subject, and at the time he was collecting he appears to have been unique among his peers for admiring late carving. Dr Grice and his wife Kathleen moved to China in 1922 and he worked as a doctor in Tianjin for 30 years. He built his ivory and bamboo collection in China in the decades he spent there before leaving in 1952. He gave a sizeable proportion of his carved bamboo collection to London's Victoria and Albert Museum and donated other ivories and bamboo to the British Museum.
A Chinese bamboo rest or stand and a bamboo 'cicada' charm or rest, 18th/19th century, the first rest carved in relief with two figures on or by a river, two character mark, with removeable central panel 9.5cm, collection label no.35, the cicada incised in seal script, 13.5cmProvenance - Dr J W H Grice (1891-1976) collection
A pair of Chinese coconut 'landscape' cups and a similar peach-shaped cup, 18th/19th century, the pair each carved in high relief with figures in river landscape scenes, copper lined, 7.5cm diameter, the smallest finely carved in high relief with birds, butterflies, rocks and shrubs, two character seal mark to the base, white metal lining, 4.7cm wide,Provenance - Dr J W H Grice (1891-1976) collection
* Shen Ben ??. [Two Dragons Fighting] ???????, 18th century, black ink and black and grey wash on silk, signed and with red seal to right margin at centre, some surface marks and discolouration, mounted on patterned silk scroll, with three 19th century handwritten labels in brown ink to reverse giving the title and artist's name, and the number 86, 131 x 61 cm (51.5 x 24 ins)Qty: (1)NOTESProvenance: A.W. Bahr Collection. Abel William Bahr (1877-1959), collector of Chinese art and antiquities, and Secretary of the North China branch of the Royal Asiatic Society. A.W. Bahr is the author of Old Chinese Porcelain and Works of Art in China, being descriptions and illustrations of articles selected from an exhibition held in Shanghai, November 1908, published in 1911. A Survey of Chinese Paintings in the Bahr Collection by Osvald Siren was published by the Chiswick Press in 1938.
A Chinese apple green glazed shallow dish, Qing, 19th century, the exterior with two five clawed, scaley dragons chasing flaming pearls amidst clouds, six character Qianlong seal mark, 18.5cm, an apple green glazed club vase, 21cm, a dark green glazed pottery vase, with deep incised spear head panels, moulded mark to underside, 18.5cm, a caramel glazed lotus bowl, with incised decoration, four character Qianlong mark, 18cm dia, a blue glazed twin handle vase on integral hexagonal base, 20cm, and a Japanese turquoise glazed korot, 20cmQty: 6Condition report: The Qianlong marked apple green dish has a poorly repaired break on the rim, the interior of the break shows a hairline crack, there are a further four rim to almost foot rim hairline cracks, three of which are visible on the exterior. The glaze has many stress fractures when closely inspected. The green monochrome has repaired breaks. The caramel lotus bowl extensively broken and glued. A small glaze chip to dark green glazed vase. Rim nibbles to the blue glaze vase. Korot with damaged knop.
A Chinese late Qing - early 20th century shallow porcelain censer, with a shaped and raised barbed rim, raised on three stylised elephant head supports, with a copper blue ground glaze throughout, an apocryphal impressed seal mark for Qianlong to the underside. 19.5cm diam.Condition report: No apparent major defects.
A Chinese reverse decorated coral ground bowl, late 19th century,10cm dia, a pair of iron red bowls, painted with lotus flowers, Shou symbols and bats, 8.5cm dia, an iron red bowl cover with painted Daoguang seal mark, a wine cup in the form of a lotus blossom, Batavian tea bowl and a saucer, a finely painted 18th century tea bowl, a hardstone cup carved with Shou symbols, a Republic porcelain bowl and a unmatched coverQty: 11Condition report: Coral bowl with rim chip. Both iron red bowls badly broken & glued. Iron red cover in good order. Hardstone cup broken in three pieces and glued. Lotus cup with rim chip and missing a foot. Unmatched cover with hairline crack. 18th century tea bowl with tiny rim and footrim chips and a rim to footrimmhairline crack. Batavian bowl with tiny tim nick, the saucer broken in two and glued.
A CHINESE EXPORT BOWL AND COVER FOR THE PERSIAN MARKET painted with mythical beasts on a black ground surrounded by scrolling foliage ,12cm diameter and a celadon ground bowl and cover painted with flower heads and foliage, blue seal mark, 15.5cm diameter (2) Condition Report: export bowl cover restored.
A Chinese bronze brush rest, modelled as kylin, 13cm long, four carved Hediao nuts, a Chinese compass and various sundries CONDITION REPORT: One nut has two splits.Boat shaped nut has some small chips to carved detail.Standing wood figure has some small chips and wear.Desk seal is worn.Enamel pendant has serious losses to enamel script.The item with clear handle is incomplete.
A Chinese government bond 'Five Percent Reorganisation Gold Loan of 1913 for £25,000,000 Sterling', various seal marks and signatures, the bond approx 45 x 33cm, framed and glazed.Additional InformationFold line to the centre, slight crimpling to the top and a crease mark to the upper right, but overall OK.
A Chinese blue and white vase, Qianlong seal mark and probably periodOf baluster form with everted rim, finely painted with a scene of scholars in a landscape amid trees and rocks, studying a scroll inscribed with a taijitu.35cm highCondition report: Hairline to rim edge with associated tiny chip. Otherwise good overall condition with only negligible signs of age.
A Chinese Doucai Taoist Bagua plate, Daoguang seal mark and probably periodOf plain circular shape, the rim decorated with a band of green waves, the middle with the eight trigrams surrounding a central taijitu.20.5cm dia.Condition report: Some misfiring of the enamel in places. Please refer to images.
A Chinese figural desk seal and a Chinese Export pepper pot, the seal, circa 1880-1900, representing a bearded figure wearing a HAN FU costume and bat wing headdress, both stamped with two zhuanshu seal characters for Shou representing Longevity, the pepper pot, circa 1900-1930, with screw off cover, raised on three feet and decorated with dragons, hallmarked to the base for Hung Chong, both white metal, first length 8.6cm, second 8.5cm. £120-£150 --- Hung Chong was working in Canton and Shanghai circa 1860-1930 and is recorded as employing Chinese Export silversmiths within the period of the second quarter of the 19th century to the first quarter of the 20th century.

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28842 item(s)/page